2011 Year in Review Curators: Gail Goldman, Kendal Henry, Richard Turner

Total Page:16

File Type:pdf, Size:1020Kb

2011 Year in Review Curators: Gail Goldman, Kendal Henry, Richard Turner 2011 Year in Review Curators: Gail Goldman, Kendal Henry, Richard Turner Artist(s) Project Title Project Location Commissioning Agency Type Jpeg File Name Category descriptions on page 4 TRADITION (& CRAFT) RENEWED AND EXTENDED Owen Smith, Mosaika Art and Design Building the Iron Horse San Francisco, CA San Francisco Arts Commission Permanent 11_Smith_168027 Owen Smith, Mosaika Art and Design, Michael H. Casey Designs Inc. The Four Elements San Francisco, CA San Francisco Arts Commission Permanent 11_Smith_168034 Los Angeles County Metropolitan Sonia Romero MacArthur Park, Urban Oasis Los Angeles, CA Permanent 11_Yamamoto_165264 Transportation Authority, Metro Art Central Platte Valley Metropolitan Ladies Fancywork Society, Jim Green Wildgarden / Talking Fence Denver, CO Temporary 11_Jones_167753 District Catherine Widgery Cloudbreak Denver, CO Denver Office of Cultural Affairs Permanent 11_Jones_167569 Harrell Fletcher, Avalon Kalin The Knowledge Portland, OR Portland State University Permanent 11_Kendellen_167900 IN SITU: WHEN BIGGER IS BETTER Zhang Huan Three Heads Six Arms San Francisco, CA San Francisco Arts Commission Temporary 11_Taleporos_168053 Vancouver, British City of Vancouver Olympic Myfanwy MacLeod The Birds Permanent 11_Newson_167750 Columbia, Canada Paralympic Public Art Program Christopher M. Lavery Cloudscape Denver, CO Denver International Airport Temporary 11_Lavery_168018 Adam Kuby Portland Acupuncture Project Portland, OR Regional Arts & Culture Council Temporary 11_Calhoun_167586 Edmonton, Alberta, Craig LeBlanc Henri City of Edmonton Permanent 11_Patterson_167650 Canada City of Santa Monica Cultural Affairs Anne Marie Karlsen Wheels Santa Monica, CA Permanent 11_Moore_167939 Division Ball-Nogues Studio Cradle Santa Monica, CA City of Santa Monica Permanent 11_Ball_167772 City of Fort Myers Public Art Committee Marylyn Dintenfass Parallel Park Fort Myers, FL Permanent 11_Hill_166128 Lee County, Florida REPURPOSING THE FAMILIAR US General Services Administration Art Lead Pencil Studio, Annie Han, Daniel Mihalyo Non-Sign II Blaine, WA Permanent 11_Cohen_167829 in Architecture Program Mark Grieve, Ilana Spector Cyclisk Santa Rosa, CA City of Santa Rosa, CA Permanent 11_Grieve_167848 Corina Mavrodin, Space Utilization and Jefre Manuel "EWASTE" - Electronic Waste Boca Raton, FL Permanent 11_Manuel_168433 Analysis UCLA Department of Architecture and Urban Design Ball-Nogues Studio Table Cloth Los Angeles, CA Temporary 11_Ball_167760 Herb Alpert School of Music UCLA Design Media Arts 7:11AM 11.20.1979 79°55'W Pittsburgh Parks Conservancy for the Janet Zweig Pittsburgh, PA Permanent 11_Piechocki_167847 40°27'N City of Pittsburgh Los Angeles Art Association Rebecca Lowry Regard. West Hollywood, CA artlab 21 Temporary 11_Campbell_162806 City of West Hollywood Page 1 of 4 2011 Year in Review Curators: Gail Goldman, Kendal Henry, Richard Turner Artist(s) Project Title Project Location Commissioning Agency Type Jpeg File Name COMMUNITY ENGAGEMENT & SOCIAL ACTIVISM Dylan Mortimer Prayer Booth Olathe, KS City of Olathe Temporary 11_Mortimer_167615 Janet Zweig Lipstick Enigma Orlando, FL Florida Art in State Buildings Permanent 11_Zweig_161195 Ben Roth, Brad Watsabaugh The Singing Trees Vail, CO Town of Vail, Art in Public Places Temporary 11_Eppard_167612 Knight Foundation Brookline, MA & New England Foundation for the Arts John Ewing Virtual Street Corners Temporary 11_Ewing_168238 Roxbury, MA Black Rock Arts Foundation Boston Cyberarts Chance Meeting Doorknob Linda Hesh New York, NY Art in Odd Places Temporary 11_Hesh_168074 Hangers Tacoma Arts Commission James Grayson Sinding Letters Tacoma, WA Temporary 11_McBride_167572 Spaceworks Tacoma Jon Rubin, Dawn Weleski Conflict Kitchen Pittsburgh, PA Artist Initiated Temporary 11_Rubin_164557 Smalle Ee, the Matthew Mazzotta Steeped in Exploration Peer Group Temporary 11_Mazzotta_167436 Netherlands NEW MEDIA AND LIGHTWORKS Oregon Arts Commision Fernanda D'Agostino, Valerie Otani, Harry Dawson Intellectual Ecosystem Portland, OR Permanent 11_Dagostino_164202 Portland State University Liverpool, Merseyside Ed Purver In Residence Liverpool Biennial Temporary 11_Purver_165262 L5, United Kingdom Auke Touwslager, Ursula Lavrenčič, Aleŝ Vrhovec, Janez Jazbar, Robert The Pittsburgh Cultural Trust Cell Phone Disco Pittsburgh, PA Permanent 11_Corpuz_165351 Unetich The Fine Foundation The Art in the Loop Foundation (Partnership of the Downtown Council of Kansas City) Ascot Smith Forever People Kansas City, MO Temporary 11_Arneill_168283 Greater Kansas City Community Foundation Kansas City Art Institute Sources and River of Light - City of Calgary Public Art Program Calgary, Alberta, Laurent Louyer Celebration of the Bow River City of Calgary Utilities & Environmental Temporary 11_Aitken_167960 Canada 2010 Protection Department Cleveland Public Art Mark A. Reigelman II White Cloud Cleveland, OH Temporary 11_Peckham_162781 Cleveland Museum of Art Page 2 of 4 2011 Year in Review Curators: Gail Goldman, Kendal Henry, Richard Turner Artist(s) Project Title Project Location Commissioning Agency Type Jpeg File Name HUMOR Rockstar Art Productions History of Suspended Time: MCA Denver Gonzalo Lebrija Monument for the Impossible, Denver, CO Amy Harmon/Urban Market Partners Permanent 11_Robson_165496 2010 Biennial of the Americas Carleton Company Matthew Dominic Farley SnoWaffle Lawrence, KS Artist Initiated Temporary 11_Farley_168305 Franne Lee, Keith Harmon, Mac Hill Microphone Rack Nashville, TN Metro Nashville Arts Commission Permanent 11_Duncan_167832 Matt Young "Emerge" Art Bike Rack Nashville, TN Metro Nashville Arts Commission Permanent 11_Duncan_167824 Mark Aeling, Catherine Woods Tired Hydrant Bradenton, FL Realize Bradenton Temporary 11_Woods_167789 A Champion Flock of Weed City of San Jose Office of Cultural Jed Berk San Jose, CA Temporary 11_Walsh_168032 Eaters Affairs VISIONARY LEADERSHIP Céleste Boursier-Mougenot, Rafael Lozano-Hemmer, Steve Roden, Freewaves, LAND/Yoshua Okon, Machine Project, Syyn Labs, Hadrian Predock & John Frane, Klutch Stanaway, 18th Street Art Center, John City of Santa Monica Cultural Affairs Carpenter & Jerry Digby, Robert Chapin, Jessica Cail, Ian Forrest & team, Glow Santa Monica, CA Temporary 11_Moore_167958 Division Anne Herlihy, Joshua Howell & Aaron Zeligs, Gil Kuno, Corey Madden, Bruno Louchouarn & Keith Mitchell, Pentti Monkkonen, Christopher O'Leary Robin Tchoe, James Couper, Michael Steiner, Albert Paley, Henry Willet, Paul Marco, Ed Carpenter, Dorothy Gillespie, Stanley Bleifeld, Roy Shifrin , Sue Thompson , Deborah Butterfield, Tuan Nguyen, Robert G Woods, Robert Chambers, Lowell Jones, James Rosenquist, Doris Leeper, Carla The Red Chair Visits Orange Orange County, FL Orange County Arts & Cultural Affairs Permanent 11_Rosales_168288 Poindexter, Donald DeLue, Andrew Spear and Charles Marklin , Ed County Public Art Carpenter, Rudy Trapiza, Randall Smith, Dale Rogers, Suzi K Edwards and Richard J Rudden, Kim Kori, Ernest Shaw, William King, Albin Polasek City of San Jose Office of Cultural Christian Moeller Hands San Jose, CA Permanent 11_Walsh_168178 Affairs City of San Jose Office of Cultural Banny Banerjee, Matt Gorbet, Susan LK Gorbet, Margaret Orth Chronos and Kairos San Jose, CA Permanent 11_Walsh_168203 Affairs The City of San Jose for the Norma Y. Shona Kitchen, Ben Hooker DREAMING FIDS San Jose, CA Mineta San Jose International Airport, Permanent 11_Kitchen_166562 CA City of San Jose Office of Cultural Nik Hafermaas, Dan Goods, Aaron Koblin eCloud San Jose, CA Permanent 11_Walsh_168179 Affairs City of San Jose Office of Cultural Bjorn Schulke Space Observer San Jose, CA Permanent 11_Walsh_168166 Affairs Page 3 of 4 2011 Year in Review Category descriptions as defined by the curators Tradition (& Craft) Renewed and Extended Contemporary artists in America put a premium on innovation and individuality. We are eager to embrace new materials and technology. At times this seems to come at the expense of traditional craft, concept and technology. A number of entries this year, however, evidenced a strong commitment to traditional forms and materials while infusing them with a fresh perspective. Sometimes this took the form of using a familiar craft in an unfamiliar context. Other works paid homage to the public art of previous epochs. Some artists did what every new generation of artists does, uses materials and technology such as stone, clay, and bronze for the expression of a personal and innovative vision. In Situ: When Bigger is Better Public sculpture that was in previous decades termed "plop art" or derided as a corporate bauble was, to a great degree, shoved aside in favor of site specific pieces. Site-specific work, at its best, is an innovative and unique response to everything that we mean by "a sense of place" - the physical space, the social space, the historical context, etc. Less successful site specific works devolve into design enhancements, predictable landscaping and architectural amenities. Some of this year's entries seem to signal a resurgence of the stand-alone sculpture, work that emphatically declares the independence of the artist and the artwork while acknowledging the circumstances of the site. Repurposing the Familiar Repurposing, or re-contextualizing familiar objects has been a gesture that artists have chosen to employ since the days of Duchamp's urinal. Repurposing is related to recycling in that it evidences an attention to the problems of excessive consumption and its attendant waste, but in its best
Recommended publications
  • Cover Curriculum A.Indd
    Colorado Department of Transportation Core Subject Lesson Plans: Kindergarten through 8th grade Photo credits: Sprinkle Consulting, Inc. Joshua Lawton/Consortium Productions Jay Willijaasper (http://www.worldchanging.com) Colorado Department of Transportation Safe Routes to School Core Subject Lesson Plans As recently as 1969 about half the school aged children in the United States walked or bicycled to school. Today fewer than 15% of school children walk or bike to school and as much as 20- 30% of morning traffi c is generated by parents driving their children to school. Children are less active today and the majority of children living within a 1/2 mile of schools are driven in private vehicles. Obseity rates are on the rise and the cost of obesity and other health related challenges have signifi cant impacts on the rising cost of health care in the Unites States, not to mention the lifestyles of our children.1 In response to these challenges, in an effort to encourage healthy living, the Colorado Department of Transportation has developed a series of cross-curriculum bicycle and pedestrian lesson plans in support of the Colorado Safe Routes to School program. Safe Routes to School initiatives have long been a focus of health and physical education in schools. The goal of this project is to develop lesson plans that integrate walking, bicycling and healthy living into additional subject areas such as history, science, math, language arts, geography and social studies. This will expand opportunities for children to develop healthy living and active transportation habits, while also providing teachers with lesson plans designed to effectively meet Colorado’s education standards for kindergarten through eighth grade.
    [Show full text]
  • U.S. Troops in Iraq Launch Brutal Assault
    · AUSTRALIA $1.50 · CANADA $1.50 · FRANCE 1.00 EURO · NEW ZEALAND $1.50 · SWEDEN KR10 · UK £.50 · U.S. $1.00 INSIDE Young Socialists: Build U.S. Social Forum! — PAGE 4 A SOCIALIST NEWSWEEKLY PUBLISHED IN THE INTERESTS OF WORKING PEOPLE VOL. 71/NO. 26 July 2, 2007 Interest wide Protesters U.S. troops in Iraq in U.S. Social condemn Forum ‘la migra’ raid launch brutal assault in Atlanta in Oregon With blessing from U.S. Congress, BY Lisa POTasH BY EDWIN FRUIT Pentagon completes military escalation ATLANTA—Activists throughout AND CHRis HOEPPNER this city are significantly stepping up their PORTLAND, Oregon, June 16— efforts to build the U.S. Social Forum. About 160 Immigration and Custom The political gathering, which organiz- Enforcement (ICE) agents raided the ers expect will draw at least 10,000 from Fresh Del Monte Produce plant here across the United States, as well as Africa, four days ago and arrested 167 work- Asia, Europe, and Latin America, will ers. La migra also raided two offices take place here June 27–July 1. of American Staffing Resources, the The slogan of the event is “Another temporary agency that hires workers world is possible; another U.S. is neces- for Fresh Del Monte. sary.” Atlanta was chosen as host, in Some 70 people protested against part, because it is one of the cities where the raid today outside the Northwest thousands of working people, in their Detention Center in Tacoma, Wash- majority Black, came to flee Hurricane ington, where the arrested workers Katrina and the social catastrophe that are detained.
    [Show full text]
  • Burning Man Journal All the News That’S Fit to Burn H Summer 2006
    BURNING MAN JOURNAL ALL THE NEWS THAT’S FIT TO BURN H SUMMER 2006 By Tom COMMERCE & COMMUNITY Why I’m Here P r i c e DIStILLIng PHILOSOPHY FROM A CUP OF COffEE Last year at Burning Man, immediately following news of Hurricane By Larry Harvey Katrina, our community began to spontaneously organize a response. A relief fund was collected at the event, initially totaling $35,000, but during the ensuing weeks this soon swelled into many thousands more. One of the largest and longest lasting of ometimes AN Exception to A rule can deepen these efforts eventually became what is known as Burners Without Borders, providing disaster relief with a decidedly playa flair a philosophy. For example, some critics of the Burning Man – learn about their work at www.burnerswithoutborders.org. Project insist that by allowing coffee sales in our city’s Center Below is a dispatch from the field written earlier this year by Tom S Price, a part-time Burning Man Project staff member. Camp Cafe we violate a tenet of our non-commercial ideology. They (Late February, PearLington, Mississippi) say that this is evidence of deep naiveté or demonstrates hypocrisy. y leather gloves sag with sopped up diesel, sweat, and the black water that oozes off rotting garbage. My reply is that we’ve never espoused a non-commercial ideology. To MUnder the cypress trees in the swamp out back, an be against commerce is to oppose the very existence of civilized life. oily sheen coats the water, smothering the snapping turtles, but having no impact on the clouds of gnats and mosquitoes.
    [Show full text]
  • April 2017 the Roster Provides a Pool of Highly Qualified Artists, and Increases the Efficiency of the Selection Process
    April 2017 The Roster provides a pool of highly qualified artists, and increases the efficiency of the selection process. creating an art plan for a site; collaborating on early design along with having a budget to create artwork(s); identifying opportunities for other artists to provide design elements within the construction budget and/or complemented with public art funds; or, for creating a distinctive artwork for a site. MARYJO ANDERSON Nehalem, OR mjandersonsculpture.com I am interested in spatial relationships, materials and human interactions within public spaces. I am interested in producing work that has energy, meaning, metaphor and multiple layers of understanding. The collaborative lends itself to work that has sincerity and integrity. I believe art should not mimic architecture but enhance architecture, that public art need not please everyone but rather respect the diversity of a community. Although primarily a stone sculptor, I have spent many years working with other art forms and materials such as bronze, cast iron and temporal installations. I believe in making art that provides access and insight into the human experience - artwork that elicits personal emotion while at the same time speaks to a public audience. Since 2003 I have been exploring the role of smaller more intimate presentations of art in the public arena, a result of my continuing research of niches in public spaces in Italy. I have experience working with landscape architects, architects and committees on designs for urban space Top to bottom: To Scale the Scales of Justice, 2010, Salem, OR; Eyrie, 2013; La Grazia, 2011 JILL ANHOLT Vancouver, BC jillanholt.ca Throughout my 18 years of practice, I have created more than 30 works in public spaces ranging from smaller scale functional works with modest budgets to large-scale highly integrated civic works with budgets of $1.5-$3.2M in cities throughout Canada and the US.
    [Show full text]
  • July 2011 Edition
    July 2011 Vol. 42 No. 7 Visitacion Valley Branch Library Grand Opening Celebration, July 30 See page 2 for more details Celebrate the Forget Sorrow: Talents of Writers An Ancestral Tale and Artists with Belle Yang is “an American writer who writes in Disabilities English and thinks in Chinese,” - Amy Tan he Main Library is proud to present an exhibition on the artist In honor of the 21st anniversary of the signing of the and author Belle Yang. Born in Taiwan and raised in the U.S., Americans with Disabilities Act, the Library presents Yang has spent decades seeking justice through her writing an author reading and a small display of artwork by and illustrations. Her work represents the lives of immigrants, artists with vision impairments. Tthose who have been devastated by World War II and life under com- The display, Unique Views of Life, features paint- munism, and her own Chinese heritage. Yang’s adult nonfiction mem- ings, photographs and drawings of urbsters (urban oirs and her latest work, a graphic memoir, entitled Forget Sorrow: An monsters) by independent artists Richard Chapman Ancestral Tale, gives voice to the men and women who disappeared in and John Ross Quevedo that help viewers under- the chaos without a murmur. This book is the third of the Manchurian stand how people with vision impairments see the trilogy; the first memoir in a comic book format. world. The display will be on view July 20-Aug. 31 in The exhibition includes paintings, books and illustrations in addition to a PBS video documentary, the Main Library, Lower Level, Koret display case and My Name is Belle, and will be on view in the Main Library’s Jewett Gallery, July 2-Aug.
    [Show full text]
  • 'We All Live in Jena'
    · AUSTRALIA $1.50 · CANADA $1.50 · FRANCE 1.00 EURO · NEW ZEALAND $1.50 · SWEDEN KR10 · UK £.50 · U.S. $1.00 INSIDE Activities from Africa to Australia demand ‘Free the Cuban Five!’ — PAGE 6 A SOCIALIST NEWSWEEKLY PUBLISHED IN THE INTERESTS OF WORKING PEOPLE VOL. 71/NO. 38 october 15, 2007 Washington Myanmar ‘We all live in Jena’ debates Iraq military gov’t Mychal Bell released on bail, faces new trial partition cracks down Actions demanding justice for Jena 6 continue BY PAUL pederson The White House rejected a on protests September 26 nonbinding Senate BY PATricK Brown resolution promoting the division AUCKLAND, New Zealand, of Iraq into a federation of regional October 2—The military government governments. U.S. Secretary of State in Myanmar, formerly Burma, has un- Condoleezza Rice said in an October 1 leashed a crackdown against working interview with the New York Post that people, students, and Buddhist monks Iraqis “reacted extremely badly to the protesting fuel price increases and de- idea of partitioning the country.” manding democratic change. At the same time, the political, mili- Rallies began in mid-August after the tary, and economic policies carried out government announced a fivefold rise in by the U.S. occupation forces head in fuel prices. By late September, tens of the direction of just such a partition. thousands across the country were pro- The Senate resolution, approved testing. A military dictatorship has ruled 75–23, calls for “actively support[ing] a Myanmar, a Southeast Asian country of political settlement among Iraq’s major 52 million, for more than four decades.
    [Show full text]
  • Mark Grieve / Ilana Spector
    MARK GRIEVE / ILANA SPECTOR Fine Artists 2975 Sonoma Mtn. Rd., Petaluma, CA 94954 + 1.415.850.3690 / [email protected] / www.MarkGrieve.com Public Art Commissions 2017 City of Davis/UC Davis, Third Street Improvement Project, Davis, CA (upcoming) 2017 Finalist for Maryland Purple Line, “M” Street Station, MD (upcoming) 2016 “Pastime!” North Natomas Regional Park Public Art Project, Sacramento, CA 2016 “Intertwine”, Norfolk Botanical Garden, National Historic Site, Norfolk, VA 2015 Finalist for San Mateo public art project, San Mateo, CA 2014 Shortlisted for Bayview Gateway Public Art Project, SFAC, San Francisco, CA 2014 Finalist for RTD FasTracks, Peoria Station, Denver, CO 2014 Shortlisted for Masonic Avenue Streetscape Improvement Project, SFAC, San Francisco, CA 2013 Shortlisted for Woodlawn Lake Public Art Project, San Antonio, TX 2013 “Archways,” City of Santa Clarita, Santa Clarita, CA 2012 “Ring Roll,” California State University, Chico, CA 2011 “Full Circles,” San Francisco Arts Commission Visitacion Valley Library, SFAC, San Francisco, CA 2010 “Cyclisk,” City of Santa Rosa and Public Art, Santa Rosa, CA 2009 Shortlisted for City of Phoenix Children’s Museum, Phoenix, AZ 2009 Shortlisted for San Diego Airport Commission, San Diego, CA 2009 “Pacific Rim,” City of San Rafael and Artworks Downtown, San Rafael, CA 2009 “Double Arch” or “Ride On!” City of Glendale, AZ 2008 “Flat Heaven,” or “This One’s for Lester,” Site-Specific Installation, San Rafael, CA 2007 “Bike Arch,” Honorary Placement, Black Rock City LLC, Pershing,
    [Show full text]
  • Realtors See Bikepaths in Their Future
    www.sbbike.org October 2010 Serving Santa Barbara Realtors see bikepaths in their future County We’re a countywide advocacy by Ralph Fertig bikeways, and the benefits and resource organization that promotes bicycling for safe I attended the Pro Walk/Pro of sustainable properties. It transportation and recreation. Bike conference in Chattanooga notes that as the “Generation on September 13-16th, along Y” replaces baby boomers, the How to reach us with our executive director Ed move from suburban to urban Santa Barbara Bicycle Coalition France. The conferences are held areas will accelerate. And with PO Box 92047 Santa Barbara CA 93190-2047 every two years. Twenty years it, vehicle miles traveled will phone 962-1479 ago, the emphasis was on facili- decrease as bikes and buses email [email protected] ties for bicyclists. Then about 15 increase. Savvy realtors, it web www.sbbike.org years ago, walking was added to advises, can benefit from this facebook the mix—after all, we have many www.facebook.com/sbbikes shift. And cities, if they wish things in common, and more to retain vitality, will accom- October 5th meeting people walk than bike. modate their young people. Join us for our general meeting: What happened in the last The closing plenary session Tuesday, October 5 decade was rising alarm among featured the National Associa- Madam Lu Chinese Restaurant 3524 State Street our nation’s health professionals tion of Realtors’ Hugh Morris Santa Barbara when an inactive lifestyle sur- who told us that our new al- No-host dinner 6:00 PM passed smoking as the leading Cover of the summer issue of On Common lies are local realtors because Meeting 7:00 PM Ground, published by the National Associa- cause of early death.
    [Show full text]
  • S E P T E M B E R P a R S , V . Xlii, N
    P UBLISHED BY THE A MERICAN R ECORDER S OCIETY, VOL. XLII, NO . 4 SEPTEMBER 2001 N !" # $ N %& ' $ ( % !" ) *%&&+ , ( -., ! / N 01 , ( -.," ! 2 3 /4 .% ! 5 /4 ( /,& !" 6 $ *#7$+ N % ( -.," ! 8 *+ 9 / : N , *% )( + ( -.,; ! / < N $ S G%&), ( -.,"% ! / / N : >$ 7 /4 , ! 86 8 * /4( /4 ? ! ) 9< *% ;+ $ !" ( -.,") ! . N ' ? @ ? ) ! 9 P Q ? *#$ %G+ ( @ 4 .% !, $ / 3 N 44 @ # ?2> ,) !) $ / 3 $$N /44 @ # ?2> ,)4 !%; $ / 3 $N 44 @ # ?2> ,)9 !%; Magnamusic Distributors, Inc. PO Box 338, Sharon, CT 06069 Ph: (860)364-5431 Fax: (860) 364-5168 WEB: www.magnamusic.com I I I I I I I I I I II II Music Minus One Recorder We are please to present American Recorder readers with a list of our current recorder offerings. Music Minus One recordings first made their appearance in 1950. These editions go back to the work of Erich Katz and LaNoue Davenport who shaped the early development of the recorder in the United States. Accompaniment Recordings Sheet Music and CD included 3 Sonatas for Alto Recorder, Echoes of Time 2 CD Set MMO 3357 Harpsichord & Viola da Gamba MMO 3340 N.Y. Renaissance Band Minus Alto Recorder The Rameau Trio Minus Alto Recorder Agricola; Brumel; Compere; Isaac; Josquin; Obrecht; Telemann: Trio in F Major; Handel: Sonata No. 3 in C major, Okeghem; Susato Trio Sonata in Bb major 18th Century Recorder Music 2 CD Set MMO 3358 3 Sonatas for Alto Recorder, N.Y.Renaissance Band Minus Alto Recorder Harpsichord & Viola da gamba MMO 3341 The Rameau Trio Minus Alto Recorder English Consort Music 2 CD Set MMO 3359 Handel: Sonata in F major; Telemann: Sonata in F major; N.
    [Show full text]
  • Vendors That Comply with the Chapter 12B Equal Benefits Ordinance
    VENDORS THAT COMPLY WITH THE CHAPTER 12B EQUAL BENEFITS ORDINANCE Vendor # Vendor Name City State 67166 ...NEVER FRISCO SAN FRANCISCO CA 73235 1 NEWHALL LLC SAN FRANCISCO CA 87705 100% PURE SAN JOSE CA 63748 101 COMMUNICATIONS LLC CHATSWORTH CA 00017 101 NEW MONTGOMERY TIC SAN FRANCISCO CA 39804 1010 S V N ASSOCIATES SAN FRANCISCO CA 73617 1036 MISSION ASSOCIATES LP SAN FRANCISCO CA 78961 10M ASSOCIATES LP SAN FRANCISCO CA 87458 1100 OCEAN AVENUE LIMITED PARTNERSHIP SAN FRANCISCO CA 89229 1145 MARKET STREET LP SAN FRANCISCO CA 01007 1155 MARKET STREET SAN FRANCISCO CA 85612 1155 SF PARTNERS LLC LOS ANGELES CA 55331 1166 HOWARD STREET ASSOCIATES SAN FRANCISCO CA 59816 123 ESITES SAN FRANCISCO CA 60580 124 TURK ST LP SAN FRANCISCO CA 71278 124 TURK STREET LP SAN FRANCISCO CA 59617 12TH STREET PARTNERSHIP SAN FRANCISCO CA 84582 134 GOLDEN GATE LLC LARKSPUR CA 77712 1415 16TH STREET ASSOCIATES LLC SAN FRANCISCO CA 06948 1440 HARRISON STREET DEVELOPMENT GROUP SAN FRANCISCO CA 78175 150 OTIS ASSOCIATES LP SAN FRANCISCO CA 73042 1500 PAGE STREET LLC SAN FRANCISCO CA 22863 1540 MARKET ST INVEST CO C/O JS MATTISON SAN FRANCISCO CA 70667 16TH STREET HOTEL SAN FRANCISCO CA 92692 18 REASONS SAN FRANCISCO CA 79451 1800 RADIATOR OF SAN FRANCISCO SAN FRANCISCO CA 85290 1-800-GOT-JUNK SAN RAFAEL CA 47210 1900 THIRD STREET LLC WALNUT CREEK CA 76273 1ST CLASS LAUNDRY UNION CITY CA 74830 1ST FIVE MINUTES LLC RICHMOND CA 93652 1ST IMPRESSION CONSTRUCTION INC DANVILLE CA 62680 20/20 EYEX OPTOMETRY SAN FRANCISCO CA 70708 200 PAUL LLC SAN FRANCISCO CA 92382
    [Show full text]
  • City of Elk Grove City Council Staff Report
    AGENDA ITEM NO. 10.3 CITY OF ELK GROVE CITY COUNCIL STAFF REPORT AGENDA TITLE: Provide direction regarding establishing a Master Plan for Public Art and/or implementing a Percent for the Arts Program MEETING DATE: January 27, 2016 DEPARTMENT HEAD: Kara Reddig, Deputy City Manager RECOMMENDED ACTION: Staff recommends the City Council provide direction regarding the following: • Consider directing staff to conduct an RFP to undertake a Master Plan for Public Art; and/or • Consider directing staff to implement a Percent for the Arts Program, providing staff direction on whether to include both public and private development projects (residential, office, commercial, or industrial) in any potential program. BACKGROUND INFORMATION: In late June 2014, Council asked staff to look into art funding that could include public and private projects. Since that time, staff has met with the Elk Grove Committee for the Arts, the Sacramento Metropolitan Arts Commission (SMAC), and the Industry Working Group (IWG). Staff has also completed research on various existing art programs in the region. In order to discuss future programs, it may be beneficial to outline the history of public art as accomplished by the City of Elk Grove. In 2002, City Council created a five-member Council-appointed Committee for the Arts. For the last several years, this Committee has been appropriated $10,000 through the City’s general fund budget to promote the arts within Elk Grove. Funds have been spent on the purchase of two-dimensional artwork, commissioning of unique artwork such as the stained glass at the library, 1 Elk Grove City Council January 27, 2016 Page 2 of 6 free musical productions such as the Musical History of the Blues, the art and cultural event titled Art Americana, and the forthcoming Utility Box Beautification Pilot program.
    [Show full text]
  • 2011 Year in Review Category Descriptions As Defined by the Curators
    2011 Year in Review Category descriptions as defined by the curators Tradition (& Craft) Renewed and Extended Contemporary artists in America put a premium on innovation and individuality. We are eager to embrace new materials and technology. At times this seems to come at the expense of traditional craft, concept and technology. A number of entries this year, however, evidenced a strong commitment to traditional forms and materials while infusing them with a fresh perspective. Sometimes this took the form of using a familiar craft in an unfamiliar context. Other works paid homage to the public art of previous epochs. Some artists did what every new generation of artists does, uses materials and technology such as stone, clay, and bronze for the expression of a personal and innovative vision. In Situ: When Bigger is Better Public sculpture that was in previous decades termed "plop art" or derided as a corporate bauble was, to a great degree, shoved aside in favor of site specific pieces. Site-specific work, at its best, is an innovative and unique response to everything that we mean by "a sense of place" - the physical space, the social space, the historical context, etc. Less successful site specific works devolve into design enhancements, predictable landscaping and architectural amenities. Some of this year's entries seem to signal a resurgence of the stand-alone sculpture, work that emphatically declares the independence of the artist and the artwork while acknowledging the circumstances of the site. Repurposing the Familiar Repurposing, or re-contextualizing familiar objects has been a gesture that artists have chosen to employ since the days of Duchamp's urinal.
    [Show full text]