ISBN # 1-60132-512-6; American Council on Science & Education
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ANNUAL REPORT 2014-2015 School of Sciences and Mathematics Annual Report 2014‐2015
ANNUAL REPORT 2014-2015 School of Sciences and Mathematics Annual Report 2014‐2015 Executive Summary The 2014 – 2015 academic year was a very successful one for the School of Sciences and Mathematics (SSM). Our faculty continued their stellar record of publication and securing extramural funding, and we were able to significantly advance several capital projects. In addition, the number of majors in SSM remained very high and we continued to provide research experiences for a significant number of our students. We welcomed four new faculty members to our ranks. These individuals and their colleagues published 187 papers in peer‐reviewed scientific journals, many with undergraduate co‐authors. Faculty also secured $6.4M in new extramural grant awards to go with the $24.8M of continuing awards. During the 2013‐14 AY, ground was broken for two 3,000 sq. ft. field stations at Dixie Plantation, with construction slated for completion in Fall 2014. These stations were ultimately competed in June 2015, and will begin to serve students for the Fall 2015 semester. The 2014‐2015 academic year, marked the first year of residence of Computer Science faculty, as well as some Biology and Physics faculty, in Harbor Walk. In addition, nine Biology faculty had offices and/or research space at SCRA, and some biology instruction occurred at MUSC. In general, the displacement of a large number of students to Harbor Walk went very smoothly. Temporary astronomy viewing space was secured on the roof of one of the College’s garages. The SSM dean’s office expended tremendous effort this year to secure a contract for completion of the Rita Hollings Science Center renovation, with no success to date. -
Twenty-Eight Year Old Buck Ford Is a Singing and Recording Country Music Sensation!!!!
TWENTY-EIGHT YEAR OLD BUCK FORD IS A SINGING AND RECORDING COUNTRY MUSIC SENSATION!!!! Nashville recording artist Buck Ford is a young, pure country singing sensation that focuses on keeping the traditional country sound and rhythm flowing. Bucks influences consist of George Strait, Merle Haggard, George Jones and Keith Whiteley, just to name a few. Buck and his band pride themselves on the fact that their performances “bring back to life” the sound and feel of real old country music. Biography Buck began his story as a professional motocross racer, riding the circuit for over a decade. He received a full ride endorsement with a Honda team through the West Coast Super Cross Series in 2009. He placed his riding career on hold to pursue his love and passion for country music. Despite his dedication and talent in the professional motocross scene, his heart has always been in country music. His performances include his own written and composed music and covers songs from greats such as the likes of George Strait, Merle Haggard, George Jones, Keith Whitley, Craig Morgan, Wade Hayes, Mark Chesnutt, Tracy Lawrence, Chris Young, Billy Currington, Hank Jr., Brooks and Dunn, Alan Jackson, Waylon Jennings, Garth Brooks and many more. Buck has been successfully playing for over 7 years, and played with other fine musicians, such as The Time Jumpers, Vince Gill, Dawn Sears, Wade Hayes, James Mitchell, Mike Johnson, Brent Mason, Paul Franklin, Kevin Grant, Lonnie Wilson, Larry Franklin, and many other talented musicians throughout the West Coast, South West and Nashville regions. Buck has performed at fairs, festivals, rodeos, clubs, many private events, weddings, and parties. -
Three Juniors Allowed to Live in Alfond Senior Apartments
em? byaidir_gs pSar_ r_ed for social scgetices, devei@priier_t j»B^y JON SILBERSTEIN LOEB plan. Library steps will not be obstructed, To remedy the problem, the PPG is off, and technical issues, such as fund- Students and ITS out of Lovejoy will NEWS EDITOR Although plans for the two new Adams expects the alumni and devel- proposing to move the road. The pro- ing, must be conducted. How much the create more classroom space,and facul- buildings are still tentative, there has opment building to be close to the posed road will follow the perimeter of state or the College will pay to move ty offices. As part of the "creative campus already been significant funding con- Lunder House, while' the social sci- the Arboretum, down below the the road is yet to be determined. The increased number of offices and planni ng and development" portion of tributed for the creation of the build- ences building will be.closer to the ten- women's rugby field, behind the "I don't think (the state) will object," space for administration and faculty the Strategic Plan for Colby, two new ings. Vice President of Financial Affairs Lunder House, tennis courts, and base- said Adamis of the plan to move the means that Averill residence hall will buildings are in the research-and- W.Arnold Yasinski was not at liberty to ball field arid down to the bottom of the road. not be changed into a new administra- development process. In January, tlie say who donated the money, how hill where the railroad tracks pass over Construction of an alumni and tion building but will instead continue Board of Trustees approved "fundrais- much had been donated, or which the rpad. -
Yesterday and Today Records March 2007 Newsletter
March 2007 Newsletter ----------------------------------- Yesterday & Today Records 255A Church St Parramatta NSW 2150 phone/fax: (02) 96333585 email: [email protected] web: www.yesterdayandtoday.com.au ------------------------------------------------------ Postage: 1 cd $2.00/ 2cd $3/ 3-4 cds $5.80* (*Recent Australia Post price increase.) Guess what? We have just celebrated our 18th anniversary. Those who try things we recommend are rewarded. We have stayed in business for one reason and that is we have never attempted to appeal to the lowest common denominator as mainstream outlets do. At the same time we recognise that people do have different tastes and to some CMT is actually good. We also appeal to those people and offer many mainstream items in our bargain bin. But the legends and true country music are our bread butter and will always be. If you see something you think you may like but are worried let us know. If you pass our inquisition we may be able to send it on a sale or return basis. I say inquisition because if your favourite artists are SheDaisy and Rascal Flatts we certainly aren’t going to risk something as precious as Justin Trevino. By the same token we believe great music is timeless and knows no bounds. People may think chuck steak is good until they try the best rump! Recently I had the pleasure of seeing Dale Watson. Before hand I had the added pleasure of sitting in with my compatriot Eddie White (a.k.a. “The Cosmic Cowboy”) for an interview at the 2RRR Studios. Dale is a humble, engaging and extremely likeable man with a passion for tradition. -
GS Nlwebjunjulaug05.Qxd
JUNE/JULY/AUGUSTJUNE/JULY/AUGUST 20052005 VOL. 23 NO. 2 GeorgeGeorge StraitStrait MakingMaking AA SuccessfulSuccessful RunRun AtAt TheThe 20052005 GSTRCGSTRC Williams & Cooper Take Strait Fifteen world team roping championships "It was great to win the Clay since he’s been Casey Chamberlain headed into the final between them, but never as a team. Those a hero of mine forever. The downside was round in third place, but posted a 5.55 to take titles belong to Speed Williams and Clay breaking the barrier for Rich in the second the lead. The next team of Shane Sproul and O’Brien Cooper, the champions of the 23rd round," said Williams. "The George Strait Boogie Ray clocked a 5.91, but it was the Annual George Strait Team Roping Classic, Team Roping Classic has become one of the Williams/Cooper run of 5.56 that would push March 11-12 in San Antonio, Texas. Both most lucrative ropings that professional ropers Steward and Chamberlain to second. They Williams and Cooper were claiming their sec- can go to," he continued. "Last year Allen split $46,065 and took home a saddle apiece. ond titles – Williams won the GSTRC in 2002 Bach won about $100,000 by winning first and Steward and Chamberlain also picked up first- with Rich Skelton, while Cooper took his first second, that’s as much as we can make all year go money with a 4.88 but added a $15,000 title in 1995 with Tee Woolman. at the rodeos." bonus by winning on an HEB red wrapped For their 15.90 seconds on the final three In addition to the lucrative payoff of the steer. -
Council File No. /;;2 ~ /3!:J.~ Council District No
COUNCIL FILE NO. /;;2 ~ /3!:J.~ COUNCIL DISTRICT NO. 13 APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A. Future Street Acceptance. _} B. Quitclaim of Easement(s). _ } C. Dedication of Easement(s). _} D. Release of Restriction(s). __K_} E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ordinance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* Council Office of the District Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date ____ notice and report copy mailed to interested parties advising of Council date for this item. Date ____ scheduled in Council. AFTER COUNCIL ACTION: ____} Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ____} Other: PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles California To the Honorable Council AUG 2 8 lfJtZ Of the City of Los Angeles Honorable Members: C. -
Palo Colorado Dream Press Release
Bio information: ANTHONY PIROG Title: PALO COLORADO DREAM (Cuneiform Rune 398) Format: CD / DIGITAL DOWNLOAD Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: JAZZ / ROCK / EXPERIMENTAL Washington D.C.’s Leading Jazz/Experimental/Rock Guitarist, Anthony Pirog, Goes National with Palo Colorado Dream, His Debut Album as a Trio Leader with Acclaimed Drummer Ches Smith and Bassist Michael Formanek Washington, D.C.’s thriving jazz and experimental music scenes wouldn’t be quite where they are today without Anthony Pirog. The guitarist, composer and loops magician is a quiet but ubiquitous force on stages around his hometown. With fearsome chops and a keen ear for odd beauty, Pirog has helped expand the possibilities of jazz, rock and experimentalism in a city formerly known for its straight-ahead tradition. Pirog performs regularly in a broad spectrum of venues (and musical contexts) across DC – jazz and rock clubs, the Kennedy Center Millenium Stage, art galleries and museums, the annual Sonic Circuits Festival of Experimental Music, and much more. DC has a rich legacy of brilliant guitarists and gifted composers – Danny Gatton, Roy Buchanan, John Fahey, and Duke Ellington come to mind for key roles they played in the city’s 20th Century musical past. In the cutting-edge cultural and technological mecca that is the new, 21st Century Washington, Anthony Pirog is DC’s leading guitarist/composer and fast rising star. Palo Colorado Dream—recorded with the all-star trio of Michael Formanek on bass and Ches Smith on drums—is Pirog’s Cuneiform Records debut as a bandleader, and it marks the young innovator’s entrance onto the national stage. -
Various Tribute to Tradition Mp3, Flac, Wma
Various Tribute To Tradition mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Tribute To Tradition Country: US Released: 1998 Style: Country MP3 version RAR size: 1271 mb FLAC version RAR size: 1178 mb WMA version RAR size: 1433 mb Rating: 4.5 Votes: 352 Other Formats: MMF DMF MP2 WMA VOX ASF AA Tracklist Hide Credits Stand By Your Man Acoustic Guitar – Paul WorleyBass, Bass [6 String] – Michael RhodesCoordinator [Production] – Deb BoyleDrums – Greg MorrowElectric Guitar – George Marinelli, J.T. Corenflos*Lead Vocals – Natalie MainesMixed –Dixie 1 By – John GuessMixed By [Assisted] – Christopher RowePiano – Matt 3:21 Chicks RollingsProducer – Blake Chancey, Paul WorleyRecorded By – Rodney GoodRecorded By [Assisted] – Tony CastleSteel Guitar – Lloyd MainesVocals, Fiddle – Martie SeidelVocals, Resonator Guitar [Dobro] – Emily ErwinWritten-By – Billy Sherrill, Tammy Wynette Mama Tried Acoustic Guitar – Biff WatsonBacking Vocals – Cindy Walker , Curtis YoungBass – Mike BrignardelloCoordinator [Production] – Abbe Nameche, Doug RichDrums – Eddie BayersElectric Guitar – George MarinelliFiddle – –Randy Aubrey HaynieMixed By – Ricky CobbleMixed By [Assisted] – John 2 2:15 Travis SaylorPiano – Matt RollingsProducer – James Stroud, Randy TravisRecorded By – Julian KingRecorded By [Additional, Assisted] – Koji Egawa, Rich HansonRecorded By [Additional] – Bill SchneeRecorded By [Assisted] – Rich Hanson, Ricky CobbleSteel Guitar – Dan DugmoreWritten-By – Merle Haggard Wine, Women And Song Acoustic Guitar – Randy ScruggsBacking -
Representations of Generationality and Genealogy in Contemporary British Asian Narratives
Narrating Generations: Representations of Generationality and Genealogy in Contemporary British Asian Narratives Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophie des Fachbereichs 05 der Justus-Liebig-Universität Gießen vorgelegt von Jutta Karen Weingarten aus Gießen 2012 ! ! Dekan: Prof. Dr. Magnus Huber 1. Berichterstatter: Prof. Dr. Ansgar Nünning 2. Berichterstatterin: Prof. Dr. Astrid Erll Tag der Disputation: 21. November 2012! ! ! ! ! ! To my family and friends ! ! ! ! ! ! Table of Contents 1. Introducing Generation Studies to Literary and Cultural Studies 1 1.1. Sending ‘Generation’ on the Journey to Contemporary British Asian Literature 1 1.2. State of the Arts: Generation Studies and British Asian Literature 10 1.3. On the Structure, the Theoretical Approach, and the Methodological Framework of this Study 19 2. The Interdisciplinary Origins of the Concept of ‘Generation’ and its Uses in Generation Studies 23 2.1. Terminological Disambiguation: Genealogy and Generationality 25 2.1.1. Genealogy: The Succession of Kindred Generations 26 2.1.2. Social Generation and Generationality: The Contemporaneity of Generations 39 2.2. Intersections of Genealogy and Generationality 50 2.2.1. Migration as Family Project: Conceptualizations and Applications of Generationality and Genealogy in Migration Studies 52 2.2.2. Acceleration and Rivalry for Time: Temporality in Generational and Genealogical Relations 57 2.2.3. From Generational to Transgenerational Memory: ‘Generation’ as Key Concept in Memory Studies 62 2.2.4. Subcultural Generations and the Importance of Youth in Generation Studies 72 3. Generation Narratives 79 3.1. Representations of Generations as Generic Feature in Literary Genres 79 3.1.1. The Genealogical Novel and the Family Novel 79 3.1.2. -
Don Rich-Bakersfield Guitar Don Rich Was the Guitarist for Buck Owens' Band, the Buckaroos, from 1961 up to His Death in 1974
Don Rich-Bakersfield Guitar Don Rich was the guitarist for Buck Owens' band, the Buckaroos, from 1961 up to his death in 1974. He helped to define 'Chicken Pickin' and was one of the earliest guitarists to use the scratchy staccato playing. He spent his entire career playing either with Buck Owens or with the Buckaroos (which was just Owens' backing band). Along with guitar he played the fiddle, which he did really well on a lot of Buck Owens songs. Don used a Telecaster and Fender amps. This article isn't really gear heavy, but to get the sound use a clean tone on the edge of breakup. Thin strings work well and just a bit of reverb. Listen closely to hear the picking technique. He some times pulls the strings to give it a slappy sound. In this installment of Getting Deeper with Country, I'm going to look at a few of Don Rich's signature licks. As a student of the music you might want to take these licks to different parts of the neck, or just use a technique from them to create your own licks. Three of these come from Rhino's The Very Best of Buck Owens Vol 1. "Buckaroo" is from The Instrumental Hits of Buck Owens. All four of the songs are very common and easy to find on YouTube or anywhere else! Make sure to check out some of the live recordings, Live at Carnegie Hall and Live in Japan are two of the best. There is also a collection of instrumental songs of Don Rich and the Buckaroos, definitely worth checking out. -
Brent Mason's a Lot About Livin' Licks Brent Mason Is One of the Most Recorded Guitarists of All Time
Brent Mason's A Lot About Livin' Licks Brent Mason is one of the most recorded guitarists of all time. Just about every major country recording artist has had Brent as the guitarist on their record, and he has played on tons of #1 songs, won Grammy's, and has won Guitarist of the Year from the Academy of Country Music 14 times! He's prolific and an amazing guitarist. This lesson is based on licks gleaned from the Alan Jackson recording, A Lot About Livin' (and A Little About Love). Brent's work with Alan Jackson is some of the coolest chicken pickin' and country guitar on record. She's Got the Rhythm The first lick we'll check out is the ending lick from “She's Got the Rhythm.” The lick happens at 2:11 in the song. Country and blues players have some great endings. This is definitely one to put in your back pocket. It's in A, and is comprised of thirds moving down what many call the country hybrid scale. It's basically a combination of the blues scale and mixolydian mode. Much of this stuff lays out easily on the guitar, and this is no exception. He combines fourths and thirds in the lick, but it's all right where it would land under the fingers. The lick ends with a typical blues move-a 9 chord on b2 resolving a half step below. I Don't Need the Booze The next lick we'll check out is a fill from “I Don't Need the Booze.” He snaps the strings using a thumb pick and fingers. -
David Briggs Kenny Buttrey
DYLAN CASH & THE NASHVILLE CATS: A NEW MUSIC CITY WHO WERE THE NASHVILLE CATS? David Briggs b. Killen, Alabama, March 16, 1943 “David Briggs could play any style, and he had that soul influence coming from Muscle Shoals.” – Mac Gayden, Member of The Nashville Cats David Briggs began playing piano on R&B, pop, and country hits in Muscle Shoals, Alabama, in his teens. After a brief stint as a pop singer, Briggs moved to Nashville in 1964 to focus on a career as a studio musician. The following year, Briggs backed Elvis Presley in the studio, an association that continued until Presley’s death. Briggs juggled instruments and genres through the decades, playing piano and organ on country hits by Charley Pride and Jerry Reed, by Alabama and Reba McEntire, and by Kenny Chesney and Shania Twain. On the rock side, Briggs recording with by Eric Andersen, Joan Baez, Beau Brummels, J.J. Cale, the Monkees, and Bob Seger. The keyboardist was a member of the acclaimed band Area Code 615, made up of Nashville studio pros. In 1969, Briggs and bassist-producer Norbert Putnam opened Quadrafonic Sound Studios in Nashville, and the studio became a favorite of visitors from New York, Los Angeles, and other music centers. Briggs also has been an arranger, producer, a songwriter, and a music publisher (including the Academy Award-winning song “Up Where We Belong” and the Steve Winwood hit “Higher Love.”) Kenny Buttrey b. Nashville, Tennessee, April 1, 1945; d. September 12, 2004 “He is a finesse player with a masters touch on any song he plays … Kenny is a complete original who I was lucky to know and play with.” – Neil Young on Kenny Buttrey Kenny Buttrey wasn’t just a first-call Nashville session player; he was the preferred drummer for artists across America, building a lasting legacy with his work in R&B and rock.