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Open Secrets
22 BACK PAGE LAW STORIES 15 January 2021 | www.newlawjournal.co.uk Open secrets In a tribute to John Le Carré, Athelstane Aamodt reflects on the operation & enforcement of official secrets laws © Kirsty Wigglesworth/AP/Shutterstock ne of the things that nearly communication of information’ under (the have. Further, the House of Lords’ decision everyone knew about the late now-abolished) s 2 of the Official Secrets most likely caused sales of the book to John Le Carré was that he had Act 1911. The basis for prosecuting them increase, thereby making things even Oworked in British Intelligence, was an article that they had written in the worse. The House of Lords eventually first for MI5 (domestic counter- magazine Time Out about the intelligence saw sense and in A-G v Guardian intelligence) and then for MI6 (foreign services. One of the photographs that had Newspapers Ltd (No 2) [1988] 3 All ER 545 intelligence). His life as an intelligence featured in the article was a photograph discharged the interim injunction on the officer provided ample inspiration for of the Post-Office Tower. The trial was a basis that the worldwide dissemination his many novels. For years, the British cause célèbre, with the first trial being of the book had already caused the Government would not even acknowledge abandoned after it was discovered that, harm that the British government had the existence of MI5 and MI6. MI5 was among other things, the security services complained about. Unsurprisingly, the first mentioned in parliament in 1952 and had been vetting the jury. -
Scotland's 'Forgotten' Contribution to the History of the Prime-Time BBC1 Contemporary Single TV Play Slot Cook, John R
'A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime-time BBC1 contemporary single TV play slot Cook, John R. Published in: Visual Culture in Britain DOI: 10.1080/14714787.2017.1396913 Publication date: 2018 Document Version Author accepted manuscript Link to publication in ResearchOnline Citation for published version (Harvard): Cook, JR 2018, ''A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime- time BBC1 contemporary single TV play slot', Visual Culture in Britain, vol. 18, no. 3, pp. 325-341. https://doi.org/10.1080/14714787.2017.1396913 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please view our takedown policy at https://edshare.gcu.ac.uk/id/eprint/5179 for details of how to contact us. Download date: 26. Sep. 2021 1 Cover page Prof. John R. Cook Professor of Media Department of Social Sciences, Media and Journalism Glasgow Caledonian University 70 Cowcaddens Road Glasgow Scotland, United Kingdom G4 0BA Tel.: (00 44) 141 331 3845 Email: [email protected] Biographical note John R. Cook is Professor of Media at Glasgow Caledonian University, Scotland. He has researched and published extensively in the field of British television drama with specialisms in the works of Dennis Potter, Peter Watkins, British TV science fiction and The Wednesday Play. -
SPYCATCHER by PETER WRIGHT with Paul Greengrass WILLIAM
SPYCATCHER by PETER WRIGHT with Paul Greengrass WILLIAM HEINEMANN: AUSTRALIA First published in 1987 by HEINEMANN PUBLISHERS AUSTRALIA (A division of Octopus Publishing Group/Australia Pty Ltd) 85 Abinger Street, Richmond, Victoria, 3121. Copyright (c) 1987 by Peter Wright ISBN 0-85561-166-9 All Rights Reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the prior written permission of the publisher. TO MY WIFE LOIS Prologue For years I had wondered what the last day would be like. In January 1976 after two decades in the top echelons of the British Security Service, MI5, it was time to rejoin the real world. I emerged for the final time from Euston Road tube station. The winter sun shone brightly as I made my way down Gower Street toward Trafalgar Square. Fifty yards on I turned into the unmarked entrance to an anonymous office block. Tucked between an art college and a hospital stood the unlikely headquarters of British Counterespionage. I showed my pass to the policeman standing discreetly in the reception alcove and took one of the specially programmed lifts which carry senior officers to the sixth-floor inner sanctum. I walked silently down the corridor to my room next to the Director-General's suite. The offices were quiet. Far below I could hear the rumble of tube trains carrying commuters to the West End. I unlocked my door. In front of me stood the essential tools of the intelligence officer’s trade - a desk, two telephones, one scrambled for outside calls, and to one side a large green metal safe with an oversized combination lock on the front. -
'Pinkoes Traitors'
‘PINKOES AND TRAITORS’ The BBC and the nation, 1974–1987 JEAN SEATON PROFILE BOOKS First published in Great Britain in !#$% by Pro&le Books Ltd ' Holford Yard Bevin Way London ()$* +,- www.pro lebooks.com Copyright © Jean Seaton !#$% The right of Jean Seaton to be identi&ed as the author of this work has been asserted in accordance with the Copyright Designs and Patents Act $++/. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the publisher of this book. A CIP catalogue record for this book is available from the British Library. ISBN +4/ $ /566/ 545 6 eISBN +4/ $ /546% +$6 ' All reasonable e7orts have been made to obtain copyright permissions where required. Any omissions and errors of attribution are unintentional and will, if noti&ed in writing to the publisher, be corrected in future printings. Text design by [email protected] Typeset in Dante by MacGuru Ltd [email protected] Printed and bound in Britain by Clays, Bungay, Su7olk The paper this book is printed on is certi&ed by the © $++6 Forest Stewardship Council A.C. (FSC). It is ancient-forest friendly. The printer holds FSC chain of custody SGS-COC-!#6$ CONTENTS List of illustrations ix Timeline xvi Introduction $ " Mrs Thatcher and the BBC: the Conservative Athene $5 -
BBC TV\S Panorama, Conflict Coverage and the Μwestminster
%%&79¶VPanorama, conflict coverage and WKHµ:HVWPLQVWHU FRQVHQVXV¶ David McQueen This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and due acknowledgement must always be made of the use of any material contained in, or derived from, this thesis. %%&79¶VPanorama, conflict coverage and the µ:HVWPLQVWHUFRQVHQVXV¶ David Adrian McQueen A thesis in partial fulfilment of the requirements of Bournemouth University for the degree of Doctor of Philosophy August 2010 µLet nation speak peace unto nation¶ RIILFLDO%%&PRWWRXQWLO) µQuaecunque¶>:KDWVRHYHU@(official BBC motto from 1934) 2 Abstract %%&79¶VPanoramaFRQIOLFWFRYHUDJHDQGWKHµ:HVWPLQVWHUFRQVHQVXV¶ David Adrian McQueen 7KH%%&¶VµIODJVKLS¶FXUUHQWDIIDLUVVHULHVPanorama, occupies a central place in %ULWDLQ¶VWHOHYLVLRQKLVWRU\DQG\HWVXUSULVLQJO\LWLVUHODWLYHO\QHJOHFWHGLQDFDGHPLF studies of the medium. Much that has been written focuses on Panorama¶VFRYHUDJHRI armed conflicts (notably Suez, Northern Ireland and the Falklands) and deals, primarily, with programmes which met with Government disapproval and censure. However, little has been written on Panorama¶VOHVVFRQWURYHUVLDOPRUHURXWLQHZDUUeporting, or on WKHSURJUDPPH¶VPRUHUHFHQWKLVWRU\LWVHYROYLQJMRXUQDOLVWLFSUDFWLFHVDQGSODFHZLWKLQ the current affairs form. This thesis explores these areas and examines the framing of war narratives within Panorama¶VFRYHUDJHRIWKH*XOIFRQIOLFWV of 1991 and 2003. One accusation in studies looking beyond Panorama¶VPRUHFRQWHQWLRXVHSLVRGHVLVWKDW -
Harold Wilson Obituary
Make a contribution News Opinion Sport Culture Lifestyle UK World Business Football UK politics Environment Education Society Science Tech More Harold Wilson obituary Leading Labour beyond pipe dreams Geoffrey Goodman Thu 25 May 1995 09.59 EDT 18 Lord Wilson of Rievaulx, as he came improbably to be called - will not go down in the history books as one of Britain's greatest prime ministers. But, increasingly, he will be seen as a far bigger political figure than contemporary sceptics have allowed far more representative of that uniquely ambivalent mood of Britain in the 1960s and a far more rounded and caring, if unfulfilled, person. It is my view that he was a remarkable prime minister and, indeed, a quite remarkable man. Cynics had a field day ridiculing him at the time of his decline. Perhaps that was inevitable given his irresistible tendency to behave like the master of the Big Trick in the circus ring of politics - for whom there is nothing so humiliating as to have it demonstrated, often by fellow tricksters, that the Big Trick hasn't worked. James Harold Wilson happened to be prime minister leading a left wing party at a time when the mores of post-war political and economic change in Britain (and elsewhere) were just beginning to be perceived. Arguably it was the period of the greatest social and industrial change this century, even if the people - let alone the Wilson governments - were never fully aware of the nature of that change. Social relationships across the entire class spectrum were being transformed. -
198J. M. Thornton Phd.Pdf
Kent Academic Repository Full text document (pdf) Citation for published version Thornton, Joanna Margaret (2015) Government Media Policy during the Falklands War. Doctor of Philosophy (PhD) thesis, University of Kent. DOI Link to record in KAR https://kar.kent.ac.uk/50411/ Document Version UNSPECIFIED Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Government Media Policy during the Falklands War A thesis presented by Joanna Margaret Thornton to the School of History, University of Kent In partial fulfilment of the requirements for the degree of Doctor of Philosophy in the subject of History University of Kent Canterbury, Kent January 2015 ©Joanna Thornton All rights reserved 2015 Abstract This study addresses Government media policy throughout the Falklands War of 1982. It considers the effectiveness, and charts the development of, Falklands-related public relations’ policy by departments including, but not limited to, the Ministry of Defence (MoD). -
The Birth of BBC Radio 4'S Analysis
The Birth of BBC Radio 4’s Analysis Hugh Chignell Hugh Chignell (Ph.D., Bournemouth University, 2005) is a Senior Lecturer in the Bournemouth Media School, Bournemouth University, United Kingdom. His research interests include broadcasting history with special reference to radio and radio archives. He is Chair of the (UK) Southern Broadcasting History Group. BBC Radio 4’s ‘Analysis’ was first broadcast in 1970 and represented a striking departure from the tendency to combine news and comment in radio current affairs. It was created by a small network of broadcasters who believed that current affairs was distinct from radio journalism. The publication of the controversial document ‘Broadcasting in the Seventies’ in 1969 and the outcry which followed it gave this group their opportunity to produce an elite form of radio. INTRODUCTION This article attempts to answer a series of very specific questions. Why was the flag ship BBC radio current affairs program, Analysis created when it was? What specific interpretation of ‘current affairs radio’ did it embody and what made its birth possible? And finally, who created it? Drawing mainly on interview evidence and memoirs of former BBC staff it is possible to answer these questions with some precision and to show the broadcasting context (the BBC in the 1960s) in which the conception of Analysis took place. It is not the intention here to describe the specific nature of the program’s account of current affairs or its decidedly right-leaning politics. This is a case study of how two men, George Fischer and Ian McIntyre, saw their opportunity to buck the populist trend in radio and impose their conservative and Reithian broadcasting values in this elitist experiment in current affairs radio. -
BBC Oral History Collection, Transcript, Robin Scott
ORAL HISTORY OF THE BBC: ROBIN SC INTERVIEWED BY FRANK GILLARD. SECOND SESSION RECORDED IN BROADCASTING HOUSE, LONDON, 14th January 1981. GILLARD: Let's move on now to the period you spent, quite a brief period really but a very important one, in Radio in the second half of the sixties, when you became Controller Radio 1 8 2. Tell us first of all how the job came to you and forget that I'm here. SCOTT: I had after some three years, three and a half years or so, back with Television Outside Broadcasts, I'd become, not discontented with the job I was doing, but really felt that if I was to realise what I believed to be my potential I should look for an executive position somewhere in the BBC. And thought well why not go back to my first love which was after all Radio, and so I applied for the job of assistant head of Gramophone Department in Broadcasting House. Working therefore to Anna Instone who was Head of the Department for many years, a great many. And I duly applied for this job although it was not at a grade above my own, in fact I don't think it certainly didn't produce any more money, but I wanted in fact to get onto the rung of a different ladder, possibly. I also wanted to get into domestic radio broadcasting which I'd really only contributed programmes to but never enjoyed any kind of executive position, or producer position, having always in radio worked at Bush House. -
The History of the Development of British Satellite Broadcasting Policy, 1977-1992
THE HISTORY OF THE DEVELOPMENT OF BRITISH SATELLITE BROADCASTING POLICY, 1977-1992 Windsor John Holden —......., Submitted in accordance with the requirements for the degree of PhD University of Leeds, Institute of Communications Studies July, 1998 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others ABSTRACT This thesis traces the development of British satellite broadcasting policy, from the early proposals drawn up by the Home Office following the UK's allocation of five direct broadcast by satellite (DBS) frequencies at the 1977 World Administrative Radio Conference (WARC), through the successive, abortive DBS initiatives of the BBC and the "Club of 21", to the short-lived service provided by British Satellite Broadcasting (BSB). It also details at length the history of Sky Television, an organisation that operated beyond the parameters of existing legislation, which successfully competed (and merged) with BSB, and which shaped the way in which policy was developed. It contends that throughout the 1980s satellite broadcasting policy ceased to drive and became driven, and that the failure of policy-making in this time can be ascribed to conflict on ideological, governmental and organisational levels. Finally, it considers the impact that satellite broadcasting has had upon the British broadcasting structure as a whole. 1 TABLE OF CONTENTS Abstract i Contents ii Acknowledgements 1 INTRODUCTION 3 British broadcasting policy - a brief history -
36/Autumn 2002
Journal of Issue 36 / Autumn 2002 / £4.00 Liberal DemocratHISTORY One Liberal’s war David Dutton One Liberal’s war Richard Durning Holt and Liberal politics 1914–18 Tom Dale and Robert Ingham The Lord Chancellor who never was Biography of Norman Birkett R. Ian Elder The Young Scots Society A lost Liberal legion Adrian Slade What might have been Interview with John Pardoe Larry Iles and Robert Ingham The first woman Liberal MP Biography of Margaret Wintringham Liberal Democrat History Group Issue 36: Autumn 2002 Journal of Liberal Democrat History The Journal of Liberal Democrat History is published quarterly by the Liberal Democrat History Group. 3 One Liberal’s war ISSN 1463-6557 Editor: Duncan Brack Richard Durning Holt and Liberal politics 1914–18; by David Dutton Deputy Editor: Sarah Taft Assistant Editor: Alison Smith Biographies Editor: Robert Ingham 9 The Lord Chancellor who never was Reviews Editor: Sam Crooks Tom Dale and Robert Ingham examine the career of the leading Liberal lawyer Patrons Norman Birkett (1883–1962) Dr Eugenio Biagini; Professor Michael Freeden; Professor Earl Russell; Professor John Vincent 13 The Young Scots Society Editorial Board A lost Liberal legion remembered by R. Ian Elder Dr Malcolm Baines; Dr Roy Douglas; Dr Barry Doyle; Dr David Dutton; Professor David Gowland; Dr Richard Grayson; Dr Michael Hart; 16 What might have been Peter Hellyer; Ian Hunter; Dr J. Graham Jones; Tony Little; Professor Ian Machin; Dr Mark Pack; Adrian Slade looks back with John PardoePardoe, Liberal MP for North Cornwall, 1966–79 Dr John Powell; Iain Sharpe 19 The first woman Liberal MP Editorial/Correspondence Contributions to the Journal – letters, articles, Larry Iles and Robert Ingham take a look at the life and political career of Margaret and book reviews – are invited. -
The Development of the British Conspiracy Thriller 1980-1990
The Development of the British Conspiracy Thriller 1980-1990 Paul S. Lynch This thesis is submitted to the University of Hertfordshire in partial fulfilment of the requirements of the degree of Doctor of Philosophy. January 2017 Abstract This thesis adopts a cross-disciplinary approach to explore the development of the conspiracy thriller genre in British cinema during the 1980s. There is considerable academic interest in the Hollywood conspiracy cycle that emerged in America during the 1970s. Films such as The Parallax View (Pakula, 1975) and All the President’s Men (Pakula, 1976) are indicative of the genre, and sought to reflect public anxieties about perceived government misdeeds and misconduct within the security services. In Europe during the same period, directors Costa-Gavras and Francesco Rosi were exploring similar themes of state corruption and conspiracy in films such as State of Siege (1972) and Illustrious Corpses (1976). This thesis provides a comprehensive account of how a similar conspiracy cycle emerged in Britain in the following decade. We will examine the ways in which British film-makers used the conspiracy form to reflect public concerns about issues of defence and national security, and questioned the measures adopted by the British government and the intelligence community to combat Soviet subversion during the last decade of the Cold War. Unlike other research exploring espionage in British film and television, this research is concerned exclusively with the development of the conspiracy thriller genre in mainstream cinema. This has been achieved using three case studies: Defence of the Realm (Drury, 1986), The Whistle Blower (Langton, 1987) and The Fourth Protocol (MacKenzie, 1987).