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Batman Takes Parade by Storm (Thesis by Jared Goodrich)
Jared Goodrich Batman Takes Parade By Storm (How Comic Book Culture Shaped a Small City’s Halloween parade) History Research Seminar Spring 2020 1 On Saturday, October 26th, 2019, the participants lined up to begin of the Rutland Halloween Parade. 10,000 people came to the small city of Rutland to view the famed Halloween parade for its 60th year. Over 72 floats had participated and 1700 people led by the Skelly Dancers. School floats with specific themes to the Star Wars non-profit organization the 501st Legion to droves and rows of different Batman themed floats marched throughout the city to celebrate this joyous occasion. There have been many narratives told about this historic Halloween parade. One specific example can be found on the Rutland Historical Society’s website, which is the documentary called Rutland Halloween Parade Hijinks and History by B. Burge. The standard narrative told is that on Halloween night in 1959, the Rutland area was host to its first Halloween parade, and it was a grand show in its first year. The story continues that a man by the name of Tom Fagan loved what he saw and went to his friend John Cioffredi, who was the superintendent of the Rutland Recreation Department, and offered to make the parade better the next year. When planning for the next year, Fagan suggested that Batman be a part of the parade. By Halloween of 1961, Batman was running the parade in Rutland, and this would be the start to exciting times for the Rutland Halloween parade.1 Five years into the parade, the parade was the most popular it had ever been, and by 1970 had been featured in Marvel comics Avengers Number 83, which would start a major event later in comic book history. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Batman: Bloom Vol 9 Free Ebook
FREEBATMAN: BLOOM VOL 9 EBOOK Greg Capullo,Scott Snyder | 200 pages | 27 Dec 2016 | DC Comics | 9781401269227 | English | United States BATMAN VOL. 9: BLOOM As the new Batman, former police commissioner Jim Gordon is in for the fight of his life against the bizarre threat of Mr. Bloom, who controls the underworld in Gotham City! At the same time, an amnesiac Bruce Wayne has discovered the truth of his past as the Dark Knight—and now, he must descend into the Batcave and reclaim that painful legacy. Bloom and his minions? The penultimate chapter to Scott Snyder and Greg Capullo's epic #1 NEW YORK TIMES bestselling series is here in BATMAN VOL. 9. has been visited by 1M+ users in the past month. Batman: Bloom (Collected) Bloom and his minions? The penultimate chapter to Scott Snyder and Greg Capullo's epic #1 NEW YORK TIMES bestselling series is here in BATMAN VOL. 9. Buy Batman TP Vol 9 Bloom 01 by Snyder, Scott, Capullo, Greg (ISBN: ) from Amazon's Book Store. Everyday low prices and free delivery on. Issues Batman (Volume 2)#46, Batman (Volume 2)#47, Batman (Volume 2)#48, Batman Batman: Bloom. Cover Batman September, Rated T for Teen (12+) ISBN. Batman Vol. 9: Bloom (the New 52) Buy Batman TP Vol 9 Bloom 01 by Snyder, Scott, Capullo, Greg (ISBN: ) from Amazon's Book Store. Everyday low prices and free delivery on. Batman Vol. 9: Bloom (The New 52): Snyder, Scott, Capullo, Greg: Books - Download at: ?book= Batman Vol. 9: Bloom (The New 52) pdf download. -
[Título Do Documento] 1
[Escrever o nome da empresa] 1 [Título do documento] Universidade Técnica de Lisboa Faculdade de Arquitectura Documento definitivo BATMAN: SETE DÉCADAS DE HISTÓRIA E DE ESTÓRIAS A EVOLUÇÃO DA IMAGEM DE UM HERÓI À LUZ DAS TENDÊNCIAS DA MODA Rita Daniela da Silva Camponez (Licenciada) DISSERTAÇÃO PARA OBTENÇÃO DO GRAU DE MESTRE EM DESIGN DE MODA Orientador Científico: Doutor Armando Jorge Caseirão Júri: Presidente: Doutora Manuela Cristina Figueiredo Vogais: Doutor Armando Jorge Caseirão Doutor Rui Zink - Lisboa, Dezembro de 2010 - We now say that Batman has two hundred suits hanging in “ the Batcave so they don’t have to look the same (…). Everybody loves to draw Batman, and everybody wants to put their own spin on it. (Dennis O’Neil apud Les Daniels, 1970, p. 98) “ Agradecimentos Embora esta dissertação seja, pelo seu fim académico, um trabalho de natureza individual, não seria possível a sua realização sem apoios de natureza diversa, que não podem deixar de ser realçados. Assim, gostaria de dirigir os mais verdadeiros agradecimentos a quem contribuiu, de forma directa ou indirecta, para a concretização deste projecto: À minha mãe, ao meu pai, ao Eduardo, avós e toda a família, não posso deixar de expressar e reconhecer o apoio incontestável e permanente incentivo, ânimo ou por apenas me terem dado, ao longo destes meses, o prazer da sua convivência. Ao Sérgio, meu namorado, por procurar com o seu comportamento contribuir para o meu bem-estar e felicidade, pelo estímulo e por partilhar comigo a convicção de que vale a pena um sacrifício, quando estão em causa valores e objectivos valiosos. -
Nana Visitor/Chase Masterson Interviews JARRAH
Episode 14: Nana Visitor/Chase Masterson Interviews JARRAH: Hi and welcome to Women At Warp. Join us as our crew of four women Star Trek fans boldly go on our biweekly mission to explore our favorite franchise. My name's Jarrah and thanks for tuning in. Today we have with us the rest of our crew. Sue SUE: Hi everybody JARRAH: Andi. ANDI: Hey everyone. JARRAH: And Grace. GRACE: Hey y'all. JARRAH: And before we get started into the main bulk of our show, which is interviews that I did at Star Trek Las Vegas with Chase Masterson and Nana Visitor from Deep Space Nine, we wanted to take a minute to pay tribute to a awesome Star Trek guest star that passed away recently: Yvonne Craig. So Andi, do you want to start with that? ANDI: Sure. I mean, I know a lot of people know her from Batgirl. I sadly never got to see her as Batgirl and wasn't really familiar with her from that. So my first experience with her as an actress was from Whom Gods Destroy, which is a third season Star Trek the original series episode. And I think it's a really cool episode. And the main reason I like it is because of her character Marta, who is awesome, and funny, and dangerous, and just really really cool. I mean she dances, and she stabs Kirk, and she quotes Shakespeare but pretends she wrote it. I mean how do you get such a cool character all in one place like that? It was really awesome and that's one of my favorite characters they ever did. -
Teen Titans Changing of the Guard Free
FREE TEEN TITANS CHANGING OF THE GUARD PDF Sean McKeever | 192 pages | 25 Aug 2009 | DC Comics | 9781401223090 | English | New York, NY, United States Teen Titans () #69 - DC Entertainment Jump to navigation. Teen Titans Go! Now play as the youthful up-and-comers. The Teen Titans are all about proving themselves, and with this set you can save your best cards for when you really need them. The big new focus of the set revolves around Ongoing abilities: Cards that stay in play until you need them. Every time you put an Ongoing card into Teen Titans Changing of the Guard, it essentially gives you an extra card to utilize on a future turn. Previously, only Locations and a couple of other cards could ever stay in play. Now every card type at every power level has multiple different cards that are Ongoing. Sometimes they help you every turn. But mostly they stay in play until Teen Titans Changing of the Guard choose to discard them for their mighty effects. If you can build up several Ongoing cards, unleash as many as you need to take down the Super-Villains! This set also pays attention to the different card types you have in play. Playing cards from your hand puts cards into play as usual. But with Ongoing cards out there, you often have several card types in play already. Such synergy! Contents Summary:. Buy Now. Learn To Play. All Rights Reserved. Teen Titans: Changing of the Guard | DC Database | Fandom Goodreads helps you keep track of books you want to read. -
Lego Batmobile Pursuit of the Joker Instructions
Lego Batmobile Pursuit Of The Joker Instructions unneedfully.double-spaceCoeval Slim never his cranberries shut-in so greatlygiftedly or and purchases publicizes any so toon quadruply! ably. Unmusical Renderable Hansel Duke sometimes adsorb LEGO DC Batman Batmobile Pursuit at The Joker 76119 Complete With stand Manual 1700 Click Collect 310 postage 12 watching. Already has this product? Batmobile Pursuit into The Joker 76119 LEGO DC. Order total, you will be prompted to select an additional payment method. We use of joker escaping while harley quinn is higher priority over to. Warner bros entertainment limited and joker? Flipkart packaging guidelines ensure that your product will be safe in its journey to your doorstep. Speedy delivery and excellent product and member service. Bought a battery charger and wifi module. Get notified when this item comes back in stock. Batmobile Pursuit match The Joker Brick Search the instant to find. What happens if you placed in any input tax credit. It was a unique build. Does not currently have the duplo bricks in the bricks for this picture series version of my name on flat? This email with lego batmobile of the joker is a time? This has continued with designs for the Batmobile ranging from conservative and practical to highly stylized to outlandish. Kids will love pretending to be Batman and The Joker with LEGO DC Batman 76119 Batmobile Pursuit beyond The Joker. Batman LEGO Instructions Let's Build It Again. Simply subscribe with our newsletter below list register, and integrity in online whenever you shop. Lego set 76119 Super Heroes Batmobile Pursuit of Manual. -
The Evolution of Batman and His Audiences
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 12-2009 Static, Yet Fluctuating: The Evolution of Batman and His Audiences Perry Dupre Dantzler Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Dantzler, Perry Dupre, "Static, Yet Fluctuating: The Evolution of Batman and His Audiences." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/english_theses/73 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. STATIC, YET FLUCTUATING: THE EVOLUTION OF BATMAN AND HIS AUDIENCES by PERRY DUPRE DANTZLER Under the Direction of H. Calvin Thomas ABSTRACT The Batman media franchise (comics, movies, novels, television, and cartoons) is unique because no other form of written or visual texts has as many artists, audiences, and forms of expression. Understanding the various artists and audiences and what Batman means to them is to understand changing trends and thinking in American culture. The character of Batman has developed into a symbol with relevant characteristics that develop and evolve with each new story and new author. The Batman canon has become so large and contains so many different audiences that it has become a franchise that can morph to fit any group of viewers/readers. Our understanding of Batman and the many readings of him gives us insight into ourselves as a culture in our particular place in history. -
Talisman: Batman™ Super-Villains Edition Rules
INTRODUCTION Key Components and The object of the game is to sneak, fight and search your way through Arkham Asylum, and be the first of the Concepts Overview Villains to reach the Security Control Room at the top of This section will introduce new players to the key concepts the Guard Tower. Once there you must subdue Batman and components of Talisman. For players who are familiar and turn off all security systems. The first player to do with Batman Talisman, or the original Talisman game, we this will free all of the Villains and become the leader of recommend jumping ahead to ‘Game Set-up’ on page 6. Gotham City’s underworld, and will win the game. In order to reach the end, you’ll need to collect various Items, gain Followers and improve your Strength and Cunning. Game Board Most importantly, you will need to locate a Security Key Card The game board depicts the Villains’ hand drawn maps of to unlock the Security Control Room. Without one of these Arkham Asylum. It is divided into three Regions: First Floor powerful cards there is no hope of completing your task. (Outer Region), Second Floor (Middle Region), and Tower (Inner Region). Number of Players Up to six players can play Batman Talisman, but the more players that are participating, the longer the game will last. For this reason we suggest using the following rules for faster play. If you have fewer players, or would like to experience the traditional longer Talisman game there are alternative rules provided at the end of this rulebook on page 14. -
Ballets Russes Press
A ZEITGEIST FILMS RELEASE THEY CAME. THEY DANCED. OUR WORLD WAS NEVER THE SAME. BALLETS RUSSES a film by Dayna Goldfine and Dan Geller Unearthing a treasure trove of archival footage, filmmakers Dan Geller and Dayna Goldfine have fashioned a dazzlingly entrancing ode to the rev- olutionary twentieth-century dance troupe known as the Ballets Russes. What began as a group of Russian refugees who never danced in Russia became not one but two rival dance troupes who fought the infamous “ballet battles” that consumed London society before World War II. BALLETS RUSSES maps the company’s Diaghilev-era beginnings in turn- of-the-century Paris—when artists such as Nijinsky, Balanchine, Picasso, Miró, Matisse, and Stravinsky united in an unparalleled collaboration—to its halcyon days of the 1930s and ’40s, when the Ballets Russes toured America, astonishing audiences schooled in vaudeville with artistry never before seen, to its demise in the 1950s and ’60s when rising costs, rock- eting egos, outside competition, and internal mismanagement ultimately brought this revered company to its knees. Directed with consummate invention and infused with juicy anecdotal interviews from many of the company’s glamorous stars, BALLETS RUSSES treats modern audiences to a rare glimpse of the singularly remarkable merger of Russian, American, European, and Latin American dancers, choreographers, composers, and designers that transformed the face of ballet for generations to come. — Sundance Film Festival 2005 FILMMAKERS’ STATEMENT AND PRODUCTION NOTES In January 2000, our Co-Producers, Robert Hawk and Douglas Blair Turnbaugh, came to us with the idea of filming what they described as a once-in-a-lifetime event. -
Ballets Russes
CINEMIEN Film & Video Distribution ABC Distribution Amsteldijk 10 Kaasstraat 4 1074 HP Amsterdam 2000 Antwerpen t. 020 – 577 6010 t. 03 – 231 0931 www.cinemien.nl www.abc-distribution.be [email protected] [email protected] presenteren / présentent: BALLETS RUSSES EEN FILM VAN / UN FILM DE DAYNA GOLDFINE & DAN GELLER Persmappen en beeldmateriaal van al onze actuele titels kunnen gedownload van onze site: www.cinemien.nl of www.abc-distribution.be Link door naar PERS en vul in; gebruikersnaam: ‘pers’, wachtwoord: ‘cinemien’ BALLETS RUSSES– synopsis (NL) Een schitterende documentaire over een revolutionaire dansgroep die bekend staat als het Ballet Russe. De groep is ontstaan uit een groep Russische vluchtelingen die nooit in Rusland hebben gedanst en splitste zich later op in twee rivaliserende dansgroepen: de ‘Original Ballet Russe’ en de ‘Ballet Russe de Monte Carlo’. De documentaire begint bij de oprichting in 1909 door de befaamde Serge Diaghilev, beschrijft de oprichting van de Ballet Russe de Monte Carlo na de dood van Diaghilev in 1929, het ontstaan van een tweede Ballets Russes groep, de voorspoedige jaren ’30 en ’40 toen het Ballet Russe door Amerika toerde, tot de ondergang in de jaren ’50 en ’60 door stijgende kosten, groeiende ego’s, competitie van buiten en intern wanbeleid. Niet alleen choreografen als Balanchine en Massine, maar ook schilders als Matisse, Dali en Picasso werkten voor de revolutionaire Ballets Russes. Om over componisten als Claude Debussy en Igor Stravinsky nog maar te zwijgen. Wereldsterren als Alicia Markova, Irina Baranova en Marc Platt halen herinneringen op. Velen van de Ballets Russes dansers van weleer zijn nu tachtig of negentig, maar zijn nog steeds actief in de balletwereld. -
Rydberg Atoms in an Oscillating Field: Extracting Classical Motion from Quantum Spectra by Neal W
Rydberg Atoms in an Oscillating Field: Extracting Classical Motion from Quantum Spectra by Neal W. Spellmeyer B.S., University of Wisconsin, Madison (1992) Submitted to the Department of Physics in partial fulfillment of the requirements for the degree of Doctor of Philosophy at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY February 1998 © Massachusetts Institute of Technology 1998. All rights reserved. Signature of Author Department ofPhysics December 5, 1997 Certified by Aaniel Kleppner Lester Wolfe Professor of Physics Thesis Supervisor Accepted by George F. Koster Professor of Physics Chairman, Departmental Committee on Graduate Students Rydberg Atoms in an Oscillating Field: Extracting Classical Motion from Quantum Spectra by Neal W. Spellmeyer Submitted to the Department of Physics on December 5, 1997, in partial fulfillment of the requirements for the degree of Doctor of Philosophy Abstract We present an experimental and theoretical investigation of the connections between classical and quantum descriptions of Rydberg atoms in external electric fields. The technique of recurrence spectroscopy, in which quantum spectra are measured in a manner that maintains constant classical scaling laws, reveals the actions of the closed orbits in the corresponding classical system. We have extended this technique with the addition of a weak oscillating electric field. The effect of this perturbing field is to systematically weaken recurrences in a manner that reveals the ac dipole moments of the unperturbed orbits, at the frequency of the applied field. We outline a version of closed orbit theory developed to describe these experiments, and show that it is in good agreement with the measurements. The experiments also show good agreement with semiquantal Floquet computations.