Page9.Qxd (Page 1)

Total Page:16

File Type:pdf, Size:1020Kb

Page9.Qxd (Page 1) DAILY EXCELSIOR, JAMMU SUNDAY, OCTOBER 4, 2015 (PAGE 9) Allama Iqbal’s son Govt to regularise drone, Future of India, Bihar to be dies in Lahore glider flying: IAF Chief determined by poll outcome: Sonia LAHORE, Oct 3: BHAGALPUR, Oct 3: both Bihar and the country. You have to decide Renowned poet-philosopher Allama Muhammad Iqbal’s son NEW DELHI, Oct 3: high value targets taking advan- The future of both Bihar and whether from here on the Justice (retd) Javed Iqbal died here today at the age of 90. tage of unregulated security In the face of growing con- the country would be deter- country will move towards He was under treatment for cancer at the Shaukat Khanum environment. cerns about air-borne threats to mined by the outcome of the divisiveness or harmony.” Memorial Cancer Hospital in Lahore. In recent months, there have security, the Government was “crucial” polls in the state, “Modi is trying to mis- He is survived by his two sons - Walid and Munib Iqbal - and been many intelligence inputs actively considering to regu- Congress President Sonia lead the people of Bihar. wife Justice (retd) Nasira Iqbal — a former Lahore high court showing that terror groups in larise flying of unregulated Gandhi said today while sharply The package he announced judge. South Asia could be trying to objects, like smaller UAVs, attacking Prime Minister is more farcical than real. Javed graduated from the University of Punjab. acquire capabilities to carry out gliders and drones, Chief of Narendra Modi whom she What is the truth of this He served as chief justice of the Lahore High Court and senior aerial attacks. The move would Indian Air Force Air Chief described as an expert in “pack- package? justice at the Supreme Court. primarily cover gliders, UAVs, Marshal Arup Raha said today. aging and repacking”. “Prime Minister, an He was renowned scholar and an expert on the writing of his outdoor balloons and other fly- Addressing a press confer- Voters of Bihar will decide expert in packaging and poet father. He frequently appeared on media to expound the phi- ing objects that could be used by ence here, coinciding with the whether India would move repackaging, has simply losophy of his father. terrorists. 83rd Air Force day, the Air towards “divisiveness or harmo- rehashed old schemes of Allama Iqbal is known as national poet of Pakistan and is cred- The new guidelines, which Chief said unregulated flying of ny”, she said at a poll rally in previous governments and ited for giving the concept of Pakistan in 1930. Raha said. will be issued by the Director Congress president Sonia Gandhi objects is proliferating and this Kahalgaon near here as she tore presented them as a new Though he never used the word Pakistan and died years before The Air Chief’s comments General, Civil Aviation, will addressing an election rally in has reached to a worrisome into Modi’s 16-month rule package. What not he has partition in 1938. came at a time when flying of require everyone to register which she described “harmful” Kahalgaon on Saturday. (UNI ) level. various kind of objects, like, said to belittle the people Some experts of Iqbal consider him as an Indian nationalist ones flying object, its origin and for the country. “We need to have regularisa- UAVs’ toy mounted cameras, call for review of the quota pol- of Bihar,” she said, asking peo- who had penned down the famous poem Tarana-e- Hindi ‘saray aim of flying with the district tion for such rampant flying of gliders have become rampant, Taunting Modi “for spend- icy. ple to choose whether they are jahan say aacha Hindustan hamra’. (PTI) authorities, said the Air Chief. objects. Ministry of Defence, raising a new concern among ing more time abroad than at Without taking RSS’ name, with secular forces or those home”, the Congress President Civil Aviation and the Home the security agencies. The regulatory mechanism Gandhi said, “there is match fix- which divide the country. said had repackaged old Ministry are in touch to prepare There were intelligence will be in place within a year’s ing going on between Nagpur Targeting the Prime Minister guidelines for flying of such schemes of the previous govern- BJP promises to reports that terrorists might use time in the entire country, he and BJP. But I want to tell you on his foreign trips, she said, objects,” Air Chief Marshal ment and represented them as such flying objects to attack said. (UNI) that Congress is committed to “Narendra Modi loves going new packages because he was Constitutional provisions on abroad very frequently. He an “expert in packaging and SC, ST and OBC quotas.” provide petrol for scooty repackaging”. loves embracing famous people Calling the ensuing but he has no time for the poor. PATNA, Oct 3: Indrani critical, next 48 hours crucial She also raked up the issue Assembly elections as “deci- He should go abroad but should of reservation, which has sive, Gandhi said, “Bihar is at In a bid to make their poll sop more attractive, BJP today said MUMBAI, Oct 3: her alleged role in the murder of which has taken over the investi- stop playing politics of preten- become a major talking point in crucial crossroads. From here it would also provide free petrol for the two-wheelers for two Sheena, her daughter from an gation in the Sheena murder case, sion with the people who Former media magnate Bihar polls against the backdrop will be determined the future of years, which they will give to 5,000 meritorious girls passing class earlier marriage, in 2012. told the court the probe is at an reposed faith in him.” (PTI) Indrani Mukerjea, prime accused of RSS chief Mohan Bhagwat’s X and XII examinations. Sheena, 24, was allegedly initial stage and the gravity of the in the sensational Sheena Bora “In the event of formation of BJP-led NDA government, 5000 kidnapped from outside National offence is very serious. murder case, is still critical with girls passing out matriculation and Intermediate examinations in College in Bandra and strangled JJ hospital doctors have been the next 48 hours going to be cru- Midnight raid: Police files supplementary first division would get scooty (two-wheeler) and they would also to death in a car by Indrani, her provided prison records which cial for her survival, according to be provided free petrol for two years,” Sushil Modi told reporters former husband Sanjeev Khanna showed that Indrani was alleged- JJ hospital, where she was rushed at Patna airport before setting out for campaign. and driver Shyamvar Rai. ly taking anti-epilepsy medicines yesterday from Byculla prison Sushil Modi’s announcement came in the wake of Chief Meanwhile, as ordered by since September 11. with suspected drug overdose. chargesheet against Bharti Minister Nitish Kumar’s sarcastic comments as who would pro- Chief Minister Devendra It is suspected that Indrani “The next 48 hours will be vide petrol to run the two-wheeler. Fadnavis yesterday, IG (Prison) went into depression after learn- NEW DELHI, Oct 3: further probe in the case in a In its charge sheet, police critical for her,” J J Hospital “If we have decided to give scooty than nobody else needs to began a probe, covering all ing about the demise of her moth- sealed cover. had said forensic reports of the Dean Dr T P Lahane told Delhi Police today filed a bother from where petrol for it will come. We’ll give petrol to angles, including possible lapses er in Guwahati on Tuesday. On January 16, the court victims' urine samples were reporters today when asked if she supplementary charge sheet in those whom we would be giving scooty,” Sushil Modi said. on the part of jail authorities and Indrani was also prescribed had issued notice to the Deputy awaited but reports of video is out of danger. a city court against AAP leader Scooty formed a major attraction of BJP vision document for medical staff there. anti-depressant and anti- anxiety Commissioner of Police and footage collected from CCTV “We can not say that Indrani Somnath Bharti in a case of Bihar elections which was unveiled by Union Finance minister Indrani’s lawyer also moved a pills from September 12 to 25 by given a last chance to IO to get cameras installed at AIIMS, is out of danger before the next alleged molestation of African Arun Jaitley on Thursday last. local court seeking permission to a J J Hospital psychiatrist. The the sanction for prosecution where the victims were taken 48 hours. 72 hours are very criti- women during his purported Sushil Modi said the future NDA government would also pro- meet her in the hospital and court probe will seek to find out if she against Bharti expeditiously. for medical check-up, and cal out of which 24 hours have midnight-raid last year when vide free LPG gas connection to BPL families. sought a re-report on her health had gathered the pills beyond the The police said it has received footage from news channels already passed. We will be able to he was the Delhi Law Minister. Sushil Modi, who is frontrunner for post of Chief Minister if condition. prescribed numbers, if so, how the sanction on September 24. have been received. say only after 48 hours whether In supplementary final NDA comes to power, said the future government would also order During the hearing, the CBI, did she manage to do so. (PTI) In its charge sheet filed on The FIR was lodged on her condition has improved or report filed before a CBI inquiry into alleged medicine scam of over Rs 100 crore September 27 last year, Delhi January 19 last year on the not”, Lahane said.
Recommended publications
  • Jodhaa Akbar
    JODHAA AKBAR ein Film von Ashutosh Gowariker Indien 2008 ▪ 213 Min. ▪ 35mm ▪ Farbe ▪ OmU KINO START: 22. Mai 2008 www.jodhaaakbar.com polyfilm Verleih Margaretenstrasse 78 1050 Wien Tel.:+43-1-581 39 00-20 www:polyfilm.at [email protected] Pressebetreuung: Allesandra Thiele Tel.:+43-1-581 39 00-14 oder0676-3983813 Credits ...................................................2 Kurzinhalt...............................................3 Pressenotiz ............................................3 Historischer Hintergrund ........................3 Regisseur Ashutosh Gowariker..............4 Komponist A.R. Rahman .......................5 Darsteller ...............................................6 Pressestimmen ......................................9 .......................................................................................Credits JODHAA AKBAR Originaltitel: JODHAA AKBAR Indien 2008 · 213 Minuten · OmU · 35mm · FSK ab 12 beantragt Offizielle Homepage: www.jodhaaakbar.com Regie ................................................Ashutosh Gowariker Drehbuch..........................................Ashutosh Gowariker, Haidar Ali Produzenten .....................................Ronnie Screwvala and Ashutosh Gowariker Musik ................................................A. R. Rahman Lyrics ................................................Javed Akhtar Kamera.............................................Kiiran Deohans Ausführende Produzentin.................Sunita Gowariker Koproduzenten .................................Zarina Mehta, Deven Khote
    [Show full text]
  • Clare M. Wilkinson-Weber
    Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp.
    [Show full text]
  • Responses to 100 Best Acts Post-2009-10-11 (For Reference)
    Bobbytalkscinema.Com Responses/ Comments on “100 Best Performances of Hindi Cinema” in the year 2009-10-11. submitted on 13 October 2009 bollywooddeewana bollywooddeewana.blogspot.com/ I can't help but feel you left out some important people, how about Manoj Kumar in Upkar or Shaheed (i haven't seen that) but he always made strong nationalistic movies rather than Sunny in Deol in Damini Meenakshi Sheshadri's performance in that film was great too, such a pity she didn't even earn a filmfare nomination for her performance, its said to be the reason on why she quit acting Also you left out Shammi Kappor (Junglee, Teesri MANZIL ETC), shammi oozed total energy and is one of my favourite actors from 60's bollywood Rati Agnihotri in Ek duuje ke Liye Mala Sinha in Aankhen Suchitra Sen in Aandhi Sanjeev Kumar in Aandhi Ashok Kumar in Mahal Mumtaz in Khilona Reena Roy in Nagin/aasha Sharmila in Aradhana Rajendra Kuamr in Kanoon Time wouldn't permit me to list all the other memorable ones, which is why i can never make a list like this bobbysing submitted on 13 October 2009 Hi, As I mentioned in my post, you are right that I may have missed out many important acts. And yes, I admit that out of the many names mentioned, some of them surely deserve a place among the best. So I have made some changes in the list as per your valuable suggestion. Manoj Kumar in Shaheed (Now Inlcuded in the Main 100) Meenakshi Sheshadri in Damini (Now Included in the Main 100) Shammi Kapoor in Teesri Manzil (Now Included in the Main 100) Sanjeev Kumar in Aandhi (Now Included in Worth Mentioning Performances) Sharmila Togore in Aradhana (Now Included in Worth Mentioning Performances) Sunny Deol in Damini (Shifted to More Worth Mentioning Performances) Mehmood in Pyar Kiye Ja (Shifted to More Worth Mentioning Performances) Nagarjun in Shiva (Shifted to More Worth Mentioning Performances) I hope you will approve the changes made as per your suggestions.
    [Show full text]
  • Bollywood and Postmodernism Popular Indian Cinema in the 21St Century
    Bollywood and Postmodernism Popular Indian Cinema in the 21st Century Neelam Sidhar Wright For my parents, Kiran and Sharda In memory of Rameshwar Dutt Sidhar © Neelam Sidhar Wright, 2015 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ www.euppublishing.com Typeset in 11/13 Monotype Ehrhardt by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 0 7486 9634 5 (hardback) ISBN 978 0 7486 9635 2 (webready PDF) ISBN 978 1 4744 0356 6 (epub) The right of Neelam Sidhar Wright to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Contents Acknowledgements vi List of Figures vii List of Abbreviations of Film Titles viii 1 Introduction: The Bollywood Eclipse 1 2 Anti-Bollywood: Traditional Modes of Studying Indian Cinema 21 3 Pedagogic Practices and Newer Approaches to Contemporary Bollywood Cinema 46 4 Postmodernism and India 63 5 Postmodern Bollywood 79 6 Indian Cinema: A History of Repetition 128 7 Contemporary Bollywood Remakes 148 8 Conclusion: A Bollywood Renaissance? 190 Bibliography 201 List of Additional Reading 213 Appendix: Popular Indian Film Remakes 215 Filmography 220 Index 225 Acknowledgements I am grateful to the following people for all their support, guidance, feedback and encouragement throughout the course of researching and writing this book: Richard Murphy, Thomas Austin, Andy Medhurst, Sue Thornham, Shohini Chaudhuri, Margaret Reynolds, Steve Jones, Sharif Mowlabocus, the D.Phil.
    [Show full text]
  • Albela Sajan Aayo Re
    Albela Sajan Aayo Re Full Video Song-Albela Sajan-Bajirao Mastani. Albela Sajan Aayo Re Lyrics-Bajirao Mastani. Albelaa sajan aayo Re.. Albelaa sajan aayo Re.. Moora Aati mann sukh payo Re⦠Albelaa sajan aayo Re.. Moora Aati mann sukh payo Re⦠Albelaa sajan aayo Re.. Albelaa sajan aayo Re.. Chaanuk purao mangal gao, Chaanuk purao mangal gao, Aati mann sukh payo Re⦠Albelaa sajan aayo Re.. Moora Aati mann sukh payo Re⦠Albelaa sajan aayo Re.. Albelaa sajan aayo Re.. Hmmmâ¦. Aaaaâ¦. Aaaa⦠Aaaa⦠Aang sugandhhit mann aanandit, Aang sugandhhit mann aanandit, Chahoon aur rang barsayo, Chahoon aur rang barsayo Re.. Albelaa albela sajan aayo ri mora hatwar sukar aayo ri albela sajan aayo ri albela albela albela albela alebela albela jyot purao magal gau sanann saanan jyot purao magal gau man rang ish payo ri. Aankhon Ki Gustakhiyaan. Chaand Chuppa Badal Mein. Hum Dil De Chuke Sanam. Dholi Taro Dhol Baaje. Jhonka Hava Ka Aaj. Kaipoche. Song: Albela Sajan Aayo Re Movie: Hum Dil De Chuke Sanam (1999) Original Credits: Sultan Khan, Ismail Darbar, Shankar Mahadevan, Kavita Krishnamurthy. albela sajan Mekkal Hasan UnpluggedINDUS MUSIC. Î Ïιν χÏόνο. Albela Sajan Aayo re by Dharmic Nritya Sangh of Naya Zamana (Guyana) Choreography and Direction- Dr. Vindhya Persaud Produced by Guyana Hindu AMAZING --- ALABELA SAJAN AYO GE - RAHUL DESHPANDEMUSIC Classical. Î Ïιν 2 χÏόνια. For your music search term albela sajan aayo re Mp3 we are showing the most relevant 10 results. If you would like to receive more song results please click the button "Load More Results".
    [Show full text]
  • Cinema and Tourism
    © 2018 JETIR May 2018, Volume 5, Issue 5 www.jetir.org (ISSN-2349-5162) Cinema and Tourism Dr. Gunjan Malik Assistant Professor IHTM, MDU Abstract: Films play an eloquent role in customers’ decision making regarding choice of clothes, fashion, food and also the destination they want to travel. It has been proved by previous studies that when films are shot in a destination it boosts tourism. Government also offers various initiatives to promote film shooting so that tourism can be encashed. In this paper with the help of secondary data the status of film tourism has been identified in India as well as international destinations. The study found that films give a boost to tourism and various international destinations have been trying to woo Indian film makers to shoot at their locations. Even the ministry of tourism, government of India also gives incentives to filmmakers in order to promote film tourism. Keywords: film tourism, cinema, tourism, movies. Introduction Bollywood is a cardinal part of Indian society and has a considerable impact on the members of society. Cinema is one of the significant communication tools for conveying social values, social evils, corruption, sexual exploitation, historical events, drama or even tourism. Anything or everything can be communicated effectively to the society with the help of films or cinema. India, Brazil and China are the emerging travel and tourism markets and they are expected to supersede even the developed markets because of the development in infrastructure and increase in the disposable incomes. Placing or showcasing destinations in movies which helps in increasing tourism of that particular place is known as film tourism.
    [Show full text]
  • Travel with the Movies Sheema Mookherjee Contents October 2013 Preface
    FROM THE PUBLISHER Travel with the Movies Sheema Mookherjee Contents October 2013 Preface............................... 4 This is a first-time book for India! How often we Delhi.................................... 6 must’ve wanted to travel to every place we’ve seen in Agra..................................40 the movies. The Ladakh of Aamir and Kareena in 3 Idiots, the Kasauli of Hrithik in Krrish, the Kutch of Lucknow........................... 54 Salman and Aishwarya in Hum Dil De Chuke Sanam… Varanasi............................ 64 Indian film-makers have revelled in bringing beautiful Shimla............................... 80 locations to their viewers through the lens – from India’s Kasauli.............................. 92 magnificent mountains to lovely lakes, beaches, waterfalls, and Nainital............................102 historic forts, palaces and temples. Movies have familiarised us with our own country, often inspiring us to travel to locations Amritsar.......................... 110 where they’ve been shot. Kashmir...........................122 Ladakh.............................136 Filmi Escapes – Travel with the Movies combines the fascinating worlds of travel and cinema – making both the Udaipur............................146 fantasies come true. So pick up this guide and re-live every Jaisalmer.........................162 cinematic moment that makes travel destinations special. Use Mumbai............................ 176 the specialist information provided by the world’s leading travel expert on hotels, transport, food
    [Show full text]
  • ANS 372 Bollywood & Society © Gautami Shah Unique # 32274 Note
    ANS 372 Bollywood & Society © gautami shah Unique # 32274 Note: Since this course is a repeatable course, in order to factor the background of the participants in the course, the full syllabus for the course shall be uploaded only after the first week of classes. This document is only reflective of the first two classes and course requirements in terms of work load and grading policy and other class policies. ! Spring 2020 gautami shah (she/her/hers) Topic Title: Bollywood: Shaker, Maker or Breaker of Society? FLAG: This course carries the Global Cultures Flag. Course Description: This course explores the dual role of Bollywood in society, viz., that as an agent of social change on the one hand, and as a mirror of social reality on the other. By examining the representations of South Asian society in Bollywood over the years, as well as the influence of Bollywood cinema on society at various points in South Asian history, this course begs us to critically reevaluate the role of cinema and popular culture as mere entertainment in society. Topics explored will include the relationship between Hindi cinema and the concept of “nation”; notions and representations of “self” and “other”Hindi cinema and representations, roles and perceptions of gender; Hindi cinema and the diaspora; notions of tradition and modernity; centers and margins of society; the role of caste, religion and class in shaping HIndi cinema and vice-versa. Students who have had no prior experience with South Asian literature and cinema will get an exposure to a new world-view. Students who have already been exposed to South Asian literature and cinema will find and articulate new ways of approaching and interpreting the material.
    [Show full text]
  • Friction Between Cultural Representation and Visual Representation with Reference to Padmaavat
    postScriptum: An Interdisciplinary Journal of Literary Studies 1 postScriptum: An Interdisciplinary Journal of Literary Studies ISSN: 2456-7507 <postscriptum.co.in> Online – Open Access – Peer Reviewed – DOAJ Indexed Volume V Number i (January 2020) Friction between Cultural Representation and Visual Representation with Reference to Padmaavat Mita Bandyopadhyay Research Scholar, Dept. of Humanities and Social Sciences, National Institute of Technology, Durgapur & Arindam Modak Associate Professor, Dept. of Humanities and Social Sciences, National Institute of Technology, Durgapur Abstract According to the Cultural theorist, Stuart Hall, images of objects do not have meaning in themselves. Meaning is generated according to the contextual fixation between the user and the representational significance of that object. The representative meaning of the object when shared by a group of people becomes a cultural practice. It has been observed that when the same cultural practice is represented further in the visual media, in the form of cinema, a conflict arises between the cultural representation of the image and its visual representation. Padmaavat (2018), a film directed by Sanjay Leela Bhansali, went through several oppositions by the different classes of the society across the country, owing to the portrayal of different characters and the social background of the movie. The social discontent created by people revolved around a number of issues: the main issue being a different representation of Rani Padmavati and Allauddin Khilji in the movie, in contrast to the way they are represented and accepted in the popular culture. By using Stuart Hall’s conceptual idea of ‘representation’ in cultural practices, an attempt has been taken to show how a friction is created when an ideology formed through the cultural representation is again represented through the visual media.
    [Show full text]
  • Patriarchy and Prejudice: Indian Women and Their Cinematic Representation
    International Journal of Languages, Literature and Linguistics, Vol. 3, No. 3, September 2017 Patriarchy and Prejudice: Indian Women and Their Cinematic Representation Abina Habib social and cultural roles, which carry into the mainstream Abstract—Nurtured by Indian culture and history women’s film industry and they end up being cast in similar roles. role in commercial Indian films is that of a stereotypical woman, Inspired by ‘Manusmriti’- an age old Dharmashastra written from the passive wife of Dadasaheb Phalke’s Raja by Manu for followers of Hindu faith – a female actor is Harishchandra’ (1913) to the long-suffering but heroic mother-figure of Mother India (1957) to the liberated Kangana never allowed to transgresses the scriptural paradigm that Ranaut of Queen (2014), it has been a rather long and mediates women's role as always in obedience and servitude challenging journey for women in Hindi cinema. Although this to man, like Sita – the scriptural paradigm of femininity. The role has been largely redefined by the Indian woman and beginning of the woman's acting career seems to be governed reclaimed from the willfully suffering, angelic albeit voiceless by social norms and they mostly ended up playing the roles of female actor, the evolution is still incomplete. Culture and tradition mean different things for different women, but there is a daughter, taking care of her siblings, helping the mother in always the historical context of what it entails in the form of the kitchen, and marrying the man of her father's choice, ownership. What this paper seeks to unravel is what being a another typical role assigned to women is that of a great woman means in Indian cinema.
    [Show full text]
  • Maskulinitas Dalam Film Bajirao Mastani (Analisis
    MASKULINITAS DALAM FILM BAJIRAO MASTANI (ANALISIS SEMIOTIKA JHON FISKE TERHADAP TOKOH MASTANI) Skripsi Diajukan untuk Memenuhi Salah Satu Syarat Meraih Gelar Sarjana Ilmu Komunikasi Jurusan Jurnalistik pada Fakultas Dakwah dan Komunikasi UIN Alauddin Makassar Oleh: SITTI NURSINTA YANTI SURYANI NIM. 50500113049 FAKULTAS DAKWAH DAN KOMUNIKASI UNIVERSITAS ISLAM NEGERI ALAUDDIN MAKASSAR 2017 KATA PENGANTAR Assalamu’alaikum Wr. Wb Syukur Alhamdulillah penulis panjatkan kehadirat Allah swt atas segala rahmat dan hidayahnya yang tiada henti diberikan kepada hamba-Nya. Shalawat dan salam tidak lupa hanturkan kepada Rasulullah saw beserta para keluarga, sahabat, dan para pengikutnya. Merupakan nikmat yang tiada ternilai sehingga penulisan skripsi ini dapat terselesaikan sekaligus menjadi syarat untuk menyelesaikan studi di Jurusan Jurnalistik, Fakultas Dakwah dan Komunikasi, Universitas Islam Negeri Alauddin Makassar. Penulis menyadari bahwa skripsi ini masih jauh dari kata sempurna ini disebabkan keterbatasan kemampuan yang peneliti miliki. Oleh karena itu, peneliti mengharapkan kritikan dan saran untuk menyempurnakan skripsi ini. Penulisan skripsi ini tidak akan terwujud tanpa adanya dukungan berupa bantuan (moril maupun materi), motivasi, saran dan petunjuk dipelbagai pihak sehingga peneliti merasa harus mengucapkan terima kasih setinggi-tingginya kepada: 1. Rektor Universitas Islam Negeri (UIN) Alauddin Makassar Bapak Prof. Dr. H. Musafir Pababari, M.Si, Wakil Rektor I Bapak Prof. Dr. H. Mardan, M.Ag, wakil Rektor II Bapak Pro. Dr. H. Lomba Sultan, M.Ag, dan wakil Rektor III Ibu Prof. Hj. Siti Aisyah, M.A., P.hd. dan Wakil Rektor IV Prof. Dr. Hamdan juhannis, m.A, Ph.D yang telah memberikan kesempatan kepada penulis untuk menimbah ilmu di UIN Alauddin Makassar. 2. Dekan Fakultas Dakwah dan Komunikasi UIN Alauddin Makassar Bapak Dr.
    [Show full text]
  • World Movies Introduces
    UTV World Movies brings to you the ace Cinematographer “Anil Mehta” and his preferred movies In 50 Movies to see before you die in November Mumbai, 18 November, 2009: In its constant endeavor to deliver the best and the unique, UTV World Movies leaves no stone unturned to introduce its audience to a legendary Indian director. Now UTV World Movies has started including major talent like veteran cinematographers/ writers etc from the film fraternity every month in 50 movies to see before you die. To live up to its promise, the channel brings to you Anil Mehta, cinematographer turned director. UTV World Movies gives you this splendid opportunity to view four of Mehta’s favorite international movies every Thursday at 8.30 pm. A prominent cinematographer, writer and director of Bollywood movies, Anil Mehta studied cinematography at the Film and Television Institute of India, Pune. He has shot smash hit films like Lagaan, Saathiya, Veer-Zaara and the recently launched Wake up Sid. His directorial debut film Aaja Nachle was released on November 2007 which also marked the comeback of the evergreen Madhuri Dixit. Anil Mehta won the National Film Award for Best Cinematography for his work in the internationally famous film Hum Dil De Chuke Sanam. Talking about the films that he has selected Anil Mehta said, “I feel that utv movies is doing a great job of bringing quality international cinema to Indian audiences. For a nation so used to ‘staple diet’ on television, utv world movies is like ‘fine dining’. The films that are on my short list are both entertaining and serious.
    [Show full text]