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PORTRAITURE and the PRIZE ART an Education Kit for K–6 Creative Arts with KLA Links GALLERY and 7–12 Visual Arts NSW
PORTRAITURE AND THE PRIZE ART An education kit for K–6 Creative Arts with KLA links GALLERY and 7–12 Visual Arts NSW ARCHIBALD.PRIZE.2010 ART GALLERY OF NEW SOUTH WALES Toured by Museums & Galleries New South Wales www.thearchibaldprize.com.au PORTRAITURE AND THE PRIZE Contents General: the Archibald Prize and portraiture Who was JF Archibald? The Archibald Prize 1 A chronology of events Controversy and debate Portraiture as a genre: an overview Portraiture and the Prize: a selection of quotes List of winners since 1921 Syllabus connections: the Archibald Prize and portraiture Suggested case studies Years 7–12 Conceptual framework: the art world web Years 7–12 Framing the Archibald: questions for discussion Years 7–12 2 Portraiture: general strategies Years K–6 Vocabulary: portraiture Artists: portraiture References Syllabus connections: 2010 Archibald Prize Framing the Archibald: K–6 and 7–12 discussion questions and activities Analysing the winner K–6: Visual Arts and links with key learning areas 3 Years 7–12: The frames Focus works: K–6: Visual Arts and links with key learning areas 7–12: Issues for discussion 2010 Archibald Prize: selected artists Education kit outline This education kit has been prepared by the Public Programs Department of the Art Gallery of New South Wales in conjunction with Museums & Galleries New South Wales, to accompany the annual Archibald Prize exhibition. It has been designed to assist primary and secondary students and teachers in their enjoyment and understanding of the Archibald exhibition and the issues surrounding it, at the Art Gallery of NSW or throughout the 2010 Archibald Prize Regional Tour. -
Built Pedagogy
Above any other faculty, the very fabric of the New Building Built for the Faculty of Architecture, Building and Planning must Pedagogy function as an experiential resource for research, teaching and knowledge transfer. This presents a rare opportunity for profound, intrinsic and meaningful links between building programme and architectural expression Cultural resources can engage communities in collective experiences, providing opportunities for reflection and conversation on the never-ending questions of how we make our lives meaningful, our work valuable and our values workable. 05.1.1 Growing Esteem, 2005 The Gallery Building reinforces the horizontal lines in the landscape and respects, engages with and reinforces the character of the Collections and Research Building Urban Design Exemplar Precinct established by the High Court and the National Gallery of Australia; Australian Museum, Sydney Integration with Environment Seeking to learn about sustainable build- ing through study of the natural world, Enduring, High Quality, Timeless the double skin façade is a collaboration Distinctive Materials and Detailing with the Museums scientists - a visible, intrinsic and poetic link between architec- National Portrait Gallery tural expression and the institution’s iden- Canberra, Australia tity. Nature’s golden ratio and the filigree of a moth’s wing scale, seen through a Won in open international scanning electron microscope, inspire the competition and completed in glazing pattern. Innovative inventive use 2008, the National Portrait Gallery of dichroic glass and advanced concealed is the most significant new national edgelighting produces dynamic colours institution in the Parliamentary through optical interference as do irides- Triangle for almost 20 years. cent butterflies. Canberra - City and Environs, Griffin Legacy Framework Plan, NCA, 2004. -
Governor Phillip Tower, Museum of Sydney and First Government
Nationally Significant 20th-Century Architecture Revised date 20/07/2011 Governor Phillip Tower, Museum of Sydney and First Government House Place Address 1 Farrer Place and 41 Bridge Street, Sydney, NSW, 2000 Practice Denton Corker Marshall Designed 1989 Completed 1993 (GPT) 1995 (MoS) History & The site of Governor Phillip Tower, Museum of Sydney & First Government Description House Place are located on a city block bounded by Bridge, Phillip, Bent & Young Streets in Sydney's CBD. Together with the Governor Macquarie Tower First Government House & the heritage listed terraces fronting Young & Phillip Streets the site was the Place with Museum of subject of an international design competition held in 1988, of which the primary Sydney & Governor Phillip aim was to conserve the archaeological resource of the First Government Tower behind, terraces to House which investigations of 1983-85 had revealed to lie beneath the northern portion of the block & extending into the road reserves of Young, Bridge & either side. Source: City of Phillip Streets. The cultural significance of the place shaped the development Sydney Model Makers. for the site: the conservation of the archaeological site of First Government . House & the Victorian terrace housing. To satisfy this & the commercial imperatives of maximising tower floor plate areas, the scheme incorporated several innovative approaches. Firstly in the urban design: the conception of First Government House Place as an 'urban room', achieved by setting back the Governor Phillip Tower from Bridge Street, enabled the archaeological site to be conserved, interpreted & celebrated, & served to ennoble the space with the presence of the imposing colonial sandstone buildings to either side; the public link from Phillip Street to Farrer Place, & the setbacks provided to the terraces. -
Annual Report 2019
annual report 2019 Contents 02 Letter from the Chairman Management report 04 04. Highlights of the year 06. Key figures 08. Financial review 10. Responsibility, integrity and sustainability What we do 26 26. Transport planning and mobility 28. Roads 30. Railway engineering 32. Airports 34. Ports and coasts 36. Infrastructure management 38. Water engineering and management 40. Urban water systems and treatment 42. Sustainable cities 44. Buildings 46. Project and construction management 48. M&E and IT Systems 50. Renewable energy 52. Environment 54. Agricultural engineering and rural development 56. Support to development financing institutions 57. Statistics and land management Where we are 5 58. Office network 8 The only way “ to do a great job “is to love what you do June 2020 Annual report 2019 l TYPSAGroup Letterfrom the Chairman As we begin to look back and summarise TYPSA Group’s progress in 2019, the current SARS-CoV-2 coronavirus health crisis inevitably invades our thoughts. I would therefore like to begin this letter by remembering all those who have suffered the impact of this terrible disease close to home, sending them my support and solidarity. The figures for 2019 are an improvement on 2018 and consolidate our steady growth for the third consecutive year. Revenue of 219.4 million euros was 3% higher than the previous year. Total consolidated order intake increased 9% to 250.6 million euros, and TYPSA Group ended the year with a 316.9 million-euro backlog, which was 12% up from the previous December. Group earnings before taxes of 16.04 million euros represent 1% growth on the prior year. -
24 March 2020 Mr Tim Smith Director Operations Heritage NSW
Upper Fort Street, Observatory Hill Millers Point, NSW 2000 GPO BOX 518 Sydney NSW 2001 T +61 2 9258 0123 F +61 2 9251 1110 www.nationaltrust.org.au/NSW 24 March 2020 Mr Tim Smith Director Operations Heritage NSW Department of Premier and Cabinet Locked Bag 5020 PARRAMATTA NSW 2124 Email: [email protected] Dear Tim, Ultimo Power House – SHR Nomination The Exhibited Nomination Form I refer to the exhibited Nomination Form for the former Ultimo Power House that is proposed to be presented to the Heritage Council for consideration for inclusion on the NSW State Heritage Register. Although the nomination carries the National Trust’s name, in its current form it is very different to the nomination submitted by the National Trust in 2015. It appears to have been considerably re-worded since its receipt by Heritage NSW. The Ultimo Power House is clearly of State-level significance and should be included in the State Heritage Register (SHR), to give it the appropriate level of statutory oversight and protection. However, the National Trust is gravely concerned that, if the Power House were to be listed on the State Heritage Register for the reasons set out in the advertised nomination, then it would be listed for inadequate and poorly stated reasons (even if this were preferable to it not being listed at all). When the National Trust nominated the Ultimo Power House in 2015, we believed that the site involved larger heritage significance issues associated with its operation as part of the Powerhouse Museum. At the time, we had insufficient information to pursue that aspect of its significance. -
Hijjas Kasturi and Harry Seidler in Malaysia
Proceedings of the Society of Architectural Historians, Australia and New Zealand 30, Open Papers presented to the 30th Annual Conference of the Society of Architectural Historians, Australia and New Zealand held on the Gold Coast, Queensland, Australia, July 2-5, 2013. http://www.griffith.edu.au/conference/sahanz-2013/ Amit Srivastava, “Hijjas Kasturi and Harry Seidler in Malaysia: Australian-Asian Exchange and the Genesis of a ‘Canonical Work’” in Proceedings of the Society of Architectural Historians, Australia and New Zealand: 30, Open, edited by Alexandra Brown and Andrew Leach (Gold Coast, Qld: SAHANZ, 2013), vol. 1, p 191-205. ISBN-10: 0-9876055-0-X ISBN-13: 978-0-9876055-0-4 Hijjas Kasturi and Harry Seidler in Malaysia Australian-Asian Exchange and the Genesis of a “Canonical Work” Amit Srivastava University of Adelaide In 1980, months after his unsuccessful competition entries for the Australian Parliament House and the Hong Kong Shanghai Bank headquarters, Harry Seidler entered into collaboration with Malaysian architect Hijjas (bin) Kasturi that proved much more fruitful. Their design for an office building for Laylian Realty in Kuala Lumpur was a departure from Seidler’s quadrant geometries of the previous decade, introducing a sinuous “S” profile that would define his subsequent work. Although never realised, Kenneth Frampton has described this project as a “canonical work” that was the “basic prototype for a new generation of medium to high-rise commercial structures.” But Seidler’s felicitous collaboration with Hijjas was evidently more than just circumstantial, arising from a longer term relationship that is part of a larger story of Australian-Asian exchange. -
Scientists' Houses in Canberra 1950–1970
EXPERIMENTS IN MODERN LIVING SCIENTISTS’ HOUSES IN CANBERRA 1950–1970 EXPERIMENTS IN MODERN LIVING SCIENTISTS’ HOUSES IN CANBERRA 1950–1970 MILTON CAMERON Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Cameron, Milton. Title: Experiments in modern living : scientists’ houses in Canberra, 1950 - 1970 / Milton Cameron. ISBN: 9781921862694 (pbk.) 9781921862700 (ebook) Notes: Includes bibliographical references and index. Subjects: Scientists--Homes and haunts--Australian Capital Territority--Canberra. Architecture, Modern Architecture--Australian Capital Territority--Canberra. Canberra (A.C.T.)--Buildings, structures, etc Dewey Number: 720.99471 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Sarah Evans. Front cover photograph of Fenner House by Ben Wrigley, 2012. Printed by Griffin Press This edition © 2012 ANU E Press; revised August 2012 Contents Acknowledgments . vii Illustrations . xi Abbreviations . xv Introduction: Domestic Voyeurism . 1 1. Age of the Masters: Establishing a scientific and intellectual community in Canberra, 1946–1968 . 7 2 . Paradigm Shift: Boyd and the Fenner House . 43 3 . Promoting the New Paradigm: Seidler and the Zwar House . 77 4 . Form Follows Formula: Grounds, Boyd and the Philip House . 101 5 . Where Science Meets Art: Bischoff and the Gascoigne House . 131 6 . The Origins of Form: Grounds, Bischoff and the Frankel House . 161 Afterword: Before and After Science . -
MSAA/LSAA Conf Proceedings
LSAA 2000 AUCKLAND STRUCTURAL EXPRESSION INARCHITECTURE Harry Street Design Director at Creative Spaces Ltd Abstract A personal view of how structure can be employed to create exciting and memorable buildings. Commencing with the English 'Hi Tech' architects, the influence of Philip Cox and work at Creative Spaces the address will illustrate with the aid of slides how structural concepts, their expression and how they are detailed can generate a vibrant interesting architecture. Introduction Expressing the structure in buildings, making it evident how they stand up, has been a legitimate, although perhaps not always intentional, form of architectural expression since time immemorial. There can be no doubt about how the roof of the Parthenon on the acropolis was held up. This was probably not the designer's main motivation when considering the buildings aesthetics, nor indeed the primary motivation of many others over the centuries. Nevertheless the structure is there for us to appreciate in this and in many other examples. The English Experience My own understanding of this was slow in dawning, but following my formal training and during my O.E. Iwas attracted to the exciting architecture of the English architects of the 70's where structural expression was a key ingredient of the so-called "Hi Tech" aesthetic. The most memorable buildings of this period included: The Centre Pompidou where everything is expressed, nothing hidden, all in its right place and very ordered through the use of strong colour The Willis Faber Dumas building in Ipswich is a far less exuberant example of the style. Nevertheless the relatively conventional concrete structure of round columns and waffle slab is plainly evident. -
Modern Movement Architecture in Central Sydney Heritage Study Review Modern Movement Architecture in Central Sydney Heritage Study Review
Attachment B Modern Movement Architecture in Central Sydney Heritage Study Review Modern Movement Architecture in Central Sydney Heritage Study Review Prepared for City of Sydney Issue C x January 2018 Project number 13 0581 Modern Movement in Central Sydney x Heritage Study Review EXECUTIVE SUMMARY This study was undertaken to provide a contextual framework to improve understanding post World War II and Modern Movement architecture and places in Central Sydney, which is a significant and integral component of its architectural heritage. Findings x The study period (1945-1975) was an exciting and challenging era that determined much of the present physical form of Central Sydney and resulted in outstanding architectural and civic accomplishments. x There were an unprecedented number of development projects undertaken during the study period, which resulted in fundamental changes to the physical fabric and character of Central Sydney. x The buildings are an historical record of the changing role of Australia in an international context and Sydney’s new-found role as a major world financial centre. Surviving buildings provide crucial evidence of the economic and social circumstances of the study period. x Surviving buildings record the adaptation of the Modern Movement to local conditions, distinguishing them from Modern Movement buildings in other parts of the world. x The overwhelming preponderance of office buildings, which distinguishes Central Sydney from all other parts of NSW, is offset by the presence of other building typologies such as churches, community buildings and cultural institutions. These often demonstrate architectural accomplishment. x The triumph of humane and rational urban planning can be seen in the creation of pedestrian- friendly areas and civic spaces of great accomplishment such as Australia Square, Martin Place and Sydney Square. -
Fiche 2003 Modern Movement
Harry and Penelope Seidler House, Killara Sydney, NSW Australia d o c o m o m o _ _ ! ! International working party for documentation and conservation New International Selection of buildings, sites and neighbourhoods of the Full Documentation Fiche 2003 modern movement for office use only composed by national/regional working party of: Australia 0. Picture of building/ group of buildings/ urban scheme/ landscape/ garden depicted item: Harry and Penelope Seidler House source: Harry Seidler & associates web site http://www.seidler.net.au depicted item: Harry and Penelope Seidler House source: Harry Seidler & associates web site http://www.seidler.net.au d o ! c o _ m o ! m o _ International working party for ISC/R members update 2003 documentation and conservation of buildings, sites and neighbourhoods of the for office use only modern movement 1 of 10 Harry and Penelope Seidler House, Killara Sydney, NSW Australia 1. Identity of building/ group of buildings/ group of buildings/ landscape/ garden 1.1 Data for identification current name: HARRY AND PENELOPE SEIDLER HOUSE former/original/variant name: Harry and Penelope Seidler House number(s) and name(s) of street(s): 13 Kalang Avenue town: Killara, Sydney province/state: NSW post code: 2071 block: lot: country: Australia national topographical grid reference: current typology: Residence former/original/variant typology: Residence comments on typology: 1.2 Status of protection protected by: state/province/town/record only Proposed for listing on the State Heritage Register by the RAIA www.heritage.nsw.gov.ay -
North Shore Houses Project
NORTH SHORE HOUSES, State Library of New South Wales Generously supported by the Upper North Architects Network (SPUN), Australian Institute of Architects. Compiled by John Johnson Arranged alphabetically by architect. Augustus Aley Allen & Jack Architects (Russell Jack) Allen, Jack & Cottier (Russell Jack) Sydney Ancher Adrian Ashton Arthur Baldwinson Arthur Baldwinson (Baldwinson & Booth) John Brogan Hugh Buhrich Neville Gruzman Albert Hanson Edward Jeaffreson Jackson Richard Leplastrier Gerard McDonnell D.T. Morrow and Gordon Glen Murcutt Nixon & Adam (John Shedden Adam) Pettit, Sevitt & Partners Exhibition Houses Ross Brothers (Herbert Ernest Ross and Colin John Ross) Ernest A Scott (Green & Scott) Harry Seidler Harry and Penelope Seidler Douglas Snelling John Sulman War Service Homes Commission Leslie Wilkinson Wilson & Neave (William Hardy Wilson) Architect: Augustus Aley ‘Villa Maria’ (House for Augustus Aley), 1920 8 Yosefa Avenue, Warrawee Architect Augustus Aley (1883-1968) built 4 houses in Yosefa Avenue, Warrawee (Nos. 7, 8, 9, 11) two of which were constructed for himself. He and wife Beatrice (1885?-1978) moved into Villa Maria in 1920 and developed a fine garden. In 1929 they moved to a new house, Santos, at 11 Yosefa Ave. “Mr Aley, the architect, and incidentally the owner, has planned both house and garden with the utmost care, so that each should combine to make a delightful whole. The irregular shape and sloping nature of the ground presented many difficulties, but at the same time abounded with possibilities, of which he has taken full advantage. The most important thing, in a house of this sort, and indeed in any house, is aspect, and here it is just right. -
Mr Harry Seidler AC OBE
Mr Harry Seidler AC OBE The degree of Doctor of Science in Architecture (honoris causa) was conferred upon Harry Seidler at the Architecture ceremony held on 6 April 2000. Citation Chancellor I have the honour to present to you Harry Seidler for admission to the degree of Doctor of Science in Architecture, honoris causa. Harry Seidler was born in Vienna in 1923 and migrated to Britain when Austria was invaded shortly before the Second World War. In 1939, he was sent with other Germans and Austrians to Canada where he was admitted to study Architecture at the University of Manitoba. He graduated in 1944 and was accepted by the Harvard Graduate School of Design to do post-graduate work with Walter Gropius and Marcel Breuer. Later he spent some time with the painter Joseph Albers at Black Mountain College, North Carolina, and subsequently worked with Breuer in New York. He was also, for a brief time, with Oscar Niemeyer in Rio. In 1948, he came to Sydney, and in 1951, won the Sir John Sulman Medal for the first house he built in Australia, the Rose Seidler House at Turramurra. Seidler was exceptionally fortunate in his outstanding teachers, and his youthful international experience. Both influences made him sensitive to cultural differences, and throughout his career as an international architect, his buildings have acknowledged these. In his early years in Sydney, domestic architecture was his main preoccupation. He built houses and high rise apartment blocks in many Sydney suburbs, all of which are recognizable by their strong structural features. In 1960, Seidler began to work with the Italian engineer Pier Luigi Nervi, on the cylindrical tower for Australia Square.