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Scotland's 'Forgotten' Contribution to the History of the Prime-Time BBC1 Contemporary Single TV Play Slot Cook, John R
'A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime-time BBC1 contemporary single TV play slot Cook, John R. Published in: Visual Culture in Britain DOI: 10.1080/14714787.2017.1396913 Publication date: 2018 Document Version Author accepted manuscript Link to publication in ResearchOnline Citation for published version (Harvard): Cook, JR 2018, ''A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime- time BBC1 contemporary single TV play slot', Visual Culture in Britain, vol. 18, no. 3, pp. 325-341. https://doi.org/10.1080/14714787.2017.1396913 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please view our takedown policy at https://edshare.gcu.ac.uk/id/eprint/5179 for details of how to contact us. Download date: 26. Sep. 2021 1 Cover page Prof. John R. Cook Professor of Media Department of Social Sciences, Media and Journalism Glasgow Caledonian University 70 Cowcaddens Road Glasgow Scotland, United Kingdom G4 0BA Tel.: (00 44) 141 331 3845 Email: [email protected] Biographical note John R. Cook is Professor of Media at Glasgow Caledonian University, Scotland. He has researched and published extensively in the field of British television drama with specialisms in the works of Dennis Potter, Peter Watkins, British TV science fiction and The Wednesday Play. -
'Pinkoes Traitors'
‘PINKOES AND TRAITORS’ The BBC and the nation, 1974–1987 JEAN SEATON PROFILE BOOKS First published in Great Britain in !#$% by Pro&le Books Ltd ' Holford Yard Bevin Way London ()$* +,- www.pro lebooks.com Copyright © Jean Seaton !#$% The right of Jean Seaton to be identi&ed as the author of this work has been asserted in accordance with the Copyright Designs and Patents Act $++/. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the publisher of this book. A CIP catalogue record for this book is available from the British Library. ISBN +4/ $ /566/ 545 6 eISBN +4/ $ /546% +$6 ' All reasonable e7orts have been made to obtain copyright permissions where required. Any omissions and errors of attribution are unintentional and will, if noti&ed in writing to the publisher, be corrected in future printings. Text design by [email protected] Typeset in Dante by MacGuru Ltd [email protected] Printed and bound in Britain by Clays, Bungay, Su7olk The paper this book is printed on is certi&ed by the © $++6 Forest Stewardship Council A.C. (FSC). It is ancient-forest friendly. The printer holds FSC chain of custody SGS-COC-!#6$ CONTENTS List of illustrations ix Timeline xvi Introduction $ " Mrs Thatcher and the BBC: the Conservative Athene $5 -
BBC TV\S Panorama, Conflict Coverage and the Μwestminster
%%&79¶VPanorama, conflict coverage and WKHµ:HVWPLQVWHU FRQVHQVXV¶ David McQueen This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and due acknowledgement must always be made of the use of any material contained in, or derived from, this thesis. %%&79¶VPanorama, conflict coverage and the µ:HVWPLQVWHUFRQVHQVXV¶ David Adrian McQueen A thesis in partial fulfilment of the requirements of Bournemouth University for the degree of Doctor of Philosophy August 2010 µLet nation speak peace unto nation¶ RIILFLDO%%&PRWWRXQWLO) µQuaecunque¶>:KDWVRHYHU@(official BBC motto from 1934) 2 Abstract %%&79¶VPanoramaFRQIOLFWFRYHUDJHDQGWKHµ:HVWPLQVWHUFRQVHQVXV¶ David Adrian McQueen 7KH%%&¶VµIODJVKLS¶FXUUHQWDIIDLUVVHULHVPanorama, occupies a central place in %ULWDLQ¶VWHOHYLVLRQKLVWRU\DQG\HWVXUSULVLQJO\LWLVUHODWLYHO\QHJOHFWHGLQDFDGHPLF studies of the medium. Much that has been written focuses on Panorama¶VFRYHUDJHRI armed conflicts (notably Suez, Northern Ireland and the Falklands) and deals, primarily, with programmes which met with Government disapproval and censure. However, little has been written on Panorama¶VOHVVFRQWURYHUVLDOPRUHURXWLQHZDUUeporting, or on WKHSURJUDPPH¶VPRUHUHFHQWKLVWRU\LWVHYROYLQJMRXUQDOLVWLFSUDFWLFHVDQGSODFHZLWKLQ the current affairs form. This thesis explores these areas and examines the framing of war narratives within Panorama¶VFRYHUDJHRIWKH*XOIFRQIOLFWV of 1991 and 2003. One accusation in studies looking beyond Panorama¶VPRUHFRQWHQWLRXVHSLVRGHVLVWKDW -
198J. M. Thornton Phd.Pdf
Kent Academic Repository Full text document (pdf) Citation for published version Thornton, Joanna Margaret (2015) Government Media Policy during the Falklands War. Doctor of Philosophy (PhD) thesis, University of Kent. DOI Link to record in KAR https://kar.kent.ac.uk/50411/ Document Version UNSPECIFIED Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Government Media Policy during the Falklands War A thesis presented by Joanna Margaret Thornton to the School of History, University of Kent In partial fulfilment of the requirements for the degree of Doctor of Philosophy in the subject of History University of Kent Canterbury, Kent January 2015 ©Joanna Thornton All rights reserved 2015 Abstract This study addresses Government media policy throughout the Falklands War of 1982. It considers the effectiveness, and charts the development of, Falklands-related public relations’ policy by departments including, but not limited to, the Ministry of Defence (MoD). -
The History of the Development of British Satellite Broadcasting Policy, 1977-1992
THE HISTORY OF THE DEVELOPMENT OF BRITISH SATELLITE BROADCASTING POLICY, 1977-1992 Windsor John Holden —......., Submitted in accordance with the requirements for the degree of PhD University of Leeds, Institute of Communications Studies July, 1998 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others ABSTRACT This thesis traces the development of British satellite broadcasting policy, from the early proposals drawn up by the Home Office following the UK's allocation of five direct broadcast by satellite (DBS) frequencies at the 1977 World Administrative Radio Conference (WARC), through the successive, abortive DBS initiatives of the BBC and the "Club of 21", to the short-lived service provided by British Satellite Broadcasting (BSB). It also details at length the history of Sky Television, an organisation that operated beyond the parameters of existing legislation, which successfully competed (and merged) with BSB, and which shaped the way in which policy was developed. It contends that throughout the 1980s satellite broadcasting policy ceased to drive and became driven, and that the failure of policy-making in this time can be ascribed to conflict on ideological, governmental and organisational levels. Finally, it considers the impact that satellite broadcasting has had upon the British broadcasting structure as a whole. 1 TABLE OF CONTENTS Abstract i Contents ii Acknowledgements 1 INTRODUCTION 3 British broadcasting policy - a brief history -
Strategic Change, Leadership and Accounting: a Triptych of Organizational Reform
Strategic Change, Leadership and Accounting: a triptych of organizational reform Abstract Strategic change in public sector organizations – especially in the form of increasing infiltration of ideas and practices emanating from the private sector – has been well documented. This article argues that accounting and other calculative practices have only been accorded limited roles in extant accounts of public sector strategic change initiatives. This article suggests that public management research would benefit from a greater appreciation of how calculative practices are deeply imbricated and constitutive of organizational life. In turn, the paper argues that the field of interdisciplinary accounting has much to learn from public administration, especially in terms of the latter’s engagement with leadership. The article’s overarching argument is that understanding strategic change in public organizations can be enhanced by bringing together insights from the academic fields of Public Administration and Interdisciplinary Accounting. This is particularly the case in circumstances where an accounting innovation is central to a strategic change programme. In this respect, organizational reform can be understood as a triptych, involving strategic change, leadership and accounting practices. We illustrate this thesis through a case study of strategic change in the world’s largest public service broadcaster – The British Broadcasting Corporation (BBC). It is demonstrated how, during the tenure of one organizational leader – John Birt - accounting technologies increasingly territorialized spaces, subjectivized individuals, mediated between the organization and the State, and permitted adjudication on what was efficient and value for money within the organization and what was not. Introduction This article seeks to analyse the interplay between leadership, strategic change and accounting. -
LJMU Research Online
LJMU Research Online Craig, MM Spycatcher’s Little Sister: The Thatcher government and the Panorama affair, 1980-81 http://researchonline.ljmu.ac.uk/id/eprint/4694/ Article Citation (please note it is advisable to refer to the publisher’s version if you intend to cite from this work) Craig, MM (2016) Spycatcher’s Little Sister: The Thatcher government and the Panorama affair, 1980-81. Intelligence and National Security, 32 (6). pp. 677-692. ISSN 1743-9019 LJMU has developed LJMU Research Online for users to access the research output of the University more effectively. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LJMU Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. The version presented here may differ from the published version or from the version of the record. Please see the repository URL above for details on accessing the published version and note that access may require a subscription. For more information please contact [email protected] http://researchonline.ljmu.ac.uk/ Spycatcher’s Little Sister: The Thatcher government and the Panorama affair, 1980-811 Abstract: This article investigates the Thatcher government’s attempts to suppress or censor BBC reporting on secret intelligence issues in the early 1980s. It examines official reactions to a BBC intrusion into the secret world, as the team behind the long- running Panorama documentary strand sought to examine the role and accountability of Britain’s clandestine services. -
Doreen Stephens and BBC Television Programmes for Women, 1953–64 Mary Irwin
What Women Want on television:Bttlestar galactica / eric repphun Doreen stephens anD BBc television programmes for Women, 1953–64 Mary Irwin Doreen Stephens (1912–2001), editor of television programmes for women at the BBC between 1953 and 1964, is now almost entirely absent from histories of the BBC and, more generally, histories of early television. This article uses archive research, which brings together programme reconstruction and institutional and biographical research, to look at Stephens’ role in leading the expansion of women’s programmes, and to examine available traces of the difficult professional negotiations encountered in her attempts to broaden the range and quality of programmes that addressed women. Further, the article highlights the crucial importance of feminist archiving policies in ensuring both the preservation of women’s programmes and developing critical histories of television for women. KeyworDS: archives, BBC, feminist, Stephens, television, women Mary IrwIn: University of Warwick, UK 9999 What Women Want on television: Doreen stephens anD BBc television programmes for Women, 1953–64 Mary Irwin Doreen Stephens (1912–2001) was the first editor of BBC television women’s programmes at a time when the provision of television programmes for women had become a particular priority.1 She built up a specialist women’s programmes unit, creating and producing a highly diverse and ambitious weekly roster of television for women. Stephens and her team made television programmes which both acknowledged and addressed the complex post-war nexus of changing public and private roles and responsibilities which contemporary women faced, all the while defining and developing ideas around what television for women could and should be. -
An Introductory History of British Broadcasting
An Introductory History of British Broadcasting ‘. a timely and provocative combination of historical narrative and social analysis. Crisell’s book provides an important historical and analytical introduc- tion to a subject which has long needed an overview of this kind.’ Sian Nicholas, Historical Journal of Film, Radio and Television ‘Absolutely excellent for an overview of British broadcasting history: detailed, systematic and written in an engaging style.’ Stephen Gordon, Sandwell College An Introductory History of British Broadcasting is a concise and accessible history of British radio and television. It begins with the birth of radio at the beginning of the twentieth century and discusses key moments in media history, from the first wireless broadcast in 1920 through to recent developments in digital broadcasting and the internet. Distinguishing broadcasting from other kinds of mass media, and evaluating the way in which audiences have experienced the medium, Andrew Crisell considers the nature and evolution of broadcasting, the growth of broadcasting institutions and the relation of broadcasting to a wider political and social context. This fully updated and expanded second edition includes: ■ The latest developments in digital broadcasting and the internet ■ Broadcasting in a multimedia era and its prospects for the future ■ The concept of public service broadcasting and its changing role in an era of interactivity, multiple channels and pay per view ■ An evaluation of recent political pressures on the BBC and ITV duopoly ■ A timeline of key broadcasting events and annotated advice on further reading Andrew Crisell is Professor of Broadcasting Studies at the University of Sunderland. He is the author of Understanding Radio, also published by Routledge. -
Public Service Priorities in Transition
Public Service Priorities in Transition: Catering for Minority Interests in the Public Service Media Environments of the UK and Finland Mikko Sihvonen A thesis submitted in partial fulfilment of the requirements of the Department of Languages, Information and Communications, Manchester Metropolitan University for the Degree of Doctor of Philosophy Department of Languages, Information and Communications Manchester Metropolitan University May 2014 2 3 Abstract This thesis examines the impact of neo-liberal marketisation on the provision of two types of minority interest content; children’s and religious programmes, in the terrestrial broadcasting environments of the UK and Finland between 1986 and 2009. Utilising a customised explanatory model devised for this study: the Industrial Equilibrium Model, which combines elements of historical institutionalism and the Structure-Conduct-Performance Paradigm, the thesis provides an empirical record of marketisation-driven changes in broadcasting institutions and their impact on the provision of children’s and religious programmes. In so doing, the study allows us to evaluate the current state of and future outlook for minority interest content in the 21 st century marketised multi-platform broadcasting environment. The thesis demonstrates that notwithstanding significant social, political, cultural, economic and demographic differences between the UK and Finland, similar marketisation-driven changes have taken place in the strategies of broadcasting institutions. Increasing competitive pressures produced by liberalisation and reorientation of regulation have forced commercial broadcasters in particular to focus increasingly on majority preferences and populist content in their programming, while catering for minority interests occupies a lesser role in the agendas of these broadcasters. The thesis demonstrates that popular preferences increasingly inform programming strategies and production resource allocation. -
Education, Culture and Sport Committee
ED/01/22/A EDUCATION, CULTURE AND SPORT COMMITTEE AGENDA 22nd Meeting, 2001 (Session 1) Tuesday 4th September 2001 The Committee will meet at 2.30 pm in Committee Room 2 1. Item to be taken in private: The Committee will consider whether to take item 2 in private. 2. Committee's Annual Report: The Committee will consider a draft report. 3. Inquiry by Procedures Committee: The Committee will be consider a response to the Procedures Committee. 4. COSLA Guidance on School Closures: The Committee will be updated on progress by Cathy Peattie MSP. 5. Gaelic Broadcasting Inquiry: The Committee will consider a paper from Mr Alasdair Morrison, Deputy Minister for Enterprise and Lifelong Learning and Gaelic. 6. PE 233 Technology Teachers Association: The Committee will give further consideration to the petition and supporting submissions. Martin Verity Clerk to the Committee Room 2.7 Committee Chambers Ext. 85204 Email: [email protected] The following papers are attached for this meeting— Clerk's note on Committee Annual Report ED/01/22/1 Draft Annual Report ED/01/22/2 (Both above agenda item 2) Clerk's note on Procedures Committee Inquiry ED/01/22/3 (Agenda item 3) Deputy Minister's paper on Gaelic Broadcasting ED/01/22/4 (Agenda item 5) Clerk's note and appendices on PE 233 ED/01/21/5 (Agenda item 6) Education, Culture and Sport Committee Meeting – Tuesday 4th September 2001 Papers circulated Clerk's note on Committee Annual Report ED/01/22/1 Private Paper Draft Annual Report ED/01/22/ 2 Private Paper Clerk's note on Procedures Committee ED/01/22/3 Inquiry Deputy Minister's Paper on Gaelic ED/01/22/4 Broadcasting Clerk's note and appendices* on PE 233 ED/01/22/5 * Not available in electronic format ED/01/22/3 EDUCATION, CULTURE AND SPORT COMMITTEE INQUIRY INTO THE APPLICATION OF THE CONSULTATIVE STEERING GROUP PRINCIPLES IN THE SCOTTISH PARLIAMENT Summary 1. -
The Scotch on the Rocks (BBC 1973) Controversy
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Royal Holloway - Pure John Hill ‘Political fantasy in a realistic situation’: the Scotch on the Rocks (BBC 1973) controversy Scotch on the Rocks was a five-part drama series broadcast by BBC1 in May and June 1973. It dealt with moves towards the creation of an independent Scotland and was referred to as a ‘political fantasy in a realistic situation’ by the BBC. The series was based on a novel co- written by Douglas Hurd, then political secretary to Conservative Prime Minister Ted Heath, and became the object of a running campaign and formal complaint by the Scottish National Party. This complaint was upheld by the BBC Programmes Complaints Commission with the result that the programme was never repeated and for a long time was believed to have been destroyed (though three episodes have now been discovered to exist). Although the programme’s effective disappearance has imbued it with a degree of mystique in certain quarters, there has so far been little serious discussion of it or the controversy that it generated. This article fills that gap by examining the political and broadcasting contexts in which the programme was produced, the criticisms directed at it and the curious ideological tensions evident in the series itself. In doing so the article identifies the peculiar position that the series occupies within the history of Scottish television drama and indicates how it may be understood as a work of greater interest than has so far been acknowledged.