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16(1)-April 2015-Complete Issue.Pdf
Criminology, Criminal Justice, Law & Society A Transdisciplinary Journal of Scholarly Inquiry, Policy, Practice, & Pedagogy Fomerly Western Criminology Review, CCJLS is the Official Journal of The Western Society of Criminology E-ISSN 2332-886X A B O U T T H E J O U R N A L Criminology, Criminal Justice, Law & Society (CCJLS), formerly Western Criminology Review (WCR), is the official journal of the Western Society of Criminology. This peer-reviewed journal builds on the mission of its predecessor by promoting understanding of the causes of crime; the methods used to prevent and control crime; the institutions, principles, and actors involved in the apprehension, prosecution, punishment, and reintegration of offenders; and the legal and political framework under which the justice system and its primary actors operate. Historical and contemporary perspectives are encouraged, as are diverse theoretical and methodological approaches. CCJLS publishes theoretical and empirical research on criminology, criminal justice, and criminal law and society; practice-oriented papers (including those addressing teaching/pedagogical issues); essays and commentary on crime, law, and justice policy; replies and comments to articles previously published in CCJLS or WCR; book and film reviews; and scholarly article reviews. C O - E D I T O R S Henry F. Fradella, Arizona State University, School of Criminology and Criminal Justice Aili Malm, California State University, Long Beach, School of Criminology, Criminal Justice, and Emergency Management Christine S. Scott-Hayward, California State University, Long Beach, School of Criminology, Criminal Justice, and Emergency Management E D I T O R I A L S T A F F Co-Managing Editor: Xochitl Escutia, California State University, Long Beach Co-Managing Editor: Chantal Fahmy, Arizona State University Copy-Editor: Vanessa Burrows, California State University, Long Beach Consulting Editor: Stuart Henry, San Diego State University Consulting Editor: Christine Curtis, San Diego State University E D I T O R I A L A D V I S O R Y B O A R D Martin A. -
William Schaw Lindsay: Righting the Wrongs of a Radical Shipowner Michael Clark
William Schaw Lindsay: righting the wrongs of a radical shipowner Michael Clark William Schaw Lindsay a perdu ses parents en 1825 à l’âge tendre de dix ans, il s'est enfui en mer en 1831 et il est rentré à terre âgé de vingt-cinq ans et certifié comme maître de bord. Il est devenu courtier de navires et a exploité les caprices du marché marin à la suite de l'abrogation des lois sur la navigation pour devenir armateur, établissant une compagnie de navigation spécialisée dans l'émigration vers l'Australie et affrétant des navires aux gouvernements français et britannique pendant la guerre criméenne. Élu député au parlement en 1854, il a favorisé les issues maritimes mais sa sympathie publique envers les États Confédérés pendant la guerre civile l'a mené vers des accusations que ses bateaux cassaient le blocus des États-Unis. Introduction “His family details are sketchy...”1 For a century and a half, many wrongs have been written about William Schaw Lindsay and this paper will attempt to clarify how and why he has been misrepresented. The Oxford Dictionary of National Biography claims that his family details are sketchy yet Lindsay was proud of his lowly origins and never concealed them. He was born during a gale on 19 December 1815 at the manse of his uncle, the Reverend William Schaw, in the county town of Ayr in South-West Scotland.2 Tragically, Lindsay’s father died four years later, followed by the death of his mother in 1825 and Lindsay wrote “From that moment I felt I was a child of poverty whose lot was to earn my bread by the sweat of my brow.’” 3 The childless minister and his wife willingly took Lindsay into the manse and sent him to Ayr Academy in the hope that he would become a Free Church minister like himself. -
Following the Equator by Mark Twain</H1>
Following the Equator by Mark Twain Following the Equator by Mark Twain This etext was produced by David Widger FOLLOWING THE EQUATOR A JOURNEY AROUND THE WORLD BY MARK TWAIN SAMUEL L. CLEMENS HARTFORD, CONNECTICUT THE AMERICAN PUBLISHING COMPANY MDCCCXCVIII COPYRIGHT 1897 BY OLIVIA L. CLEMENS ALL RIGHTS RESERVED FORTIETH THOUSAND THIS BOOK page 1 / 720 Is affectionately inscribed to MY YOUNG FRIEND HARRY ROGERS WITH RECOGNITION OF WHAT HE IS, AND APPREHENSION OF WHAT HE MAY BECOME UNLESS HE FORM HIMSELF A LITTLE MORE CLOSELY UPON THE MODEL OF THE AUTHOR. THE PUDD'NHEAD MAXIMS. THESE WISDOMS ARE FOR THE LURING OF YOUTH TOWARD HIGH MORAL ALTITUDES. THE AUTHOR DID NOT GATHER THEM FROM PRACTICE, BUT FROM OBSERVATION. TO BE GOOD IS NOBLE; BUT TO SHOW OTHERS HOW TO BE GOOD IS NOBLER AND NO TROUBLE. CONTENTS CHAPTER I. The Party--Across America to Vancouver--On Board the Warrimo--Steamer Chairs-The Captain-Going Home under a Cloud--A Gritty Purser--The Brightest Passenger--Remedy for Bad Habits--The Doctor and the Lumbago --A Moral Pauper--Limited Smoking--Remittance-men. page 2 / 720 CHAPTER II. Change of Costume--Fish, Snake, and Boomerang Stories--Tests of Memory --A Brahmin Expert--General Grant's Memory--A Delicately Improper Tale CHAPTER III. Honolulu--Reminiscences of the Sandwich Islands--King Liholiho and His Royal Equipment--The Tabu--The Population of the Island--A Kanaka Diver --Cholera at Honolulu--Honolulu; Past and Present--The Leper Colony CHAPTER IV. Leaving Honolulu--Flying-fish--Approaching the Equator--Why the Ship Went Slow--The Front Yard of the Ship--Crossing the Equator--Horse Billiards or Shovel Board--The Waterbury Watch--Washing Decks--Ship Painters--The Great Meridian--The Loss of a Day--A Babe without a Birthday CHAPTER V. -
Year Book of the Holland Society of New-York
w r 974.7 PUBLIC LIBRARY M. L, H71 FORT WAYNE & ALLEM CO., IND. 1916 472087 SENE^AUOGV C0L.L-ECT!0N EN COUNTY PUBLIC lllllilllllilll 3 1833 01147 7442 TE^R BOOK OF The Holland Society OF New Tork igi6 PREPARED BY THE RECORDING SECRETARY Executive Office 90 West Street new york city Copyright 1916 The Holland Society of New York : CONTENTS DOMINE SELYNS' RECORDS: PAGE Introduction I Table of Contents 2 Discussion of Previous Editions 10 Text 21 Appendixes 41 Index 81 ADMINISTRATION Constitution 105 By-Laws 112 Badges 116 Accessions to Library 123 MEMBERSHIP: 472087 Former Officers 127 Committees 1915-16 142 List of Members 14+ Necrology 172 MEETINGS: Anniversary of Installation of First Mayor and Board of Aldermen 186 Poughkeepsie 199 Smoker 202 Hudson County Branch 204 Banquet 206 Annual Meeting 254 New Officers, 1916 265 In Memoriam 288 ILLUSTRATIONS PAGE Gerard Beekman—Portrait Frontispiece New York— 1695—Heading Cut i Selyns' Seal— Initial Letter i Dr. James S. Kittell— Portrait 38 North Church—Historic Plate 43 Map of New York City— 1695 85 Hon. Francis J. Swayze— Portrait 104 Badge of the Society 116 Button of the Society 122 Hon. William G. Raines—Portrait 128 Baltus Van Kleek Homestead—Heading Cut. ... 199 Eagle Tavern at Bergen—Heading Cut 204 Banquet Layout 207 Banquet Ticket 212 Banquet Menu 213 Ransoming Dutch Captives 213 New Amsterdam Seal— 1654 216 New York City Seal— 1669 216 President Wilson Paying Court to Father Knick- erbocker 253 e^ c^^ ^ 79c^t'*^ C»€^ THE HOLLAND SOCIETY TABLE OF CONTENTS. Introduction. Description and History of the Manuscript Volume. -
The Travelling Table
The Travelling Table A tale of ‘Prince Charlie’s table’ and its life with the MacDonald, Campbell, Innes and Boswell families in Scotland, Australia and England, 1746-2016 Carolyn Williams Published by Carolyn Williams Woodford, NSW 2778, Australia Email: [email protected] First published 2016, Second Edition 2017 Copyright © Carolyn Williams. All rights reserved. People Prince Charles Edward Stuart or ‘Bonnie Prince Charlie’ (1720-1788) Allan MacDonald (c1720-1792) and Flora MacDonald (1722-1790) John Campbell (1770-1827), Annabella Campbell (1774-1826) and family George Innes (1802-1839) and Lorn Innes (née Campbell) (1804-1877) Patrick Boswell (1815-1892) and Annabella Boswell (née Innes) (1826-1914) The Boswell sisters: Jane (1860-1939), Georgina (1862-1951), Margaret (1865-1962) Places Scotland Australia Kingsburgh House, Isle of Skye (c1746-1816) Lochend, Appin, Argyllshire (1816-1821) Hobart and Restdown, Tasmania (1821-1822) Windsor and Old Government House, New South Wales (1822-1823) Bungarribee, Prospect/Blacktown, New South Wales (1823-1828) Capertee Valley and Glen Alice, New South Wales (1828-1841) Parramatta, New South Wales (1841-1843) Port Macquarie and Lake Innes House, New South Wales (1843-1862) Newcastle, New South Wales (1862-1865) Garrallan, Cumnock, Ayrshire (1865-1920) Sandgate House I and II, Ayr (sometime after 1914 to ???) Auchinleck House, Auchinleck/Ochiltree, Ayrshire Cover photo: Antiques Roadshow Series 36 Episode 14 (2014), Exeter Cathedral 1. Image courtesy of John Moore Contents Introduction .……………………………………………………………………………….. 1 At Kingsburgh ……………………………………………………………………………… 4 Appin …………………………………………………………………………………………… 8 Emigration …………………………………………………………………………………… 9 The first long journey …………………………………………………………………… 10 A drawing room drama on the high seas ……………………………………… 16 Hobart Town ……………………………………………………………………………….. 19 A sojourn at Windsor …………………………………………………………………… 26 At Bungarribee ……………………………………………………………………………. -
Durham E-Theses
Durham E-Theses A history of north east shipbuilding: being an attempt to describe and analyse the development of shipbuilding in the North East of England from earliest times to the end of 1967 Dougan, D. J. How to cite: Dougan, D. J. (1968) A history of north east shipbuilding: being an attempt to describe and analyse the development of shipbuilding in the North East of England from earliest times to the end of 1967, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9906/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 j> i^ ovw / si-. ABSTKACT OF Art bt.A. SUBMISSION ^ ^ "A hISTOKY <.)F wOKTn EAST SHIPrtUILtilNXi" PKKSEwTEU BY U.JJ. OOUOA1K)UGAw« FPU AN w.Aw .A. ^fr'MffffffJJgliBKK*. DECEri MBK 196g IS69 At the end or the lyth century, trie united Kingdom produced four out of every five ships built in tne whole world, and the North East coast of England, stretching from jjlyth in tne North to Whitby in the South, was responsible for tvo out of those five ships. -
Shipwrecks: Images and Perceptions of Nineteenth Century Maritime Disasters
4 Shipwrecks: Images and Perceptions of Nineteenth Century Maritime Disasters Mark Staniforth In the nineteenth century the long sea voyage across thousands of miles of open ocean to Australia was a step into the unknown. International migration at this time usually involved travel by sea, as it had in previous centuries. Ships were the primary long distance transportation method and the movement of passengers was one of their most important functions. It has been estimated that more than 1.6 million immigrants travelled to Australia by ship between 1788 and 1900, nearly half of these people were assisted immigrants of one type or another and they came primarily from Great Britain with smaller numbers from Europe (Barrie 1989:121). In the popular imagination the ocean represented hazard and uncertainty - an alien environment in which the possibility of shipwreck loomed large. Passengers felt themselves to be at the mercy of the elements and being directly exposed to the extremes of the weather in a moving structure was a new and disconcerting experience. This fear of shipwreck can be seen in a letter from P. Harnett to his brother from Cape Town in 1832 who writes that: 'you and the family must have been frequently tormented by anxious hopes and fears of my safety or probably have heard that the vessel was wrecked and as a matter of course that I was lost' (Harnett 1832). In most respects shipwrecks, like other tragedies involving transportation, are civil or 'man made' disasters yet they also exhibit some of the 45 46 Disasters: Images and Contexts characteristics of natural disasters.l These include evoking in the victims feelings of powerlessness in the face of overwhelming natural forces and a timeframe which sometimes extends over a period of hours or even days. -
Analyse Ludique De La Franchise Saw
Université de Montréal Analyse ludique de la franchise Saw Par Janie Brien Département d’études cinématographiques Faculté des arts et des sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade M.A. en études cinématographiques Décembre 2012 © Janie Brien, 2012 Université de Montréal Faculté des études supérieures Ce mémoire intitulé : Analyse ludique de la franchise Saw présenté par : Janie Brien a été évalué(e) par un jury composé des personnes suivantes : Carl Therrien président-rapporteur Bernard Perron directeur de recherche Richard Bégin membre du jury i Résumé La saga Saw est une franchise qui a marqué le cinéma d’horreur des années 2000. Le présent mémoire tâchera d’en faire une étude détaillée et rigoureuse en utilisant la notion de jeu. En élaborant tout d’abord un survol du cinéma d’horreur contemporain et en observant la réception critique de la saga à travers l’étude de différents articles, ce travail tentera en majeure partie d’analyser la franchise Saw en rapport avec l’approche ludique du cinéma en général et celle adoptée par Bernard Perron. Cette étude, qui s’élaborera tant au niveau diégétique que spectatoriel, aura pour but de montrer l’importance de la place qu’occupe la notion de jeu dans cette série de films. Mots-clés Cinéma d’horreur, jeu, puzzle, torture. ii Abstract The Saw saga is a franchise that marked the horror film industry in the 2000’s. This report will try and give a thorough and detailled study while using the idea of a game. At the same time taking a cursory glance at contemporary horror films and observing how the critics were received by studying different articles. -
Dead by Daylight “SAW®” Chapter Launches on Steam, Xbox One and Playstation®4
PRESS RELEASE STOCKHOLM, SWEDEN (January 23, 2018) Dead by Daylight “SAW®” Chapter Launches on Steam, Xbox One and PlayStation®4 Starbreeze Publishing, together with Behaviour Digital and global content leader Lionsgate (NYSE: LGF.A, LGF.B), today released the “SAW®” chapter for Dead by Daylight. SAW is one of the most successful horror franchises ever, grossing nearly $1 billion at the worldwide box office. The “SAW” chapter lets players take on the infamous character of Amanda Young, one of Jigsaw’s most well-known protégés, with a brand-new power and feature: the reverse bear trap. In an innovative twist of a classic Dead by Daylight mechanic, Amanda disguised as The Pig can place reverse bear traps on survivors, spicing up the game of cat-and-mouse as every second counts for the survivors to escape. The new survivor introduced in the chapter is David Tapp, a relentless cop set on bringing down The Pig. The two will fight it out inside iconic locations from the films. The new chapter is available today for $6.99 on Windows PC through Steam and other digital distribution channels as well as on Xbox One and the PlayStation 4® computer entertainment system. The “SAW” chapter includes: • New Killer + Perks and Power - The Pig • New Survivor + Perks - David Tapp • New Map - Gideon Meat Plant Visit the website for more information and videos: www.deadbydaylight.com/saw. Dead by Daylight is an asymmetrical multiplayer horror game in which one crazed killer hunts four friends through a terrifying nightmare. Players take on the roles of both killer and survivors in a deadly game of cat and mouse. -
The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018)
The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) Jigsaw, dir. Michael Spierig, Peter Spierig (Lionsgate, 2017) Finality is a concept the implications of which the horror genre seems to have blissfully disavowed when developing sequels. Studios have learned to contend with the inescapable fact that, although everything ends, a franchise’s lifespan can be prolonged by injecting a little creative adrenaline to revitalise even the most ailing brands. Narratively, it is possible to exhaust many conventional storytelling possibilities before a property changes form, such as when the A Nightmare on Elm Street franchise (1984-2010) moved firmly into experimental meta-territory with Wes Craven’s New Nightmare (1994) after Freddy’s Dead: The Final Nightmare (1991). The term ‘final’ can also signal the onset of a crossover phase where similar properties team up for a showdown, as in Lake Placid vs Anaconda (2015) following Lake Placid: The Final Chapter (2012). Others are satisfied to ignore continuity and proceed unabated; slasher legend Jason Voorhees, for example, has twice bid farewell to audiences in the same established canon with Friday the 13th: The Final Chapter (1984) and Jason Goes to Hell: The Final Friday (1993). Perhaps most amusingly guilty of having to navigate this challenge is the Final Destination franchise (2000-11). In a series built around the idea of finality, the conclusively titled The Final Destination screened in 2009, yet reneged on its promise, as Final Destination 5 (2011) arrived only two years later. Thus, following Saw: The Final Chapter (2010), comes Jigsaw (2017), the eighth instalment in the long running torture-porn series (2004-17) now explicitly named after its titular villain. -
Read Book Game Over Ebook, Epub
GAME OVER PDF, EPUB, EBOOK James Patterson,Ned Rust | 229 pages | 05 Jun 2012 | Little, Brown & Company | 9780316101707 | English | New York, United States Game Over - Megami Tensei Wiki: a Demonic Compendium of your True Self Used by SAS. Desert Eagle. Used by Imran Zakhaev. Used by Soap to kill Imran Zakhaev. Used by Ultranationalists and SAS. FIM Stinger. Mile High Club. Categories :. Cancel Save. Universal Conquest Wiki. The subject matter of this article was cut from the final version of a Call of Duty game. Used by Gaz and Ultranationalists G3. Used by Ultranationalists AK Used by Ultranationalists and Loyalists M Griggs M60E4. Audio Collections. Login Create Account. Clear Filters Media Type All. Moods Select Music to see Moods. Genres Select Music to see Genres. Instruments Select Music to see Instruments. Vocals Select Music to see Vocals. Tempo Select Music to set Tempo. Categories Select Sound Effects to see Categories. People also searched for. Sort By Most Relevant. Video Game Game Over 3. Deep Voice: Game Over. Lance Conrad. Video Game Game Over 4. Incorrect Answer Decision. Video Game Game Over 1. Spinning Down Game Over. SFX Toys and Games. Views 59, Faves: 1, Votes 1, Score 4. Tags bdsm bondage porn princess-daisy super-mario. Software Unity. The Library by waffrus. Custom Guitar by Crunchy-Monkey. Create your dream guitar with parts from Fender, Gibson, and Ibanez. Hiragana Learning Game by nicktpog. Maid Service Audio Sex Adventure by pinktea. FZ X-Ray by Heatwave. MistFlow1 Hello, I am Chara. AstralTellurian More art coming soon. Guyvanity Commissions are opened. Become a Newgrounds Supporter today and get a ton of great perks! Wall Art by. -
Amanda Young Amanda Young
Amanda Young Global Head of Responsible Investment Aberdeen Standard Investments Talking ESG podcasts and gin With Amanda Young, GloBal Head of Responsible Investment, Aberdeen Standard Investments and Richard Romer-Lee, Managing Director at Square Mile October 2020 – 069 HOW DID YOU GET INTO THE INDUSTRY? ARE ANY SECTORS AHEAD I started my career doing economic research on a OF THE GAME? trading floor in an investment bank. It was that or The oil and gas industry has had to doing a PHD in neuropsychology. I came to the City make significant changes. It was the as I was excited at the concept that a big chunk of first sector lambasted by non- the country’s GDP was generated in just one governmental organisations. square mile. I have always had a strong moral compass and it was obvious to me that some to sink the Brent Spar oil of society’s social issues were not remotely on storage facility, opposition led by the radar. Purely by chance I came across Greenpeace prevented it. CCLA – management to church and charity clients, which delivers specialist investment Shell became the first company management to charities and not-for-profits. It was to produce a sustainability report. The higher the first time I heard about corporate governance risk industries have had to respond faster as and investment with a set of moral objectives. All of a sudden, I became environmental reporting, the measurement of aware that investing could achieve positives beyond just returns. KPIs and health and safety issues become ever more prevalent and important.