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MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY 5:00 5:00 CBC Radio Overnight 5:30 5:30 6:00 6:00 FRESH AIR FRESH AIR 6:30 METRO MORNING 6:30 7:00 CBC News: CBC News: 7:00 7:30 CBC News: World Report at 6/7/8 am World Report World Report 7:30 8:00 at 7/8/9 am at 8/9 am 8:00 8:30 8:30 9:00 The Current 9:00 The House 9:30 9:30 10:00 White Coat, Black Art 10:00 Q The Sunday Edition 10:30 10:30 11:00 GO! 11:00 White Coat, C'est la vie The Debaters Afghanada 11:30 Black Art 11:30 12:00 PM 12:00 PM ONTARIO TODAY Quirks & Quarks Vinyl Café 12:30 12:30 1:00 The Next The Story from Living Out The Debaters 1:00 In the Field Dispatches Spark 1:30 Chapter Here Loud Wire Tap 1:30 2:00 Ideas in the Writers & 2:00 Your DNTO Rewind Canada Live Tapestry 2:30 Afternoon Company Definitely Not The 2:30 3:00 Quirks & And the Opera 3:00 The Choice Spark Tapestry Writers & Company 3:30 Quarks Winner Is 3:30 4:00 4:00 HERE AND NOW (3 pm start in selected markets) The Next Chapter 4:30 Cross Country 4:30 5:00 CBC News: The World This Hour at 4/5 pm BIG CITY SMALL Checkup 5:00 5:30 WORLD 5:30 6:00 CBC News: The World at Six CBC News:The World This Weekend 6:00 6:30 Laugh Out Loud C'est la vie 6:30 7:00 As It Happens 7:00 Dispatches 7:30 Randy Bachman's 7:30 8:00 Vinyl Tap 8:00 The Current Review In the Field 8:30 8:30 9:00 9:00 Ideas Inside the Music 9:30 9:30 Saturday Night Blues 10:00 10:00 Q 10:30 10:30 Tonic 11:00 Quirks & The Story from Afghanada 11:00 Vinyl Café A Propos 11:30 Quarks Here Wire Tap Randy 11:30 Bachman's 12:00 AM As It Happens - The Midnight Edition Vinyl Tap The Strand Rewind 12:00 AM 12:30 12:30 1:00 1:00 CBC Radio Overnight 1:30 1:30 Detailed program information is available at cbc.ca/radio Toll-free number for Audience Relations: 1-866-306-INFO (4636) Local/Regional news on the half hour from 6 am - 6 pm. Updates effective September 7 2009. CBC radio programming schedule subject to change. Newfoundland Time is half an hour later than Atlantic Time.

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2012 02 13 Metro Morning Interview
Metro Morning: CBC Radio Toronto Monday, February 13, 2012: 7:12 a.m. Interview with John Stapleton by host Matt Galloway MATT GALLOWAY The gap between the rich and the poor in this city is much broader than just the 1% versus the 99%. In fact, according to a new report by the Metcalf Foundation, that gap is getting wider across the GTA and those who are a part of the working poor are more numerous than perhaps even before the 2008 recession This study looks at the working poor and people who have a job, perhaps even more than one but make less then what used to be called the poverty line. John Stapleton is one of the co-authors of the study. He’s with me in studio now. Good morning. JOHN STAPLETON Good morning Matt. MATT GALLOWAY Much of what you do in this report initially defines that term, the working poor. So, from your perspective, what is the working poor? JOHN STAPLETON Well, we had to come up with a new and resilient definition and anyone who has over $3,000.00 in earnings, we said that is a threshold for the working poor and then we took ‘what is known’ as the low income measure, the Stats Canada poverty line that varies by family size, and let’s say that for a single person right now that’s about $18,500 after tax. MATT GALLOWAY $18,500? JOHN STAPLETON Yes. MATT GALLOWAY And again, these are people who are working at one or more jobs.
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Sars and Public Health in Ontario
THE SARS COMMISSION INTERIM REPORT SARS AND PUBLIC HEALTH IN ONTARIO The Honourable Mr. Justice Archie Campbell Commissioner April 15, 2004 INTERIM REPORT ♦ SARS AND PUBLIC HEALTH IN ONTARIO Table of Contents Table of Contents Dedication Letter of Transmittal EXECUTIVE SUMMARY................................................................................................................1 1. A Broken System .....................................................................................................................24 2. Reason for Interim Report .....................................................................................................25 3. Hindsight...................................................................................................................................26 4. What Went Right?....................................................................................................................28 5. A Constellation of Problems..................................................................................................30 Problem 1: The Decline of Public Health ...............................................................................32 Problem 2: Lack of Preparedness: The Pandemic Flu Example..........................................37 Problem 3: Lack of Transparency.............................................................................................47 Problem 4: Lack of Provincial Public Health Leadership .....................................................51 Problem 5: Lack of Perceived
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Siriusxm-Schedule.Pdf
on SCHEDULE - Eastern Standard Time - Effective: Sept. 6/2021 ET Mon Tue Wed Thu Fri Saturday Sunday ATL ET CEN MTN PAC NEWS NEWS NEWS 6:00 7:00 6:00 5:00 4:00 3:00 Rewind The Doc Project The Next Chapter NEWS NEWS NEWS 7:00 8:00 7:00 6:00 5:00 4:00 Quirks & The Next Now or Spark Unreserved Play Me Day 6 Quarks Chapter Never NEWS What on The Cost of White Coat NEWS World 9:00 8:00 7:00 6:00 5:00 8:00 Pop Chat WireTap Earth Living Black Art Report Writers & Company The House 8:37 NEWS World 10:00 9:00 8:00 7:00 6:00 9:00 World Report The Current Report The House The Sunday Magazine 10:00 NEWS NEWS NEWS 11:00 10:00 9:00 8:00 7:00 Day 6 q NEWS NEWS NEWS 12:00 11:00 10:00 9:00 8:00 11:00 Because News The Doc Project Because The Cost of What on Front The Pop Chat News Living Earth Burner Debaters NEWS NEWS NEWS 1:00 12:00 The Cost of Living 12:00 11:00 10:00 9:00 Rewind Quirks & Quarks What on Earth NEWS NEWS NEWS 1:00 Pop Chat White Coat Black Art 2:00 1:00 12:00 11:00 10:00 The Next Quirks & Unreserved Tapestry Spark Chapter Quarks Laugh Out Loud The Debaters NEWS NEWS NEWS 2:00 Ideas in 3:00 2:00 1:00 12:00 11:00 Podcast Now or CBC the Spark Now or Never Tapestry Playlist Never Music Live Afternoon NEWS NEWS NEWS 3:00 CBC 4:00 3:00 2:00 1:00 12:00 Writers & The Story Marvin's Reclaimed Music The Next Chapter Writers & Company Company From Here Room Top 20 World This Hr The Cost of Because What on Under the NEWS NEWS 4:00 WireTap 5:00 4:00 3:00 2:00 1:00 Living News Earth Influence Unreserved Cross Country Check- NEWS NEWS Up 5:00 The Current
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Paying Attention to Public Readers of Canadian Literature
PAYING ATTENTION TO PUBLIC READERS OF CANADIAN LITERATURE: POPULAR GENRE SYSTEMS, PUBLICS, AND CANONS by KATHRYN GRAFTON BA, The University of British Columbia, 1992 MPhil, University of Stirling, 1994 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2010 © Kathryn Grafton, 2010 ABSTRACT Paying Attention to Public Readers of Canadian Literature examines contemporary moments when Canadian literature has been canonized in the context of popular reading programs. I investigate the canonical agency of public readers who participate in these programs: readers acting in a non-professional capacity who speak and write publicly about their reading experiences. I argue that contemporary popular canons are discursive spaces whose constitution depends upon public readers. My work resists the common critique that these reading programs and their canons produce a mass of readers who read the same work at the same time in the same way. To demonstrate that public readers are canon-makers, I offer a genre approach to contemporary canons that draws upon literary and new rhetorical genre theory. I contend in Chapter One that canons are discursive spaces comprised of public literary texts and public texts about literature, including those produced by readers. I study the intertextual dynamics of canons through Michael Warner’s theory of publics and Anne Freadman’s concept of “uptake.” Canons arise from genre systems that are constituted to respond to exigencies readily recognized by many readers, motivating some to participate. I argue that public readers’ agency lies in the contingent ways they select and interpret a literary work while taking up and instantiating a canonizing genre.
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Core 1..48 Committee (PRISM::Advent3b2 10.50)
House of Commons CANADA Standing Committee on Canadian Heritage CHPC Ï NUMBER 033 Ï 2nd SESSION Ï 39th PARLIAMENT EVIDENCE Tuesday, June 3, 2008 Chair Mr. Gary Schellenberger Also available on the Parliament of Canada Web Site at the following address: http://www.parl.gc.ca 1 Standing Committee on Canadian Heritage Tuesday, June 3, 2008 Ï (1535) year, the concert was aired for the first time on Radio 2's Canada [English] Live as a result of the opening up of broadcast opportunities for more than classical music. We welcome that change. The Chair (Mr. Gary Schellenberger (Perth—Wellington, CPC)): Good afternoon, everyone. Welcome to meeting number 33 of the Standing Committee on Canadian Heritage. ln 1988, CBC Radio producers of the now defunct The Entertainers approached me, in my role as artistic director of Pursuant to Standing Order 108(2), we are undertaking a study on Toronto's Harbourfront Centre summer concert season, regarding an the dismantling of the CBC Radio Orchestra, on CBC/Radio- opportunity to record elements of the then-just-Iaunched WOMAD Canada's commitment to classical music, and the changes to CBC —Worlds of Music Arts and Dance—festival. It was a revelation. Radio 2. The partnership involved a model whereby a $25,000 blanket fee I welcome all our witnesses here today. Our witnesses are Derek would give CBC the right to record performances. Thirty-three Andrews, president of the Toronto Blues Society; Dominic Lloyd, concerts were recorded that year, and thus began a partnership that artistic director of the West End Cultural Centre; Katherine Carleton, involved many further concert recordings over the years.
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Compendium of Action for Black Student Success
DURHAM DISTRICT SCHOOL BOARD COMPENDIUM OF ACTION * for BLACK STUDENT SUCCESS COMPANION RESOURCE Equity and Diversity Strategic Framework 2018-2021 The voices of the DDSB What can Change Educators do to narratives about them. support the success of Black students? Push academics An education on the more and sports Hire more people challenges Blacks may face less, as the of colour to teach, in society due to negative means to especially in our perceptions and greater an end. schools where people empathy may be required. of colour attend. Understand that Blacks are no less intelligent than other children but do face overt obstacles that are More training in challenging to quantify understanding or qualify. who people of colour are. The teaching staff should reflect the student body, as there is no one around to As a young Black person, support us. what do you see as the biggest opportunities and challenges It appears there is less focus on for Black people your age in academics than Durham, in terms of growing up there is on athletic and preparing to be a part of scholarships. We need today’s society? more Black role models. 2 DURHAM DISTRICT SCHOOL BOARD | COMPENDIUM OF ACTION FOR BLACK STUDENT SUCCESS STUDENT Racism still goes on in the school, Black historical voices even though it is figures should be not reported all represented in the time. history classes. We shouldn’t just have to take Black studies to What should learn about them. educators know about History shouldn’t just the experiences of be about Don’t single slavery.
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A Tapestry of Peoples
HIGH SCHOOL LEVEL TEACHING RESOURCE FOR THE PROMISE OF CANADA, BY CHARLOTTE GRAY Author’s Note Greetings, educators! While I was in my twenties I spent a year teaching in a high school in England; it was the hardest job I’ve ever done. So first, I want to thank you for doing one of the most important and challenging jobs in our society. And I particularly want to thank you for introducing your students to Canadian history, as they embark on their own futures, because it will help them understand how our past is what makes this country unique. When I sat down to write The Promise of Canada, I knew I wanted to engage my readers in the personalities and dramas of the past 150 years. Most of us find it much easier to learn about ideas and values through the stories of the individuals that promoted them. Most of us enjoy history more if we are given the tools to understand what it was like back then—back when women didn’t have the vote, or back when Indigenous children were dragged off to residential schools, or back when Quebecers felt so excluded that some of them wanted their own independent country. I wanted my readers to feel the texture of history—the sounds, sights and smells of our predecessors’ lives. If your students have looked at my book, I hope they will begin to understand how the past is not dead: it has shaped the Canada we live in today. I hope they will be excited to meet vivid personalities who, in their own day, contributed to a country that has never stopped evolving.
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The Presbyterian Church in Taiwan and the Advocacy of Local Autonomy
SINO-PLATONIC PAPERS Number 92 January, 1999 The Presbyterian Church in Taiwan and the Advocacy of Local Autonomy by Christine Louise Lin Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS is an occasional series edited by Victor H. Mair. The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. The only style-sheet we honor is that of consistency. Where possible, we prefer the usages of the Journal of Asian Studies. Sinographs (hanzi, also called tetragraphs [fangkuaizi]) and other unusual symbols should be kept to an absolute minimum. Sino-Platonic Papers emphasizes substance over form.
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Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive
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REACHING NEW HEIGHTS Differentiation and Transformation in Higher Education
REACHING NEW HEIGHTS Differentiation and transformation in higher education November 2013 0 Table of Contents Introduction .................................................................................................................................................. 2 Supporting differentiation in higher education ............................................................................................ 3 Transforming higher education .................................................................................................................... 5 Collaboration and pathways for students..................................................................................................... 6 1. Expanding college degree programs ..................................................................................................... 6 Three-year college degrees ................................................................................................................... 7 Four-year degree programs .................................................................................................................. 7 Stand-alone nursing degrees ................................................................................................................ 8 Approval process for college degrees ................................................................................................... 9 2. A full continuum of opportunities......................................................................................................... 9
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The Canadian Broadcasting Corporation's Annual Report For
ANNUAL REPORT 2001-2002 Valuable Canadian Innovative Complete Creative Invigorating Trusted Complete Distinctive Relevant News People Trust Arts Sports Innovative Efficient Canadian Complete Excellence People Creative Inv Sports Efficient Culture Complete Efficien Efficient Creative Relevant Canadian Arts Renewed Excellence Relevant Peopl Canadian Culture Complete Valuable Complete Trusted Arts Excellence Culture CBC/RADIO-CANADA ANNUAL REPORT 2001-2002 2001-2002 at a Glance CONNECTING CANADIANS DISTINCTIVELY CANADIAN CBC/Radio-Canada reflects Canada to CBC/Radio-Canada informs, enlightens Canadians by bringing diverse regional and entertains Canadians with unique, and cultural perspectives into their daily high-impact programming BY, FOR and lives, in English and French, on Television, ABOUT Canadians. Radio and the Internet. • Almost 90 per cent of prime time This past year, • CBC English Television has been programming on our English and French transformed to enhance distinctiveness Television networks was Canadian. Our CBC/Radio-Canada continued and reinforce regional presence and CBC Newsworld and RDI schedules were reflection. Our audience successes over 95 per cent Canadian. to set the standard for show we have re-connected with • The monumental Canada: A People’s Canadians – almost two-thirds watched broadcasting excellence History / Le Canada : Une histoire CBC English Television each week, populaire enthralled 15 million Canadian delivering 9.4 per cent of prime time in Canada, while innovating viewers, nearly half Canada’s population. and 7.6 per cent share of all-day viewing. and taking risks to deliver • The Last Chapter / Le Dernier chapitre • Through programming renewal, we have reached close to 5 million viewers for its even greater value to reinforced CBC French Television’s role first episode.
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CBC IDEAS Sales Catalog (AZ Listing by Episode Title. Prices Include
CBC IDEAS Sales Catalog (A-Z listing by episode title. Prices include taxes and shipping within Canada) Catalog is updated at the end of each month. For current month’s listings, please visit: http://www.cbc.ca/ideas/schedule/ Transcript = readable, printed transcript CD = titles are available on CD, with some exceptions due to copyright = book 104 Pall Mall (2011) CD $18 foremost public intellectuals, Jean The Academic-Industrial Ever since it was founded in 1836, Bethke Elshtain is the Laura Complex London's exclusive Reform Club Spelman Rockefeller Professor of (1982) Transcript $14.00, 2 has been a place where Social and Political Ethics, Divinity hours progressive people meet to School, The University of Chicago. Industries fund academic research discuss radical politics. There's In addition to her many award- and professors develop sideline also a considerable Canadian winning books, Professor Elshtain businesses. This blurring of the connection. IDEAS host Paul writes and lectures widely on dividing line between universities Kennedy takes a guided tour. themes of democracy, ethical and the real world has important dilemmas, religion and politics and implications. Jill Eisen, producer. 1893 and the Idea of Frontier international relations. The 2013 (1993) $14.00, 2 hours Milton K. Wong Lecture is Acadian Women One hundred years ago, the presented by the Laurier (1988) Transcript $14.00, 2 historian Frederick Jackson Turner Institution, UBC Continuing hours declared that the closing of the Studies and the Iona Pacific Inter- Acadians are among the least- frontier meant the end of an era for religious Centre in partnership with known of Canadians.
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