Entertainmentpage 19 Technique • Friday, April 13, 2007 • 19
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Quentin Tarantino's KILL BILL: VOL
Presents QUENTIN TARANTINO’S DEATH PROOF Only at the Grindhouse Final Production Notes as of 5/15/07 International Press Contacts: PREMIER PR (CANNES FILM FESTIVAL) THE WEINSTEIN COMPANY Matthew Sanders / Emma Robinson Jill DiRaffaele Villa Ste Hélène 5700 Wilshire Blvd., Suite 600 45, Bd d’Alsace Los Angeles, CA 90036 06400 Cannes Tel: 323 207 3092 Tel: +33 493 99 03 02 [email protected] [email protected] [email protected] From the longtime collaborators (FROM DUSK TILL DAWN, FOUR ROOMS, SIN CITY), two of the most renowned filmmakers this summer present two original, complete grindhouse films packed to the gills with guns and guts. Quentin Tarantino’s DEATH PROOF is a white knuckle ride behind the wheel of a psycho serial killer’s roving, revving, racing death machine. Robert Rodriguez’s PLANET TERROR is a heart-pounding trip to a town ravaged by a mysterious plague. Inspired by the unique distribution of independent horror classics of the sixties and seventies, these are two shockingly bold features replete with missing reels and plenty of exploitative mayhem. The impetus for grindhouse films began in the US during a time before the multiplex and state-of- the-art home theaters ruled the movie-going experience. The origins of the term “Grindhouse” are fuzzy: some cite the types of films shown (as in “Bump-and-Grind”) in run down former movie palaces; others point to a method of presentation -- movies were “grinded out” in ancient projectors one after another. Frequently, the movies were grouped by exploitation subgenre. Splatter, slasher, sexploitation, blaxploitation, cannibal and mondo movies would be grouped together and shown with graphic trailers. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
English-Language Graphic Narratives in Canada
Drawing on the Margins of History: English-Language Graphic Narratives in Canada by Kevin Ziegler A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2013 © Kevin Ziegler 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This study analyzes the techniques that Canadian comics life writers develop to construct personal histories. I examine a broad selection of texts including graphic autobiography, biography, memoir, and diary in order to argue that writers and readers can, through these graphic narratives, engage with an eclectic and eccentric understanding of Canadian historical subjects. Contemporary Canadian comics are important for Canadian literature and life writing because they acknowledge the importance of contemporary urban and marginal subcultures and function as representations of people who occasionally experience economic scarcity. I focus on stories of “ordinary” people because their stories have often been excluded from accounts of Canadian public life and cultural history. Following the example of Barbara Godard, Heather Murray, and Roxanne Rimstead, I re- evaluate Canadian literatures by considering the importance of marginal literary products. Canadian comics authors rarely construct narratives about representative figures standing in place of and speaking for a broad community; instead, they create what Murray calls “history with a human face . the face of the daily, the ordinary” (“Literary History as Microhistory” 411). -
275. – Part One
275. – PART ONE 275. Clifford (1994) Okay, here’s the deal: I don’t know you, you don’t know me, but if you are anywhere near a television right now I need you to stop whatever it is that you’re doing and go watch “Clifford” on HBO Max. This is another film that has a 10% score on Rotten Tomatoes which just leads me to believe that all of the critics who were popular in the nineties didn’t have a single shred of humor in any of their non-existent funny bones. I loved this movie when I was seven, and I love it even more when I’m thirty-three. It’s genius. Martin Short (who at the time was forty-four) plays a ten-year-old hyperactive nightmare child from hell. I mean it, this kid might actually be the devil. He is straight up evil, conniving, manipulative and all-told probably causes no less than ten million dollars-worth of property damage. And, again, the plot is so simple – he just wants to go to Dinosaur World. There are so many comedy films with such complicated plots and motivations for their characters, but the simplistic genius of “Clifford” is just this – all this kid wants on the entire planet is to go to Dinosaur World. That’s it. The movie starts with him and his parents on an plane to Hawaii for a business trip, and Clifford knows that Dinosaur Land is in Los Angeles, therefore he causes so much of a ruckus that the plane has to make an emergency landing. -
Robert Rodriguez Harnesses AMD Technology to Bring Brilliant Graphics and Outstanding Visual Fidelity to Latest "Spy Kids" Film
August 18, 2011 Robert Rodriguez Harnesses AMD Technology to Bring Brilliant Graphics and Outstanding Visual Fidelity to Latest "Spy Kids" Film AMD Technology Enables Director of "Spy Kids: All the Time in the World in 4D Aromascope" to Operate at the 'Speed of Thought' SUNNYVALE, CA -- (MARKET WIRE) -- 08/18/11 -- In the latest addition to the "Spy Kids" film franchise, "Spy Kids: All the Time in the World in 4D Aromascope," released August 19 by Troublemaker Studios, director Robert Rodriguez delivers stunning 3D effects at the highest visual fidelity through the use of AMD Technology (NYSE: AMD). For movie fans, the collaboration between Robert Rodriguez and AMD means that viewers will experience the latest "Spy Kids" movie in the way Rodriguez meant for it to be seen, with brilliant graphics and outstanding visual effects. As part of the formal collaboration announced at Comic-Con International 2011, Rodriguez plans to use VISION Technology from AMD for his future Quick Draw Production projects. For Robert Rodriguez and his team, a new personal best was achieved thanks to AMD technology -- the majority of the film's final shots were produced in-house without the need to rely on third-party production companies and on a shorter timeline than ever before. As with previous projects, such as "Machete" and prior "Spy Kids" films, Troublemaker Studios leveraged the powerful combination of AMD's graphics and server technologies, including AMD FirePro™ professional graphics accelerators, 24-core AMD Opteron™ processor- based workstations and Dell PowerEdge™ servers, to make real-time artistic changes on the fly, allowing for an organic, streamlined creative process. -
Label ARTIST Piece Tracks/Notes Format Quantity
Label ARTIST Piece Tracks/notes Format Quantity Sire Against Me! 2 song 7" single I Was A Teenage Anarchist (acoustic) 7" vinyl 2500 Sub-pop Album Leaf There Is a Wind Featuring 2 new tracks, 2 alternate takes 12" vinyl 1000 on songs from "A Chorus of Storytellers" LP Righteous Babe Ani DiFranco live @ Bull Moose recorded live on Record Store Day at CD Bull Moose in Maine Rough Trade Arthur Russell Calling Out of Context 12 new tracks Double 12" set 2000 Rocket Science Asteroids Galaxy Tour Fun Ltd edition vinyl of album with bonus 12" 250 track "Attack of the Ghost Riders" Hopeless Avenged Sevenfold Unholy Confessions picture disc includes tracks (Eternal 12" vinyl 2000 Rest, Eternal Rest (live), Unholy Confessions Artist First/Shangri- Band of Skulls Live at Fingerprints Live EP recorded at record store CD 2000 la 12/15/2009 Fingerprints Sub-pop Beach House Zebra 2 new tracks and 2 alternate from album 12" vinyl 1500 "Teen Dream" Beastie Boys white label 12" super surprise 12" vinyl 1000 Nonesuch Black Keys Tighten Up/Howlin' For 12" vinyl contains two new songs 45 RPM 12" Single 50000 You Vinyl Eagle Rock Black Label Society Skullage Double LP look at the history of Zakk Double LP 180 Wylde and Black Label Society Gram GREEN vinyl Graveface Black Moth Super Eating Us extremely limited foil pressed double LP double LP Rainbow Jagjaguwar Bon Iver/Peter Gabriel "Come Talk To Bon Iver and Peter Gabriel cover each 7" vinyl 2000 Me"/"Flume" other. Bon Iver track is EXCLUSIVE to this release Ninja Tune Bonobo featuring "Eyes -
February/March 2008 Volume I; Issue 4 WE’RE ONLINE Please Enroll Me As a Member of the Larchmont Historical Society
February/March 2008 Volume I; Issue 4 Membership Form WE’RE ONLINE Please enroll me as a member of the Larchmont Historical Society. My tax- Visit us virtually deductible dues for one year are enclosed. Annual membership year is: The at September - June.. www.larchmonthistory.org __New Member __ Renewing Member Visit our ONLINE Please indicate membership category: PHOTO MUSEUM. ___Individual $ 15 Make checks payable & mail to: Gazebo Gazette Learn more ___Family $ 25 about ___Senior (65+)& Student $ 5 The Larchmont Historical Society ___Institutional or Business $ 40 P.O. Box 742 Newsletter of the Larchmont Historical Society LARCHMONT HISTORY ___Sustaining $ 50 Larchmont, NY 10538 ___Life (individual only) $150 Find out Larchmont Luminaries Series: eral summers renting a house on Park Ave. and was about I would like to volunteer to help on the following committee(s): sometimes seen walking her pet duck on a pink ribbon MONTHLY PROGRMS Film Chicks & A Classic Flick through Manor Park. And ___Spring House Tour ___Museum Planning ___Grant Research/ SPECIAL EVENTS ___Membership ___Newsletter Writing As a special treat, Leslie Holleran will introduce “ My ___Exhibits ___Fire History ___Century Homes Club In honor of Women’s History Best Girl” with a discussion of women in Join LHS, pay dues or make ___Publicity ___Monthly Programs ___Fundraising Month, we’re celebrating two of the film industry throughout history. Ms. a donation online. ___Archives ___Special Events Larchmont’s female film luminar- Holleran’s own career credits include “The ies from yesteryear and today. Cider House Rules,” “Chocolat”, “The Find out how to research your Come join us for a special viewing Shipping News”, “An Unfinished Life”, home, join CHC, or Volunteer, Name: of one-time Larchmonter Mary “Casanova” and “The Hoax.” She is cur- ALL ONLINE! Pickford’s “finest romantic com- rently in production of her latest film, edy” on the silent screen with a “Sammy.” Ms. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
The Tim Ferriss Show Transcripts Episode 98: Robert Rodriguez Show Notes and Links at Tim.Blog/Podcast
The Tim Ferriss Show Transcripts Episode 98: Robert Rodriguez Show notes and links at tim.blog/podcast Tim Ferriss: Hello, ladies and germs, puppies and kittens. Meow. This is Tim Ferriss and welcome to another episode of the Tim Ferriss Show, where it is my job to deconstruct world class performers, to teas out the routines, the habits, the books, the influences, everything that you can use, that you can replicated from their best practices. And this episode is a real treat. If you loved the Arnold Schwarzenegger or Jon Favreau or Matt Mullenweg episodes, for instance, you are going to love this one. We have a film director, screen writer, producer, cinematographer, editor, and musician. His name is Robert Rodriguez. His story is so good. While he was a student at University of Texas at Austin, he wrote the script to his first feature film when he was sequestered in a drug research facility as a paid subject in a clinical experiment. So he sold his body for science so that he could make art. And that paycheck covered the cost of shooting his film. Now, what film was that? The film was Element Mariachi, which went on to win the coveted Audience Award at Sundance Film Festival and became the lowest budget movie ever released by a major studio. He went on then, of course, to write and produce a lot, and direct and edit and so on, a lot of films. He’s really a jack of all trades, master of many because he’s had to operate with such low budgets and be so resourceful. -
Neues Von Uns Kindern Aus Bullerbü E-Mail [email protected] More About the Children of Noisy Village Dt
Schweden Sweden Retrospektive Kinderfilme Retrospective Children’s Films 1987, 89 Min., 35 mm, Farbe colour, deutsche Fas- sung German version Ab 6 Jahren 6 years and older Regie Director Lasse Hallström Drehbuch Screenplay Astrid Lindgren, nach ihrem gleichnamigen Roman Kamera Camera Jens Fischer, Rolf Lindström, Mats Ardström Schnitt Editing Susanne Linnman Musik Music Georg Riedel Rollen Cast Linda Bergström (Lisa), Crispin Dick- son-Wendenius (Lasse), Henrik Larsson (Bosse), Ellen Demerus (Britta), Anna Sahlin (Anna), Harald Lönn- bro (Olle), Tove Edfeldt (Kerstin), Elisabeth Nordkvist (Mellangårds-Maja), Ingwar Svensson (Mellangårds- Anders) Produktion Production Waldemar Bergendahl, AB Svensk Filmindustri Mer om oss bam i Bullerbyn Adresse Address 16986 Stockholm, Tel: +46 86 80 35 00, Fax: +46 87 10 44 60, Neues von uns Kindern aus Bullerbü e-mail [email protected] More About the Children of Noisy Village dt. Verleih German distr. MFA + Filmdistribution Bismarckplatz 9, 93047 Regensburg, Tel: +49 94 15 86 Die Kinder von Bullerbü lieben die Sommerferien, aber auch 24 62, e-mail [email protected] die Vorweihnachtszeit hat für sie ihre Reize. Doch bevor sie mit glänzenden Augen endlich vor dem Weihnachtsbaum stehen, Regisseur Lasse Hallström, geboren 1946 in Stock- sind noch jede Menge Vorbereitungen zu treffen: Plätzchen und holm, arbeitet seit 1991 vornehmlich in den USA, wo er Kuchen werden gebacken, Würste und Schinken gemacht, Ge- 1994 die Schauspielerin Lena Olin geheiratet hat. schenke gebastelt und der Weihnachtsbaum geschlagen und ge- schmückt. Nun kann es losgehen: Erwachsene und Kinder fei- Director Lasse Halström was born in 1946 in Stock- ern ein fröhliches Weihnachtsfest! Doch dann bricht der Schre- holm. -
A Look Into the South According to Quentin Tarantino Justin Tyler Necaise University of Mississippi
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2018 The ineC matic South: A Look into the South According to Quentin Tarantino Justin Tyler Necaise University of Mississippi. Sally McDonnell Barksdale Honors College Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the American Studies Commons Recommended Citation Necaise, Justin Tyler, "The ineC matic South: A Look into the South According to Quentin Tarantino" (2018). Honors Theses. 493. https://egrove.olemiss.edu/hon_thesis/493 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. THE CINEMATIC SOUTH: A LOOK INTO THE SOUTH ACCORDING TO QUENTIN TARANTINO by Justin Tyler Necaise A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford May 2018 Approved by __________________________ Advisor: Dr. Andy Harper ___________________________ Reader: Dr. Kathryn McKee ____________________________ Reader: Dr. Debra Young © 2018 Justin Tyler Necaise ALL RIGHTS RESERVED ii To Laney The most pure-hearted person I have ever met. iii ACKNOWLEDGEMENTS Thank you to my family for being the most supportive group of people I could have ever asked for. Thank you to my father, Heath, who instilled my love for cinema and popular culture and for shaping the man I am today. Thank you to my mother, Angie, who taught me compassion and a knack for looking past the surface to see the truth that I will carry with me through life. -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director.