S E P T E M B E R P a R S , V . Xlii, N

Total Page:16

File Type:pdf, Size:1020Kb

S E P T E M B E R P a R S , V . Xlii, N P UBLISHED BY THE A MERICAN R ECORDER S OCIETY, VOL. XLII, NO . 4 SEPTEMBER 2001 N !" # $ N %& ' $ ( % !" ) *%&&+ , ( -., ! / N 01 , ( -.," ! 2 3 /4 .% ! 5 /4 ( /,& !" 6 $ *#7$+ N % ( -.," ! 8 *+ 9 / : N , *% )( + ( -.,; ! / < N $ S G%&), ( -.,"% ! / / N : >$ 7 /4 , ! 86 8 * /4( /4 ? ! ) 9< *% ;+ $ !" ( -.,") ! . N ' ? @ ? ) ! 9 P Q ? *#$ %G+ ( @ 4 .% !, $ / 3 N 44 @ # ?2> ,) !) $ / 3 $$N /44 @ # ?2> ,)4 !%; $ / 3 $N 44 @ # ?2> ,)9 !%; Magnamusic Distributors, Inc. PO Box 338, Sharon, CT 06069 Ph: (860)364-5431 Fax: (860) 364-5168 WEB: www.magnamusic.com I I I I I I I I I I II II Music Minus One Recorder We are please to present American Recorder readers with a list of our current recorder offerings. Music Minus One recordings first made their appearance in 1950. These editions go back to the work of Erich Katz and LaNoue Davenport who shaped the early development of the recorder in the United States. Accompaniment Recordings Sheet Music and CD included 3 Sonatas for Alto Recorder, Echoes of Time 2 CD Set MMO 3357 Harpsichord & Viola da Gamba MMO 3340 N.Y. Renaissance Band Minus Alto Recorder The Rameau Trio Minus Alto Recorder Agricola; Brumel; Compere; Isaac; Josquin; Obrecht; Telemann: Trio in F Major; Handel: Sonata No. 3 in C major, Okeghem; Susato Trio Sonata in Bb major 18th Century Recorder Music 2 CD Set MMO 3358 3 Sonatas for Alto Recorder, N.Y.Renaissance Band Minus Alto Recorder Harpsichord & Viola da gamba MMO 3341 The Rameau Trio Minus Alto Recorder English Consort Music 2 CD Set MMO 3359 Handel: Sonata in F major; Telemann: Sonata in F major; N. Y. Consort of Viols Minus Alto Recorder Marcello: Sonata in F major Coperario; Dowland; Brade; Lawes; Schein; Byrd; Woodcock Renaissance Dances & Fantasias MMO 3356 Dances of 3 Centuries MMO 3360 N.Y Renaissance Band Minus Soprano Recorder Minus Alto Recorder Praetorius: Dances “Terpsichore” Attaingnant: 6 Pavanes & LaNoue Davenport, Recorders, Krummhorns, Tenor Viol; Judith Gaillards; Banchieri: Fantasie Davidoff, Treble & Bass Viol, Vielle; Susan Evans, Percussion Veracini: Four Sonatas MMO 3370 Instructional Material Folk Songs of Many Nations MMO 3337 Let’s Play The Recorder MMO 3338 Compiled and edited by Erich Katz, Dean of the American A Children’s Method Recorder movement and the man responsible for the A delighful approach to recorder study for children. enormous recorder renaissance in the Easy exercises plus fully illustrated hand position U.S.A. during the 1960’s and ‘70’s. photographs take the player through all the steps Here is a superior text for learning to necessary to learn. play the soprano recorder. Each lesson is built around a series of duets and You Can Play The Recorder MMO 3339 trios, beginning with the simplest of An Adult Method folk songs to the more elaborate music of Bach. Your fellow player is LaNoue Recorder, guitar, percussion plus bass accompany you. Davenport, recorder virtuoso and This method, and its sister edition were developed by former performer with the Noah Sonya and Gerald Burakoff, who have taught thousands to play the Greenberg Pro Musica group. recorder. Contains step by step instructions with illustrations. Familiar songs and duets guide you to excellence. Please send the recordings checked below: Single CD’s are $29.98, *2 CD sets are $34.98. Music Book included. I MMO 3337 I MMO 3356 Special Discount for American Recorder Readers-15%off with this coupon Ship to: I MMO 3338 I MMO 3357* I MMO 3339 I MMO 3358* NAME I MMO 3340 I MMO 3359* I MMO 3341 I MMO 3360 ADDRESS Charge to my: MMO 3370 I I I I CITY STATE ZIP CARD# Music Minus One 50 Executive Blvd. Elmsford, NY 10523-1325 EXP. DATE / / 800-669-7464 • email: [email protected] • www.musicminusone.com EDITOR’S ______NOTE ______ ______ ______ ______ Volume XLII, Number 4 September 2001 Almost half of American Recorder readers FEATURES do not belong to a chapter of the ARS. They Play-Along Discs for the Recorder: An Overview . 11 are independent members, perhaps living Through the capabilities of CD technology, there are talented far from a chapter location or preferring to accompanists in every style waiting to sit down with you and play, practice on their own and to play by Susan Groskreutz with.....whom? If they are lucky, they know of instru- 4 Romantic Music for Recorder Ensemble: mentalists in their area who have the time Why Not? . 18 and the ability to read through our reper- Since recorder players have always adapted music intended for toire. But it is not easy to find other ama- others, there’s no reason 19th-century music should be ignored, teurs who have the right combination of by Thomas E. Van Dahm skills and who present no scheduling diffi- culties. And getting together a group for a Composing a Fugue for Recorders . 20 satisfying read-through of Brandenburg The second in a series of articles by composers and arrangers discussing how they write music for recorder, No. 2? Not likely. 11 So it is encouraging to know that there by Glen Shannon is a growing body of play-along materials DEPARTMENTS available for recorder players. How to sort it all out? AR asked Sue Groskreutz to Advertiser Index . 40 spend the beginning of her summer play- Book Reviews . 31 ing along with outstanding instrumental- Chapters & Consorts . 32 ists of previous decades and far-off coasts Classified . 40 and continents in an effort to guide our 20 readers in their search for the perfect virtu- Music Reviews. 22 al consort experience (page 11). On the Cutting Edge. 35 If you’re looking for live musical part- ON THE COVER: President’s Message . 3 ners, try the Amateur Chamber Music Illustration Response . 36 Players, a network of mostly string quartet by players who are reaching out to wind and Don Sommers Tidings . 4 early instrument players. ACMP directo- © 2001 ARS at Amherst, Carnegie Hall LinkUP!, Burgess Sonatina ries—one for North and Central America Indiana Recorder Academy, Boston Early Music Festival and one for the rest of the world—-list members hoping to be contacted for an evening of music-making, whether by trav- BENJAMIN S. DUNHAM, Editor elers passing through or by those seeking new local musical acquaintances. Check Contributing Editors out www.acmp.net or contact the ACMP at FRANCES BLAKER, Beginners; SCOTT PATERSON, Book Reviews 1123 Broadway, Room 304, New York, NY CAROLYN PESKIN, Q & A; CONSTANCE M. PRIMUS, Music Reviews EUGENE REICHENTHAL, Education; PETE ROSE, 20th-Century Performance 10010-2007; 212-645-7424. The group al- GILLIAN KAHN, Design Consultant so offers grants to engage coaches for ama- teur ensembles. Advisory Board Benjamin Dunham Martha Bixler • Valerie Horst • David Lasocki * * * * Bob Marvin • Howard Schott • Thomas Prescott • Catherine Turocy CORRECTION: The printed score of Carolyn Kenneth Wollitz Peskin’s “Then You’ll Feel the Sunlight” (May 2001, p. 19) contained a small mis- Copyright © 2001 American Recorder Society, Inc. take: The two sixteenth notes in the top Visit AR On-Line at: www.recorderonline.org American Recorder (ISSN: 0003-0724), 5554 S. Prince, Suite 128, Littleton, CO 80120, is published bimonthly (January, March, May, September, and November) for its members by the American Recorder Society, Inc. $20 of the annual $40 U.S. membership dues in the American Recorder Society is for a line of measure 10 should be G and A in- subscription to American Recorder. Articles, reviews, and letters to the editor reflect the viewpoint of their individual authors. Their appearance in this magazine does not imply official endorsement by the ARS. Submission of articles and photographs is welcomed. Articles may be typed or submitted on PC discs (Word stead of A and B and should occur on the for Windows, or RTF preferred) or as an attachment to an e-mail message. They should be for the exclusive consideration of AR, unless otherwise noted. first half of the second beat. A corrected Photographs may be sent as color or black-and-white prints, or 300-dpi TIFF images. Advertisements may be sent in the PDF format, with fonts embedded. Editorial office: Benjamin S. Dunham, Editor, American Recorder, 472 Point Rd., Marion, MA 02738; 508-748-1750 (business hours), 508-748-1928 (fax); version has been posted for members at AR [email protected]. Deadlines for editorial material: November 15 (January), January 15 (March), March 15 (May), July 15 (September), and September 15 (November). Books for review: Scott Paterson, 77 Queensbury Ave., Scarborough, ON M1N 2X8, Canada. Music for review: Constance M. Primus, Box 608, Georgetown, CO 80444. Recordings for review: Editorial office. Cutting Edge: Pete Rose, 13 Rutgers St., Maplewood, NJ 07040; On-Line (www.recorderonline.org). The [email protected]. Chapter newsletters and other reports: Editorial office. Advertising: Editorial office. Advertising Closings: December 1 (January), February 1 (March), April 1 (May), August 1 (September), and October 1 (November). Postmaster: Send address changes to American Recorder associated MIDI file plays correctly. Society, Box 631, Littleton, CO 80160-0631. Periodicals postage paid at Littleton, CO, and at an additional mailing office. ARS Chapters ALABAMA ILLINOIS New York City: Michael Zumoff Birmingham: Martin K. Payne Chicago: Patrick O’Malley (212/662-2946) (205/979-6430) (773/293-3138) Long Island: Margaret H. Brown West Suburban: Eric Stern ARIZONA (516/765-1867) AMERICAN
Recommended publications
  • What Handel Taught the Viennese About the Trombone
    291 What Handel Taught the Viennese about the Trombone David M. Guion Vienna became the musical capital of the world in the late eighteenth century, largely because its composers so successfully adapted and blended the best of the various national styles: German, Italian, French, and, yes, English. Handel’s oratorios were well known to the Viennese and very influential.1 His influence extended even to the way most of the greatest of them wrote trombone parts. It is well known that Viennese composers used the trombone extensively at a time when it was little used elsewhere in the world. While Fux, Caldara, and their contemporaries were using the trombone not only routinely to double the chorus in their liturgical music and sacred dramas, but also frequently as a solo instrument, composers elsewhere used it sparingly if at all. The trombone was virtually unknown in France. It had disappeared from German courts and was no longer automatically used by composers working in German towns. J.S. Bach used the trombone in only fifteen of his more than 200 extant cantatas. Trombonists were on the payroll of San Petronio in Bologna as late as 1729, apparently longer than in most major Italian churches, and in the town band (Concerto Palatino) until 1779. But they were available in England only between about 1738 and 1741. Handel called for them in Saul and Israel in Egypt. It is my contention that the influence of these two oratorios on Gluck and Haydn changed the way Viennese composers wrote trombone parts. Fux, Caldara, and the generations that followed used trombones only in church music and oratorios.
    [Show full text]
  • Download This List As PDF Here
    QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op.
    [Show full text]
  • 1 Requirements for the Call to Establish the Oboe/Cor Anglais
    Requirements for the call to establish the oboe/cor anglais substitution pool for the Barcelona Symphony Orchestra 1- Purpose of the call The purpose of this call is the creation of a substitution pool, with the category of Senior Professor of Music (Tutti) in the specialty of oboe/cor anglais, to be hired in the mode of temporary employment, based on the needs of the Consorci de L’Auditori i l’Orquestra in the department of the Barcelona Symphony Orchestra (hereinafter OBC). The incorporation of temporary work personnel shall be limited to the circumstances established in the regulations, in line with the general principle of hiring staff at L'Auditori by means of passing through selective processes and whenever there are reasons for the maintenance of essential services, specifically: Temporary replacement of the appointees; Increase in staff for artistic needs for the temporary execution of programmes; The incorporations in any case must be made in accordance with the conditions stemming from the budgetary regulations. The incorporation of temporary work personnel shall be governed by the labour relations of a special nature for artists in public performances provided for in the Workers’ Statute and regulated by Royal Decree 1435/1985. The remuneration and the working hours shall be that agreed upon in the collective bargaining agreement. 2- Requirements for participation All requirements must be met by the deadline for submission of applications and must be maintained for as long as the employment relationship with the Consorci de l’Auditori i l’Orquestra should last. - Be at least 16 years of age and not exceed the age established for forced retirement.
    [Show full text]
  • Record Group 6
    Special Collections in Performing Arts MUSIC LIBRARY ASSOCIATION ARCHIVES Michelle Smith Performing Arts Library Record Group VI. Notes University of Maryland, College Park, MD Finding Aid by Melissa E. Wertheimer, MLA Archivist, 2018 MUSIC LIBRARY ASSOCIATION ARCHIVES: COLLECTION SUMMARY INFORMATION Finding Aid created with Describing Archives: A Content Standard, 2nd Edition Repository Special Collections in Performing Arts, Michelle Smith Performing Arts Library, Clarice Smith Performing Arts Center, University of Maryland, College Park, MD 20742 Creator Music Library Association Title Music Library Association Archives Date 1931 – 2017 [ongoing] Extent Approximately 300 linear feet of paper records; 5GB of digital materials; sound recordings Languages English with additional documents in French, German, Italian, Portuguese, Russian, and Spanish. Preferred Citation Music Library Association Archives, Special Collections in Performing Arts, University of Maryland, College Park, MD COLLECTION SCOPE & CONTENTS The Music Library Association Archives contains the official records of the Music Library Association (MLA) that document the history, activities, and publications of the organization since its founding in 1931. MLA is the professional association for music libraries and librarianship in the United States with the mission to provide a professional forum for librarians, archivists, and others who support and preserve musical heritage. Formats in the records include manuscripts, financial ledgers, printed publications, sound recordings, oral histories, photographs, scrapbooks, microfilm, realia, born-digital files, musical scores, and artwork. The collection also contains records of select current and former regional chapters, including the Atlantic, Greater New York, Mountain-Plains, and New England Chapters. Records of the California, Midwest, New York State-Ontario, Pacific Northwest, Southeast, and Texas Chapters are housed in repositories within their geographic areas.
    [Show full text]
  • King Crimson Collectors' Club (1969-1974)
    King Crimson Collectors' Club (1969-1974) Scritto da Gianluca Livi Mercoledì 30 Marzo 2016 19:23 King Crimson 1 / 10 King Crimson Collectors' Club (1969-1974) Scritto da Gianluca Livi Mercoledì 30 Marzo 2016 19:23 Collectors' Club (1969-1974) di Gianluca Livi Articolo originariamente apparso in due puntate sui nn. 35 e 37 (rispettivamente Marzo/Aprile e Luglio/Agosto del 2008) di "Musikbox. Rivista di cultura musicale e guida ragionata al collezionismo", qui pubblicato, con alcune varianti, per gentile concessione dell'autore. Premessa (2008) Alla fine degli anni '90, stanco dei bootleg, Robert Fripp decise di commercializzare ufficialmente alcuni live dei King Crimson su cd, muovendo dal presupposto che, se fino a quel momento i fan avevano acquistato materiale del gruppo dal vivo di scarsa qualità, facendo guadagnare esclusivamente biechi 2 / 10 King Crimson Collectors' Club (1969-1974) Scritto da Gianluca Livi Mercoledì 30 Marzo 2016 19:23 imprenditori pirata, poteva egli stesso vendere le medesime esibizioni, ufficializzandone l'uscita sul mercato discografico e, congiuntamente, perseguendo anche un (legittimo) fine di lucro. Poiché anche parte delle registrazioni in suo possesso erano qualitativamente scadenti, conscio dell'impossibilità di immetterle nel mercato senza suscitare polemiche, decise di distribuirle solo agli iscritti di un club, il cosiddetto “Collector's Club”. Coloro che vi avessero aderito, previo versamento di una cifra iniziale abbastanza consistente, avrebbero ricevuto i titoli pubblicati di volta in volta, vedendosi scalato il valore di ogni singolo disco dalla quota d'iscrizione. L'iniziativa andò avanti con ottimi risultati fino al 2002, quando - abbandonato definitivamente il metodo dell'iscrizione al Club - i cd furono inseriti nel catalogo della DGM, unitamente ad album ufficiali dei Crimson e di altri artisti della scuderia.
    [Show full text]
  • Free Recorder Fingering Chart
    Free Recorder Fingering Chart Is Curtis multilobed or premier when eructate some grandniece diluted undespairingly? Appositive Osbert catalyzing subject. Hermann phenolates contrariwise. Land called staff and labels what works both fingering recorder chart into fun and half covering the Yamaha recorder finger chart. Play is for four beats. FBX records in the background without lagging the game, and F are on each line of the staff, found only on this fileshare. Is black, gives better intonation recorder finger chart circles are promote the four fingers on the recorder. Dizi Lesson 1 First steps to making tones with fingering chart Dizi Lesson 2 Basic. The finger chart. Perhaps the fingering worksheets document template provides you are you opt in the melody until you and then download. Prompt shipping via USPS First Class mail. Series recorders with a lightweight carrying Case at names. You primary need to impact that section to firm a baby fit. Get exclusive discounts and coupons. Venova is the latest noise maker from Yamaha fingerings! Alto Recorder Fingering Chart Sheet good for Recorder Solo. Looks way portable than the ones online and in books. You click through the mouth and recorder fingering chart quickly take screengrabs of recorder more complex fingering chart in the middle, notably a link through a wide for? The shape of the mouth and vocal tract affect are closely related to the consonant used to articulate. Holes which are precisely the ones we cite to leave free if riot want to slip the notes altered. Free Easy Recorder Song With Letters Printable BAG An air way to teach beginner recorder with lettered notes colored notes and recorder fingering I.
    [Show full text]
  • Cover Curriculum A.Indd
    Colorado Department of Transportation Core Subject Lesson Plans: Kindergarten through 8th grade Photo credits: Sprinkle Consulting, Inc. Joshua Lawton/Consortium Productions Jay Willijaasper (http://www.worldchanging.com) Colorado Department of Transportation Safe Routes to School Core Subject Lesson Plans As recently as 1969 about half the school aged children in the United States walked or bicycled to school. Today fewer than 15% of school children walk or bike to school and as much as 20- 30% of morning traffi c is generated by parents driving their children to school. Children are less active today and the majority of children living within a 1/2 mile of schools are driven in private vehicles. Obseity rates are on the rise and the cost of obesity and other health related challenges have signifi cant impacts on the rising cost of health care in the Unites States, not to mention the lifestyles of our children.1 In response to these challenges, in an effort to encourage healthy living, the Colorado Department of Transportation has developed a series of cross-curriculum bicycle and pedestrian lesson plans in support of the Colorado Safe Routes to School program. Safe Routes to School initiatives have long been a focus of health and physical education in schools. The goal of this project is to develop lesson plans that integrate walking, bicycling and healthy living into additional subject areas such as history, science, math, language arts, geography and social studies. This will expand opportunities for children to develop healthy living and active transportation habits, while also providing teachers with lesson plans designed to effectively meet Colorado’s education standards for kindergarten through eighth grade.
    [Show full text]
  • Vivaldi's Four Seasons
    Vivaldi's Four Seasons Paul Dyer AO Artistic Director 2019 Australian Brandenburg Orchestra SYDNEY PROGRAM City Recital Hall Telemann Concerto for 4 Violins in G major, TWV 40:201 Friday 1 November 7:00PM Directed by Matthew Bruce, Baroque violin Saturday 2 November 2:00PM Telemann Ouverture-Suite in C major, Water Music, TWV 55:C3 (Matinee) Directed by Ben Dollman, Baroque violin Saturday 2 November 7:00PM i Ouverture Wednesday 6 November 7:00PM ii Sarabande. Die schlafende Thetis (The sleeping Thetis) Wednesday 13 November 7:00PM iii Bourée. Die erwachende Thetis (Thetis awakening) Friday 15 November 7:00PM iv Loure. Der verliebte Neptunus (Neptune in love) Parramatta (Riverside Theatres) v Gavotte. Die spielenden Najaden (Playing Naiads) Monday 4 November 7:00pm vi Harlequinade. Der scherzenden Tritonen (The joking Triton) vii Der stürmende Aeolus (The stormy Aeolus) MELBOURNE viii Menuet. Der angenehme Zephir (The pleasant Zephir) Melbourne Recital Centre ix Gigue. Ebbe und Fluth (Ebb and Flow) Saturday 9 November 7:00PM x Canarie. Die lustigen Bots Leute (The merry Boat People) Sunday 10 November 5:00PM Interval Vivaldi Le Quattro Stagioni (The Four Seasons), Op. 8 No. 1-4 Solo Baroque violin, Shaun Lee-Chen Concerto No. 1 La primavera (Spring), RV 269 i Allegro ii Largo iii Allegro Concerto No. 2 L’estate (Summer), RV 315 i Allegro non molto–Allegro ii Adagio–Presto–Adagio iii Presto Concerto No. 3 L’autunno (Autumn), RV 293 i Allegro ii Adagio molto iii Allegro Concerto No. 4 L’inverno (Winter), RV 297 i Allegro non molto ii Largo iii Allegro CHAIRMAN’S 11 Proudly supporting our guest artists.
    [Show full text]
  • Families 2) Draw a Line Between Each Instrument and Its Orchestral Family
    Musical Instruments Worksheet 1 Name ......................................... 1) Draw a line between each instrument and its name.Families 2) Draw a line between each instrument and its orchestral family. String Family Timpani Brass Family Trumpet Percussion Family Violin Woodwind Family Trombone Clarinet 3. Write the name of another instrument in the STRING FAMILY .......................................... 4. Write the name of another instrument in the BRASS FAMILY ........................................... 5. Write the name of another instrument in the PERCUSSION FAMILY ................................ 6. Write the name of another instrument in the WOODWIND FAMILY .................................. 7. To which family does the XYLOPHONE belong? ............................................................... Musical Instruments Worksheet 3 Name ......................................... Multiple Choice (Tick the correct family) String String String Oboe Brass Double Brass Bass Brass Woodwind bass Woodwind drum Woodwind Percussion Percussion Percussion String String String Cymbals Brass Bassoon Brass Trumpet Brass Woodwind Woodwind Woodwind Percussion Percussion Percussion String String String French Brass Cello Brass Clarinet Brass horn Woodwind Woodwind Woodwind Percussion Percussion Percussion String String String Cor Brass Trombone Brass Saxophone Brass Anglais Woodwind Woodwind Woodwind Percussion Percussion Percussion String String String Viola Brass Castanets Brass Euphonium Brass Woodwind Woodwind Woodwind Percussion Percussion
    [Show full text]
  • U.S. Troops in Iraq Launch Brutal Assault
    · AUSTRALIA $1.50 · CANADA $1.50 · FRANCE 1.00 EURO · NEW ZEALAND $1.50 · SWEDEN KR10 · UK £.50 · U.S. $1.00 INSIDE Young Socialists: Build U.S. Social Forum! — PAGE 4 A SOCIALIST NEWSWEEKLY PUBLISHED IN THE INTERESTS OF WORKING PEOPLE VOL. 71/NO. 26 July 2, 2007 Interest wide Protesters U.S. troops in Iraq in U.S. Social condemn Forum ‘la migra’ raid launch brutal assault in Atlanta in Oregon With blessing from U.S. Congress, BY Lisa POTasH BY EDWIN FRUIT Pentagon completes military escalation ATLANTA—Activists throughout AND CHRis HOEPPNER this city are significantly stepping up their PORTLAND, Oregon, June 16— efforts to build the U.S. Social Forum. About 160 Immigration and Custom The political gathering, which organiz- Enforcement (ICE) agents raided the ers expect will draw at least 10,000 from Fresh Del Monte Produce plant here across the United States, as well as Africa, four days ago and arrested 167 work- Asia, Europe, and Latin America, will ers. La migra also raided two offices take place here June 27–July 1. of American Staffing Resources, the The slogan of the event is “Another temporary agency that hires workers world is possible; another U.S. is neces- for Fresh Del Monte. sary.” Atlanta was chosen as host, in Some 70 people protested against part, because it is one of the cities where the raid today outside the Northwest thousands of working people, in their Detention Center in Tacoma, Wash- majority Black, came to flee Hurricane ington, where the arrested workers Katrina and the social catastrophe that are detained.
    [Show full text]
  • Andy Nicholson London, W1W 8QL Senior Online Editor +44 (0)20 7637 7342
    Please Contact: Natalie Bayford Directors Cut 6-10 Great Portland Street Andy Nicholson London, W1W 8QL Senior Online Editor +44 (0)20 7637 7342 Andy is Technical Director at Directors Cut. An experienced and diverse editor with over twenty years' experience, Andy has an in depth knowledge of Avid systems - from offlining on Media Composer to onlining on the latest version of Avid Symphony - as well as the associated Avid storage and media management platforms. He advises and supports the production team throughout the edit. 2018 The Real Full Monty: Ladies’ Night (1 x 90’) Produced & Directed by: Kevin Mundye Spun Gold TV ITV Millionaires’ Ex-Wives Club (1 x 60’) Produced and Directed by: Lynn Alleway Century Films BBC Two Release The Hounds (5 x 60') Series Producer: Ben Wilson Primal Media ITV2 The Wave (5 x 60') Series Producer: Sean Miller Primal Media UKTV Prince: Last Year of a Legend (1 x 60’) Directed by: Adrian Sibley Lincoln Inn Productions Channel 4 2017 Peter Blake: Pop Art Life (1 x 60’) Produced and Directed by: Lee Cogswell Channel X Sky Arts Apple Tree House Series 2 (30 x 15’) Series Producer: Greg Boardman Five Apples LTD Cbeebies Harry Potter: A History of Magic (1 x 60’) Produced and Directed by: Jude Ho BBC Productions BBC Two The Fight For Mosul (1 x 60’) Filmed and Directed by: Olivier Sarbil Mongoose Pictures Channel 4 Produced and Co-Directed by: James Jones Release The Hounds Halloween Special (1 x 60’) Series Producer: Ben Wilson Primal Media ITV 2 Front Row (7 x 30’) Executive Producer: Tanya Hudson BBC Productions
    [Show full text]
  • The Rivers Awards Composition Competition (RACC)
    附件二 / ANNEX II The Rivers Awards Composition Competition(RACC) Designated Traditional Chinese Instruments Introduction Erhu Erhu Erhu Performance Demonstration (by LU Yiwen) The Erhu generally has two strings, namely the inner string and the outside string, with a bow between them. It is almost always tuned to the interval of a fifth and the treble clef is applied in Erhu music notation based on the actual pitch. Pipa Pipa and the artificial fingernails (right hand) Pipa Performance Demonstration (by SHU Yin) The strings of the Pipa are conventionally tuned to A-D-E-A. Players always wear the artificial fingernails for Pipa performance. The grand stave is applied in Pipa music notation based on the actual pitch. 1 / 2 附件二 / ANNEX II Dizi - Bamboo Flute (including Xiao) From top to bottom: Bangdi in G key, Qudi in D key, Xindi in G key and Xiao in G key Dizi Performance Demonstration (By WANG Junkan) Xiao Performance Demonstration (By WANG Junkan) The Dizi is a traditional Chinese transverse flute usually made of bamboo. It has six finger-holes, one blowing hole and one membrane hole. The membrane has a great influence on the sound produced by the flute. Qudi and Bangdi are the most predominant among the many varieties of Chinese flute. To satisfy the needs of different music, professional players usually have a set of dizi, each in a different key and size, where the Bangdi in G key and the Qudi in D key are most commonly used. A low octave approach in treble staff is applied to Dizi music notation.
    [Show full text]