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Marie Laing M.A. Thesis
Conversations with Young Two-Spirit, Trans and Queer Indigenous People About the Term Two-Spirit by Marie Laing A thesis submitted in conformity with the requirements for the degree of Master of Arts Department of Social Justice Education Ontario Institute for Studies in Education University of Toronto © Copyright by Marie Laing 2018 Conversations with Young Two-Spirit, Trans and Queer Indigenous People About the Term Two-Spirit Marie Laing Master of Arts Department of Social Justice Education University of Toronto 2018 Abstract Since the coining of the term in 1990, two-spirit has been used with increasing frequency in reference to Indigenous LGBTQ people; however, there is rarely explicit discussion of to whom the term two-spirit refers. The word is often simultaneously used as both an umbrella term for all Indigenous people with complex genders or sexualities, and with the specific, literal understanding that two-spirit means someone who has two spirits. This thesis discusses findings from a series of qualitative interviews with young trans, queer and two-spirit Indigenous people living in Toronto. Exploring the ways in which participants understand the term two-spirit to be a meaningful and complex signifier for a range of ways of being in the world, this paper does not seek to define the term two-spirit; rather, following the direction of research participants, the thesis instead seeks to trouble the idea that articulating a definition of two-spirit is a worthwhile undertaking. ii Acknowledgments There are many people without whom I would not have been able to complete this research. Thank you to my supervisor, Dr. -
Eone Annual Report 2019
2019 Annual Report and Accounts Unlocking the power & value of creativity We are focused on building the leading talent-driven, platform- agnostic entertainment company in the world. Through our deep creative relationships we are able to produce the highest quality content for the world’s markets. We are powered by global reach, scale and local market knowledge to generate maximum value for this content. Strategic Report SR Governance G Financial Statements FS Unlocking the Unlocking the value of originality power & value p.10 of creativity Unlocking the power of creativity p.12 Strategic report Governance 02 At a glance 66 Corporate governance 04 Chairman’s statement 68 Board of Directors 06 Chief Executive Officer’s review 70 Corporate governance report 10 Unlocking the power 78 Audit Committee report & value of creativity Unlocking the 86 Nomination Committee report value of direction 20 Market Review 90 Directors’ Remuneration report p.14 22 Business Model 118 Directors’ report: 24 Strategy additional information 26 Key performance indicators Financial statements Business review 122 Independent auditor’s report 28 Family & Brands 127 Consolidated financial statements 36 Film, Television & Music 131 Notes to the consolidated financial statements Unlocking the 46 Finance review power of storytelling 51 Principal risks and uncertainties Visit our website: entertainmentone.com p.16 58 Corporate responsibility Unlocking the value of talent p.18 entertainmentone.com 1 AT A GLANCE Performance highlights Strong growth in underlying EBITDA -
Core 1..48 Committee (PRISM::Advent3b2 10.50)
House of Commons CANADA Standing Committee on Canadian Heritage CHPC Ï NUMBER 033 Ï 2nd SESSION Ï 39th PARLIAMENT EVIDENCE Tuesday, June 3, 2008 Chair Mr. Gary Schellenberger Also available on the Parliament of Canada Web Site at the following address: http://www.parl.gc.ca 1 Standing Committee on Canadian Heritage Tuesday, June 3, 2008 Ï (1535) year, the concert was aired for the first time on Radio 2's Canada [English] Live as a result of the opening up of broadcast opportunities for more than classical music. We welcome that change. The Chair (Mr. Gary Schellenberger (Perth—Wellington, CPC)): Good afternoon, everyone. Welcome to meeting number 33 of the Standing Committee on Canadian Heritage. ln 1988, CBC Radio producers of the now defunct The Entertainers approached me, in my role as artistic director of Pursuant to Standing Order 108(2), we are undertaking a study on Toronto's Harbourfront Centre summer concert season, regarding an the dismantling of the CBC Radio Orchestra, on CBC/Radio- opportunity to record elements of the then-just-Iaunched WOMAD Canada's commitment to classical music, and the changes to CBC —Worlds of Music Arts and Dance—festival. It was a revelation. Radio 2. The partnership involved a model whereby a $25,000 blanket fee I welcome all our witnesses here today. Our witnesses are Derek would give CBC the right to record performances. Thirty-three Andrews, president of the Toronto Blues Society; Dominic Lloyd, concerts were recorded that year, and thus began a partnership that artistic director of the West End Cultural Centre; Katherine Carleton, involved many further concert recordings over the years. -
In Indigeneity: the Musical Practices of Cris Derksen and Jeremy Dutcher
Contemporary Music Review ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/gcmr20 Reclaiming the ‘Contemporary’ in Indigeneity: The Musical Practices of Cris Derksen and Jeremy Dutcher Alexa Woloshyn To cite this article: Alexa Woloshyn (2020): Reclaiming the ‘Contemporary’ in Indigeneity: The Musical Practices of Cris Derksen and Jeremy Dutcher, Contemporary Music Review, DOI: 10.1080/07494467.2020.1806627 To link to this article: https://doi.org/10.1080/07494467.2020.1806627 Published online: 07 Sep 2020. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=gcmr20 Contemporary Music Review, 2020 https://doi.org/10.1080/07494467.2020.1806627 Reclaiming the ‘Contemporary’ in Indigeneity: The Musical Practices of Cris Derksen and Jeremy Dutcher Alexa Woloshyn Indigenous musical modernities have thrived across centuries of innovation and mobilisation through both exchange and resistance. Settler colonialism seeks to deny Indigenous Peoples a ‘contemporary’ by asserting both a temporal and spatial boundary. The temporal and spatial boundaries intended for Indigenous Peoples foster expectations from the dominant white culture regarding Indigeneity. Cree Mennonite cellist Cris Derksen and Wolastoqi singer Jeremy Dutcher mobilise settler expectations and institutional opportunities in their distinctive musical practices. These musical practices are the results of exchange and dialogue between Euro-American classical music and Indigenous musics, resulting in what Dawn Avery calls ‘Native Classical Music’. Such dialogues are negotiated through these musicians’ resistance to Euro- American classical music hierarchies, settler logics about authenticity and their resourcefulness in navigating settler institutions. -
Haviah Mighty Has Won the 2019 Polaris Music Prize for the Album 13Th Floor
HAVIAH MIGHTY HAS WON THE 2019 POLARIS MUSIC PRIZE FOR THE ALBUM 13TH FLOOR TORONTO, ON – Monday, September 16, 2019 Haviah Mighty has won the 2019 Polaris Music Prize for the album 13th Floor. “For me, the 13th floor is something that we remove from our reality because it is something that we don’t understand and therefore we dismiss it,” said Haviah Mighty. “This is very parallel to so many of the experiences that I speak on, on this album. I’m in a room with so many different people from so many different walks of life who have acknowledged that this is something they feel is important. These people don’t necessarily share the narratives that I ,do or the walks of life that I have, and yet, here we are, finally on what I believe is the 13th floor. This is the moment of resurgence where the dismissal that has existed is now being removed, and the discussion is being had. I’m so grateful that the people around me push me to be brave enough to speak my truth and to have it be acknowledged in this way.” The Prize, which was presented by CBC Music, goes to the best Canadian album of the year based on artistic merit without regard to genre, sales history or label affiliation. It was determined by a Grand Jury of 11 music media professionals drawn from the greater Polaris jury pool of 199 writers, editors, broadcasters, DJs and personalities from across the country. Haviah Mighty’s victory came with a $50,000 monetary reward. -
A World of Entertainment Entertainment One Ltd
A world of entertainment Entertainment One Ltd. Annual Report and Accounts 2014 We are Entertainment One. Contents Strategic Report 1 Highlights Entertainment One’s goal is to be 2 Group at a Glance 4 Chairman’s Statement the world’s leading independent 6 Chief Executive’s Summary 8 Group Objectives and Strategy entertainment group, through the 10 Business Model 12 Market Overview production and acquisition of 14 Film Review 18 Television Review entertainment content rights for 22 Financial Review 26 Principal Risks and Uncertainties exploitation across all consumer 30 Corporate Social Responsibility media throughout the world. Corporate Governance 32 Board of Directors 34 Corporate Governance 40 Audit Committee Report 44 Directors’ Remuneration Report 61 Nomination Committee Report 62 Directors’ Report: Additional Information 64 Statement of Directors’ Responsibilities Consolidated Financial Statements 65 Index to the Consolidated Financial Statements 66 Independent Auditor’s Report 69 Consolidated Income Statement 69 Consolidated Statement of Comprehensive Income 70 Consolidated Balance Sheet 71 Consolidated Statement of Changes in Equity 72 Consolidated Cash Flow Statement 73 Notes to the Consolidated Financial Statements Television Chief Executive’s Summary Film Review Darren Throop’s review of the year A review of our Film Division for the is set out on pages 6 and 7. year is set out on pages 14 to 17. Television Review A review of our Television Division for the year is set out on pages 18 to 21. Film entertainmentone.com ANNUAL -
A Canada Fit for Children
A CANADA FIT FOR CHILDREN Canada’s follow-up to the United Nations General Assembly Special Session on Children, dated April 2004. 1 Aussi disponible en français sous le titre Un Canada digne des enfants April 2004 © Her Majesty the Queen in Right of Canada, 2004 Paper Catalogue No. SD13-4/2004E ISBN 0-662-36985-8 PDF Catalogue No. SD13-4/2004E-PDF ISBN 0-662-36991-2 HTML Catalogue No. SD13-4/2004E-HTML ISBN 0-662-36992-0 2 TABLE OF CONTENTS Page A message from the Prime Minister. 5 A message from the Minister of Health and the Minister of Social Development . 7 A message from Senator Landon Pearson . 9 A message from the young people of CEERT . 11 A Canada Fit for Children I. Preface . 13 II. Declaration . 15 III. Toward a Common Canadian Vision for Children . 19 IV. Plan of Action. 37 A. Creating a Canada and a World Fit for Children. 37 B. Goals, Strategies and Actions for Canada . 41 1. Supporting Families and Strengthening Communities . 41 2. Promoting Healthy Lives. 50 3. Protecting from Harm . 64 4. Promoting Education and Learning. 78 C. Building Momentum . 87 A Call to Action . 87 Partnerships and Participation . 87 Keeping on Track . 90 V. Government of Canada Investments in and Commitments to Children. 93 A. For Canada's Children. 93 B. For the World's Children. 113 3 4 A message from the Prime Minister The children of today constitute the largest generation of young people the world has ever known. And the world will be profoundly affected by their actions and decisions – not only in the years to come, but even right now. -
BC's Music Sector
BC’s Music Sector FROM ADVERSITY TO OPPORTUNITY www.MusicCanada.com /MusicCanada @Music_Canada BC’S MUSIC SECTOR: FROM ADVERSITY TO OPPORTUNITY A roadmap to reclaim BC’s proud music heritage and ignite its potential as a cultural and economic driver. FORWARD | MICHAEL BUBLÉ It’s never been easy for artists to get a start in We all have a role to play. Record labels and music. But it’s probably never been tougher other music businesses need to do a better than it is right now. job. Consumers have to rethink how they consume. Governments at all levels have to My story began like so many other kids recalibrate their involvement with music. And with a dream. I was inspired by some of successful artists have to speak up. the greatest singers – Ella Fitzgerald, Tony Bennett and Frank Sinatra – listening to my We all have to pull together and take action. grandfather’s record collection while growing up in Burnaby. I progressed from talent I am proud of the fact that BC gave me a competitions, to regular shows at local music start in a career that has given me more venues, to a wedding gig that would put me than I could have ever imagined. After in the right room with the right people – the touring around the world, I am always right BC people. grateful to come home to BC where I am raising my family. I want young artists to When I look back, I realize how lucky I was. have the same opportunities I had without There was a thriving music ecosystem in BC having to move elsewhere. -
A RON MANN Film
GO FURTHER a RON MANN film Genie Award nomination for Best Documentary Featuring Woody Harrelson, Ken Kesey, Steve Clark and a Cast of Thousands with musical performances by Dave Matthews, Bob Weir, Anthony Kiedis, Natalie Merchant, String Cheese Incident, Michael Franti and Medeski, Martin &Wood (CANADA, 2003, 90 Minutes) Distribution 1028 Queen Street West Toronto, Ontario, Canada, M6J 1H6 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] www.mongrelmedia.com Publicity Bonne Smith Star PR Tel: 416-488-4436 Fax: 416-488-8438 E-mail: [email protected] High res stills may be downloaded from http://mongrelmedia.com/press.html GO FURTHER -a film by Ron Mann Synopsis Calling his new movie an “Electric Kool-Aid Acid Test on Tofu,” award-winning documentary director Ron Mann (Grass, Twist) joins actor/activist Woody Harrelson as he pilots a hemp-fuelled bus on an eco-consciousness raising incursion down the beautiful Pacific Coast. Outline Go Further, the new film by award-winning documentary filmmaker Ron Mann, explores the idea that the single individual is the key to large-scale transformational change. The film follows actor Woody Harrelson as he takes a small group of friends on a bio-fuelled bus ride down the Pacific Coast Highway. Their goal? To show the people they encounter that there are viable alternatives to our habitual, environmentally destructive behaviors. The travelers include a yoga-teacher, a raw food chef, a hemp-activist, a junk- food addict, and a college student who suspends her life to impulsively hop aboard. We see the hostility these pilgrims encounter, and watch as their ideas are challenged from within and without. -
Security Coordinator
STEVE SUMMERVILLE Curriculum Vitae April 2021 1 Table of Contents Table of Contents ...................................................................... 2 Steven Summerville – Contact Information .............................. 3 Professional Background ......................................................... 3 Education ................................................................................ 10 Continuing Education ............................................................. 11 Associations ........................................................................... 16 Awards .................................................................................... 16 Crowd Control Project Management ....................................... 18 Special Events Management................................................... 19 Project Participation ............................................................... 25 Private Consulting .................................................................. 37 Media Presentations ............................................................... 68 Expert Witness Recognition ................................................... 85 April 2021 2 Steven Summerville – Contact Information STAY SAFE Instructional Programs. (SSIP) 3 Holmes Crescent Ajax, Ontario. L1T 3R6 Cell: (416)-318-8299 Email: [email protected] [email protected] Website: https://staysafeip.com/ Professional Background CANADIAN NATIONAL EXHIBITION ASSOCIATION (CNE). – Toronto, Ontario. May 2016 to present Security Coordinator. -
UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D. C. 20549 __________________ FORM 10-Q __________________ (Mark One) ☒ QUARTERLY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the quarterly period ended June 27, 2021 or ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Commission File Number 1-6682 __________________ HASBRO, INC. (Exact name of registrant as specified in its charter) Rhode Island 05-0155090 (State or other jurisdiction of incorporation or organization) (I.R.S. Employer Identification No.) 1027 Newport Avenue Pawtucket, Rhode Island 02861 (Address of Principal Executive Offices) (Zip Code) (401) 431-8697 Registrant's telephone number, including area code Securities registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol(s) Name of each exchange on which registered Common Stock, $0.50 par value per share HAS The NASDAQ Global Select Market Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. Yes [x] No [ ] Indicate by check mark whether the registrant has submitted electronically every Interactive Data File required to be submitted pursuant to Rule 405 of Regulation S-T during the preceding 12 months (or for such shorter period that the registrant was required to submit such files). -
The Dynamics of the Player Narrative How Choice
THE DYNAMICS OF THE PLAYER NARRATIVE HOW CHOICE SHAPES VIDEOGAME LITERATURE A Thesis Presented to The Academic Faculty by Jeffrey Scott Bryan In Partial Fulfillment of the Requirements for the Degree Master’s of Science in Digital Media in the School of Literature, Media, and Communication Georgia Institute of Technology May, 2013 Copyright 2013 by Jeffrey Bryan THE DYNAMICS OF THE PLAYER NARRATIVE HOW CHOICE SHAPES VIDEOGAME LITERATURE Approved by: Dr. Ian Bogost, Advisor Dr. Jay Bolter School of Literature, Media, and School of Literature, Media, and Communication Communication Georgia Institute of Technology Georgia Institute of Technology Dr. Janet Murray Dr. Todd Petersen School of Literature, Media, and College of Humanities & Social Communication Sciences Georgia Institute of Technology Southern Utah University Date Approved: 3 April 2013 To my wife, Cora, for her unyielding faith in me. To Fallon, Quinn, and Silas, who inspire me every day to be more than the sum of my parts. To my mom for buying my first Super Nintendo. ACKNOWLEDGEMENTS I wish to thank my committee for the advice given and the time taken to help keep my analysis on course. I am grateful for the wealth of minds around me and the opportunities I have had to share my many disparate ideas. I would like to thank Dr. Kathleen Bieke, professor emeritus of English at Northwest College. When everyone else saw a high school dropout, she saw an English major with a wonderful dream of studying videogames as literature. I would also like to thank my grandparents, Captain E.K. Walling and Grace Walling, without whom I would never have been able to conceptualize a world in which I could possibly be attending graduate school.