DOCSLIB.ORG

Interview Questions

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Interview Questions 1 www.bitdegree.org INTRODUCTION The first step to master something is always to become an adept student of that subject. If you want to become a great musician, listen to great music first. If you want to write the next great novel, read all the great novels written before. If you want to develop the next great video game, play the greats that came before. It’s not enough to mindlessly play them, though. You have to play mindfully, trying to understand the different decisions developers made. Play the game and pay attention to the narrative structure of the game, how it’s put together. Become the student of the subject first. Then worry about the rest. This is the first step on how to become a game developer. 2 www.bitdegree.org Common Interview Questions Common Interview Questions 3 www.bitdegree.org 1 Are you part of any Communities? By becoming an active member of the video game community, you will gain a deeper understanding of what gamers, your future target audience, like and don’t like. What they enjoy and can’t stand. You will also meet people who aspire to become a game programmer too. Who knows, maybe you will team up someday and set up the next Ubisoft! Just like movie making, video game development is a team venture. There are numerous examples of outspoken fans who made good points publically being tapped to work on the game they loved directly. You may not get a job in game development directly, but it may get your foot in the door. 2 What Engine are you Working With? Unity Unreal Engine CryEngine Godot Engine HeroEngine Research the software that your potential employer might be using. Most positions require extensive knowledge of a singular engine versus minimal knowledge of all. 3 Are you Goal Oriented? Setting achievable but ambitious short-term goals which lead you towards your overall dream to make a game is the key to remaining motivated. Most industry experts are not looking for people that can make a game on their own. They’re looking for someone who can figure out how to master a small part of a chosen gaming engine and a particular part of the coding language they’ll be working with. 4 www.bitdegree.org 4 How Much Time do you spend on Learning? When people wait for circumstances to be just right, they almost always end up not doing anything or doing the same thing over and over again. Industry leaders are always looking for people who spend at least 2-3 hours each day on learning and improving their skills. 5 Game Development vs Game Design video game design refers to the actual artistic design of a video game. Game designers spend their time conceptualizing new aspects of their games. They work out what a game needs to include, how the game should react under certain conditions, and exactly what needs to be created to make the game as good as it can be. On the other hand, game developers – or game programmers – are the people who are responsible for writing the code to make a video game do what it’s supposed to. 6 What is a Design Document? For most people, a design document is a brief outline of a game, what it should look like, and what you need to do to build it. If you’ll need to work on a design document it’s essential to think about the following things: Skills Needed Languages Used Future Updates Game Mechanics 5 www.bitdegree.org 7 Leave Your Ego At the Door While you may even be the most talented game developer in the history of the world or have the greatest ideas nobody’s ever had, it doesn’t matter. Accept and learn to love and live by the principle that ideas aren’t worth anything; it’s all about how you execute them. Thousands of passionate people like you try to get into the gaming industry every year. The ones who work the hardest are usually the only ones who make it. It’s not unusual to have 70-hour work weeks. If you aren’t willing to sacrifice your nights and weekends to game development, a lot of people will and take your spot as the new hot game programmer. 8 What is Your Favorite Game? Now, this might seem like an easy and odd question to be asked. But keep in mind that your employer is probably looking for more than just the name of the game you play most. This is an opportunity for you to express why you like the game. The technical flaws or what it does great. Otherwise, it tells the interviewer you really aren’t thinking that much about games 9 Can threads be used to modify a Texture on runtime? No. Texture and Meshes are examples of elements stored in GPU memory. Sadly, Unity doesn’t allow other threads, besides the main one, to make modifications on these kinds of data. 6 www.bitdegree.org Advanced Interview Questions 7 www.bitdegree.org 10 ‘Vertex shader Vs. ‘Pixel shader’ The vertex shader is a script, and it runs for each vertex of the mesh. This allows developers to apply transformation matrixes to position different vertexes in the 3D space. On the other hand, a pixel shader is a script that runs for each pixel in a mesh’s triangle. Developers use this to control the final color that users will see on their device screens. 11 When can an ‘onsurfacechange’ occur? Onsurfacechange occurs when the screen size changes.. This can also happen when the device orientation is changed. It’s a very basic questions, but quite a common one. These types of questions are often lead into more complicated exercises where the command in question is used. 12 What is Vertex Buffer Object? The Vertex Buffer Object is a feature of OpenGL. It’s a method of uploading various vertex data to a video device for rendering (usually it has to be non-immediate rendering). 13 Should Vectors be Normalized to Move an Object? Yes. The process of normalization determines the vector unit length. Normalization is used when looking for accurate movement. For example, if you want to move with speed 20, multiplying speed * vector will net you 20 units per step. If the vector weren’t normalized, the action would be random, not 20 units. 8 www.bitdegree.org 14 Which of the following examples will run faster? 1. 1000 GameObjects, each with a MonoBehaviour implementing the Update callback. 2. One GameObject with one MonoBehaviour with an Array of 1000 classes, each implementing a custom Update() callback. The 2nd example is faster It all boils down to C# Reflection (which is quite a bit slower than just calling a function directly. The first example results in 1000 Reflection calls per frame. While the second example doesn’t use C# Reflections and uses direct access - hence being faster. 15 Interview Assignment Explain the issue with the code below and provide an alternative implementation that would correct the problem. The biggest problem with the code given is that you cannot modify the position from a transform using a direct approach. Positions are considered as a property, not a field. The correct solutions would be to replace the whole property. 9 www.bitdegree.org GENERAL TIPS A dizzying rise to the top of the gaming industry is a nice thing to dream about but let it stay there. Even if you are extremely talented and the only thing outstripping your talent is your work ethic, it will still take years for you to make it. You will face numerous rejections on your way but you can’t let them get you down. After all, you can’t win this game if you don’t play with full effort and focus. If you thought some games on the hardest difficulties were hard, wait until you try to earn the privilege of making them. Always remember to analyze, network, learn, and NEVER give up! Simple, right? 10 www.bitdegree.org.
Load more

Recommended publications
  • Development of a 2D Lateral Action Videogame for Android Platforms
    Escola Politècnica Superior Universitat de Girona Development of a 2D lateral action videogame for Android platforms. Desenvolupament d’un videojoc d’acció lateral per a plataformes Android. Projecte/Treball Fi de Carrera GEINF. Pla 2016 Document: Memòria Autor: Robert Bosch Director: Gustavo Patow Departament: Informàtica, Matemàtica Aplicada i Estadística Àrea: LSI Convocatoria: JUNY/2016 Contents 1 Introduction6 1.1 Introduction . .6 1.2 Personal motivations . .7 1.3 Project motivations . .7 1.4 Project purposes . .7 1.5 Objectives . .7 1.6 Structure of this memory . .8 2 Feasibility study9 2.1 Resources needed to develop this project . .9 2.1.1 Developer requirements . .9 2.1.2 Player requirements . .9 2.2 Initial budget . 10 2.3 Human resources . 10 2.4 Technological viability . 11 2.4.1 Economic viability . 11 2.4.2 Human costs . 11 2.4.3 Equipment costs . 11 2.4.4 Total costs . 11 3 Methodology 12 4 Planning 14 4.1 Working plan . 14 4.2 Planned tasks . 14 4.2.1 Planning . 14 4.2.2 Learning . 14 4.2.3 Implementation . 14 4.2.4 Verification . 15 4.2.5 Documentation . 15 4.3 Estimated scheduling . 16 4.4 Expected results of every task . 17 4.4.1 Planning . 17 4.4.2 Learning . 17 4.4.3 Implementation . 17 4.4.4 Verification . 17 4.4.5 Documentation . 17 5 Framework 18 5.1 Videogame engines . 18 5.2 Examples of videogame engines . 18 5.2.1 Unreal Engine . 18 2 Contents Contents 5.2.2 CryEngine . 19 5.2.3 GameMaker .
    [Show full text]
  • PROCEDURAL CONTENT GENERATION for GAME DESIGNERS a Dissertation
    UNIVERSITY OF CALIFORNIA SANTA CRUZ EXPRESSIVE DESIGN TOOLS: PROCEDURAL CONTENT GENERATION FOR GAME DESIGNERS A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in COMPUTER SCIENCE by Gillian Margaret Smith June 2012 The Dissertation of Gillian Margaret Smith is approved: ________________________________ Professor Jim Whitehead, Chair ________________________________ Associate Professor Michael Mateas ________________________________ Associate Professor Noah Wardrip-Fruin ________________________________ Professor R. Michael Young ________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Gillian Margaret Smith 2012 TABLE OF CONTENTS List of Figures .................................................................................................................. ix List of Tables ................................................................................................................ xvii Abstract ...................................................................................................................... xviii Acknowledgments ......................................................................................................... xx Chapter 1: Introduction ....................................................................................................1 1 Procedural Content Generation ................................................................................. 6 1.1 Game Design...................................................................................................
    [Show full text]
  • Universidad Central Del Ecuador Facultad De Ingeniería, Ciencias Físicas Y Matemática Estudio De Motores De Video Juegos Para
    UNIVERSIDAD CENTRAL DEL ECUADOR FACULTAD DE INGENIERÍA, CIENCIAS FÍSICAS Y MATEMÁTICA CARRERA DE INGENIERÍA EN COMPUTACIÓN GRÁFICA ESTUDIO DE MOTORES DE VIDEO JUEGOS PARA LA ELABORACION DE PROTOTIPOS DE SIMULACION EN EL CAMPO DE LA MEDICINA APLICADO PARA LA FACULTAD DE CIENCIAS MÉDICAS (UCE). TRABAJO DE GRADUACIÓN PREVIO A LA OBTENCIÓN DEL TITULO DE INGENIERA EN COMPUTACIÓN GRÁFICA AUTOR: MARÍA BELÉN PÉREZ CEVALLOS TUTORA: ING. ZOILA DE LOURDES RUIZ CHÁVEZ QUITO-ECUADOR 2016 i DEDICATORIA Esta tesis se la dedico a Dios quien supo guiarme por el buen camino, darme fuerzas para seguir adelante y no desmayar en los problemas que se presentaban, enseñándome a encarar las adversidades si perder nunca la dignidad ni desfallecer en el intento. A mi familia quienes por ellos soy lo que soy. Para mis padres por su apoyo, consejos, compresión, amor, ayuda en los momentos difíciles, y por ayudarme con los recursos necesarios para estudiar. Me han dado todo lo que soy como persona, valores, mis principios, mi carácter, mi empeño, mi perseverancia, mi coraje para conseguir mis objetivos. ii AGRADECIMIENTO Quiero agradecer a Dios por haberme dado fuerza, valor y fe durante todo el tiempo de mi carrera, por permitirme pasar por momentos buenos y malos que han fortalecido mi vida. A mis padres quienes me han brindado su apoyo incondicional, amor y tiempo, porque han sido mi guía en cada momento. A mis hermanas, quienes han sido un ejemplo para mí en todos los aspectos, mujeres valientes y luchadoras, gracias de corazón. A la Ing. Zoila Ruíz y al Ing. Jaime Salvador quienes he han ayudado durante la elaboración de este proyecto de titulación.
    [Show full text]
  • Massively Multiplayer Online Games Industry: a Review and Comparison
    Massively Multiplayer Online Games Industry: A Review and Comparison From Middleware to Publishing By Almuntaser Alhindawi Javed Rafiq Sim Boon Seong 2007 A Management project presented in part consideration for the degree of "General and Financial MBA". CONFIDENTIALITY STATEMENT This project has been agreed as confidential between the students, university and sponsoring organisation. This agreement runs for five years from September, 14 th , 2007. ii Acknowledgements We would like to acknowledge Monumental Games management for giving us this opportunity to gain an insight of this interesting industry. Special thanks for Sarah Davis, Thomas Chesney and the University of Nottingham Business School MBA office personnel (Elaine, Kathleen and Christinne) for their assistance and support throughout this project. We would also like to thank our families for their constant support and patience; - Abdula Alhindawi - Fatima Alhindawi - Shatha Bilbeisi - Michelle Law Seow Cha - Sim Hock Soon - Yow Lee Yong - Mohamed Rafiq - Salma Rafiq - Shama Hamid Last but not least, our project supervisor Duncan Shaw for his support and guidance throughout the duration of this management project. i Contents Executive Summary iv Terms and Definition vi 1.0 Introduction 1 1.1 Methodology 1 1.1.1 Primary Data Capture 1 1.1.2 Secondary Data Capture 2 1.2 Literature Review 4 1.2.1 Introduction 4 1.2.2 Competitive Advantage 15 1.2.3 Business Model 22 1.2.4 Strategic Market Planning Process 27 1.2.5 Value Net 32 2.0 Middleware Industry 42 2.1 Industry Overview 42 2.2
    [Show full text]
  • Primerjava Igralnih Pogonov Unity in Unreal Engine
    UNIVERZA V LJUBLJANI FAKULTETA ZA RAČUNALNIŠTVO IN INFORMATIKO Marko Kladnik Primerjava igralnih pogonov Unity in Unreal Engine DIPLOMSKO DELO VISOKOŠOLSKI STROKOVNI ŠTUDIJSKI PROGRAM PRVE STOPNJE RAČUNALNIŠTVO IN INFORMATIKA MENTOR: viš. pred. dr. Igor Rožanc Ljubljana, 2015 UNIVERZA V LJUBLJANI FAKULTETA ZA RAČUNALNIŠTVO IN INFORMATIKO Marko Kladnik Primerjava igralnih pogonov Unity in Unreal Engine DIPLOMSKO DELO VISOKOŠOLSKI STROKOVNI ŠTUDIJSKI PROGRAM PRVE STOPNJE RAČUNALNIŠTVO IN INFORMATIKA MENTOR: viš. pred. dr. Igor Rožanc Ljubljana, 2015 Rezultati diplomskega dela so intelektualna lastnina avtorja. Za objavljanje ali izkoriščanje rezultatov diplomskega dela je potrebno pisno soglasje avtorja, Fakultete za računalništvo in informatiko ter mentorja. Fakulteta za računalništvo in informatiko izdaja naslednjo nalogo: Naslov: Primerjava igralnih pogonov Unity in Unreal Engine Tematika naloge: Igralni pogoni so programerska orodja, ki omogočajo učinkovito izgradnjo računalniških iger za različne platforme. V diplomski nalogi predstavite značilnosti in uporabo dveh popularnih igralnih pogonov Unity in Unreal Engine. Z obema pogonoma razvijte enako računalniško igro ter na podlagi tega opravite primerjavo obeh orodij po več izbranih kriterijih, ki so pomembni za razvijalca računalniških iger. IZJAVA O AVTORSTVU DIPLOMSKEGA DELA Spodaj podpisani Marko Kladnik sem avtor diplomskega dela z naslovom: Primerjava igralnih pogonov Unity in Unreal Engine S svojim podpisom zagotavljam, da: . sem diplomsko delo izdelal samostojno pod mentorstvom viš. pred. dr. Igorja Rožanca . so elektronska oblika diplomskega dela, naslov (slov., angl.), povzetek (slov., angl.) ter ključne besede (slov., angl.) identični s tiskano obliko diplomskega dela, . soglašam z javno objavo elektronske oblike diplomskega dela na svetovnem spletu preko univerzitetnega spletnega arhiva. V Ljubljani, dne 14.9.2015 Podpis avtorja: Zahvaljujem se svoji družini in Simoni za vso pomoč in podporo med študijem.
    [Show full text]
  • UC Santa Cruz Electronic Theses and Dissertations
    UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations Title Expressive Design Tools: Procedural Content Generation for Game Designers Permalink https://escholarship.org/uc/item/0fn558gq Author Smith, Gillian Margaret Publication Date 2012 Supplemental Material https://escholarship.org/uc/item/0fn558gq#supplemental Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SANTA CRUZ EXPRESSIVE DESIGN TOOLS: PROCEDURAL CONTENT GENERATION FOR GAME DESIGNERS A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in COMPUTER SCIENCE by Gillian Margaret Smith June 2012 The Dissertation of Gillian Margaret Smith is approved: ________________________________ Professor Jim Whitehead, Chair ________________________________ Associate Professor Michael Mateas ________________________________ Associate Professor Noah Wardrip-Fruin ________________________________ Professor R. Michael Young ________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Gillian Margaret Smith 2012 TABLE OF CONTENTS List of Figures .................................................................................................................. ix List of Tables ................................................................................................................ xvii Abstract .....................................................................................................................
    [Show full text]
  • Level Design
    MASARYK UNIVERSITY FACULTY}w¡¢£¤¥¦§¨ OF I !"#$%&'()+,-./012345<yA|NFORMATICS Level Design BACHELOR’S THESIS Pavel Ugwitz Brno, summer 2011 Declaration Hereby I declare, that this paper is my original authorial work, which I have worked out by my own. All sources, references and literature used or excerpted during elaboration of this work are properly cited and listed in complete reference to the due source. Advisor: Mgr. Jirˇ´ı Chmel´ık ii Acknowledgement I would like to thank my supervisor, Mgr. Jirˇ´ı Chmel´ık, for his help and advice. iii Abstract This thesis explores the workflow of level design in current-generation ren- dering engines. Having described the techniques of level design and the workflow methods of creating a level, the thesis also brings in an example level to demonstrate the aforementioned techniques. iv Keywords level design, game design, rendering engine, game engine, unreal engine, UDK, level design workflow, level optimization, CSG, static meshes v Contents 1 Introduction ............................... 3 2 Choosing the Rendering Engine ................... 5 2.1 Technical dispositions — the engine .............. 5 2.2 Team dispositions — design approaches ............ 7 2.3 Comparison of engines ...................... 8 3 The process of Level Design ..................... 12 3.1 Conceptual phase ......................... 13 3.1.1 Determining the core gameplay concepts . 14 3.1.2 Collecting references . 14 3.1.3 The floorplan . 15 3.1.4 Moving on to the production phase . 19 3.2 Geometry .............................. 20 3.2.1 Primitive geometry . 20 3.2.2 Terrain . 21 3.2.3 Zoning and Volumes . 22 3.3 Materials .............................. 22 3.3.1 Material Editor . 23 3.3.2 Applying the materials .
    [Show full text]
  • Game Developer
    >> REVIEWED MICROSOFT PROJECT 2007 AUGUST 2008 THE LEADING GAME INDUSTRY MAGAZINE >> AI! AI! AI! AI! >> ALL FIRED UP >> INTERVIEW ARTIFICIAL INTELLIGENCE THE SHOOTER AND HIROKAZU YASUHARA ON MIDDLEWARE ROUNDUP SHOOTEE DISCONNECT GAME DESIGN METHODS POSTMORTEM: PennyTHE Arcade Adventures: On the Rain-Slick LEADINGPrecipice of Darkness GAME INDUSTRY MAGAZINE DISPLAY UNTIL DECEMBER 15, 2003 0808gd_cover_vIjf.indd 1 7/17/08 12:43:51 PM ImageMetrics_Sig08Ad_HR1.pdf 7/11/08 12:58:17 PM I Am the Future of Facial Animation Meet Me at Siggraph 2008 C M Y CM Booth 1229 MY CY CMY K See How I Was Created: 8/13/08 1:00-2:30pm Room #2 Superior Facial Animation. Simplified. www.image-metrics.com US Office: +1 (310) 656 6565 UK Office: +44 (0) 161 242 1800 © 2008. Image Metrics, Inc. All rights reserved. []CONTENTS AUGUST 2008 VOLUME 15, NUMBER 7 FEATURES 7 GAME BRAINS Artificial Intelligence middleware is coming into its own as a crucial tool for modern game development. In this market overview we take a look at eight products that aim to make thinking machines a reality. By Jeffrey Fleming 15 READY, AIM, FIRE! In first person shooters, there is often a disconnect between the location of the gun on 7 the screen and the destination of an in-game bullet. Here, Adam Hunter scans different models that seek to rectify the problem, and draws a few conclusions of his own. By Adam Hunter 28 18 INTERVIEW: HIROKAZU YASUHARA 15 Hirokazu Yasuhara was the third person to join Sonic Team, even before it was so- named.
    [Show full text]
  • Introduction Main Elements
    Game Engines Introduction Game Engines are software platforms used to create and run video games. One of the reasons that Game Engines exist is because creating computer games requires a lot of different kinds of complex software. Computer games include video elements, user interface elements, a variety of resources that must be loaded and used, and other complex systems. If each game developer had to create these various software systems for each game, the development time required to create a new game would be too long. One thing that most software developers do is save old code. If a developer can just plug in software elements that have been previously used and have been tested, then this makes the development cycle shorter. Why write the same code again when a developer can just plug-in already written code. This same idea is behind game engines. In the early days, game developers saved their old code and systems and just reused them on new games. At some point, the idea was to create modular systems that are more self-contained and easier to reused. This was one of the driving elements for Game Engines. The other reason for modern Game Engines was that games were being developed for multiple platforms. These include computers, consoles, hand-held devices, and the Internet. Game developers wanted to sell their games on multiple platforms so they added a game run-time element to game engines. The run-time element was a layer where the game hardware was virtualized. This means that when the game engine code sends a draw command to the hardware, the draw command first goes through a layer that translates it to the appropriate hardware commands.
    [Show full text]
  • SECO/BM Evolution
    Business Model Evolution in the Game Software Ecosystem Towards a method for modelling business model evolution Graph: Game publishers and game platforms in the game software ecosystem Master Thesis MBI Thesis Candidate Niels van den Berg [email protected] Utrecht University Institute of Information and Computing Sciences Princetonplein 5, 3584 CC Utrecht, The Netherlands Date June 2015 Business Model Evolution in the Game Software Ecosystem 2 Supervisors dr. F.J. Bex Assistant Professor Utrecht University [email protected] dr. S. Jansen Assistant Professor Utrecht University [email protected] Business Model Evolution in the Game Software Ecosystem 3 Summary More than ever, video game software companies operate within networks that share markets and services on common platforms. The Game Software Ecosystem (G-SECO) encompasses many different types of organizations, each maintaining a business model (BM) that enables them to effectively fulfill their role in the SECO. These BMs are not static. To assure a strategic advantage, organizations find themselves continually evaluating and adapting their BM. New technologies and changes in demand open up ways to conduct business and entice organizations to adapt their business models in order to secure or reposition their presence in the SECOs that they are part of. It remains what this evolution looks like and how software organizations influence one another by adapting their business model. Furthermore, we know little about what the G-SECO looks like and how it influences BM-evolution for its members. This exploratory research provides insight on the effects of BM-changes within the G-SECO by investigating the evolution of business models within the video game industry.
    [Show full text]
  • COMUNICAÇÃO E SAÚDE EM JOGO Os Video Games Como Estratégia De Promoção Da Saúde
    MARCELO SIMÃO DE VASCONCELLOS COMUNICAÇÃO E SAÚDE EM JOGO Os video games como estratégia de promoção da saúde ORIENTADORA Profa. Dra. Inesita Soares de Araujo 2o ORIENTADOR Prof. Dr. Joost Raessens Rio de Janeiro 2013 MARCELO SIMÃO DE VASCONCELLOS COMUNICAÇÃO E SAÚDE EM JOGO Os video games como estratégia de promoção da saúde Tese apresentada ao Programa de Pós- Graduação em Informação, Comunicação e Saúde (Icict), como parte dos requisitos para obtenção do grau de Doutor em Ciências. Orientadora: Profa. Dra. Inesita Soares de Araujo 2o Orientador: Prof. Dr. Joost Raessens Rio de Janeiro 2013 Ficha catalográfica elaborada pela Biblioteca de Ciências Biomédicas/ ICICT / FIOCRUZ - RJ V331 Vasconcellos, Marcelo Simão de Comunicação e saúde em jogo: os video games como estratégia de promoção da saúde / Marcelo Simão de Vasconcellos. – Rio de Janeiro, 2013. xiv, 293 f. : il. ; 30 cm. Tese (Doutorado) – Instituto de Comunicação e Informação Científica e Tecnológica em Saúde, Pós-Graduação em Informação e Comunicação em Saúde, 2013. Bibliografia: f. 259-281 1. Comunicação e saúde. 2. Promoção da saúde. 3. Video games. 4. MMORPGs. 5. Jogos digitais. 6. Mundos virtuais. I. Título. CDD 371.337 MARCELO SIMÃO DE VASCONCELLOS COMUNICAÇÃO E SAÚDE EM JOGO: Os video games como estratégia de promoção da saúde Aprovado em ___ de ___________ de __________. Banca Examinadora Profa. Dra. Inesita Soares de Araujo Icict / Fundação Oswaldo Cruz Prof. Dr. André Luiz Martins Lemos FACOM / Universidade Federal da Bahia Profa. Dra. Wilma Madeira Instituto Sírio-Libanês Profa. Dra. Kátia Lerner Icict / Fundação Oswaldo Cruz Profa. Dra. Cícera Henrique da Silva Icict / Fundação Oswaldo Cruz A Deus, “porque Dele, e por meio Dele, e para Ele são todas as coisas.” (Romanos, 11:36) A meus pais, Edézio e Sônia, cujo amor e dedicação me trouxeram até aqui.
    [Show full text]
  • Izdelava 3D Igre Z Uporabo Pogona Unity Za Platformo Android
    Univerza v Ljubljani Fakulteta za racunalniˇ ˇstvo in informatiko Toni Mervar Izdelava 3D igre z uporabo pogona Unity za platformo Android DIPLOMSKO DELO NA UNIVERZITETNEM STUDIJUˇ Mentor: dr. SaˇsaDivjak Ljubljana, 2013 Rezultati diplomskega dela so intelektualna lastnina avtorja in Fakultete za ra- ˇcunalniˇstvo in informatiko Univerze v Ljubljani. Za objavljanje ali izkoriˇsˇcanje rezultatov diplomskega dela je potrebno pisno soglasje avtorja, Fakultete za raˇcu- nalniˇstvo in informatiko ter mentorja. Besedilo je oblikovano z urejevalnikom besedil LATEX. Izjava o avtorstvu diplomskega dela Spodaj podpisani Toni Mervar, z vpisno ˇstevilko 63070207, sem avtor di- plomskega dela z naslovom: Izdelava 3D igre z uporabo pogona Unity za platformo Android S svojim podpisom zagotavljam, da: • sem diplomsko delo izdelal samostojno pod mentorstvom prof. dr. Saˇse Divjaka, • so elektronska oblika diplomskega dela, naslov (slov., angl.), povzetek (slov., angl.) ter kljuˇcnebesede (slov., angl.) identiˇcnis tiskano obliko diplomskega dela • soglaˇsamz javno objavo elektronske oblike diplomskega dela v zbirki "Dela FRI". V Ljubljani, dne 6. marca 2013 Podpis avtorja: Zahvalujem se mentorju prof. dr. SaˇsiDivjaku za vso izkazano pomoˇcob nastajanju tega diplomskega dela. Posebna zahvala gre tudi moji druˇzini,ki me je vsa leta spodbujala in mi stala ob strani. Svojim dragim starˇsem. Kazalo Povzetek Abstract 1 Uvod 1 2 Osnovni koncepti 3D grafike 3 2.1 Vektorji . 3 2.2 Modeliranje . 6 2.3 Osvetljevanje . 8 3 Fizikalni pogoni 11 3.1 PhysX . 13 3.2 Havok . 14 3.3 Bullet . 14 4 Izdelava 3D igre 17 5 Android 21 5.1 Android pogoni za igre . 25 6 O pogonu za igre Unity 27 7 Izdelava iger s pogonom Unity 31 7.1 Programiranje v Unity .
    [Show full text]