Law Umd 0117N 18046.Pdf
ABSTRACT Title of Thesis: FULL CIRCLE: BRIDGING THE GAP Christopher Phillip Law Masters of Fine Arts, 2017 Thesis Directed By: Professor Karen Bradley, School of Theater, Dance, and Performance Studies As an MFA candidate at the University of Maryland College Park's School of Theatre, Dance, and Performance Studies, I used Hip-Hop and Modern dance to address cycles that have been recurring throughout American history since Congress’ abolishment of slavery in 1865. However, the events depicted were told from the perspective of Americans between the ages of 19 and 33. Each story served as a moment for the audience to assess themselves, this country, and the recent events that have shaped our experiences. The concert was performed in the round to pay homage to Hip-Hop's practice of the "Cypher" (performance exchange within a circular gathering of people). Within the cypher, my goal was to encourage dialogue concerning issues of race, gender, community, and police brutality. My thesis concert was entitled, “Full Circle: Bridging the Gap,” and was presented on December 9th, 10th, and 11th of 2016. FULL CIRCLE: BRIDGING THE GAP by Christopher Phillip Law Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Masters of Fine Arts 2017 Advisory Committee: Professor Karen Bradley, Chair Professor Miriam Phillips Associate Professor Alvin Mayes Associate Professor Sara Pearson © Copyright by Christopher Phillip Law 2017 Acknowledgements First and foremost, thank you to the Creator for life itself. Thank you to all of the ancestors, pioneers and community leaders who have helped to pave the way, making it possible for me to achieve this education and study this art form.
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