Anthony Nolan

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anthony nolan Anthony Nolan is a partner of Kennedy Associates Architects, an architectural and urban design practice based in Annandale, Sydney, specialising in urban design and community, public, residential and environmental architecture. Anthony has over 25 years experience in the design, documentation and contract administration of a wide range of projects and is an acknowledged industry leader in the integration of sustainability and architecture, with a particular focus on the provision of social, affordable and accessible housing. Kennedy Associates Architects, employs 15 people, has worked on over 500 projects ranging in value up to $100m in both Australia and Asia and has a client base that includes government agencies, local councils, religious organisations, community organisations, and private developers. Anthony’s work has received numerous industry awards including the prestigious Australian Institute of Architects Sir John Sulman Medal, the highest award for architecture in NSW, for the Bowden Centre and the Australian Steel Institute’s National Steel Excellence Award for the AGL Lakeside Pavilion. Anthony has been extensively involved in advocacy. He was chair of the Australian Institute of Architects National Sustainability Committee, co-chair of the NSW Sustainability Committee, has contributed to a wide range of AIA submissions and publications, taught at several universities, and is a regular presenter of papers at conferences and forums. education Bachelor of Architecture (Honours) - University of Technology, Sydney professional registrations NSW Architects Registration Board. Registration No. 6773 Board of Architects of Queensland. Registration No. 4954 professional associations Member of the Australian Institute of Architects Member of the Association of Consulting Architects Member of the Australasian Housing Institute Member of the Australian Building Sustainability Association awards 2016 NSW Federation of Housing Associations Awards - Best Development Award for Potts Hill Affordable Housing Project in collaboration with Link Housing 2015 Australian Institute of Architects - Small Project Awards Commendation for The AGL Lakeside Pavilion 2014 Australian Steel Institute - NSW & ACT Steel Excellence Awards Winner Buildings (Small) for The AGL Lakeside Pavilion 2014 Australian Steel Institute - National Steel Excellence Awards Winner Buildings (Small) for The AGL Lakeside Pavilion 2008 Australian Institute of Architects Sir John Sulman Medal for Outstanding Architecture for The Bowden Centre, Mt Annan 2008 Australian Institute of Architects Awards Sustainable Architecture Award for The Bowden Centre, Mt Annan kennedy associates architects.

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24 March 2020 Mr Tim Smith Director Operations Heritage NSW
Upper Fort Street, Observatory Hill Millers Point, NSW 2000 GPO BOX 518 Sydney NSW 2001 T +61 2 9258 0123 F +61 2 9251 1110 www.nationaltrust.org.au/NSW 24 March 2020 Mr Tim Smith Director Operations Heritage NSW Department of Premier and Cabinet Locked Bag 5020 PARRAMATTA NSW 2124 Email: [email protected] Dear Tim, Ultimo Power House – SHR Nomination The Exhibited Nomination Form I refer to the exhibited Nomination Form for the former Ultimo Power House that is proposed to be presented to the Heritage Council for consideration for inclusion on the NSW State Heritage Register. Although the nomination carries the National Trust’s name, in its current form it is very different to the nomination submitted by the National Trust in 2015. It appears to have been considerably re-worded since its receipt by Heritage NSW. The Ultimo Power House is clearly of State-level significance and should be included in the State Heritage Register (SHR), to give it the appropriate level of statutory oversight and protection. However, the National Trust is gravely concerned that, if the Power House were to be listed on the State Heritage Register for the reasons set out in the advertised nomination, then it would be listed for inadequate and poorly stated reasons (even if this were preferable to it not being listed at all). When the National Trust nominated the Ultimo Power House in 2015, we believed that the site involved larger heritage significance issues associated with its operation as part of the Powerhouse Museum. At the time, we had insufficient information to pursue that aspect of its significance.
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Hijjas Kasturi and Harry Seidler in Malaysia
Proceedings of the Society of Architectural Historians, Australia and New Zealand 30, Open Papers presented to the 30th Annual Conference of the Society of Architectural Historians, Australia and New Zealand held on the Gold Coast, Queensland, Australia, July 2-5, 2013. http://www.griffith.edu.au/conference/sahanz-2013/ Amit Srivastava, “Hijjas Kasturi and Harry Seidler in Malaysia: Australian-Asian Exchange and the Genesis of a ‘Canonical Work’” in Proceedings of the Society of Architectural Historians, Australia and New Zealand: 30, Open, edited by Alexandra Brown and Andrew Leach (Gold Coast, Qld: SAHANZ, 2013), vol. 1, p 191-205. ISBN-10: 0-9876055-0-X ISBN-13: 978-0-9876055-0-4 Hijjas Kasturi and Harry Seidler in Malaysia Australian-Asian Exchange and the Genesis of a “Canonical Work” Amit Srivastava University of Adelaide In 1980, months after his unsuccessful competition entries for the Australian Parliament House and the Hong Kong Shanghai Bank headquarters, Harry Seidler entered into collaboration with Malaysian architect Hijjas (bin) Kasturi that proved much more fruitful. Their design for an office building for Laylian Realty in Kuala Lumpur was a departure from Seidler’s quadrant geometries of the previous decade, introducing a sinuous “S” profile that would define his subsequent work. Although never realised, Kenneth Frampton has described this project as a “canonical work” that was the “basic prototype for a new generation of medium to high-rise commercial structures.” But Seidler’s felicitous collaboration with Hijjas was evidently more than just circumstantial, arising from a longer term relationship that is part of a larger story of Australian-Asian exchange.
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Fiche 2003 Modern Movement
Harry and Penelope Seidler House, Killara Sydney, NSW Australia d o c o m o m o _ _ ! ! International working party for documentation and conservation New International Selection of buildings, sites and neighbourhoods of the Full Documentation Fiche 2003 modern movement for office use only composed by national/regional working party of: Australia 0. Picture of building/ group of buildings/ urban scheme/ landscape/ garden depicted item: Harry and Penelope Seidler House source: Harry Seidler & associates web site http://www.seidler.net.au depicted item: Harry and Penelope Seidler House source: Harry Seidler & associates web site http://www.seidler.net.au d o ! c o _ m o ! m o _ International working party for ISC/R members update 2003 documentation and conservation of buildings, sites and neighbourhoods of the for office use only modern movement 1 of 10 Harry and Penelope Seidler House, Killara Sydney, NSW Australia 1. Identity of building/ group of buildings/ group of buildings/ landscape/ garden 1.1 Data for identification current name: HARRY AND PENELOPE SEIDLER HOUSE former/original/variant name: Harry and Penelope Seidler House number(s) and name(s) of street(s): 13 Kalang Avenue town: Killara, Sydney province/state: NSW post code: 2071 block: lot: country: Australia national topographical grid reference: current typology: Residence former/original/variant typology: Residence comments on typology: 1.2 Status of protection protected by: state/province/town/record only Proposed for listing on the State Heritage Register by the RAIA www.heritage.nsw.gov.ay
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North Shore Houses Project
NORTH SHORE HOUSES, State Library of New South Wales Generously supported by the Upper North Architects Network (SPUN), Australian Institute of Architects. Compiled by John Johnson Arranged alphabetically by architect. Augustus Aley Allen & Jack Architects (Russell Jack) Allen, Jack & Cottier (Russell Jack) Sydney Ancher Adrian Ashton Arthur Baldwinson Arthur Baldwinson (Baldwinson & Booth) John Brogan Hugh Buhrich Neville Gruzman Albert Hanson Edward Jeaffreson Jackson Richard Leplastrier Gerard McDonnell D.T. Morrow and Gordon Glen Murcutt Nixon & Adam (John Shedden Adam) Pettit, Sevitt & Partners Exhibition Houses Ross Brothers (Herbert Ernest Ross and Colin John Ross) Ernest A Scott (Green & Scott) Harry Seidler Harry and Penelope Seidler Douglas Snelling John Sulman War Service Homes Commission Leslie Wilkinson Wilson & Neave (William Hardy Wilson) Architect: Augustus Aley ‘Villa Maria’ (House for Augustus Aley), 1920 8 Yosefa Avenue, Warrawee Architect Augustus Aley (1883-1968) built 4 houses in Yosefa Avenue, Warrawee (Nos. 7, 8, 9, 11) two of which were constructed for himself. He and wife Beatrice (1885?-1978) moved into Villa Maria in 1920 and developed a fine garden. In 1929 they moved to a new house, Santos, at 11 Yosefa Ave. “Mr Aley, the architect, and incidentally the owner, has planned both house and garden with the utmost care, so that each should combine to make a delightful whole. The irregular shape and sloping nature of the ground presented many difficulties, but at the same time abounded with possibilities, of which he has taken full advantage. The most important thing, in a house of this sort, and indeed in any house, is aspect, and here it is just right.
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Mr Harry Seidler AC OBE
Mr Harry Seidler AC OBE The degree of Doctor of Science in Architecture (honoris causa) was conferred upon Harry Seidler at the Architecture ceremony held on 6 April 2000. Citation Chancellor I have the honour to present to you Harry Seidler for admission to the degree of Doctor of Science in Architecture, honoris causa. Harry Seidler was born in Vienna in 1923 and migrated to Britain when Austria was invaded shortly before the Second World War. In 1939, he was sent with other Germans and Austrians to Canada where he was admitted to study Architecture at the University of Manitoba. He graduated in 1944 and was accepted by the Harvard Graduate School of Design to do post-graduate work with Walter Gropius and Marcel Breuer. Later he spent some time with the painter Joseph Albers at Black Mountain College, North Carolina, and subsequently worked with Breuer in New York. He was also, for a brief time, with Oscar Niemeyer in Rio. In 1948, he came to Sydney, and in 1951, won the Sir John Sulman Medal for the first house he built in Australia, the Rose Seidler House at Turramurra. Seidler was exceptionally fortunate in his outstanding teachers, and his youthful international experience. Both influences made him sensitive to cultural differences, and throughout his career as an international architect, his buildings have acknowledged these. In his early years in Sydney, domestic architecture was his main preoccupation. He built houses and high rise apartment blocks in many Sydney suburbs, all of which are recognizable by their strong structural features. In 1960, Seidler began to work with the Italian engineer Pier Luigi Nervi, on the cylindrical tower for Australia Square.
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Concrete: Art Design Architecture Education Resource Contents
CONCRETE: ART DESIGN ARCHITECTURE EDUCATION RESOURCE CONTENTS 1 BACKGROUND BRIEFING 1.1 ABOUT THIS EXHIBITION 1.2 CONCRETE: A QUICK HISTORY 1.3 WHY I LIKE CONCRETE: EXTRACTS FROM THE CATALOGUE ESSAYS 1.4 GENERAL GLOSSARY OF CONCRETE TERMS AND TECHNOLOGIES 2 FOR TEACHERS 2.1 THIS EDUCATION RESOURCE 2.2 VISITING THE EXHIBITION WITH STUDENTS 3 FOR STUDENTS GETTING STARTED: THE WHOLE EXHIBITION ACTIVITIES FOR STUDENTS’ CONSIDERATION OF THE EXHIBITION AS A WHOLE 4 THEMES FOR EXPLORING THE EXHIBITION THEME 1. ART: PERSONAL IDENTITY: 3 ARTISTS: ABDULLAH, COPE, RICHARDSON THEME 2. DESIGN: FUNKY FORMS: 3 DESIGNERS: CHEB, CONVIC, GOODRUM THEME 3. ARCHITECTURE: OASES OF FAITH: 3 ARCHITECTS: MURCUTT, BALDASSO CORTESE, CANDALEPAS OTHER PERSPECTIVES: VIEWS BY COMMENTATORS FOLLOW EACH CONTRIBUTOR QUESTIONS, FURTHER RESEARCH AND A GLOSSARY FOLLOW ART AND DESIGN CONTRIBUTORS A COMMON ARCHITECTURE GLOSSARY FOLLOWS ARCHITECTURE: OASES OF FAITH 5 EXTENDED RESEARCH LINKS AND SOURCES IS CONCRETE SUSTAINABLE? 6 CONSIDERING DESIGN 6.1 JAMFACTORY: WHAT IS IT? 6.2 DESIGN: MAKING A MARK 6.3 EXTENDED RESEARCH: DESIGN RESOURCES 6 ACKNOWLEDGEMENTS Cover: Candalepas Associates, Punchbowl Mosque, 2018 “Muqarnas” corner junction. Photo; Rory Gardiner Left: Candalepas Associates, Punchbowl Mosque, 2018 Concrete ring to timber dome and oculus. Photo: Rory Gardiner SECTION 1 1.1 About this exhibition BACKGROUND BRIEFING CONCRETE: ART DESIGN ARCHITECTURE presents 21 exciting concrete projects ranging from jewellery to skateparks, hotel furniture, public sculptures, mosques and commemorative paving plaques. All 21 artists designers and architects were selected for their innovative technical skills and creative talents. These works show how they have explored concrete’s versatility by pushing its technical boundaries to achieve groundbreaking buildings, artworks and design outcomes.
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Library Wins Sulman Prize
Volume 8 Number 9 5 June 1987 ISSN 0158 0876 Newsletter of the Library Association of Australia 376 Jones St, Ultimo 2007 Tel: (02) 692 9233 Toll free (008) 22 1481. Fax (02) 692 0689 Library Wins Sulman Prize You, like me, are probably pleased when your library gets a small men tion in the local rag, but imagine the thrill of turning to a two-page full col our spread on your ‘local’ in an up market glossy magazine. Residents of Orange have experienced this thrill Photos: covered glass and steel recently as their ‘haute architecture’ entrance court; be hi-tech library has won the coveted low: two views of Sulman Architecture Medal and been the exterior; bot feted in Vogue Living with some stun tom: inside the li ning photography and an article by brary Betsy Brennan ... It’s not quite what one expects of a regional art gallery and library. The 1986 winner of the Sir John Sulman Medal, given by the NSW chapter of the Royal Australian Institute of Bp,. Architects, is neither a neo-classical monu ment on main street nor a recycled barn on ifspirara*!?!inia the out-skirts of town. Architect Colin Still’s \U ,*j building rambles diagonally across a small HiiMiJi site just a step from the city centre of Orange. Its scale is almost domestic, its imagery is drawn from the region around it. Phis low, walled building’s tartan grid of . -ft. - - shimmering tiles is the gentle pink of over, its open-arm design embraces the civic In public spaces, the carpeted floors, the apple blossoms, its steel-meshed sun centre, with its council rooms, exhibition soft-sell approach to entrances, the library’s screens the yellow of wattle in bloom.
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Capability Statement & Company Profile
capability statement & company profile kennedy associates architects contents our projects 2 philosophy 3 sustainability 5 clients 8 collaboration 9 expertise 11 -14 international experience 17 awards, commendations 19-21 and publications key staff 24-25 capability 27 recent projects 30-38 our projects Our projects have included: urban design projects public buildings commercial buildings community centres religious buildings education facilities child care centres mixed use commercial / residential developments Kennedy Associates Architects is an architectural and urban design practice based in Annandale, Sydney specialising in urban design, site planning and community, multi unit housing residential and environmental architecture. The practice was formed in 1994 by Steve Kennedy and currently employs 15 people. retirement villages Since formation Kennedy Associates have worked on over 500 projects ranging in value from $100,000.00 to $100m. Kennedy Associates’ client base includes, government departments, local councils, religious organisations, community organisations, and aged care projects private developers. Our current work includes projects in both Australia and Asia. Kennedy Associates work has won numerous awards and is regularly and widely single houses published. 01 | capability statement kennedy associates architects philosophy Kennedy Associates reputation is based on our rigour, thoroughness and professionalism. The firm’s philosophy is based on beauty in the full depth of meaning of the exploration and understanding of the word. That is, the achievement of contemporary architectural issues within buildings, which not only meet their a modernist language. physical and financial requirements but also provide places which influence We are a design based firm, which and enhance the lives of their users places significant emphasis on our and contribute meaningfully to the ability to assess and respond to the progression of our cultural development.
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Templates and Checklist for the Notification of Registrable
Australian Capital Territory Public Place Names (Taylor) Determination 2017 (No 3) Disallowable instrument DI2017-244 made under the Public Place Names Act 1989, s 3 (Minister to determine names) 1 Name of instrument This instrument is the Public Place Names (Taylor) Determination 2017 (No 3). 2 Commencement This instrument commences on the day after its notification day. 3 Determination of Place Names I determine the place names as indicated in the schedule. Ben Ponton Delegate of the Minister 15 September 2017 Authorised by the ACT Parliamentary Counsel—also accessible at www.legislation.act.gov.au SCHEDULE (See section 3) Division of Taylor – architects, town planners and urban designers The location of the public places with the following names is indicated on the associated diagram. NAME ORIGIN SIGNIFICANCE Ambler View Judith Margery Architect, environmentalist, councillor Haworth Ambler (nee Hill) Judith Ambler studied architecture at the (1929-2005) University of Sydney 1946-50 where she was one of six women studying with 75 men. She practised as an architect with firms including McConnell, Smith and Johnson, and with Bill Lucas, before branching out on her own, designing houses, additions and alterations. She moved to Cammeray in 1970 and was involved in the Residents Action Group opposing over- development. Through that work Ambler was elected to North Sydney Council, serving from 1971-74, where her vision of a low-rise civic centre for North Sydney prevailed over the high rise ‘Sabemo Scheme’, and the Civic Park was opened in 1982. Civic Park is now the arena for festivals, markets, picnics and concerts, and this campaign was a defining moment in the history of North Sydney.
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Powerhouse Museum Rethink on Relocation Decision Welcome News for Designers
POWERHOUSE MUSEUM RETHINK ON RELOCATION DECISION WELCOME NEWS FOR DESIGNERS 13 July 2020 The Design Institute of Australia (DIA) is relieved that the views of the design community and others over the last five years have been heard and that the planned move to Parramatta and the redevelopment of the Ultimo site won’t proceed. The Powerhouse Museum has existed in Ultimo in various forms for over 125 years. It holds a vast collection of national importance and has built a broad community around its public programs. *As the DIA argued in 2015 when the relocation and redevelopment plans were announced, the current adaptive re-use of the former Ultimo power station is also an important example of Sydney’s postmodern built heritage. The Powerhouse Museum is listed by the National Trust and in 1988 was awarded the Sir John Sulman Medal, the highest architectural prize of the New South Wales chapter of the Australian Institute of Architects. It has also won a range of other awards, including the National Royal Australian Institute of Architects Award for Interiors. Quotes attributable to Jo-Ann Kellock, DIA Chief Executive Officer: “The Design Institute of Australia has always recognized the importance of the Powerhouse Museum to the nation’s design heritage. As a country, we have much to be proud of across the design disciplines. Our future prosperity is linked to understanding the role and value of design and the Powerhouse Museum is integral to building this awareness.” Quotes attributable to Bradley Schott, Chair, Policy Committee: “The needs of the design community and the community of western Sydney can both be served by this decision.
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Determination 2018 (No 2)
Australian Capital Territory Public Place Names (Taylor) Determination 2018 (No 2) Disallowable instrument DI2018–213 made under the Public Place Names Act 1989, s 3 (Minister to determine names) 1 Name of instrument This instrument is the Public Place Names (Taylor) Determination 2018 (No 2). 2 Commencement This instrument commences on the day after its notification day. 3 Determination of place names I determine the place names as indicated in the schedule. Ben Ponton Delegate of the Minister for Planning and Land Management 06 July 2018 Authorised by the ACT Parliamentary Counsel—also accessible at www.legislation.act.gov.au Schedule (see cl 3) Division of Taylor – Architects, town planners and urban designers The location of the public places with the following names is indicated on the associated diagram. NAME ORIGIN SIGNIFICANCE Arney Close Peter Arthur Architect Brent Arney Peter Arney trained in architecture with the Perth (c.1927 – 1996) based firm Oldham Boas Ednie-Brown, commencing in 1946. Mentored by Colin Ednie- Brown, Arney rose to become one of the firm’s lead design partners. He is remembered as a key driver of the firm until his retirement in the 1990s. Early in his career he designed the distinctive Parmelia Hotel in central Perth and was involved in many office building projects. He won acclaim for his design of the Cable Beach Club resort in Broome in the 1980s. The international resort’s architectural style uniquely drew upon Broome’s built heritage and associations with the pearling industry. Arney also specialised in the field of medical architecture, designing and building hospitals and homes for the elderly and disabled.
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Australian Modern Architecture Seen Through European Journals (1945-75)
When Distance Matters: Australian Modern Architecture Seen Through European Journals (1945-75) Ana Esteban Maluenda Universidad Politécnica de Madrid If we look at an Antipodes World Map, Europe and Australasia are relatively close, so much so that New Zealand and Spain share a virtual territory. Thinking about antipodes, remoteness implies coincidence and distance brings countries closer together. This paper aims to track the spread that modern Australian architecture reached in some of the main European nodes of reception and emission of news: France, Great Britain, Italy, Switzerland and Spain. Based on articles published in the architectural periodicals of the moment, it will establish which aspects of Australian architecture mattered in these countries. More importantly, these cases can be compared with each other and, as a whole, with the interest that other closer continents aroused in Europe. Did distance play the same role in all cases? , edited , edited Or had any other circumstances, such as politics or economics, more weight in the rapprochement between countries? Is the presence of Australian architecture in modern canonical historiography the direct result of these exchanges of information? In short, does historiography have a debt to distance? , Distance Looks Back Keywords: Diffusion of modern architecture; European architecture periodicals; 36 Australian modern architecture; Harry Seidler; Sydney Opera House Proceedings of the Society of Proceedings of the Society of Architectural Historians, Australia and New Zealand
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