Hijjas Kasturi and Harry Seidler in Malaysia
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INSTITUTE of CURRENT WORLD AFFAIRS Hanover, NH 03755
INSTITUTE OF CURRENT WORLD_ AFFAIRS 23 Jalan AU5 C/3 Lembah Keramat Uln Kelang, Selangor Malaysia 20 September 1982 BEB-IO Groping Mr. Peter Bird Martin Institute of Current World Affairs Wheelock House West Wheelock Street Hanover, NH 03755 Dear Peter, Hijjas Kasturi is an architect. "For some time no," he says,"each of us has been try- ing in our various directions, to fiud Malaysian architec- ture. We haven't found it yet, and I think it will take at least another generation before anything is formalized. This is the beginning; a very exciting period, but one full of dis c ont inuit ies .-,' "we lack a charismatic leadership to define IVia!aysian architecture as Frank Lloyd Wright did at one time for Aer- ican architecture. We all come from diffe.rent architectural schools with different philosophies. There is no unity. Some architects only want to implement what they've learned abroad. Others think the inangkabau roof, 'Islaic' arches and other ornamentation are enough. Its a horrible misconception that these cons.titute Malaysian architecture. These are elements. Elements are superficial things. en you think in elements you will trap yourself and become artificial in your assess- ment and in your discipline. In my firm we are looking for semething deeper aan that. We are not always successful. But we are searching. We are groping. And we are very committed. I think one day we may make history." Heavy stuff coming from the founder and sole proprietor -of a seVenty-member architectural firm barely five years old this year, with most oi" its portfolio either on the drawing boards or under construction. -
24 March 2020 Mr Tim Smith Director Operations Heritage NSW
Upper Fort Street, Observatory Hill Millers Point, NSW 2000 GPO BOX 518 Sydney NSW 2001 T +61 2 9258 0123 F +61 2 9251 1110 www.nationaltrust.org.au/NSW 24 March 2020 Mr Tim Smith Director Operations Heritage NSW Department of Premier and Cabinet Locked Bag 5020 PARRAMATTA NSW 2124 Email: [email protected] Dear Tim, Ultimo Power House – SHR Nomination The Exhibited Nomination Form I refer to the exhibited Nomination Form for the former Ultimo Power House that is proposed to be presented to the Heritage Council for consideration for inclusion on the NSW State Heritage Register. Although the nomination carries the National Trust’s name, in its current form it is very different to the nomination submitted by the National Trust in 2015. It appears to have been considerably re-worded since its receipt by Heritage NSW. The Ultimo Power House is clearly of State-level significance and should be included in the State Heritage Register (SHR), to give it the appropriate level of statutory oversight and protection. However, the National Trust is gravely concerned that, if the Power House were to be listed on the State Heritage Register for the reasons set out in the advertised nomination, then it would be listed for inadequate and poorly stated reasons (even if this were preferable to it not being listed at all). When the National Trust nominated the Ultimo Power House in 2015, we believed that the site involved larger heritage significance issues associated with its operation as part of the Powerhouse Museum. At the time, we had insufficient information to pursue that aspect of its significance. -
Fiche 2003 Modern Movement
Harry and Penelope Seidler House, Killara Sydney, NSW Australia d o c o m o m o _ _ ! ! International working party for documentation and conservation New International Selection of buildings, sites and neighbourhoods of the Full Documentation Fiche 2003 modern movement for office use only composed by national/regional working party of: Australia 0. Picture of building/ group of buildings/ urban scheme/ landscape/ garden depicted item: Harry and Penelope Seidler House source: Harry Seidler & associates web site http://www.seidler.net.au depicted item: Harry and Penelope Seidler House source: Harry Seidler & associates web site http://www.seidler.net.au d o ! c o _ m o ! m o _ International working party for ISC/R members update 2003 documentation and conservation of buildings, sites and neighbourhoods of the for office use only modern movement 1 of 10 Harry and Penelope Seidler House, Killara Sydney, NSW Australia 1. Identity of building/ group of buildings/ group of buildings/ landscape/ garden 1.1 Data for identification current name: HARRY AND PENELOPE SEIDLER HOUSE former/original/variant name: Harry and Penelope Seidler House number(s) and name(s) of street(s): 13 Kalang Avenue town: Killara, Sydney province/state: NSW post code: 2071 block: lot: country: Australia national topographical grid reference: current typology: Residence former/original/variant typology: Residence comments on typology: 1.2 Status of protection protected by: state/province/town/record only Proposed for listing on the State Heritage Register by the RAIA www.heritage.nsw.gov.ay -
North Shore Houses Project
NORTH SHORE HOUSES, State Library of New South Wales Generously supported by the Upper North Architects Network (SPUN), Australian Institute of Architects. Compiled by John Johnson Arranged alphabetically by architect. Augustus Aley Allen & Jack Architects (Russell Jack) Allen, Jack & Cottier (Russell Jack) Sydney Ancher Adrian Ashton Arthur Baldwinson Arthur Baldwinson (Baldwinson & Booth) John Brogan Hugh Buhrich Neville Gruzman Albert Hanson Edward Jeaffreson Jackson Richard Leplastrier Gerard McDonnell D.T. Morrow and Gordon Glen Murcutt Nixon & Adam (John Shedden Adam) Pettit, Sevitt & Partners Exhibition Houses Ross Brothers (Herbert Ernest Ross and Colin John Ross) Ernest A Scott (Green & Scott) Harry Seidler Harry and Penelope Seidler Douglas Snelling John Sulman War Service Homes Commission Leslie Wilkinson Wilson & Neave (William Hardy Wilson) Architect: Augustus Aley ‘Villa Maria’ (House for Augustus Aley), 1920 8 Yosefa Avenue, Warrawee Architect Augustus Aley (1883-1968) built 4 houses in Yosefa Avenue, Warrawee (Nos. 7, 8, 9, 11) two of which were constructed for himself. He and wife Beatrice (1885?-1978) moved into Villa Maria in 1920 and developed a fine garden. In 1929 they moved to a new house, Santos, at 11 Yosefa Ave. “Mr Aley, the architect, and incidentally the owner, has planned both house and garden with the utmost care, so that each should combine to make a delightful whole. The irregular shape and sloping nature of the ground presented many difficulties, but at the same time abounded with possibilities, of which he has taken full advantage. The most important thing, in a house of this sort, and indeed in any house, is aspect, and here it is just right. -
Rejuvenating the Shophouse: Conservation of Historical Buildings in Penang’S Unesco World Heritage Site
Zahari Zubir et al., Int. J. of Herit. Archit., Vol. 2, No. 2 (2018) 335–346 REJUVENATING THE SHOPHOUSE: CONSERVATION OF HISTORICAL BUILDINGS IN PENANG’S UNESCO WORLD HERITAGE SITE ZAHARI ZUBIR, KOH JING HAO, NOR HAYATI HUSSAIN & PRINCE FAVIS ISIP School of Architecture, Building and Design, Taylor’s University, Malaysia. ABSTRACT Conservation of shophouses, the architectural heritage of the colonial past in Penang’s UNESCO World Heritage Site, is subjected to strict conservation regulations and guidelines imposed and en- forced by the local authority. The goal of the conservation effort is to add value to the dilapidated structures in order for them to remain relevant and economically viable while maintaining the his- torical essence of the site. Sadly, because of erroneous conservation treatments, many have failed to achieve the intended goals. This article explores the regulations and processes involved and the chal- lenges faced by building owners in conserving the shophouses. The significance of the study stem from the crucial need to deal with the issues involved in the conservation of heritage buildings within the rapid economic growth and transformation of Penang’s UNESCO World Heritage Site urban fabric. The study employs theoretical and analytical approaches as its methodology. This article dis- cusses the initiatives of three building owners in conserving shophouses into boutique hotel, museum and office, each originally of different purposes. Each of them applied adaptive reuse conservation strategy, with similar intention of rehabilitating the buildings for a more viable and current usage while maintaining their historical value and character. This article will serve as a reference for the local authorities, architects, designers, conservators and the public when embarking on projects of a similar nature in the future. -
Mr Harry Seidler AC OBE
Mr Harry Seidler AC OBE The degree of Doctor of Science in Architecture (honoris causa) was conferred upon Harry Seidler at the Architecture ceremony held on 6 April 2000. Citation Chancellor I have the honour to present to you Harry Seidler for admission to the degree of Doctor of Science in Architecture, honoris causa. Harry Seidler was born in Vienna in 1923 and migrated to Britain when Austria was invaded shortly before the Second World War. In 1939, he was sent with other Germans and Austrians to Canada where he was admitted to study Architecture at the University of Manitoba. He graduated in 1944 and was accepted by the Harvard Graduate School of Design to do post-graduate work with Walter Gropius and Marcel Breuer. Later he spent some time with the painter Joseph Albers at Black Mountain College, North Carolina, and subsequently worked with Breuer in New York. He was also, for a brief time, with Oscar Niemeyer in Rio. In 1948, he came to Sydney, and in 1951, won the Sir John Sulman Medal for the first house he built in Australia, the Rose Seidler House at Turramurra. Seidler was exceptionally fortunate in his outstanding teachers, and his youthful international experience. Both influences made him sensitive to cultural differences, and throughout his career as an international architect, his buildings have acknowledged these. In his early years in Sydney, domestic architecture was his main preoccupation. He built houses and high rise apartment blocks in many Sydney suburbs, all of which are recognizable by their strong structural features. In 1960, Seidler began to work with the Italian engineer Pier Luigi Nervi, on the cylindrical tower for Australia Square. -
Concrete: Art Design Architecture Education Resource Contents
CONCRETE: ART DESIGN ARCHITECTURE EDUCATION RESOURCE CONTENTS 1 BACKGROUND BRIEFING 1.1 ABOUT THIS EXHIBITION 1.2 CONCRETE: A QUICK HISTORY 1.3 WHY I LIKE CONCRETE: EXTRACTS FROM THE CATALOGUE ESSAYS 1.4 GENERAL GLOSSARY OF CONCRETE TERMS AND TECHNOLOGIES 2 FOR TEACHERS 2.1 THIS EDUCATION RESOURCE 2.2 VISITING THE EXHIBITION WITH STUDENTS 3 FOR STUDENTS GETTING STARTED: THE WHOLE EXHIBITION ACTIVITIES FOR STUDENTS’ CONSIDERATION OF THE EXHIBITION AS A WHOLE 4 THEMES FOR EXPLORING THE EXHIBITION THEME 1. ART: PERSONAL IDENTITY: 3 ARTISTS: ABDULLAH, COPE, RICHARDSON THEME 2. DESIGN: FUNKY FORMS: 3 DESIGNERS: CHEB, CONVIC, GOODRUM THEME 3. ARCHITECTURE: OASES OF FAITH: 3 ARCHITECTS: MURCUTT, BALDASSO CORTESE, CANDALEPAS OTHER PERSPECTIVES: VIEWS BY COMMENTATORS FOLLOW EACH CONTRIBUTOR QUESTIONS, FURTHER RESEARCH AND A GLOSSARY FOLLOW ART AND DESIGN CONTRIBUTORS A COMMON ARCHITECTURE GLOSSARY FOLLOWS ARCHITECTURE: OASES OF FAITH 5 EXTENDED RESEARCH LINKS AND SOURCES IS CONCRETE SUSTAINABLE? 6 CONSIDERING DESIGN 6.1 JAMFACTORY: WHAT IS IT? 6.2 DESIGN: MAKING A MARK 6.3 EXTENDED RESEARCH: DESIGN RESOURCES 6 ACKNOWLEDGEMENTS Cover: Candalepas Associates, Punchbowl Mosque, 2018 “Muqarnas” corner junction. Photo; Rory Gardiner Left: Candalepas Associates, Punchbowl Mosque, 2018 Concrete ring to timber dome and oculus. Photo: Rory Gardiner SECTION 1 1.1 About this exhibition BACKGROUND BRIEFING CONCRETE: ART DESIGN ARCHITECTURE presents 21 exciting concrete projects ranging from jewellery to skateparks, hotel furniture, public sculptures, mosques and commemorative paving plaques. All 21 artists designers and architects were selected for their innovative technical skills and creative talents. These works show how they have explored concrete’s versatility by pushing its technical boundaries to achieve groundbreaking buildings, artworks and design outcomes. -
The 1980S As (An Attempt In) the Decolonialization of Malaysian Art
The 1980s as (an Attempt in) the Decolonialization of Malaysian Art Sarena Abdullah Southeast of Now: Directions in Contemporary and Modern Art in Asia, Volume 4, Number 1, March 2020, pp. 3-29 (Article) Published by NUS Press Pte Ltd DOI: https://doi.org/10.1353/sen.2020.0002 For additional information about this article https://muse.jhu.edu/article/752969 [ Access provided at 27 Sep 2021 18:07 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. ARTICLES The 1980s as (an Attempt in) the Decolonialization of Malaysian Art SARENA ABDULLAH Abstract In Malaysia, the implementation of the National Culture Policy in the early 1970s reiterated the ethnic preference policy of the National Economic Policy (NEP). As a result, the subsequent 1971 National Culture Congress (NCC) and the Islamization Policy undertaken by the government in the late 1970s had great influence on art practices in Malaysia, especially during the 1980s. These policies could be seen as an official attempt to shape the Malaysian identity, especially in terms of visual art in post-Independence Malaysia. The first part of this article will discuss the indirect consequences of the 1971 National Culture Policy and several Islam-centred policies since the late 1970s and how several assertions were made through a few writings about Malaysian art: that only certain modern art forms, aligned with the rhetoric of national agendas, were produced and exhibited in the late 1970s until the mid- 1990s. This paper will problematize the assertion by discussing some disjuncture and inconsistencies in relation to this narrative of Malaysian art. -
Library Wins Sulman Prize
Volume 8 Number 9 5 June 1987 ISSN 0158 0876 Newsletter of the Library Association of Australia 376 Jones St, Ultimo 2007 Tel: (02) 692 9233 Toll free (008) 22 1481. Fax (02) 692 0689 Library Wins Sulman Prize You, like me, are probably pleased when your library gets a small men tion in the local rag, but imagine the thrill of turning to a two-page full col our spread on your ‘local’ in an up market glossy magazine. Residents of Orange have experienced this thrill Photos: covered glass and steel recently as their ‘haute architecture’ entrance court; be hi-tech library has won the coveted low: two views of Sulman Architecture Medal and been the exterior; bot feted in Vogue Living with some stun tom: inside the li ning photography and an article by brary Betsy Brennan ... It’s not quite what one expects of a regional art gallery and library. The 1986 winner of the Sir John Sulman Medal, given by the NSW chapter of the Royal Australian Institute of Bp,. Architects, is neither a neo-classical monu ment on main street nor a recycled barn on ifspirara*!?!inia the out-skirts of town. Architect Colin Still’s \U ,*j building rambles diagonally across a small HiiMiJi site just a step from the city centre of Orange. Its scale is almost domestic, its imagery is drawn from the region around it. Phis low, walled building’s tartan grid of . -ft. - - shimmering tiles is the gentle pink of over, its open-arm design embraces the civic In public spaces, the carpeted floors, the apple blossoms, its steel-meshed sun centre, with its council rooms, exhibition soft-sell approach to entrances, the library’s screens the yellow of wattle in bloom. -
Capability Statement & Company Profile
capability statement & company profile kennedy associates architects contents our projects 2 philosophy 3 sustainability 5 clients 8 collaboration 9 expertise 11 -14 international experience 17 awards, commendations 19-21 and publications key staff 24-25 capability 27 recent projects 30-38 our projects Our projects have included: urban design projects public buildings commercial buildings community centres religious buildings education facilities child care centres mixed use commercial / residential developments Kennedy Associates Architects is an architectural and urban design practice based in Annandale, Sydney specialising in urban design, site planning and community, multi unit housing residential and environmental architecture. The practice was formed in 1994 by Steve Kennedy and currently employs 15 people. retirement villages Since formation Kennedy Associates have worked on over 500 projects ranging in value from $100,000.00 to $100m. Kennedy Associates’ client base includes, government departments, local councils, religious organisations, community organisations, and aged care projects private developers. Our current work includes projects in both Australia and Asia. Kennedy Associates work has won numerous awards and is regularly and widely single houses published. 01 | capability statement kennedy associates architects philosophy Kennedy Associates reputation is based on our rigour, thoroughness and professionalism. The firm’s philosophy is based on beauty in the full depth of meaning of the exploration and understanding of the word. That is, the achievement of contemporary architectural issues within buildings, which not only meet their a modernist language. physical and financial requirements but also provide places which influence We are a design based firm, which and enhance the lives of their users places significant emphasis on our and contribute meaningfully to the ability to assess and respond to the progression of our cultural development. -
The Restless Type Contemporary Expression of the Traditional Kampung House
issue #48 habitusliving.com 2. portrait # 53 alfway between Kuala Lumpur International Airport and the city, either from the freeway or the train, you will see on your left Hthe dynamically twisting Menara Telekom tower on the horizon. It dates from 2002 and, like many other buildings by Hijjas Kasturi Associates (HKA), it has helped define what modern Malaysian architecture aspires to be. The reason these buildings remain must- see architectural icons is because of how they express so clearly the values which drove them. At a time when so much Malaysian architecture tried to express national identity through vernacular revival pastiche, Hijjas pursued a “universal architecture” imbued with the essence of local tradition. Elegant in form and refined in detail, these buildings integrate with their urban context and are exemplars of sustainable tropical architecture. In the Region, Hijjas is comparable to Harry Seidler – whom he admires – in the way his buildings engage at ground level where they open up to create connection and make a high-rise building less overbearing. Hijjas’s ‘identity project’ also found expression in his own home, Rimbun Dahan, outside Kuala Lumpur where the house is a The restless type contemporary expression of the traditional kampung house. The 5.5 hectare property is also home to three re-assembled and restored kampung houses, part of a collection of accommodation and studios for visual and TEXT PAUL MCGILLICK | PORTRAIT CHARMAINE ZHENG performing artists from Malaysia, ASEAN countries and Australia who enjoy residencies offered by Hijjas and his wife Angela. Also part of the property are gardens including wetlands, an orchard and a forest of indigenous South East Asian trees selected for their medicinal, culinary and fragrant qualities. -
Templates and Checklist for the Notification of Registrable
Australian Capital Territory Public Place Names (Taylor) Determination 2017 (No 3) Disallowable instrument DI2017-244 made under the Public Place Names Act 1989, s 3 (Minister to determine names) 1 Name of instrument This instrument is the Public Place Names (Taylor) Determination 2017 (No 3). 2 Commencement This instrument commences on the day after its notification day. 3 Determination of Place Names I determine the place names as indicated in the schedule. Ben Ponton Delegate of the Minister 15 September 2017 Authorised by the ACT Parliamentary Counsel—also accessible at www.legislation.act.gov.au SCHEDULE (See section 3) Division of Taylor – architects, town planners and urban designers The location of the public places with the following names is indicated on the associated diagram. NAME ORIGIN SIGNIFICANCE Ambler View Judith Margery Architect, environmentalist, councillor Haworth Ambler (nee Hill) Judith Ambler studied architecture at the (1929-2005) University of Sydney 1946-50 where she was one of six women studying with 75 men. She practised as an architect with firms including McConnell, Smith and Johnson, and with Bill Lucas, before branching out on her own, designing houses, additions and alterations. She moved to Cammeray in 1970 and was involved in the Residents Action Group opposing over- development. Through that work Ambler was elected to North Sydney Council, serving from 1971-74, where her vision of a low-rise civic centre for North Sydney prevailed over the high rise ‘Sabemo Scheme’, and the Civic Park was opened in 1982. Civic Park is now the arena for festivals, markets, picnics and concerts, and this campaign was a defining moment in the history of North Sydney.