Golden Boy with Miss Kittin

Total Page:16

File Type:pdf, Size:1020Kb

Golden Boy with Miss Kittin Golden Boy Rippin Kittin mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Rippin Kittin Country: UK & Europe Released: 2001 Style: House, Electro MP3 version RAR size: 1207 mb FLAC version RAR size: 1781 mb WMA version RAR size: 1524 mb Rating: 4.9 Votes: 530 Other Formats: VQF MMF DMF MIDI AIFF XM AHX Tracklist 1 Rippin Kittin - Glove Radio Edit 3:33 2 Rippin Kittin - Tobi Neumann's Glove Tension Dub 7:42 3 Rippin Kittin - Freaksfasterpussycatvocal 7:52 4 Rippin Kittin - Video Notes Ladomat 2000 Other versions Category Artist Title (Format) Label Category Country Year Golden Boy ladomat Golden Boy With Miss Ladomat ladomat With Miss Germany 2001 2123-0 Kittin - Rippin Kittin (12") 2000 2123-0 Kittin Golden Boy Golden Boy With Miss cdilldj007 With Miss Kittin - Rippin Kittin (CD, Illustrious cdilldj007 UK 2002 Kittin Single, Promo) Golden Boy Golden Boy With Miss VENMX 750 Vendetta VENMX 750 With Miss Kittin - Rippin Kittin 2007 Spain 2006 (N) Records (N) Kittin (Deux Remix) (12") Golden Boy Golden Boy With Miss Ladomat none With Miss Kittin - Rippin Kittin (CD, none Germany 2002 2000 Kittin Maxi, Promo) Golden Boy Golden Boy With Miss none With Miss Kittin - Rippin Kittin (CDr, Illustrious none UK 2002 Kittin Single, Promo) Related Music albums to Rippin Kittin by Golden Boy 1. Miss Kittin's - Professional Distortion 2. Kris Menace Featuring Miss Kittin - Hide 3. Miss Kittin - Grace 4. Miss Kittin - Kittin Callin 30' MIX 5. Various - Summer Hitmix 2002 6. Beroshima - The Best Of Collection - Limited Japan Edition 7. Popof + Animal And Me - Going Back 8. Miss Kittin & The Hacker - Frank Sinatra 9. DJ Choops - Children Of The Revolution 10. Miss Kittin - Kittin Is High.
Recommended publications
  • Audacity Find Clipping
    Audacity find clipping Continue See also: List of songs about California Wikimedia related to the song list article This is a list of songs about Los Angeles, California: either refer, are set there, named after a place or feature of a city named after a famous resident, or inspired by an event that occurred locally. In addition, several adjacent communities in the Greater Los Angeles area, such as West Hollywood, Beverly Hills, Santa Monica, Pasadena, Inglewood and Compton are also included in this list, despite the fact that they are separate municipalities. The songs are listed by those who are notable or well-known artists. Songs #s-A 10th and Crenshaw Fatboy Slim 100 Miles and Runnin' at N.W.A 101 Eastbound on Fourplay 103rd St. Theme Watts 103rd Street Rhythm Band 1977 Sunset Strip at Low Numbers 2 A.M. on Bobby Mulholland Drive Please, and Udenik 2 David Banner 21 Snoopstreet Trey Deee 26 Miles (Santa Catalina) at Four Preps 2 Nigs United 4 West Compton Prince 29th Street David Benoit 213 to 619 Adjacent Abstract. at Los Angeles Joe Mama 30 Piers Avenue Andrew Hill 319 La Cienega Tony, Vic and Manuel 34th Street in Los Angeles Dan Cassidy 3rd Base, Dodger Stadium Joe Kewani (Rebuilt Paradise Cooder) 405 by RAC Andre Allan Anjos 4pm in Calabasas Drake (musician) 5 p.m. to Los Angeles Julie Covington 6 'N Mornin' by Ice-T 64 Bars at Wilshire Barney Kessel 77 Sunset Strip from Alpinestars 77 Sunset Sunset Strip composers Mack David and Jerry Livingston 79th and Sunset Humble Pye 80 blocks from Silverlake People under the stairs 808 Beats Unknown DJ 8069 Vineland round Robin 90210 Blackbeard 99 miles from Los Angeles Art Garfunkel and Albert Hammond Malibu Caroline Loeb ..
    [Show full text]
  • Batbox Batscan Software
    Batbox batscan software click here to download BatScan Analysis software for Batbox Duet. Fast and easy analysis of bat sonar. Easy to install, BatScan will record and play back sound samples through. Batbox Batscan Software is optimised for use with the Batbox Duet, but also for use with other TE and FD detectors. Provides fast and easy analysis of bat sonar. BatScan is produced by Batbox Ltd and can be purchased on CD for a very small fee, or comes with Batbox's Baton bat detector. You will need to install the. Buy Batbox Duet & Zoom H2n Digital Recorder (requires mm jack lead, below), and get BatScan Software FREE!! £ + £ + £ BatScan processes PCM format digital audio data such www.doorway.ru sound files. Default settings have been optimised for use with Batbox Duet. "BatScan Software: This software's ease-of-use, affordability, and wonderful results make it an ideal choice for hobbyists just starting out. The application. low cost. Perfect gift for curious wildlife hobbyist; Ideal for interpretive programs; Real-time can be viewed using the included BatScan sound analysis software. Attention: Developers Of Bat Call Analysis Software - Just FYI: If you have ever I currently use Audacity (free), and BatScan from BatBox Ltd. High quality detectors designed and made in the UK Batbox Baton Bat Detector • Budget frequency division • Analyse sonograms with free BatScan software. The Batbox Baton bat detector is a simple but versatile bat detector having a monitor speaker allowing reduction of frequencies between 20kHz. BatScan is easy software to install, that will record and play back sound samples through Default settings have been optimised for use with the Batbox Duet.
    [Show full text]
  • The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
    Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC).
    [Show full text]
  • Pascal Gabriel Complete CV
    Pascal Gabriel Producer / Writer / Mixer Belgian-born songwriter and producer Pascal Gabriel has had a career spanning 25 years so far; from S-Express’s number 1 hit ‘Theme from S-Express’, Bomb The Bass’s landmark hit album ‘Beat Dis’, EMF’s multi-platinum album ‘Schubert Dip’, to co-writing Dido’s mega-selling ‘Here With Me’ and ‘No Angel’, and more recently hits with Kylie Minogue, Ladyhawke, Will Young, Goldfrapp, Little Boots, Marina and the Diamonds and many more. Stubbleman ‘Mountains and Plains’ / Album Write / Prod Emma Louise ‘Supercry’ / Album Prod / Mix The Temper Trap ‘This As Thieves’ / Album Co-Write Leon Else ‘Tomorrowland’ / Single Co-Write / Prod VV Brown ‘The Apple’ / Single Co-Write / Prod Little Boots ‘Nocturnes ‘ / Album / Singles Co-Write / Prod ‘Tune Into My Heart’ / Album tracks Co-Write Will Young ‘Echoes’ / Album Co-Write Ladyhawke ‘Anxiety’ / Album / Singles Co-Write / Prod ‘Ladyhawke’ / Album / Singles Co-Write / Prod Kylie Minogue ‘Can’t Beat The Feeling’ / Single Co-Write / Co-Prod ‘Your Love’ / Single Co-Write / Prod / Mix Marina & The Diamonds ‘The Family Jewels’ / Album / Singles Co-Write / Prod Example ‘All Over Again’ / Single Co-Write / Prod Goldfrapp ‘Headfirst’ / Album Produce Miss Kittin ‘Bat Box’ / Album Co-Prod / Co-Write Depeche Mode ‘Precious’ / Single Add Prod / Mix Rachel Stevens ‘So Good’ / Single Co-Write / Prod Bebel Gilberto ‘Ceu Distante’/ Single Produce Liberty X ‘Everybody Cries’ / Single Co-Write Alexis Strumm ‘Why Me Why Now’ / Single Co-Write / Prod Natalie Imbruglia ‘White Lilies
    [Show full text]
  • The History of Rock Music: the 2000S
    The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Clubbers (These are excerpts from my book "A History of Rock and Dance Music") Electroclash TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. The "electroclash" movement was basically a revival of the dance-punk style of the new wave. It was New York dj Lawrence "Larry Tee" who coined the term, and the first Electroclash Festival was held in that city in 2001. However, the movement had its origins on the other side of the Atlantic Ocean. One could argue that electroclash was born with Space Invaders Are Smoking Grass (1997), released by Belgian dj Ferenc van der Sluijs under the moniker I-f. At about the same time German house dj Helmut-Josef "DJ Hell" Geier was promoting a scene in Berlin that was basically electroclash. Another forerunner was French dj Caroline "Miss Kittin" Herve', who had recorded the EP Champagne (1998), a collaboration with Michael "The Hacker" Amato that included the pioneering hit 1982. The duo joined the fad that they had pioneered with First Album (2001). Britain was first exposed to electroclash when Liverpool's Ladytron released He Took Her To A Movie (1999), that was basically a cover of Kraftwerk's The Model. Next came Liverpool's Robots In Disguise with the EP Mix Up Words and Sounds (2000).
    [Show full text]
  • Digimag12.Pdf
    DIGICULT Digital Art, Design & Culture Founder & Editor-in-chief: Marco Mancuso Advisory Board: Marco Mancuso, Lucrezia Cippitelli, Claudia D'Alonzo Publisher: Associazione Culturale Digicult Largo Murani 4, 20133 Milan (Italy) http://www.digicult.it Editorial Press registered at Milan Court, number N°240 of 10/04/06. ISSN Code: 2037-2256 Licenses: Creative Commons Attribution-NonCommercial-NoDerivs - Creative Commons 2.5 Italy (CC BY- NC-ND 2.5) Printed and distributed by Lulu.com E-publishing development: Loretta Borrelli Cover design: Eva Scaini Digicult is part of the The Leonardo Organizational Member Program TABLE OF CONTENTS Bertram Niessen Mikrosolke, Anarchia Audiovisiva .............................................................................. 3 Silvia Bianchi Qubogas: No Audiovisual Performances ................................................................. 6 Alex Dandi Live Dj Set Vs Studio Dj Set ........................................................................................ 9 Luca Bergero Loren Chasse, Photographing Acustic Spaces ...................................................... 13 Beatrice Ferrario Inviting Horror: Join To The Fear .............................................................................. 18 Tiziana Gemin Reality Addicts: Transmediale 06 ............................................................................ 21 Elena Bianchi Vairani Robotmusic: Beyond The Life .................................................................................. 25 Gigi Ghezzi Regional Innovation
    [Show full text]
  • Keyfinder V2 Dataset © Ibrahim Sha'ath 2014
    KeyFinder v2 dataset © Ibrahim Sha'ath 2014 ARTIST TITLE KEY 10CC Dreadlock Holiday Gm 187 Lockdown Gunman (Natural Born Chillers Remix) Ebm 4hero Star Chasers (Masters At Work Main Mix) Am 50 Cent In Da Club C#m 808 State Pacifc State Ebm A Guy Called Gerald Voodoo Ray A A Tribe Called Quest Can I Kick It? (Boilerhouse Mix) Em A Tribe Called Quest Find A Way Ebm A Tribe Called Quest Vivrant Thing (feat Violator) Bbm A-Skillz Drop The Funk Em Aaliyah Are You That Somebody? Dm AC-DC Back In Black Em AC-DC You Shook Me All Night Long G Acid District Keep On Searching G#m Adam F Aromatherapy (Edit) Am Adam F Circles (Album Edit) Dm Adam F Dirty Harry's Revenge (feat Beenie Man and Siamese) G#m Adam F Metropolis Fm Adam F Smash Sumthin (feat Redman) Cm Adam F Stand Clear (feat M.O.P.) (Origin Unknown Remix) F#m Adam F Where's My (feat Lil' Mo) Fm Adam K & Soha Question Gm Adamski Killer (feat Seal) Bbm Adana Twins Anymore (Manik Remix) Ebm Afrika Bambaataa Mind Control (The Danmass Instrumental) Ebm Agent Sumo Mayhem Fm Air Sexy Boy Dm Aktarv8r Afterwrath Am Aktarv8r Shinkirou A Alexis Raphael Kitchens & Bedrooms Fm Algol Callisto's Warm Oceans Am Alison Limerick Where Love Lives (Original 7" Radio Edit) Em Alix Perez Forsaken (feat Peven Everett and Spectrasoul) Cm Alphabet Pony Atoms Em Alphabet Pony Clones Am Alter Ego Rocker Am Althea & Donna Uptown Top Ranking (2001 digital remaster) Am Alton Ellis Black Man's Pride F Aluna George Your Drums, Your Love (Duke Dumont Remix) G# Amerie 1 Thing Ebm Amira My Desire (Dreem Teem Remix) Fm Amirali
    [Show full text]
  • MITCMJ301 06Reviews 83-102
    Reviews [Editor’s note: Selected reviews are the formal and primarily academic names, this year including acts like posted on the Web at mitpress2.mit branch of electronic music that is fo- De La Soul, Ellen Allien, Jamie .edu/e-journals/Computer-Music- cused on extending musical capabili- Lidell, Laurent Garnier, Miss Kittin, Journal/Documents/reviews/index ties through technology.”), but Sónar and the Chemical Brothers. These .html. In some cases, they are either embraces both. The theme this year events have been amply reviewed by unpublished in the Journal itself or was a “return to the physical in the the international press, and I leave published in an abbreviated form in expression of live music.” The undis- commentaries to those specialists the Journal.] puted “soloists” of earlier Sónars, and aficionados (one link to a more portable computers, have been re- mainstream review of the festival can placed by guitars, drums, pianos, and be found at www.soundgenerator voices. With 300 activities including .com/burner/reviews_live.cfm? Events DJ sets, live sets, visual and multime- reviewid=1077). dia art, conferences and discussion Sónar by Day provides spaces for forums, a record fair, an editorial fair, the experimental films, multimedia merchandising and hardware exposi- installations, and exhibits that define Sónar 2005: Advanced Music and tions, live broadcasts, and archives at Sónar’s artistic identity and that will Multimedia Art individual viewing stations, the festi- be the focus of this review. I begin val’s programs embrace the multi- with SonarMàtica, where one finds Barcelona, Spain, 16–18 June 2005. tude of styles and media in electronic installations and contemporary art music today.
    [Show full text]
  • Janvier Février Mars
    JANVIER FÉVRIER MARS SALLE DE MUSIQUES ACTUELLES DE STRASBOURG CLIO CHANSON FRANÇAISE · 10 JAN DAVID BRESSAT JAZZ · 16 JAN AKSHAM JAZZ · 21 JAN Feat. Elina Duni DAVID LAFORE CHANSON FRANÇAISE · 15 FÉV SAGES COMME MUSIQUE DU MONDE · 7 MARS DES SAUVAGES MISC JAZZ · 19 MARS KENNEDY, MILTEAU & SÉGAL CROSSBORDER BLUES BLUES · 27 MARS THE AMAZING KEYSTONE JAZZ · 3 AVR BIG BAND We love Ella MACHA GHARIBIAN JAZZ · 7 AVR THE YOKEL FOLK ROCK · 30 AVR DJAZIA SATOUR MUSIQUE DU MONDE · 6 MAI SHAÏ MAESTRO JAZZ · 7 MAI PRINTEMPS DU FLAMENCO 18–30 MAI Licences Catégorie 1: 111 49 50 / 111 49 51 / 111 49 53 – Catégorie 2 : 111 49 54 - Catégorie 3: 111 49 52 49 111 3: Catégorie - 54 49 111 2 : Catégorie – 53 49 111 / 51 49 111 / 50 49 111 1: Catégorie Licences © Cercle Studio. Studio. © Cercle WWW.VILLE-SCHILTIGHEIM.FR . 03 88 83 84 85 SAISON 19 20 SCHILTIGHEIM CULTURE A I T L E R I A E L A TOP 160 L CHANSON FRANÇAISE R CLIO 10 JAN R · T P «STARS FRANCOPHONES E F T A C DAVID BRESSAT JAZZ · 16 JAN PASSÉES EN 25 ANS DE LAITERIE ! *CLASSEMENT FAIT PAR LE BOOKINGMEISTER AKSHAM JAZZ · 21 JAN Feat. Elina Duni AARON C2C 2007 . 2010 . 2015 - ELECTRO POP MELANCOLIQUE 2012 - ELECTRONICA TRIP HOP ALTERNATIF HIP HOP CHANSON FRANÇAISE DAVID LAFORE 15 FÉV ABD AL MALIK CHARLELIE COUTURE · 2006 - RAP JAZZ SLAM CHANSON 1997 - CHANSON POP SAGES COMME MUSIQUE DU MONDE AIR CHARLOTTE GAINSBOURG · 7 MARS 1998 . 2001 . 2010 -ELECTRONICA DOWNTEMPO SPACE ROCK DREAM POP 2012 - ELECTRO POP ROCK DES SAUVAGES ALAIN BASHUNG CHINESE MAN 2003 .
    [Show full text]
  • Kraftwerk in Concerto 47 Go to Mali Uomini, Mano Alle Scope!
    n.2 maggio 2004 mensile di intrattenimento intelligente 2 EDITORIALE bazar 05 2004 [email protected] [email protected] bazar 05 2004 laboratori di serena cama e freestylers 3 MAra Codalli Eugenia ROmanelli Vera RIsi Direttore arTistico Direttore responsabile viceDirettore bazar 05 2004 laboratori di serena cama e freestylers 3 [email protected] SKATE WILL NEVER DIE Il primo skate è datato 1950. Ma nel 1965 lo skate sparì dalla circolazione. Motivo? Incidenti fatali provocati da materiali scadenti… Poi, nel 1970 nacquero le prime rotelle in uretano… Di Serena Cama in collaborazione con Alessandro Intiso Cos’è lo skateboard? Per alcuni una perdita di tempo, per altri uno sport, un gioco o un feticcio della dominante cultura americana. Per molti è simbolo di libertà e così doveva essere per i baby-boomer, i figli del boom economico statunitense, quando abbandonarono le loro tavole due per quattro montate su rotelle da pattini con una cassetta da imballaggio per manubrio, per comperare Lo skate cominciò a guadagnare seguaci tra la folla di surfer attratti dall’idea di poter cavalcare le impervie asperità della strada. Nacquero subito riviste (la prima fu Surfguide di Long Stevenson), si organizzò la prima gara che si tenne a Hermosa, California, nel 1963. In quegli anni si produssero più di cinquanta milioni di tavole. Eppure nel 1965 lo skate morì. Causa: la scarsa qualità dei materiali usati per costruirli come le ruote in argilla che garantivano una corsa più liscia ma anche cadute più rovinose. Così in seguito ad alcuni incidenti fatali, i comuni bandirono gli skates dalle strade.
    [Show full text]
  • Headphone-Headset-Jetset: DJ Culture, Mobility and Science
    Headphone-Headset-Jetset DJ Culture, Mobility and Science Fictions of Listening Feature Article Sean Nye University of Minnesota Abstract This article explores the practice of DJ performance through the use of headphones as opposed to the preferred instruments of analysis: vinyl, turntables and mixers. It focuses on the DJ as a performer who uses headphones on stage, which complicates the traditional construction of “headphone culture” as tending toward exclusively private listening. The experience of the public and private tension of headphones on stage leads to a larger examination of the post-World War II dialectic of mobility, radio communications and recorded music, which is expressed in the constellation “headphone-headset-jetset”. In this history, headphones intersect with cultures of command-and-control, aviation and broadcasting. These intersections help to trace the history of the cyborg figure. Keywords: DJ, headphones, club culture, science fiction, radio, cyborg, mobile media Sean Nye is a PhD student in the Comparative Studies in Discourse and Society program at the University of Minnesota, Twin Cities. His dissertation project concerns constructions of German identity in popular electronic music between 1968 and 2009. His articles, reviews and translations have appeared in Dancecult: Journal of Electronic Dance Music Culture, New Literary Critique, Cultural Critique, Journal der Jugendkulturen, and Echo: A Music-Centered Journal. Email: <[email protected]> Dancecult: Journal of Electronic Dance Music Culture 3(1): 64–96 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI 10.12801/1947-5403.2011.03.01.04 Nye | Headphone-Headset-Jetset 65 Introduction The dj’s role is to intensify estrangement, to transmit the currents of the alien.
    [Show full text]
  • Erotica Issue
    left coast culture The special erotica issue EROTICA ..' Volume 16.4 May/June 2002 England £3.00 Japan ¥500 7 ".'25274"73916'." 5 music :' ...~ ,~. _I..... text Mark von Pfeiffer photo Matt Salacuse Viagra is a thing of the past. The simple sound of Miss Kittin's (aka working on her upcoming solo project, but I imagined her high in the Caroline Herve) voice is capable of whammying the Umbic System with Swiss Alps wearing fish-net Lederhosen, sipping Dom Perignon 1972. a tantric tidal wave that could wake Dean Martin from the dead and send Although she has collaborated on three major albums in the last year him jitterbugging across the dance. with electronic heavy-hitters The Hacker, Golden Boy and the aforemen- Kittin became my personal savior on January 15, 2001. I was doing tioned Housecat, Kittin remained a European phenomenon. Having the weekly wallow through the sonic barnyard of music that makes its played just about everywhere but the U.S., Greenland and Chile, she and way to my mailbox. Mere moments into the highly recommended elec- The Hacker (aka Michael Amato) are gearing up for a four city blitzkrieg tro-influenced house album from Felix da Housecat, I was blown off my that will hit the stateside this Spring. "I want to go to the beach and stool by the honeysuckle whipcrack of her languid voice, not so much swim, walk down the streets and make sure there's a lot of Pamela \ ! f. T ~ T singing, but more whispering down the pipe at me. Anderson look-a-likes as my friends said." The U.S.
    [Show full text]