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Hrvatski Filmski Ljetopis God hrvatski filmski ljetopis god. 17 (2011) broj 65-66, proljeće/ljeto 2011. Hrvatski filmski ljetopis utemeljili su 1995. Hrvatsko društvo filmskih kritičara, Hrvatska kinoteka i Filmoteka 16 Utemeljiteljsko uredništvo: Vjekoslav Majcen, Ivo Škrabalo i Hrvoje Turković Časopis je evidentiran u FIAF International Index to Film Periodicals i u Arts and Humanities Citation Index (A&HCI) Uredništvo / Editorial Board: Nikica Gilić (glavni urednik / editor-in-chief) Krešimir Košutić (novi filmovi i festivali / new films and festivals) Bruno Kragić Jurica Starešinčić Tomislav Šakić (izvršni urednik / managing editor) Hrvoje Turković (odgovorni urednik / supervising editor) Suradnici/Contributors: Ivana Jović (lektorski savjeti / proof-reading) Juraj Kukoč (kronika/chronicles) Sandra Palihnić (prijevod sažetaka / translation of summaries) Duško Popović (bibliografije/bibliographies) Anka Ranić (UDK) Dizajn i priprema za tisak / Design and pre-press: Barbara Blasin Ovitak / Cover: Profesor Baltazar (Zagreb film) Nakladnik/Publisher: Hrvatski filmski savez / Croatian Film Association Za nakladnika / Publishing Manager: Vera Robić-Škarica ([email protected]) Tisak / Printed By: Tiskara C.B. Print, Samobor Adresa/Contact: Hrvatski filmski savez (za Hrvatski filmski ljetopis), HR-10000 Zagreb, Tuškanac 1 Tajnica redakcije: Vanja Hraste ([email protected]) telefon/phone: (385) 01 / 4848771 telefaks/fax: (385) 01 / 4848764 e-mail uredništva: [email protected] / [email protected] www.hfs.hr/ljetopis Izlazi tromjesečno u nakladi od 1000 primjeraka Cijena: 50 kn / Godišnja pretplata: 150 kn Žiroračun: Zagrebačka banka, 2360000-1101556872, Hrvatski filmski savez (s naznakom “za Hrvatski filmski ljetopis”) Hrvatski filmski ljetopis is published quarterly by Croatian Film Association Subscription abroad: 60 € / Account: 2100058638/070 S.W.I.F.T. HR 2X Godište 17. (2011) izlazi uz potporu Ministarstva kulture Republike Hrvatske, Hrvat- skog audiovizualnog centra i Gradskog ureda za obrazovanje, kulturu i šport Grada Zagreba / Ovaj broj zaključen je 15. lipnja 2011. hrvatski filmski ljetopis SADRŽAJ 65 - 66, proljeće / ljeto 2011. UVODNIK 5 Nek' se čuje i naš glas ANIMACIJSKE STUDIJE 7 Luigi Scarpa / Profesor Baltazar – animirana serija za djecu na način Zagreb filma 24 Midhat Ajanović / Ženska crta britanskog animiranog filma LICA HRVATSKOGA FILMA 47 Nebojša Jovanović / Fadil Hadžić u optici totalitarne paradigme 61 Damir Radić / Identitetske igre, sadomazohizam i tajna lezbijska ljubav u Abecedi straha Fadila Hadžića 74 Filmografija Fadila Hadžića (Juraj Kukoč) 78 Petar Krelja / Promatrač s Plave plaže – filmsko i televizijsko stvaralaštvo Miroslava Mikuljana 83 Tomislav Čegir / Mikuljanovi ljudi s mliječnog puta 86 Filmografija Miroslava Mikuljana 91 Janko Heidl / Nenad Puhovski – filmovi s razlikom 95 Dragan Jurak / Filmovi Damira Radića STUDIJE 99 Noël Carroll / Moć populističkih filmova 116 Krunoslav Lučić / Seks, nasilje i videovrpce: etika filmskog iskazivanja u filmovima Michaela Hanekea 129 Kim Sang Hun / Budistička i kršćanska misao u filmuProljeće, ljeto, jesen, zima... i proljeće Kim Ki Duka ESEJI 137 Sonja Tarokić / Nevjerna žena Claudea Chabrola – melodrama kao žanr i kao stil FESTIVALI I REVIJE 142 20. Dani hrvatskog filma 2011: Animirani film i dalje sve kvalitetniji, Jurica Starešinčić / Tra- gom loših i nešto boljih vijesti, Stipe Radić / Prevlast hibridnih formi, Janko Heidl 155 Kritični dani – škola filmske kritike 20. Dana hrvatskog filma i Hrvatskog filmskog ljetopisa: Pamet- nice u ružičastoj zamci nevinosti, Monika Bregović / Lala Raščić i Prokleta brana – film za slušanje, Marijana Janjić / Značenje punctuma u fotoalbumu jednog ne sasvim prosječnog tinejdžera, Petra Vukelić 162 Tomislav Kurelec / Još uvijek vitalna i vrijedna kinematografija / Uz ciklus suvremenog ma- đarskog filma, Filmski programi, 3–7. svibnja 2011. 165 Marijana Janjić / Bengalski rezovi na zagrebački način / Uz cikluse indijskog filma na Sub- versive Film Festivalu, Zagreb, 7–21. svibnja 2011. i Tjedan bengalskoga filma na 2. Dani- ma indijske kulture, Zagreb, 16–21. svibnja 2011. NOVI FILMOVI 169 Iz kinorepertoara: Adrienn Pál (Dragan Jurak) / Boksač (Tomislav Kurelec) / Crni labud (Mario Kozina) / Još jedna godina (Karla Lončar) / Kraljev govor (Boško Picula) / Negdje (Tomislav Šakić) / Neke druge priče (Vid Jeraj) / O ljudima i bogovima (Tomislav Čegir) / Provjerena kopija (Dragan Jurak) / Sjever (Stipe Radić) / 127 sati (Mario Slugan) / Upoznat ćeš visokog, tamnog stranca (Dragan Rubeša) / Zimska kost (Siniša Paić) DODACI 204 Kronika / Filmografija filmova na kinorepertoaru / English summaries / O suradnicima / Upute suradnicima hrvatski filmski ljetopis CONTENTS 65 - 66, Spring / Summer 2011 EDITORIAL 5 Let's Hear Our Voice Too ANIMATION STUDIES 7 Luigi Scarpa / Professor Balthazar – animated series for children by Zagreb Film 24 Midhat Ajanović / Feminine current of British animation FACES OF CROATIAN CINEMA 47 Nebojša Jovanović / Fadil Hadžić in the optics of the totalitarian paradigm 61 Damir Radić / Identity games, sadomasochism and the secret of lesbian love in Fadil Hadžić’s Alphabet of Fear 74 Fadil Hadžić filmography (Juraj Kukoč) 78 Petar Krelja / Observer from the blue beach – Miroslav Mikuljan’s work on film and television 83 Tomislav Čegir / Miroslav Mikuljan’s people from the Milky Way 86 Miroslav Mikuljan filmography 91 Janko Heidl / Nenad Puhovski – films which make a difference 95 Dragan Jurak / Films by Damir Radić FILM STUDIES 99 Noël Carroll / The power of movies 116 Krunoslav Lučić / Sex, violence and videotapes: ethics of film expression in Michael Haneke’s films 129 Kim Sang Hun / Buddhist and Christian thought in Kim Ki-duk's film Spring, Summer, Fall, Winter… and Spring ESSAYS 137 Sonja Tarokić / The Unfaithful Wife by Claude Chabrol – melodrama as genre and as a style FESTIVALS 142 20th Days of Croatian Film 2011: Animated film still getting better and better, Jurica Starešin- čić / Following bad and somewhat better news, Stipe Radić / Hybrid forms domination, Janko Heidl 155 Critical Days – Film Critics School of the 20th Days of Croatian Film and Hrvatski filmski ljetopis: Cle- ver girls caught in the pink trap of innocence, Monika Bregović / Lala Raščić and The Damned Dam – film for listening, Marijana Janjić / The meaning of punctum in the photo album of a not-that-average teenager, Petra Vukelić 162 Tomislav Kurelec / Cinema which is still vital and valuable / Program of contemporary Hun- garian films II, Film Programmes, May 3–7, 2011 165 Marijana Janjić / Bengali cuts after Zagreb's fashion / Indian cinema programme at the Subversive Film Festival, Zagreb, May 7–21, 2011, and Bengali Film Week at the 2nd Days of Indian Culture, Zagreb, May 16–21, 2011 NEW FILMS 169 Theatres: Pál Adrienn (Dragan Jurak) / The Fighter (Tomislav Kurelec) / Black Swan (Mario Kozi- na) / Another Year (Karla Lončar) / The King’s Speech (Boško Picula) / Somewhere (Tomislav Šakić) / Neke druge priče (Vid Jeraj) / Des Hommes et des Dieux (Tomislav Čegir) / Copie conforme (Dragan Jurak) / Nord (Stipe Radić) / 127 Hours (Mario Slugan) / You Will Meet a Tall Dark Stranger (Dragan Rubeša) / Winter’s Bone (Siniša Paić) APPENDICES 204 Chronicle / Filmographies / English summaries / Contributors to this issue / Submission guidelines UVODNIK Nek' se čuje i naš glas Nakon što se prošli, zimski broj Hrvatskog filmskog ljetopisa, dovršen u siječnju, pojavio tek u proljeće, oko datuma kada izlazi proljetni broj, ovaj proljetno-ljetni dvobroj izlazi oko uobi- čajenoga datuma za naše ljetno izdanje, čime sustižemo de facto preskočeni broj i numeraciju našeg časopisa. No, ne treba se zavaravati, financijska kriza ozbiljno je uzdrmala naš časopis i skoro ga ušutkala. U ovih pola godine mnogo se toga promijenilo u hrvatskoj kinematografiji – u veljači je predstavljena je petoljetka hrvatske kinematografije, Nacionalni program promica- nja audiovizualnoga stvaralaštva 2010.—2014. Time je konačno zaživjela djelatnost Hrvatskog audiovizualnog centra – HAVC-a – koji je od ove godine ušao i u financijsko podupiranje Hr- vatskog filmskog ljetopisa, što je bila slamka spasa nakon što je Ured za kulturu Grada Zagreba krenuo u drastično rezanje dotacija u kulturnom sektoru, gurnuvši time i naš časopis ispod površine, odnosno na negativnu stranu pozitivne nule u kojoj se godinama održavao. Kakva je budućnost hrvatske kinematografije s aktivnim i propulzivnim HAVC-om tek treba vidjeti, kao i kakve će (i da li uopće) promjena u financijskoj strukturi imati ikakva utjecaja na nezavisno mišljenje o filmu koje ovaj časopis zastupa. Hrvatski filmski ljetopis i tako je od svojeg uteme- ljenja poticao i zagovarao promjene u kinematografiji, tiskao prijedloge zakona, komentare i dokumente. Nadamo se da će taj zakonski dokument od načelnih želja na papiru postati i operativni, izvedbeni plan s konkretnim mjerama i postupcima. I nije samo to novost – ovih dana, dok ovaj dvobroj odlazi u prijelom, u ograničenu distribuciju kreće i časopis Filmonaut. To govori da filmska kritika nije ušutkana nedostatkom novaca; dapače, od umalo nijednoga časopisa početkom godine došli smo do dva. Odlučan nastup HAVC-a, pogotovo prema TV kućama i drugim akterima koji su dužni izvršavati svoj doprinos njegovim fondovima, unijet će promjene na hrvatskoj filmskoj sceni, kakve su očekivane kada u igru ulaze transparentni natječaji, objektivni kriteriji i čisti odnosi pri raspodjeli financijskih sredstava i odnosa u cen- trima moći – a to će nužno donijeti i povišene glasove, pa i neprihvatljive tonove. Tako
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