Determination 2018 (No 2)
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PORTRAITURE and the PRIZE ART an Education Kit for K–6 Creative Arts with KLA Links GALLERY and 7–12 Visual Arts NSW
PORTRAITURE AND THE PRIZE ART An education kit for K–6 Creative Arts with KLA links GALLERY and 7–12 Visual Arts NSW ARCHIBALD.PRIZE.2010 ART GALLERY OF NEW SOUTH WALES Toured by Museums & Galleries New South Wales www.thearchibaldprize.com.au PORTRAITURE AND THE PRIZE Contents General: the Archibald Prize and portraiture Who was JF Archibald? The Archibald Prize 1 A chronology of events Controversy and debate Portraiture as a genre: an overview Portraiture and the Prize: a selection of quotes List of winners since 1921 Syllabus connections: the Archibald Prize and portraiture Suggested case studies Years 7–12 Conceptual framework: the art world web Years 7–12 Framing the Archibald: questions for discussion Years 7–12 2 Portraiture: general strategies Years K–6 Vocabulary: portraiture Artists: portraiture References Syllabus connections: 2010 Archibald Prize Framing the Archibald: K–6 and 7–12 discussion questions and activities Analysing the winner K–6: Visual Arts and links with key learning areas 3 Years 7–12: The frames Focus works: K–6: Visual Arts and links with key learning areas 7–12: Issues for discussion 2010 Archibald Prize: selected artists Education kit outline This education kit has been prepared by the Public Programs Department of the Art Gallery of New South Wales in conjunction with Museums & Galleries New South Wales, to accompany the annual Archibald Prize exhibition. It has been designed to assist primary and secondary students and teachers in their enjoyment and understanding of the Archibald exhibition and the issues surrounding it, at the Art Gallery of NSW or throughout the 2010 Archibald Prize Regional Tour. -
Building for the Future Sustainable Spaces Advancing Education & Research
Building For the Future Sustainable Spaces Advancing Education & Research A ‘Group of Eight’ Sustainable Buildings Showcase 2 The ‘Group of Eight’ comprises Australian National University, Monash University, The University of Melbourne, The University of Sydney, The University of Queensland, The University of Western Australia, The University of Adelaide, and The University of New South Wales. 2 SYDNEY UNIVERSITY 3 Building For the Future Australia’s leading research Universities know the leaders of tomorrow, ascend from the foundations of today. At the forefront of an evolving educational landscape, the ‘Group of Eight’ continuously strive to inspire curiosity, challenge thinking, spark innovation and bring education to life through exceptional teaching in exceptional places. This publication showcases a snapshot of those The University Inkarni Wardii 02 of Adelaide places; world-class, high-performance, sustainable facilities which re-define best practice in tertiary Australian National Jaegar 5 04 University education buildings. Built for the future, these spaces Jaegar 8 06 move beyond basic environmental sustainable design Monash University Green Chemical Futures 08 principles to demonstrate what is possible when clever technology and inspired design intersect. Logan Hall 10 Building 56 12 From living laboratories to thermally sound The University Melbourne Brain Centre 14 environments, reusing the old to make new, and of Melbourne optimising for people and purpose — each building The Peter Doherty Institute 16 for Infection & Immunity -
Australia's National Heritage
High Court–National Gallery Precinct AUSTRALI A N C A PI TA L T E R R ITORY The High Court–National Gallery Precinct is significant as a group of public buildings and landscape conceived as a single entity. The complex is stylistically integrated in terms of architectural forms and finishes, and as an ensemble of freestanding buildings in a cohesive landscape setting. The Precinct occupies a 16-hectare site in the north-east corner of the Parliamentary Zone. It includes the High Court, National Gallery of Australia and the Gallery’s Sculpture Garden. The landscape brief from the National Capital National Gallery of Australia Development Commission required that the High Court, National Gallery and surrounding landscape become a chambers. A waterfall designed by Robert Woodward and single precinct in visual terms, with the High Court as constructed from South Australian speckled granite runs the dominant element to be open to views from Lake the full length of the entry ramp. Burley Griffin. The National Gallery is a complex building of varied The Precinct is a synthesis of design, aesthetic, social and levels and spaces arranged on four floors of approximately environment values with a clear Australia identity. This 23 000 square metres. Like the High Court, much of the is represented in the pattern of functional columns and building is made of reinforced bush-hammered concrete, towers in the architectural elements, the sculptures of the an example of the architect’s philosophy that concrete has national collection in a landscaped setting, and the high as much integrity as stone. -
National Architecture Award Winners 1981 – 2019
NATIONAL ARCHITECTURE AWARDS WINNERS 1981 - 2019 AUSTRALIAN INSTITUTE OF ARCHITECTS NATIONAL ARCHITECTURE AWARD WINNERS 1 of 81 2019 NATIONAL ARCHITECTURE AWARDS COLORBOND® Award for Steel Architecture Yagan Square (WA) The COLORBOND® Award for Steel Architecture Lyons in collaboration with Iredale Pedersen Hook and landscape architects ASPECT Studios COMMERCIAL ARCHITECTURE Dangrove (NSW) The Harry Seidler Award for Commercial Architecture Tzannes Paramount House Hotel (NSW) National Award for Commercial Architecture Breathe Architecture Private Women’s Club (VIC) National Award for Commercial Architecture Kerstin Thompson Architects EDUCATIONAL ARCHITECTURE Our Lady of the Assumption Catholic Primary School (NSW) The Daryl Jackson Award for Educational Architecture BVN Braemar College Stage 1, Middle School National Award for Educational Architecture Hayball Adelaide Botanic High School (SA) National Commendation for Educational Architecture Cox Architecture and DesignInc QUT Creative Industries Precinct 2 (QLD) National Commendation for Educational Architecture KIRK and HASSELL (Architects in Association) ENDURING ARCHITECTURE Sails in the Desert (NT) National Award for Enduring Architecture Cox Architecture HERITAGE Premier Mill Hotel (WA) The Lachlan Macquarie Award for Heritage Spaceagency architects Paramount House Hotel (NSW) National Award for Heritage Breathe Architecture Flinders Street Station Façade Strengthening & Conservation National Commendation for Heritage (VIC) Lovell Chen Sacred Heart Building Abbotsford Convent Foundation -
The Garden of Australian Dreams: the Moral Rights of Landscape Architects
EDWARD ELGAR THE GARDEN OF AUSTRALIAN DREAMS: THE MORAL RIGHTS OF LANDSCAPE ARCHITECTS DR MATTHEW RIMMER SENIOR LECTURER ACIPA, FACULTY OF LAW, THE AUSTRALIAN NATIONAL UNIVERSITY ACIPA, Faculty Of Law, The Australian National University, Canberra, ACT, 0200 Work Telephone Number: (02) 61254164 E-Mail Address: [email protected] THE GARDEN OF AUSTRALIAN DREAMS: THE MORAL RIGHTS OF LANDSCAPE ARCHITECTS DR MATTHEW RIMMER* * Matthew Rimmer, BA (Hons)/ LLB (Hons) (ANU), PhD (UNSW), is a Senior Lecturer at ACIPA, the Faculty of Law, the Australian National University. The author is grateful for the comments of Associate Professor Richard Weller, Tatum Hands, Dr Kathy Bowrey, Dr Fiona Macmillan and Kimberlee Weatherall. He is also thankful for the research assistance of Katrina Gunn. 1 Prominent projects such as National Museums are expected to be popular spectacles, educational narratives, tourist attractions, academic texts and crystallisations of contemporary design discourse. Something for everyone, they are also self-consciously set down for posterity and must at some level engage with the aesthetic and ideological risks of national edification. Richard Weller, designer of the Garden of Australian Dreams1 Introduction This article considers the moral rights controversy over plans to redesign the landscape architecture of the National Museum of Australia. The Garden of Australian Dreams is a landscaped concrete courtyard.2 The surface offers a map of Australia with interwoven layers of information. It alludes to such concepts as the Mercator Grid, parts of Horton’s Map of the linguistic boundaries of Indigenous Australia, the Dingo Fence, the 'Pope’s Line', explorers’ tracks, a fibreglass pool representing a suburban swimming pool, a map of Gallipoli, graphics common to roads, and signatures or imprinted names of historical identities.3 There are encoded references to the artistic works of iconic Australian painters such as Jeffrey Smart, Sidney Nolan, Arthur Boyd, and Gordon Bennett. -
Survey of Post-War Built Heritage in Victoria: Stage One
Survey of Post-War Built Heritage in Victoria: Stage One Volume 1: Contextual Overview, Methodology, Lists & Appendices Prepared for Heritage Victoria October 2008 This report has been undertaken in accordance with the principles of the Burra Charter adopted by ICOMOS Australia This document has been completed by David Wixted, Suzanne Zahra and Simon Reeves © heritage ALLIANCE 2008 Contents 1.0 Introduction................................................................................................................................. 5 1.1 Context ......................................................................................................................................... 5 1.2 Project Brief .................................................................................................................................. 5 1.3 Acknowledgements....................................................................................................................... 6 2.0 Contextual Overview .................................................................................................................. 7 3.0 Places of Potential State Significance .................................................................................... 35 3.1 Identification Methodology .......................................................................................................... 35 3.2 Verification of Places .................................................................................................................. 36 3.3 Application -
24 March 2020 Mr Tim Smith Director Operations Heritage NSW
Upper Fort Street, Observatory Hill Millers Point, NSW 2000 GPO BOX 518 Sydney NSW 2001 T +61 2 9258 0123 F +61 2 9251 1110 www.nationaltrust.org.au/NSW 24 March 2020 Mr Tim Smith Director Operations Heritage NSW Department of Premier and Cabinet Locked Bag 5020 PARRAMATTA NSW 2124 Email: [email protected] Dear Tim, Ultimo Power House – SHR Nomination The Exhibited Nomination Form I refer to the exhibited Nomination Form for the former Ultimo Power House that is proposed to be presented to the Heritage Council for consideration for inclusion on the NSW State Heritage Register. Although the nomination carries the National Trust’s name, in its current form it is very different to the nomination submitted by the National Trust in 2015. It appears to have been considerably re-worded since its receipt by Heritage NSW. The Ultimo Power House is clearly of State-level significance and should be included in the State Heritage Register (SHR), to give it the appropriate level of statutory oversight and protection. However, the National Trust is gravely concerned that, if the Power House were to be listed on the State Heritage Register for the reasons set out in the advertised nomination, then it would be listed for inadequate and poorly stated reasons (even if this were preferable to it not being listed at all). When the National Trust nominated the Ultimo Power House in 2015, we believed that the site involved larger heritage significance issues associated with its operation as part of the Powerhouse Museum. At the time, we had insufficient information to pursue that aspect of its significance. -
R084 National Gallery of Australia RSTCA
Register of Significant Twentieth Century Architecture RSTCA No: R084 Name of Place: National Gallery of Australia Other/Former Names: Australian National Gallery Address/Location: Parkes Place PARKES 2600 Block B1.5 Section 29 of Parkes Listing Status: Registered Other Heritage Listings: Date of Listing: June 1993 Level of Significance: National Citation Revision No: Category: Educational Citation Revision Date: February 1993 Style: Late Twentieth Century Brutalist Date of Design: 1968-1972 Designer: Colin Madigan of Edwards, Madigan, Torzillo & Briggs Construction Period: 1973-1982 Client/Owner/Lessee: Commonwealth of Australia Date of Additions: Builder: Statement of Significance The National Gallery of Australia is one of the most forthright examples of Australian civic architecture of the 1970's. It is an important and prominent Australian example of Brutalist Architecture, and is the most decisive statement of the Brutalist philosophy as realised by Colin Madigan. It is a finely executed building reflecting great care and attention at all levels of detail throughout. His craft-based attitude to concrete construction is demonstrated in the quality finishes of the building. Madigan, working together with the landscape architect Harry Howard, has provided an outstanding landscape in which the building is sited with the sculpture garden on the lake side of the Gallery continuing the varied, spatial progression established within the building. It is difficult to describe the significance of the National Gallery and not mention the adjacent High Court building designed by the same firm in a similar style. The off form concrete masses, linking pedestrian bridge and strong, vertical elements at the entry of both the Gallery and High Court visually connect the two buildings. -
Hijjas Kasturi and Harry Seidler in Malaysia
Proceedings of the Society of Architectural Historians, Australia and New Zealand 30, Open Papers presented to the 30th Annual Conference of the Society of Architectural Historians, Australia and New Zealand held on the Gold Coast, Queensland, Australia, July 2-5, 2013. http://www.griffith.edu.au/conference/sahanz-2013/ Amit Srivastava, “Hijjas Kasturi and Harry Seidler in Malaysia: Australian-Asian Exchange and the Genesis of a ‘Canonical Work’” in Proceedings of the Society of Architectural Historians, Australia and New Zealand: 30, Open, edited by Alexandra Brown and Andrew Leach (Gold Coast, Qld: SAHANZ, 2013), vol. 1, p 191-205. ISBN-10: 0-9876055-0-X ISBN-13: 978-0-9876055-0-4 Hijjas Kasturi and Harry Seidler in Malaysia Australian-Asian Exchange and the Genesis of a “Canonical Work” Amit Srivastava University of Adelaide In 1980, months after his unsuccessful competition entries for the Australian Parliament House and the Hong Kong Shanghai Bank headquarters, Harry Seidler entered into collaboration with Malaysian architect Hijjas (bin) Kasturi that proved much more fruitful. Their design for an office building for Laylian Realty in Kuala Lumpur was a departure from Seidler’s quadrant geometries of the previous decade, introducing a sinuous “S” profile that would define his subsequent work. Although never realised, Kenneth Frampton has described this project as a “canonical work” that was the “basic prototype for a new generation of medium to high-rise commercial structures.” But Seidler’s felicitous collaboration with Hijjas was evidently more than just circumstantial, arising from a longer term relationship that is part of a larger story of Australian-Asian exchange. -
Scientists' Houses in Canberra 1950–1970
EXPERIMENTS IN MODERN LIVING SCIENTISTS’ HOUSES IN CANBERRA 1950–1970 EXPERIMENTS IN MODERN LIVING SCIENTISTS’ HOUSES IN CANBERRA 1950–1970 MILTON CAMERON Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Cameron, Milton. Title: Experiments in modern living : scientists’ houses in Canberra, 1950 - 1970 / Milton Cameron. ISBN: 9781921862694 (pbk.) 9781921862700 (ebook) Notes: Includes bibliographical references and index. Subjects: Scientists--Homes and haunts--Australian Capital Territority--Canberra. Architecture, Modern Architecture--Australian Capital Territority--Canberra. Canberra (A.C.T.)--Buildings, structures, etc Dewey Number: 720.99471 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Sarah Evans. Front cover photograph of Fenner House by Ben Wrigley, 2012. Printed by Griffin Press This edition © 2012 ANU E Press; revised August 2012 Contents Acknowledgments . vii Illustrations . xi Abbreviations . xv Introduction: Domestic Voyeurism . 1 1. Age of the Masters: Establishing a scientific and intellectual community in Canberra, 1946–1968 . 7 2 . Paradigm Shift: Boyd and the Fenner House . 43 3 . Promoting the New Paradigm: Seidler and the Zwar House . 77 4 . Form Follows Formula: Grounds, Boyd and the Philip House . 101 5 . Where Science Meets Art: Bischoff and the Gascoigne House . 131 6 . The Origins of Form: Grounds, Bischoff and the Frankel House . 161 Afterword: Before and After Science . -
Modern Movement Architecture in Central Sydney Heritage Study Review Modern Movement Architecture in Central Sydney Heritage Study Review
Attachment B Modern Movement Architecture in Central Sydney Heritage Study Review Modern Movement Architecture in Central Sydney Heritage Study Review Prepared for City of Sydney Issue C x January 2018 Project number 13 0581 Modern Movement in Central Sydney x Heritage Study Review EXECUTIVE SUMMARY This study was undertaken to provide a contextual framework to improve understanding post World War II and Modern Movement architecture and places in Central Sydney, which is a significant and integral component of its architectural heritage. Findings x The study period (1945-1975) was an exciting and challenging era that determined much of the present physical form of Central Sydney and resulted in outstanding architectural and civic accomplishments. x There were an unprecedented number of development projects undertaken during the study period, which resulted in fundamental changes to the physical fabric and character of Central Sydney. x The buildings are an historical record of the changing role of Australia in an international context and Sydney’s new-found role as a major world financial centre. Surviving buildings provide crucial evidence of the economic and social circumstances of the study period. x Surviving buildings record the adaptation of the Modern Movement to local conditions, distinguishing them from Modern Movement buildings in other parts of the world. x The overwhelming preponderance of office buildings, which distinguishes Central Sydney from all other parts of NSW, is offset by the presence of other building typologies such as churches, community buildings and cultural institutions. These often demonstrate architectural accomplishment. x The triumph of humane and rational urban planning can be seen in the creation of pedestrian- friendly areas and civic spaces of great accomplishment such as Australia Square, Martin Place and Sydney Square. -
Fiche 2003 Modern Movement
Harry and Penelope Seidler House, Killara Sydney, NSW Australia d o c o m o m o _ _ ! ! International working party for documentation and conservation New International Selection of buildings, sites and neighbourhoods of the Full Documentation Fiche 2003 modern movement for office use only composed by national/regional working party of: Australia 0. Picture of building/ group of buildings/ urban scheme/ landscape/ garden depicted item: Harry and Penelope Seidler House source: Harry Seidler & associates web site http://www.seidler.net.au depicted item: Harry and Penelope Seidler House source: Harry Seidler & associates web site http://www.seidler.net.au d o ! c o _ m o ! m o _ International working party for ISC/R members update 2003 documentation and conservation of buildings, sites and neighbourhoods of the for office use only modern movement 1 of 10 Harry and Penelope Seidler House, Killara Sydney, NSW Australia 1. Identity of building/ group of buildings/ group of buildings/ landscape/ garden 1.1 Data for identification current name: HARRY AND PENELOPE SEIDLER HOUSE former/original/variant name: Harry and Penelope Seidler House number(s) and name(s) of street(s): 13 Kalang Avenue town: Killara, Sydney province/state: NSW post code: 2071 block: lot: country: Australia national topographical grid reference: current typology: Residence former/original/variant typology: Residence comments on typology: 1.2 Status of protection protected by: state/province/town/record only Proposed for listing on the State Heritage Register by the RAIA www.heritage.nsw.gov.ay