Thomas Kaiser on the Perfidy of Albion: French Perceptions Of

Total Page:16

File Type:pdf, Size:1020Kb

Thomas Kaiser on the Perfidy of Albion: French Perceptions Of Norman Hampson. The Perfidy of Albion: French Perceptions of England during the French Revolution. New York: St. Martin's Press, 1998. xiii + 181 pp. $59.95 US, cloth, ISBN 978-0-312-21357-2. Reviewed by Thomas E. Kaiser Published on H-France (March, 1999) After being relegated to the sidelines for the A veteran historian of eighteenth-century past seventy-five years, the feld of international French politics and culture, Norman Hampson relations is once again attracting the attention of has taken a methodologically modest step in the eighteenth-century French historians, one of direction of the new study of foreign relations in whom has gone so far as to endorse the ancient this short work, which focuses primarily on credo regarding "the primacy of foreign policy."[1] French perceptions of Britain and secondarily on Like many other revivals of once thriving and British perceptions of France during the Revolu‐ then rather neglected areas of history, this one in‐ tionary decade. While the author's chosen topic volves no mere return of the repressed. Rather, it puts him in the universe of innovators, the work has led to the study of matters which, though not is conspicuous for the absence of attention to "dis‐ altogether neglected by past masters like Albert course" and for the relatively narrow approach Sorel, were ignored in most earlier approaches to Hampson takes to the study of public opinion, the subject. In particular, the newer histories of which relies mostly upon the writings and speech‐ foreign relations have sought to infuse the study es of major authors and Revolutionary leaders. It of diplomatic exchanges, treaties, alliances, wars, is narrow, too, in that the author deals almost ex‐ and other venerable targets of historical inquiry clusively with perceptions of British and French with those that have concerned more recent histo‐ politics, saying very little about perceptions of rians of political culture--political discourse, na‐ artistic, scientific, or other cultural developments. tional images, and the dynamics of public opin‐ Within these confines, Hampson sketches out an ion.[2] As a result of this broadening of the feld, argument which is generally compelling, if not fresh opportunities have been created to explore wholly unpredictable. the interaction of foreign policy and domestic pol‐ Before 1789, Hampson contends, French itics as they determined the course of the French views of the British political system broke down Revolution. into roughly three categories: the view that it was H-Net Reviews the embodiment of liberty, the view that it was breakdown in relations later that year? Hampson morally fawed for its alleged "corruption," and convincingly argues that it was a mix of domestic the view that it was not wholly without merit but factors and foreign policy considerations. The was becoming obsolete as a result of progress in September massacres, he contends, forever taint‐ the human sciences. In a particularly interesting ed the French Revolution in Britain, allowing the chapter--which really says more about the mal‐ Tories to blacken the reputation of the Whigs, leability of political convictions than it does about who had hitherto defended the Revolution, and to French public opinion as a whole--the author smear the radicals, who had identified themselves shows that adoption of any of these views before publicly with the Jacobins. In recalling their am‐ 1789 was not a reliable indicator of political posi‐ bassador upon Louis's suspension from his duties tion once the Revolution began. Maximilien Robe‐ in August, the British not only broke off formal spierre never much liked the British political sys‐ diplomatic relations but also advertised their dis‐ tem, whereas Jean-Paul Marat, who spent ten dain for the new French republic. The Conven‐ years in England, developed a high enough regard tion's decision to annex Savoy and its threats to for its political institutions to recommend them to Belgian independence only provided more grist his countrymen in 1789, as did the Monarchien for the propaganda mill of the Tories, who made Jean-Joseph Mounier. The coming of the Revolu‐ little effort to stop the drift to war. Indeed, admit‐ tion, the author shows, drove the two nations into ting that there was no real internal threat, a closer embrace than had existed for some time. William Pitt singled out French expansionism as While British government ministers welcomed the principal reason for hostilities, should they the chaos that promised to incapacitate French come. diplomatic initiatives, the British public saw in France's declaration of war on Britain in Feb‐ the events of 1789 the prelude to a rapproche‐ ruary 1793 formalized a rupture in relations ment of two nations bound by a common devo‐ which had already effectively occurred, prompt‐ tion to freedom. In France, suspicions remained ing both sides to fantasize about the perfidy of the greater. Anglophilia rapidly became associated other. Drawing upon suspicions which had never with the center-right, while the wave of Revolu‐ completely expired, the French perceived the long tionary institutional change promoted condescen‐ hand of Pitt in virtually every setback suffered by sion towards the more "backward" British. And the republic, while, beset with factional rivalries, yet, Hampson points out, the Revolutionaries did they slandered one another as secret agents of the offer Albion a tribute of sorts by measuring "New Carthage" (Hampson makes an heroic effort France's new institutions more against those of to elicit the truth from the tangled web of charges Britain than against those of any other nation. and counter-charges regarding collusion with the Moreover, despite strains caused by the Nootka British that was spun during the Terror, paying Sound incident of 1790--a conflict arising out of particular attention to the intrigues of the British Spain's efforts to gain French support of colonial undercover agent baron de Batz.). At the same claims contested by Britain--diplomatic relations time, the British--professing fear of secret agents had rarely been better. less than fear of offensive doctrines--found new These good relations even survived the wisdom in Edmund Burke's hitherto unheeded French declaration of war on Francis II, King of warnings about the Revolution's threat to civiliza‐ Hungary and Bohemia, in April 1792, when mis‐ tion, from which Pitt crafted an ideological bogey‐ sions were sent by the faction associated with man to curb the civil liberties of his opponents. Jacques Pierre Brissot to cement frmer alliances During the Directory, the moderating political cli‐ with Britain and Prussia. What, then, led to the mate in France and the growing belief in Britain 2 H-Net Reviews that civilization could survive the "sophisters" times more unflattering than, say, contemporary Burke had decried might have produced a lessen‐ French accounts of the Germans, which typically ing of tensions. But instead, Hampson concludes, consisted of little more than the saga of their the prolongation of war and its subsequent recur‐ rulers. French Anglophilia was rarely undiluted, rence under the enlightened despot Napoleon as Keith Baker has demonstrated in the case of only intensified them. As he so nicely puts it, "St. Montesquieu.[4] As for the supposedly An‐ George had got his dragon back" (p. 165). glophilic Voltaire, his description of Britain--much The virtues of this book are considerable. The like bishop Jacques-Benigne Bossuet's--as a "land author navigates the twists and turns of domestic of sects" was no simple encomium.[5] In other and foreign politics with a sure hand, and he tells words, the Anglophobic continuities might well be his story with clarity and wit. If the book does not greater than the author indicates, a point that a uproot orthodoxy in its overall argument, the au‐ forthcoming essay by David Bell on the "savage" thor makes a number of important revisionary image of Britain in pre-Revolutionary French war points along the way--noting, for example, the propaganda re-enforces. greater consistency with which Marat opposed Finally, one could have wished for a fuller war than did Robespierre, who is usually singled juxtaposition of Revolutionary Anglophobia with out in this respect. Any future student of the mate‐ other forms of xenophobia, especially Austropho‐ rial covered by the author will clearly have to use bia. It was, after all, allegations of Austrian ag‐ Hampson's conclusions as points of departure. gression and subversion which provided ideologi‐ At the same time, the book has its weakness‐ cal cover for the Brissotin drive to war in 1792, es. Among the relatively minor ones, it under-rec‐ even if Pitt emerged as the chief demon later on. ognizes the work of Jean-Louis Delolme, whose A year before the arch-Anglophobe Bertrand treatise The Constitution of England, published in Barere called for the extinction of the English multiple French and English editions, had greater race, he paired "the guile of Vienna" with "the cor‐ impact on pre-Revolutionary continental views of ruption of the court of Saint James" (p. 106). Such British politics, according to R. R. Palmer, than did an association raises the critical question of what the Spirit of the Laws.[3] More significantly, the connection he and the French generally imagined work does not fesh out the ideological content of between the two threats. A fuller appreciation of French Anglo-philia and -phobia nearly so much the ideological dimension, which tends to get as it might have, particularly given the important eclipsed in this book by the play of factional inter‐ leads provided by many scholars of the pre-Revo‐ ests, might have provided answers to this ques‐ lutionary period. A fuller exploration of the ideo‐ tion and produced a rounder picture of French logical depths might have led to a sounder conclu‐ perceptions of diplomatic relations.
Recommended publications
  • Maurice-Quentin De La Tour
    Neil Jeffares, Maurice-Quentin de La Tour Saint-Quentin 5.IX.1704–16/17.II.1788 This Essay is central to the La Tour fascicles in the online Dictionary which IV. CRITICAL FORTUNE 38 are indexed and introduced here. The work catalogue is divided into the IV.1 The vogue for pastel 38 following sections: IV.2 Responses to La Tour at the salons 38 • Part I: Autoportraits IV.3 Contemporary reputation 39 • Part II: Named sitters A–D IV.4 Posthumous reputation 39 • Part III: Named sitters E–L IV.5 Prices since 1800 42 • General references etc. 43 Part IV: Named sitters M–Q • Part V: Named sitters R–Z AURICE-QUENTIN DE LA TOUR was the most • Part VI: Unidentified sitters important pastellist of the eighteenth century. Follow the hyperlinks for other parts of this work available online: M Matisse bracketed him with Rembrandt among • Chronological table of documents relating to La Tour portraitists.1 “Célèbre par son talent & par son esprit”2 – • Contemporary biographies of La Tour known as an eccentric and wit as well as a genius, La Tour • Tropes in La Tour biographies had a keen sense of the importance of the great artist in • Besnard & Wildenstein concordance society which would shock no one today. But in terms of • Genealogy sheer technical bravura, it is difficult to envisage anything to match the enormous pastels of the président de Rieux J.46.2722 Contents of this essay or of Mme de Pompadour J.46.2541.3 The former, exhibited in the Salon of 1741, stunned the critics with its achievement: 3 I.
    [Show full text]
  • French Travellers to Scotland, 1780-1830
    French Travellers to Scotland, 1780-1830: An Analysis of Some Travel Journals. Elizabeth Anne McFarlane Submitted according to regulations of University of Stirling January 2015 Abstract. This study examines the value of travellers’ written records of their trips with specific reference to the journals of five French travellers who visited Scotland between 1780 and 1830. The thesis argues that they contain material which demonstrates the merit of journals as historical documents. The themes chosen for scrutiny, life in the rural areas, agriculture, industry, transport and towns, are examined and assessed across the journals and against the social, economic and literary scene in France and Scotland. Through the evidence presented in the journals, the thesis explores aspects of the tourist experience of the Enlightenment and post - Enlightenment periods. The viewpoint of knowledgeable French Anglophiles and their receptiveness to Scottish influences, grants a perspective of the position of France in the economic, social and power structure of Europe and the New World vis-à-vis Scotland. The thesis adopts a narrow, focussed analysis of the journals which is compared and contrasted to a broad brush approach adopted in other studies. ii Dedication. For Angus, Mhairi and Brent, who are all scientists. iii Acknowledgements. I would like to thank my husband, Angus, and my daughter, Mhairi, for all the support over the many years it has taken to complete this thesis. I would like to mention in particular the help Angus gave me in the layout of the maps and the table. I would like to express my appreciation for the patience and perseverance of my supervisors and second supervisors over the years.
    [Show full text]
  • Antiquaries in the Age of Romanticism: 1789-1851
    Antiquaries in the Age of Romanticism: 1789-1851 Rosemary Hill Queen Mary, University of London Submitted for the degree of PhD March 2011 1 I confirm that the work presented in this thesis and submitted for the degree of PhD is my own. Rosemary Hill 2 Abstract The thesis concentrates on the work of fourteen antiquaries active in the period from the French Revolution to the Great Exhibition in England, Scotland and France. I have used a combination of the antiquaries’ published works, which cover, among other subjects, architecture, topography, costume history, Shakespeare and the history of furniture, alongside their private papers to develop an account of that lived engagement with the past which characterised the romantic period. It ends with the growing professionalistion and specialisation of historical studies in the mid-nineteenth century which left little room for the self-generating, essentially romantic antiquarian enterprise. In so far as this subject has been considered at all it has been in the context of what has come to be called ‘the invention of tradition’. It is true that the romantic engagement with history as narrative led to some elaboration of the facts, while the newness of the enterprise laid it open to mistakes. I have not ignored this. The restoration of the Bayeux Tapestry, the forged tartans of the Sobieski Stuarts and the creation of Shakespeare’s Birthplace are all considered. Overall, however, I have been concerned not to debunk but as it were to ‘rebunk’, to see the antiquaries in their historical context and, as far as possible, in their own terms.
    [Show full text]
  • Charles Edward Stuart
    Études écossaises 10 | 2005 La Réputation Charles Edward Stuart Murray G. H. Pittock Electronic version URL: https://journals.openedition.org/etudesecossaises/149 DOI: 10.4000/etudesecossaises.149 ISSN: 1969-6337 Publisher UGA Éditions/Université Grenoble Alpes Printed version Date of publication: 31 March 2005 Number of pages: 57-71 ISBN: 2-84310-061-5 ISSN: 1240-1439 Electronic reference Murray G. H. Pittock, “Charles Edward Stuart”, Études écossaises [Online], 10 | 2005, Online since 31 March 2005, connection on 21 September 2021. URL: http://journals.openedition.org/ etudesecossaises/149 ; DOI: https://doi.org/10.4000/etudesecossaises.149 © Études écossaises Murray G.H. Pittock Charles Edward Stuart In April 1746, as events at Culloden drifted away from the Jacobites, Lord Elcho called on his leader Charles to charge forward and save the day. When he failed to do so, and instead left the field, Elcho termed him « an Italian coward and a scoundrel» (Scott, p. 213; Ewald, 1875, II, p. 27-33), sometimes popularized as «There you go, you cowardly Italian». Elcho’s squadron of Lifeguard cavalry were one of the Jacobite army’s few crack units: their wealthy and arrogant commander had already loaned Charles Edward 1500 guineas, a loan that was never repaid: to Charles it was a wager on success, to Elcho a commercial transaction, as Frank McLynn (1988, p. 141) has argued. In April 1746, as events at Culloden drifted away from the Jacobites, a cornet in the Horse Guards noted that the Prince wanted to charge forward and save the day. Colonel O’Sullivan ordered Colonel O’Shea of Fitzjames’s (whose name did not appear in the 1984 Muster Roll) to take Charles to safety (Livingstone, 1984).
    [Show full text]
  • Exploring Representations of Early Modern German Women Book Collectors (1650-1780)
    CURATING THE COLLECTOR: EXPLORING REPRESENTATIONS OF EARLY MODERN GERMAN WOMEN BOOK COLLECTORS (1650-1780) BY KATHLEEN MARIE SMITH DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in German in the Graduate College of the University of Illinois at Urbana-Champaign, 2012 Urbana, Illinois Doctoral Committee: Professor Mara R. Wade, Chair Associate Professor Laurie Johnson Associate Professor Stephanie Hilger Professor Carl Niekerk Professor Tom D. Kilton, Emeritus ABSTRACT This dissertation examines representations of book collecting by German women in the early modern period in order to explore the role of gender in this activity. Portrayals of book collectors in the modern and early modern eras offer examples of how this identity is constructed, particularly in the underlying assumptions and expectations that determine who is defined as a book collector and what criteria are used to shape that decision. In the case of four early modern women--Elisabeth Sophie Marie of Braunschweig-Lüneburg (1683-1767); Elisabeth Ernestine Antonie of Sachsen-Meiningen (1681-1766); Caroline of Ansbach (1683- 1737); and Wilhelmine of Bayreuth (1709-1758)--the act of collecting is depicted as essential to their social status and an integral part of their lives. Finally, in an in-depth case study of an early modern German woman who was a book collector, Sophie of Hanover (1630-1714), this study analyzes how she represented her collecting activities and textual interaction as well as how she is represented in other texts. The way in which these early modern German women were represented and represented themselves as collectors reveals a great deal about the position of women within wider networks concerning the exchange of texts and information.
    [Show full text]
  • Stephano Torelli's “Coronation Portrait of Catherine II”: Crowns As a Visual Formula of the Lands of the Russian Empire
    UDC 75.04 Вестник СПбГУ. Искусствоведение. 2020. Т. 10. Вып. 2 Stephano Torelli’s “Coronation Portrait of Catherine II”: Crowns as a Visual Formula of the Lands of the Russian Empire* E. A. Skvortcova Saint Petersburg State University, 7–9, Universitetskaya nab., St. Petersburg, 199034, Russian Federation For citation: Skvortcova, Ekaterina. “Stephano Torelli’s ‘Coronation Portrait of Catherine II’: Crowns as a Visual Formula of the Lands of the Russian Empire”. Vestnik of Saint Petersburg University. Arts 10, no. 2 (2020): 274–299. https://doi.org/10.21638/spbu15.2020.206 The “Coronation portrait of Catherine II” by Stephano Torelli introduces a new type of ico- nography of the Russian Empress in which she appears as a bearer of multiple (i. e. four) crowns. Whereas originally such a portrait type in European art served as a representation of the several titles of the ruler and correspondent lands joined in a personal union, it became a representation of the titles of Catherine II as the Russian Empress and tsarina of the conquered tsarstva of Kazan, Astrakhan and Siberia. The theme of titles and lands of the Empire had al- ready developed in 18th-century Russia in other forms (allegorical figures, coats-of-arms) and visual media (decorative painting and sculpture). Circa 10 examples collected here for the first time are set side by side with their European counterparts. Three types of representations of native and conquered territories emerged in which the very choice of particular titles and the place of their symbolic representation in composition accentuated different aspects in the con- cept of the Russian Empire.
    [Show full text]
  • Scottish Silver & Applied Arts (496) Lot
    Scottish Silver & Applied Arts (496) Wed, 16th Aug 2017, Edinburgh Lot 428 Estimate: £5000 - £7000 + Fees A FINE JACOBITE REVIVAL CARVED WOOD FRAME MID 19TH CENTURY the engraving showing the return of Bonnie Prince Charlie to Edinburgh after the Battle of Prestonpans, engraved by Francis Bacon after the painting by Thomas Duncan, signed in the margin, the heavily carved frame with a cresting of a plumed crown above a central figure of Charles Edward on horseback, draped with colours, canon, shields and including the dress targe presented to Prince Charles Edward Stuart by James, 3rd Duke of Perth, the corners with further clusters of arms and armour, the engraving flanked by bold Highland figures holding flags and standing on scrolls with carved crests in shields for the MacPhersons to the left and MacDonald to the right, the lower section with carved central Royal Standard flanked by oval portrait of Prince Charles Edward Stuart, further trophies of arms and various Scottish musical instruments Dimensions: 112 x 128cm (overall) Provenance: Formerly at Glentruim, with the MacPherson family by descent Note: Although the exact provenance and history of this commission is unknown, its long connection with the MacPherson family and the obvious iconography tells an interesting and important story. The frame dates firmly to the Jacobite/ Highland revival period when the turn in Scots' attitudes to being Scots meant that all parts of a family's history were re-evaluated and relics were not only brought out to display but new 'heritage' was created. It would appear that this frame falls into both camps.
    [Show full text]
  • Poland and Britain Connections
    Poland and Britain Connections http://www.collaborativelearning.org/britainpoland.pdf Poland and Britain - Connections This set of activities is currently developing as a response to racist behaviour towards Polish new arrivals in classrooms in rural areas where the presence of other ethnic groups is new and ignorance is shared by adults and children. The activities are designed to acquaint pupils with the connections that have been taking place since the twelfth century or earlier when Norman knights went crusading in Poland up to the time when after the invasions of Poland in 1939 many Polish soldiers, sailors and airmen came to Britain and made a significant contribution to the war effort. With help of colleagues in Poland I hope we can bring the history closer to the present, but I sense that we will be looking at historical sources which are still very controversial. Currently we have two (maybe three) activities in the pipeline: 1. A 'sort out the clues' activity to complete a timeline introducing events from Polish history (bottom of timeline) and events from joint Great Britain/Polish history (top of timeline). 2. An information/transformations activity introducing a class set and more of people, events, artefacts for sharing and researching. 3. A timeline and mapping activity along the lines of our Anglo Saxon dates activity where small groups study different periods of Polish history to research and present to the rest of the class. I must emphasise at this stage that the activities are tentative and we welcome your comments and suggestions. If you have Polish students or teachers in your school please ask them to help us.
    [Show full text]
  • Jacobitism and the Creation of a Scottish National Identity
    “Here’s Tae Us! Wha’s Like Us?” Jacobitism and the Creation of a Scottish National Identity by Nicole A. Robinson Wittenberg University April 15, 2003 CONTENTS I. Introduction . 1-4 II. Historiography . 5-23 III. Historical Jacobitism . 24-39 IV. The End of Highland Life . 40-52 V. Highland Culture Revived . 53-73 VI. Conclusion . 74-76 Appendix 1 - Important Events and Legislation . 77-78 Appendix 2 – Stuart and Hanoverian Dynasties . 79 Appendix 3 – The Skye Boat Song . 80 Appendix 4 – Charles Edward in Tartan . 81 Works Cited . 82-84 1 I. Introduction Winston Churchill once claimed that “of all the small nations of this earth, perhaps only the ancient Greeks surpass the Scots in their contribution to mankind.”1 Scotland has produced a plethora of important writers, philosophers, historians, and scientists. During the Enlightenment, Scotland’s capital, Edinburgh, was called the “Athens of the north,”2 a tribute to the number of influential figures who lived or were educated there during the eighteenth century. Such famous and significant figures as David Hume, Andrew Carnegie, Alexander Graham Bell, Dr. David Livingstone, Sir Walter Scott, and Sir Arthur Conan Doyle were Scottish. Despite influence of Scotland’s famous progeny, the country is not known for its contributions to the sciences and the arts. Instead, the mention of Scotland brings to most minds such things as kilts, tartan, bagpipes, clanship, and other tourist images that were primarily Highland customs before the eighteenth century. This vision of a timeless Celtic Scotland is in opposition to the reality that existed before the eighteenth century.
    [Show full text]
  • Cultural Gifts Scheme & Acceptance in Lieu
    Cultural Gifts Scheme & Acceptance in Lieu Report 2016 Contents Preface Acceptance in Lieu Cases 2015/16 Sir Peter Bazalgette, Chair, Arts Council England 4 14. William Turnbull sculptures 32 15. Joseph Mallord William Turner: Introduction The High Street, Oxford 34 16. Lucian Freud self-portrait and archive 36 Edward Harley, Chairman, Acceptance in Lieu Panel 5 17. Benozzo Gozzoli drawings 38 Allocations 5 18. Allan Ramsay: Prince Charles Edward Stuart 40 Hybrid offers 6 19. Sir Joshua Reynolds: 5th Earl of Carlisle 42 In situ cases 6 20. Plas Newydd chattels 44 Tax changes 7 21. Cartier tiara 46 Conditional Exemption 7 22. Sir Anthony van Dyck: Mrs Endymion Porter 48 Immunity from Seizure 7 23. Master of the Countess of Warwick: Portrait of Susan Bertie, later Countess of Kent 50 The Culture White Paper 7 24. George Romney: Portrait of John Fane 52 Thanks and acknowledgements 8 25. Glynn Parian ware collection 54 26. Hobson bookbinding archive 55 Cultural Gifts Scheme Cases 2015/16 27. Late 15th-century view of Florence 56 1. Great Seal of Queen Victoria 10 28. Rumbold desk 58 2 & 3. Two collections of paper peep-shows 12 29. Kennet archive 59 4. Isack Van Ostade landscape 14 30. Two antique busts from Houghton Hall 60 5. Sun Foundry showroom ceiling 16 31. Raffaellino del Garbo: Study of Drapery 62 6. Arundel table 17 32. Francisco José de Goya y Lucientes: 7. Bindman collection of political caricature prints 18 Three albums of prints 64 8. John Hamilton Mortimer: Witts Family Group 20 33. James Abbott McNeill Whistler: Three pastel portraits 66 9.
    [Show full text]
  • The Impact of the 1745 Jacobite Rebellion on British Identity In
    Answering the Pretender's Declaration: The Impact of the 1745 Jacobite Rebellion on British Identity in Colonial Maryland and Pennsylvania Laura O’Friel A Capstone Submitted in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts in History and General University Honors Professor Katharine Norris, Faculty Director American University May 2009 O’Friel 1 The fall of 1746 tested the fortitude of Reverend Thomas Cradock. An Anglican minister in Baltimore County, Maryland, Cradock found his loyalty to Britain in question. In the waning days of the Jacobite Rebellion, another Maryland Protestant accused him of drinking to the health of the Catholic Stuart Pretender, not the Protestant Hanoverian king. That November, Cradock responded by printing two of his sermons preached during the Rebellion, and in a long preface, he defended himself: “Thus considering myself as an Englishman, a Protestant, a Minister of a Protestant Church, forced me to show the sincere Joy I felt [at the Jacobite demise], and the hearty Abhorrence I had of a slavish Subjection either in Religion or Polity.”1 The levels of identity—first nation, faith, then clerical occupation—incrementally added legitimacy to his claim that he was not a Jacobite. He mentions the most important last. As an Anglican minister, he was tied directly to the security and prosperity of the British state, and equated treason toward the king as equal to blaspheming against God. 2 In this justification Cradock revealed two key aspects of colonial life. First, as a loyal British subject, Cradock could not support Catholicism or arbitrary government (specifically that of France).
    [Show full text]
  • Figures Followed by an Asterisk Rifer to an Auction-Price Paid Jor a Musical Work Or Other Item
    Cambridge University Press 978-0-521-15743-8 - Some British Collectors of Music c. 1600–1960 A. Hyatt King Index More information INDEX Figures followed by an asterisk rifer to an auction-price paid Jor a musical work or other item. Figures in bold type refer to the location of an auction sale-catalogue or to evidence that a sale took place. Abel, Carl Friedrich, 107 Andre, Johann Anton, 46 Aberdeen University, collection of William Andrews, Hilda, 103 Lawrence Taylor bequeathed to, 87, 146 Angel, Alfred, collection sold, 138 (1876) Aberdeen University Studies, 87 n. Anglebert, Jean Baptiste Henri d' Academy of Ancient Music, 16, 31, 147 performer in Ballet de la naissance de Venus, 65 Additions to the Manuscripts of the British Museum, Pieces de clavecin, 65 1846-1847, 44 n. Anne, Q!!een, 65 Adelaide, Q!!een Consort of William IV, !I2 n. Anselmi, Giorgio, 40 Adlung, Jacob, 81 Anselms, see Anselmi, Giorgio Adolphus Frederick, Duke of Cambridge, 95 Apel, Willi, 21 'catalogue thematique', 48 Apollo, The, 29 collection described, 48; sold, 136 (1850) Araja, Francesco, autographs in Royal Music Adson, John, Courtly masquing Ayres, 95* Library, 108 Agricola, Martin, 8 I Archadelt, Jacob, Primo libro de' madrigali, 56* 'Airiettes', 28, 45 Archbishop Marsh's Library, see Dublin Albert, Prince Consort, 92 n. Ariosti, Attilio, 106 as collector, !I2 Aristoxenus, Harmonicorum elementorum libri III, library stamp, !I3 56 Alcock, John, the elder, 148 Arkwright, Godfrey Edward Pellew, 96, 128 n. Alderson, Montague Frederick, 67 n. collection described, 74, 75; sold, 141 (1939, Aldrich, Henry, 90 1944) collection bequeathed to Christ Church, Oxford, Catalogue ofMusic in the Library of Christ Church, 13, 145; catalogue of, by J.
    [Show full text]