Translation Rights List Non-Fiction September 2019
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Episode 14: Mother’S Day Reads
Not Your Mother’s Library Transcript Episode 14: Mother’s Day Reads (Brief intro music) Leah: Hello, and welcome to Not Your Mother’s Library, a readers’ advisory podcast from the Oak Creek Public Library. I’m Leah, one of your hosts. Rachel is also virtually here. This month, guys…this month we need to tweak the title a little bit, because we’re celebrating Mother’s Day! This episode will be all about our mothers’ favorite books, which means that for Rachel and I, this is our mother’s library. Rachel: Hi, everyone. It’s Rachel. As Leah pointed out, we are here to celebrate Mother’s Day. This year, the national holiday takes place on Sunday, May 10th, so be sure to create an artistic portrait out of noodles before that date hits. You know what else makes a great gift? Books! My mum is a mystery enthusiast. Give her a murder to solve, and she’ll be at her most content. She is actually in the process of writing her own series of cozies. For those who aren’t as familiar with what that means, cozies are a mystery subgenre. They focus more on the story, setting, and characters surrounding a whodunit than an in-depth criminal procedure or graphic depictions of violence. Think of M.C. Beaton’s “Agatha Raisin” or the TV show “Murder, She Wrote.” I’ve read the first few novels in mum’s series, which are currently on the road to publication, and they are flat-out really good. I realize that as her daughter I am partial, but I also used to be a copyeditor and have read some genuinely awful manuscripts, so I’m betting that experience balances out my bias. -
Translation Rights List Non-Fiction May 2019
Translation Rights List Including Non-Fiction May 2019 Contents • Rights Department p.3 • Little, Brown Imprints p.4 • General p.5 • Culture p.13 • Business & Management p.19 • History p.22 • Music p.28 • Memoirs & Biography p.34 • Sport p.39 • Travel & Nature p.41 • Health, Self-Help & Popular Psychology p.42 • Parenting p.48 • Food & Cookery p.53 • Overcoming Series p.56 • Rights Representatives p.59 Key • Rights sold displayed in parentheses indicates that we do not control the rights • An asterisk indicates a new title since previous Rights list • Titles in italics were not published by Little, Brown Book Group 2 Rights Department ANDY HINE Rights Director Brazil, Germany, Italy, Poland, Scandinavia, Latin America and the Baltic States [email protected] +44 (0) 20 3122 6545 KATE HIBBERT Rights Director USA, Spain, Portugal, Far East, the Netherlands, Flemish Belgium and the Indian Subcontinent [email protected] +44 (0) 20 3122 6619 HELENA DOREE Senior Rights Manager France, French Belgium, Turkey, Arab States, Israel, Greece, Bulgaria, Czech Republic, Slovak Republic, Hungary, Romania, Russia, Serbia and Macedonia [email protected] +44 (0) 20 3122 6598 HENA BRYAN Rights Trainee [email protected] +44 (0) 20 3122 0693 Little, Brown Book Group Follow us on Twitter: Carmelite House @LBBGRights 50 Victoria Embankment London EC4Y 0DZ UNITED KINGDOM 3 Little, Brown Imprints 4 General Highlights WHEN THE CLOUDS FELL FROM THE SKY THE ADVENTURES OF AZUKI 5 THE ADVENTURES OF AZUKI THE MINIATURE HEDGEHOG Humour| Robinson | 112pp |60 colour photographs| September 2019 A full-colour collection of photographs of the adorable Azuki, the miniature hedgehog, enjoying some of his favourite adventures, from camping to baking Riding on the popularity of everyone's favourite Insta-famous miniature hedgehog (400,000 followers on Instagram and counting), this adorable illustrated book stands out as a gem of originality among the glut of dog and cat books. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
See Page 19 for Details!!
RRegionegion 1177 SSummit/Marineummit/Marine MMusteruster MMayay 220-220-22 128 DDenver,enver, CColoradoolorado APR 2005/ MAY 2005 SSeeee ppageage 1199 fforor ddetails!!etails!! USS Ark Angel’s CoC and Marines’ Fall Muster ’04 see pages 19 & 20 for full story! “Save Star Trek” Rally see page 28 for more great pics! Angeles member Jon Lane with the “Enterprise” writing staff. From left to right: Jon Lane, “Enterprise” writers Judith and Garfi eld Reese-Stevens, and producer Mike Sussman. Many of the the show’s production staff wandered out to see the protest and greet the fans. USPS 017-671 112828 112828 STARFLEET Communiqué Contents Volume I, No. 128 Published by: FROM THE EDITOR 2 STARFLEET, The International FRONT AND CENTER 3 Star Trek Fan Association, Inc. EC/AB SUMMARY 3 102 Washington Drive VICARIOUS CHOC. SALUTATIONS 4 Ladson, SC 29456 COMM STATIC 4 Kneeling: J.R. Fisher THE TOWAWAY ZONE 5 (left to right) 1st Row: Steve Williams, Allison Silsbee, Lauren Williams, Alastair Browne, The SHUTTLEBAY 6 Amy Dejongh, Spring Brooks, Margaret Hale. 2nd Row: John (boyfriend of Allison), Katy Publisher: Bob Fillmore COMPOPS 6 McDonald, Nathan Wood, Larry Pischke, Elaine Pischke, Brad McDonald, Dawn Silsbee. Editor in Chief: Wendy Fillmore STARFLEET Flag Promotions 7 Layout Editor: Wendy Fillmore Fellowship...or Else! 7 3rd Row: Colleen Williams, Jonathan Williams. Graphics Editor: Johnathan Simmons COMMANDANTS CORNER 8 Submissions Coordinator: Wendy Fillmore SFI Academy Graduates 8 Copy Editors: Gene Adams, Gabriel Beecham, New Chairman Sought for ASDB! 9 Kimberly Donohoe, Michael Klufas, Tracy Lilly, Star Trek Encyclopedia Project 9 STARFLEET Finances 10 Bruce Sherrick EDITORIALS 11 Why I Stopped Watching.. -
Mystery Bibliography.Pages
A Study in Mystery Johnny Worthen Lifelong Learning Class (LLWRC 837) [email protected] www.johnnyworthen.com Bibliography/Recommended Media Mystery History and Writing Specific Bradford, Richard. Crime Fiction: A Very Short Introduction. Great Britain: Oxford University Press, 2015. Touger, Hallie Ephron (Ephron, Hallie). Writing and Selling your Mystery Novel: How to Knock ‘em Dead with Style. Cincinnati, Ohio: Writer’s Digest Books, an imprint of F+W Publications Inc. 2005. Tapply, William G. The Elements of Mystery Fiction: Writing the Modern Whodunit. Second Edition. Scottsdale, AZ.: Poisoned Pen Press. 1995. Grafton, Sue, editor. Writing Mysteries: A Handbook by the Mystery Writers of America. Cincinnati, Ohio: Writer’s Digest Books, an imprint of F+W Publications Inc. 2005. General Writing Strunk, William, Jr. and White, E. B. The Elements of Style. The Chicago Manual of Style Leonard, Elmore. Elmore Leonard’s 10 Rules of Writing. King, Stephen. On Writing: A Memoir of the Craft. Recommended Reading Worthen, Johnny. The Brand Demand Worthen, Johnny. The Finger Trap Christie, Agatha. And Then There were None. Christie, Agatha. Lord Edgware Dies: A Hercule Poirot Mystery Chandler, Raymond. The Big Sleep Hammett, Dashiell. The Maltese Falcon Leonard, Elmore. Out of Sight Mosely, Walter. Devil in a Blue Dress Connelly, Michael. Echo Park Recommended Viewing The Last of Sheila (week 7) LA Confidential Chinatown Kiss Kiss, Bang Bang Murder on the Orient Express (1974 version) The Usual Suspects Get Shorty Jackie Brown Sherlock Holmes - Jeremy Brett BBC series Poirot - David Suchet BBC series Murder by Death The Poisoner’s Handbook (also a book). -
Table of Contents
© 2014, Justin Gerard, www.gallerygerard.com Table of Contents Welcome to Dragon Con! ........................................................3 Fantasy Literature (FL) ....................................................23 XTrack (X) ......................................................................102 Convention Policies .................................................................4 Filking (FILK) ....................................................................24 Young Adult Literature (YA) ...........................................103 Vital Information .....................................................................4 Film Festival and Film Track (FILM) .................................25 Guests Alphabetical Listing ..................................................104 Courtesy Buses and MARTA Schedules ....................................5 High Fantasy ...................................................................26 Pull-out Section, page 39–95: Hours of Operation ..................................................................6 Horror (HT) .....................................................................26 Special Events ..........................................................................7 Kaleidoscope (KT) ...........................................................27 Quick References ...................................................................39 Hotel Floor Level Reference ....................................................7 Live Performances (LIVE) ................................................28 -
A Network-Agnostic and Cheat-Resistant Framework for Multiplayer Online Games
A Network-Agnostic and Cheat-Resistant Framework for Multiplayer Online Games Vom Fachbereich Informatik der Technischen Universit¨atDarmstadt genehmigte DISSERTATION zur Erlangung des akademischen Grades eines Doktors der Ingenieurswissenschaften (Dr.-Ing.) von Dipl.-Inform. Patric Kabus geboren in Dieburg Referenten: Prof. Alejandro P. Buchmann, PhD, TU-Darmstadt Prof. Dr. Bettina Kemme, McGill University Tag der Einreichung: 22.04.2009 Tag der m¨undlichen Pr¨ufung:15.05.2009 Darmstadt 2009 D17 Erkl¨arung Hiermit erkl¨areich, die vorgelegte Arbeit zur Erlangung des akademischen Grades "Dr.-Ing." mit dem Titel "A Network-Agnostic and Cheat-Resistant Framework for Multiplayer Online Games" selbst¨andigund ausschließlich unter Verwendung der angegebenen Hilfsmittel erstellt zu haben. Ich habe bisher noch keinen Promotionsversuch unternommen. Darmstadt, den 22.04.2009 Patric Kabus Akademische Laufbahn 1984 - 1988 Wendelinusschule Klein-Umstadt 1988 - 1997 Max-Planck-Gymnasium Groß-Umstadt 1998 - 2003 Studium der Informatik an der TU Darmstadt 2003 - 2008 Wissenschaftlicher Mitarbeiter an der TU Darmstadt To my wife and my family. i Zusammenfassung "Kinderkram" mag der erste Gedanke vieler sein, wenn es auf das Thema Computer- und Videospiele kommt. Doch das Wachstum der Branche und ihre Verkaufszahlen sprechen da eine ganz andere Sprache: Die weltweiten Ums¨atze haben l¨angst zweistellige Milliardenbetr¨ageerreicht und von den Wachstum- sraten k¨onnenandere Branchen nur tr¨aumen. Alleine in den USA wurden im Jahr 2007 18,8 Milliarden US-Dollar mit Soft- und Hardware f¨urComputer- und Videospiele umgesetzt. Dies bedeutet eine Steigerung um vierzig Prozent gegen¨uber dem Vorjahr. Analysten sagen voraus, dass dieser Industriezweig in absehbarer Zeit sogar die Umsatzzahlen der Musikindustrie ¨ubertreffen wird. -
Consumer Alert Regarding Ticket Purchasing
CONSUMER ALERT REGARDING TICKET PURCHASING With so many high-profile and popular events coming to Wharton Center, we have found more and more patrons are being exploited by unscrupulous ticket resellers. Often our tickets are being marketed on secondary ticket websites before the operator of the website has even purchased tickets – and they are selling at prices far above the price you will pay through whartoncenter.com. Purchasing tickets to Wharton Center events through another source might result in paying too much for your tickets or paying for tickets that are invalid. If there is a problem with your tickets, you may not be able to receive help from Wharton Center’s Ticket Office as there will be no in-house record of your transaction. In addition, we are unable to contact you if there is a change in performance time, traffic notices, etc. To avoid being ensnared by unscrupulous ticket resellers: • Bookmark our website, whartoncenter.com for ticket and show information. • Sign up for our eClub to receive information directly from Wharton Center. We urge you to protect yourself by purchasing directly from the official source for Wharton Center tickets: at whartoncenter.com; by phone at 1-800-WHARTON (1-800-942-7866); or at the Auto-Owners Insurance Ticket Office at Wharton Center. IN CASE OF EMERGENCY Please observe the lighted exit signs located throughout the building and theatre(s). All patrons should note all exits, especially those closest to your seat location. Our staff and ushers are trained to assist patrons through multiple emergency situations. If you have questions regarding our safety and security procedures, please contact the house management staff at Wharton Center by calling 884-3119 or 884-3116. -
Bibliography
BIBLIOGRAPHY PRIMARY SOURCES BY AGATHA CHRISTIE Christie, Agatha. An Autobiography [1977] (London: Harper, 2011). ———. The Big Four (London: Collins, 1927). ———. The Body in the Library [1942] (New York, London, Toronto: Harper, 2011). ———. “The Capture of Cerberus” [1941], in Agatha Christie ’ s Secret Notebooks : Fifty Years of Mysteries in the Making , ed. by John Curran (London: HarperCollins, 2009), 425-52. ———. “The Capture of Cerberus” [1947], in Herucle Poirot : The Complete Short Stories (London: HarperCollins, 1999), 831-51. ———. Cards on the Table [1936] (Glasgow: Fontana, 1969). ———. Cards on the Table : Marple Tie-In (London: HarperCollins, 2005). ———. A Caribbean Mystery (London: Book Club, 1964). ———. “The Case of the Discontented Soldier” [1934], in Parker Pyne Investigates (New York: William Morrow, 2012), 17-38. ———. “The Case of the Rich Woman” [1934], in Parker Pyne Investigates (New York: William Morrow, 2012), 87-104. ———. “The Cornish Mystery” [1923], in Poirot ’ s Early Cases (London: Harper, 2002), 57-80. ———. Crooked House [1949] (Glasgow: Fontana, 1990). ———. Curtain : Poirot ’ s Last Case [1975] (London: Harper, 2002). ———. Dead Man ’ s Folly [1956] (London: Collins, 1956). ———. Death on the Nile [1937] (New York, London, Toronto: Harper, 2011). © The Editor(s) (if applicable) and The Author(s) 2016 271 J.C. Bernthal, Queering Agatha Christie, DOI 10.1007/978-3-319-33533-9 272 BIBLIOGRAPHY ———. “The Double Clue” [1923], in Hercule Poirot : The Complete Short Stories (London: HarperCollins, 1999), 282-90. ———. Dumb Witness (London: Book Club, 1937). ———. Elephants Can Remember [1972] (London: HarperCollins, 2002). ———. Evil under the Sun [1941] (Glasgow, London: Fontana, 1988). ———. The Grand Tour (London: HarperCollins, 2012). ———. Hallowe ’ en Party [1969] (London: HarperCollins, 1994). -
Addressing Cheating in Distributed Mmogs
Addressing Cheating in Distributed MMOGs ∗ Patric Kabus Wesley W. Terpstra Mariano Cilia Alejandro P. Buchmann fpkabus,terpstra,cilia,[email protected] Databases and Distributed Systems Group Darmstadt University of Technology, Germany ABSTRACT most promising segments of the online games market is that Massively Multiplayer Online Games (MMOGs) are a risky of the Massively Multiplayer Online Games (MMOGs). It business: while they offer potential profits beyond those of has grown by the factor 8 during the last five years, having conventional computer games, they also require costly in- currently more than four million subscribers in the U.S. and vestment in the necessary hardware infrastructure. In nearly Europe, and roughly the same number of players in Asia [21]. every MMOG today, these costs come from the use of a Traditionally, MMOGs are built relying on Client/Server Client/Server architecture where the load of possibly hun- architectures. From an abstract point of view, the client dred thousands of players must be handled at the provider's on the player's side acts as simple front-end which accepts backend. By using distributed Peer-to-Peer techniques, the the player's input and forwards it to the server. Process- load could be shifted completely or partially to the play- ing the game state is completely done on the server-side and ers' machines. But with the load, the control over the game changes are sent back to clients, which show a graphical rep- may also fall into the hands of clients. While using a P2P ar- resentation of the game world. -
Macbeth Durkin Hayes
MACBETH DURKIN HAYES PURCHASING INFOI IlILL TO I NOTE I BUYER NMIE BUYER'S PHONE/FA)( ADDRESS PURCHASE ORDER' ACCOUNT. CITY/STAIE/PROY OAre ZIP/POSTAL COOE PHONE NUM8lR RtP NAME SHIPTO I NMIE BACKORDER INFO I ADDRESS rL~d ship as ready_ o Cancel previous back orders for titles on this order. ClTY/STAlE/PROY. o Cancel all unavailable titles except new publications. 0 Cancel all unavailable titles including new publications. ZIP/POSTAL CODE PHONE NUMB[R 3 385 Harvester Road, Suite 215, Burlington, Ontario, Canada L7N 3 N2 ({) (905) 639-6552 0 - indicates unabridged material • - indicates worldwide availability . MYSTERY -I" - . " '- DHI\7432 Catherine Aird, read by: Edward Raleigh DHA7240 Agatha Christie, read by: David Suthel COLIN DEXTER INJUR Y TIME POIROT INV ESTIGATES VO LlII - ISBN 0·88646-432·3 2 CASSETTES 16.99U.5.1S19.99CAN. THE JEWEL ROBBERY AT THE GRAND DHA7407 Colin Dexter, read by: Hamilton Alexander METROPOLITAN THE DAUGHTERS OF CAIN JEFFREY ARCHER ISBN 0·88646·240·1 2 CASSETTES 16.99U.SJSI9.99CAN. ISBN 088646-407·2 1 CASSETTES 16.99U.5JSI9.99CAN. DHA7247 Agatha Christie, read by: David Suthel DHA7369 Colin Dexter, read by: Edward Woodward OHA7206 Jeffrey Archer, read by: Peter Barkworlh POI ROT INVESTIGATES VO LI V - THE JE WE L THAT WAS OURS A QUI VE R FULL OF ARROWS FOUR AND TWENTY BLACKBIRDS ISBN 088646·369·6 2 CASSETIES 16.99U.S'/SI9.99CAN. ISBN 0·88646·206·1 2 CASSETTES 16.99U.5JSI9.99CAN. ISBN 088646·247·9 2 CASSETIES 16.99U.5JSI9.99CAN. DHA7410 Colin Dexter, read by: Hamilton Alexander OHA7274 Jeffrey Archer, read by: Martin Jarvis & Rosalind Ayres 0 DHA7246 Agatha Christie, read by: Michael Jayston 0 MORS E'S GREATEST MYSTERY THE PERFECT MURDER SING A SONG OF SIXPENC E ISBN 0·88646·410·2 4 CASSETIES 24.99U.S./S29.99CAN. -
IGDA Online Games White Paper Full Version
IGDA Online Games White Paper Full Version Presented at the Game Developers Conference 2002 Created by the IGDA Online Games Committee Alex Jarett, President, Broadband Entertainment Group, Chairman Jon Estanislao, Manager, Media & Entertainment Strategy, Accenture, Vice-Chairman FOREWORD With the rising use of the Internet, the commercial success of certain massively multiplayer games (e.g., Asheron’s Call, EverQuest, and Ultima Online), the ubiquitous availability of parlor and arcade games on “free” game sites, the widespread use of matching services for multiplayer games, and the constant positioning by the console makers for future online play, it is apparent that online games are here to stay and there is a long term opportunity for the industry. What is not so obvious is how the independent developer can take advantage of this opportunity. For the two years prior to starting this project, I had the opportunity to host several roundtables at the GDC discussing the opportunities and future of online games. While the excitement was there, it was hard not to notice an obvious trend. It seemed like four out of five independent developers I met were working on the next great “massively multiplayer” game that they hoped to sell to some lucky publisher. I couldn’t help but see the problem with this trend. I knew from talking with folks that these games cost a LOT of money to make, and the reality is that only a few publishers and developers will work on these projects. So where was the opportunity for the rest of the developers? As I spoke to people at the roundtables, it became apparent that there was a void of baseline information in this segment.