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Audacity Find Clipping
Audacity find clipping Continue See also: List of songs about California Wikimedia related to the song list article This is a list of songs about Los Angeles, California: either refer, are set there, named after a place or feature of a city named after a famous resident, or inspired by an event that occurred locally. In addition, several adjacent communities in the Greater Los Angeles area, such as West Hollywood, Beverly Hills, Santa Monica, Pasadena, Inglewood and Compton are also included in this list, despite the fact that they are separate municipalities. The songs are listed by those who are notable or well-known artists. Songs #s-A 10th and Crenshaw Fatboy Slim 100 Miles and Runnin' at N.W.A 101 Eastbound on Fourplay 103rd St. Theme Watts 103rd Street Rhythm Band 1977 Sunset Strip at Low Numbers 2 A.M. on Bobby Mulholland Drive Please, and Udenik 2 David Banner 21 Snoopstreet Trey Deee 26 Miles (Santa Catalina) at Four Preps 2 Nigs United 4 West Compton Prince 29th Street David Benoit 213 to 619 Adjacent Abstract. at Los Angeles Joe Mama 30 Piers Avenue Andrew Hill 319 La Cienega Tony, Vic and Manuel 34th Street in Los Angeles Dan Cassidy 3rd Base, Dodger Stadium Joe Kewani (Rebuilt Paradise Cooder) 405 by RAC Andre Allan Anjos 4pm in Calabasas Drake (musician) 5 p.m. to Los Angeles Julie Covington 6 'N Mornin' by Ice-T 64 Bars at Wilshire Barney Kessel 77 Sunset Strip from Alpinestars 77 Sunset Sunset Strip composers Mack David and Jerry Livingston 79th and Sunset Humble Pye 80 blocks from Silverlake People under the stairs 808 Beats Unknown DJ 8069 Vineland round Robin 90210 Blackbeard 99 miles from Los Angeles Art Garfunkel and Albert Hammond Malibu Caroline Loeb .. -
Batbox III D Bat Detector User Guide
Batbox III D bat detector user guide The new Batbox III D is a heterodyne bat detector, which incorporates the latest technology, whilst retaining all the best qualities of its predecessor. The easy-to-read digital display, single-handed operation, high sensitivity and robustness make it an essential field tool for the professional or amateur batworker. The unit is very easy to use and comes supplied with a soft carrying case. Leaflet design : www.mikeharwood.co.uk IMPORTANT Please read these instructions before using your Batbox III D bat detector BatterY CONNECTION: When fitting the battery, make sure that the unit is switched off and that you fit it correctly. Connecting it the wrong way round may cause damage to the detector. The Batbox III D is designed to take a PP3, 9 volt battery. All brands and types should work but the performance and capacity will vary according to the type used. We recommend the use of NmHi batteries as they are the most economical way of powering the detector as well as being less harmful to the environment. They can be charged by day ready for use in the evening. Duration will depend on the quality of the battery but, on average, expect 12 hrs of intermittent use, per charge. BatterY LOW indicator: When the battery voltage drops below 7 volts a ‘BAT’ legend will appear in the top left hand corner of the display. The Batbox III D will continue functioning normally for a few more minutes. You should change the battery soon after this sign appears. -
TITLE PAGE.Wpd
Proceedings of BAT GATE DESIGN: A TECHNICAL INTERACTIVE FORUM Held at Red Lion Hotel Austin, Texas March 4-6, 2002 BAT CONSERVATION INTERNATIONAL Edited by: Kimery C. Vories Dianne Throgmorton Proceedings of Bat Gate Design: A Technical Interactive Forum Proceedings of Bat Gate Design: A Technical Interactive Forum held March 4 -6, 2002 at the Red Lion Hotel, Austin, Texas Edited by: Kimery C. Vories Dianne Throgmorton Published by U.S. Department of Interior, Office of Surface Mining, Alton, Illinois and Coal Research Center, Southern Illinois University, Carbondale, Illinois U.S. Department of Interior, Office of Surface Mining, Alton, Illinois Coal Research Center, Southern Illinois University, Carbondale, Illinois Copyright 2002 by the Office of Surface Mining. All rights reserved. Printed in the United States of America 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Bat Gate Design: A Technical Interactive Forum (2002: Austin, Texas) Proceedings of Bat Gate Design: Red Lion Hotel, Austin, Texas, March 4-6, 2002/ edited by Kimery C. Vories, Dianne Throgmorton; sponsored by U.S. Dept. of the Interior, Office of Surface Mining and Fish and Wildlife Service, Bat Conservation International, the National Cave and Karst Management Symposium, USDA Natural Resources Conservation Service, the National Speleological Society, Texas Parks and Wildlife, the Lower Colorado River Authority, the Indiana Karst Conservancy, and Coal Research Center, Southern Illinois University at Carbondale. p. cm. Includes bibliographical references. ISBN 1-885189-05-2 1. Bat ConservationBUnited States Congresses. 2. Bat Gate Design BUnited States Congresses. 3. Cave Management BUnited State Congresses. 4. Strip miningBEnvironmental aspectsBUnited States Congresses. -
The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC). -
Student Workbook Bat House
Student Workbook Fifth Grade Bat House Safety Agreement 1. SAFETY IS AN ATTITUDE – Safety is the first thing you think about while doing any woodworking. 2. STAY ALERT – Always be aware of what you are doing and what others around you are doing. 3. NEVER GET INTO A HURRY- Take your time and do the job right. 4. FOLLOW THE INSTRUCTIONS – Always follow the teacher’s instructions and any instructions with your tools or project. 5. NEVER USE A BROKEN TOOL – Always keep your tools clean and in good shape and NEVER use a tool if it is broken. 6. KEEP YOUR WORK AREA CLEAN AND NEAT – Take time as you work to pick up scrap and trash and also put your tools away as you use them. 7. THINK AHEAD – Before starting a task, think ahead of all the tools and supplies you will need to finish it and the order you will need each tool. 8. DRESS FOR THE JOB – Secure loose clothes, jewelry and long hair. 9. IF YOU DON’T KNOW – ASK – If you are not sure how to do something ask the teacher or the teacher’s helper. 10. HAVE FUN AND FOLLOW THE RULES! I ___________________________________ have read the ten rules, understand them and agree to follow them. If I break one of the rules, I understand that I will not be allowed to continue in this class. ______________________________ __________________ Signature Date 2 Features of Wood 3 Let’s Do Research! Which wood feature prevents the wood from being scorched if there is a forest fire? 1. -
Pascal Gabriel Complete CV
Pascal Gabriel Producer / Writer / Mixer Belgian-born songwriter and producer Pascal Gabriel has had a career spanning 25 years so far; from S-Express’s number 1 hit ‘Theme from S-Express’, Bomb The Bass’s landmark hit album ‘Beat Dis’, EMF’s multi-platinum album ‘Schubert Dip’, to co-writing Dido’s mega-selling ‘Here With Me’ and ‘No Angel’, and more recently hits with Kylie Minogue, Ladyhawke, Will Young, Goldfrapp, Little Boots, Marina and the Diamonds and many more. Stubbleman ‘Mountains and Plains’ / Album Write / Prod Emma Louise ‘Supercry’ / Album Prod / Mix The Temper Trap ‘This As Thieves’ / Album Co-Write Leon Else ‘Tomorrowland’ / Single Co-Write / Prod VV Brown ‘The Apple’ / Single Co-Write / Prod Little Boots ‘Nocturnes ‘ / Album / Singles Co-Write / Prod ‘Tune Into My Heart’ / Album tracks Co-Write Will Young ‘Echoes’ / Album Co-Write Ladyhawke ‘Anxiety’ / Album / Singles Co-Write / Prod ‘Ladyhawke’ / Album / Singles Co-Write / Prod Kylie Minogue ‘Can’t Beat The Feeling’ / Single Co-Write / Co-Prod ‘Your Love’ / Single Co-Write / Prod / Mix Marina & The Diamonds ‘The Family Jewels’ / Album / Singles Co-Write / Prod Example ‘All Over Again’ / Single Co-Write / Prod Goldfrapp ‘Headfirst’ / Album Produce Miss Kittin ‘Bat Box’ / Album Co-Prod / Co-Write Depeche Mode ‘Precious’ / Single Add Prod / Mix Rachel Stevens ‘So Good’ / Single Co-Write / Prod Bebel Gilberto ‘Ceu Distante’/ Single Produce Liberty X ‘Everybody Cries’ / Single Co-Write Alexis Strumm ‘Why Me Why Now’ / Single Co-Write / Prod Natalie Imbruglia ‘White Lilies -
The Quint : an Interdisciplinary Quarterly from the North 1
the quint : an interdisciplinary quarterly from the north 1 Editorial Advisory Board the quint volume ten issue one Ying Kong, University College of the North Moshen Ashtiany, Columbia University Martin Kuester, University of Marburg Brenda Austin-Smith, University of Ronald Marken, Professor Emeritus, an interdisciplinary quarterly from Manitoba University of Saskatchewan Keith Batterbe. University of Turku Camille McCutcheon, University of South the north Donald Beecher, Carleton University Carolina Upstate Melanie Belmore, University College of the Lorraine Meyer, Brandon University ISSN 1920-1028 North Ray Merlock, University of South Carolina editor Gerald Bowler, Independent Scholar Upstate Sue Matheson Robert Budde, University Northern British Antonia Mills, Professor Emeritus, Columbia University of Northern British Columbia Ikuko Mizunoe, Professor Emeritus, John Butler, Independent Scholar Kyoritsu Women’s University David Carpenter, Professor Emeritus, the quint welcomes submissions. See our guidelines University of Saskatchewan Avis Mysyk, Cape Breton University or contact us at: Terrence Craig, Mount Allison University Hisam Nakamura, Tenri University the quint Lynn Echevarria, Yukon College Andrew Patrick Nelson, University of University College of the North Montana P.O. Box 3000 Erwin Erdhardt, III, University of Sherry Peden, University College of the The Pas, Manitoba Cincinnati North Canada R9A 1K7 Peter Falconer, University of Bristol Julie Pelletier, University of Winnipeg We cannot be held responsible for unsolicited -
DOC Best Practice Manual of Conservation Techniques for Bats Version 1.0
DOC best practice manual of conservation techniques for bats Version 1.0 This manual was prepared by Jane Sedgeley, Colin O’Donnell, John Lyall, Hannah Edmonds, Warren Simpson, Jo Carpenter, Jo Hoare and Kate McInnes (2012). Contents Introduction ................................................................................................................................................... 2 Introduction to New Zealand bats/pekapeka ............................................................................................... 5 Conservation management of New Zealand bats ..................................................................................... 21 Finding bats with bat detectors .................................................................................................................. 37 Species identification in the hand .............................................................................................................. 49 Inventory and monitoring methods for counting bats ................................................................................ 56 Catching bats ............................................................................................................................................. 58 Handling, examining, measuring and releasing bats ................................................................................ 85 Banding and marking ............................................................................................................................... 112 Attaching radio -
The United Kingdo Environmental Change
577 .4. - . 001.4 - The United Kingdo Env ironm ental Chang e Protocols for Standard Measurements at Th e En viro nm e nta l Chang e Netw ork is co-ordin a ted a nd ma n a ge d by t h e Nat u ra l En viron m e n t Re sear ch Co un cil, on b e h alf of t h e spo ns oring org an is a t io n s : Biot ech n o log y & Biolog ica l Scie n ce s Re sear ch Cou n cil Co u n t ry sid e Cou ncil fo r Wale s Dep ar t m e n t of Ag ricu lt u re fo r Nort h ern Ire lan d De p art m e n t of t h e En v ironm e nt De p a rt m e n t of t h e En vironm e nt for Nor t h e rn Ir e la n d En g lis h N a tu r e En vironm e n t Ag en cy Fo re st r y Com m is sion Min is t ry of De fe n ce Min is t ry of Agr ic ult u re , Fis h e ries & Foo d Na t u ra l En v iron m e n t Re searc h Cou n cil Scot t is h E n viron m e n t Pro t ec ti on Ag e ncy Scot t is h Office , Ag ric ult u re , En viron m e n t & Fis h e rie s De p a rt m en t We ls h Offi ce Th e E CN Ce n t ral Co -o rd inatio n Unit is b a se d a t t h e Ins t it ut e of Te rr e st ria l Ecolog y 's Merle w oo d Re s e a rc h St a tio n . -
The History of Rock Music: the 2000S
The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Clubbers (These are excerpts from my book "A History of Rock and Dance Music") Electroclash TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. The "electroclash" movement was basically a revival of the dance-punk style of the new wave. It was New York dj Lawrence "Larry Tee" who coined the term, and the first Electroclash Festival was held in that city in 2001. However, the movement had its origins on the other side of the Atlantic Ocean. One could argue that electroclash was born with Space Invaders Are Smoking Grass (1997), released by Belgian dj Ferenc van der Sluijs under the moniker I-f. At about the same time German house dj Helmut-Josef "DJ Hell" Geier was promoting a scene in Berlin that was basically electroclash. Another forerunner was French dj Caroline "Miss Kittin" Herve', who had recorded the EP Champagne (1998), a collaboration with Michael "The Hacker" Amato that included the pioneering hit 1982. The duo joined the fad that they had pioneered with First Album (2001). Britain was first exposed to electroclash when Liverpool's Ladytron released He Took Her To A Movie (1999), that was basically a cover of Kraftwerk's The Model. Next came Liverpool's Robots In Disguise with the EP Mix Up Words and Sounds (2000). -
Digimag12.Pdf
DIGICULT Digital Art, Design & Culture Founder & Editor-in-chief: Marco Mancuso Advisory Board: Marco Mancuso, Lucrezia Cippitelli, Claudia D'Alonzo Publisher: Associazione Culturale Digicult Largo Murani 4, 20133 Milan (Italy) http://www.digicult.it Editorial Press registered at Milan Court, number N°240 of 10/04/06. ISSN Code: 2037-2256 Licenses: Creative Commons Attribution-NonCommercial-NoDerivs - Creative Commons 2.5 Italy (CC BY- NC-ND 2.5) Printed and distributed by Lulu.com E-publishing development: Loretta Borrelli Cover design: Eva Scaini Digicult is part of the The Leonardo Organizational Member Program TABLE OF CONTENTS Bertram Niessen Mikrosolke, Anarchia Audiovisiva .............................................................................. 3 Silvia Bianchi Qubogas: No Audiovisual Performances ................................................................. 6 Alex Dandi Live Dj Set Vs Studio Dj Set ........................................................................................ 9 Luca Bergero Loren Chasse, Photographing Acustic Spaces ...................................................... 13 Beatrice Ferrario Inviting Horror: Join To The Fear .............................................................................. 18 Tiziana Gemin Reality Addicts: Transmediale 06 ............................................................................ 21 Elena Bianchi Vairani Robotmusic: Beyond The Life .................................................................................. 25 Gigi Ghezzi Regional Innovation -
Keyfinder V2 Dataset © Ibrahim Sha'ath 2014
KeyFinder v2 dataset © Ibrahim Sha'ath 2014 ARTIST TITLE KEY 10CC Dreadlock Holiday Gm 187 Lockdown Gunman (Natural Born Chillers Remix) Ebm 4hero Star Chasers (Masters At Work Main Mix) Am 50 Cent In Da Club C#m 808 State Pacifc State Ebm A Guy Called Gerald Voodoo Ray A A Tribe Called Quest Can I Kick It? (Boilerhouse Mix) Em A Tribe Called Quest Find A Way Ebm A Tribe Called Quest Vivrant Thing (feat Violator) Bbm A-Skillz Drop The Funk Em Aaliyah Are You That Somebody? Dm AC-DC Back In Black Em AC-DC You Shook Me All Night Long G Acid District Keep On Searching G#m Adam F Aromatherapy (Edit) Am Adam F Circles (Album Edit) Dm Adam F Dirty Harry's Revenge (feat Beenie Man and Siamese) G#m Adam F Metropolis Fm Adam F Smash Sumthin (feat Redman) Cm Adam F Stand Clear (feat M.O.P.) (Origin Unknown Remix) F#m Adam F Where's My (feat Lil' Mo) Fm Adam K & Soha Question Gm Adamski Killer (feat Seal) Bbm Adana Twins Anymore (Manik Remix) Ebm Afrika Bambaataa Mind Control (The Danmass Instrumental) Ebm Agent Sumo Mayhem Fm Air Sexy Boy Dm Aktarv8r Afterwrath Am Aktarv8r Shinkirou A Alexis Raphael Kitchens & Bedrooms Fm Algol Callisto's Warm Oceans Am Alison Limerick Where Love Lives (Original 7" Radio Edit) Em Alix Perez Forsaken (feat Peven Everett and Spectrasoul) Cm Alphabet Pony Atoms Em Alphabet Pony Clones Am Alter Ego Rocker Am Althea & Donna Uptown Top Ranking (2001 digital remaster) Am Alton Ellis Black Man's Pride F Aluna George Your Drums, Your Love (Duke Dumont Remix) G# Amerie 1 Thing Ebm Amira My Desire (Dreem Teem Remix) Fm Amirali