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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
UNIVERSITY of CALIFORNIA, IRVINE Unraveling Host and Parasite Pathways in Human Innate Immunity to Toxoplasma Gondii DISSERTATIO
UNIVERSITY OF CALIFORNIA, IRVINE Unraveling host and parasite pathways in human innate immunity to Toxoplasma gondii DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Biological Sciences by Lanny Gov Dissertation Committee: Assistant Professor Melissa B. Lodoen, Chair Professor Andrea J. Tenner Professor Craig M. Walsh 2014 Chapter 2 © 2013 American Society for Microbiology All other materials © 2014 Lanny Gov DEDICATION To My mother: my hero and my champion; Jonathan Farnworth: my better half; My loving and supportive family: brothers George and James, and sister-in-law Kelly; My dearest friends: Eugenia Hu, Quen Vong, Tracy Tang, and Erika Villaruel Thank you for so many years of love, laughter, and encouragement, and for helping me believe I could accomplish anything. “Promise me you’ll always remember: You’re braver than you believe, and stronger than you seem, and smarter than you think.” –A.A. Milne, Winnie-the-Pooh “You don’t have to know everything, but you should try to.” -Nori Ueno, on preparation for my Advancement exam ii TABLE OF CONTENTS Page LIST OF FIGURES iv LIST OF TABLES v ACKNOWLEDGMENTS vi CURRICULUM VITAE ix ABSTRACT OF THE DISSERTATION xii CHAPTER ONE: Introduction to Toxoplasma gondii Immunity 1 Toxoplasma gondii Biology 2 T. gondii Clinical Disease 6 T. gondii Invasion of Host Cells 9 Three Modes of T. gondii Intracellular Entry 12 Immunity to T. gondii 13 Toll-like Receptor Sensing of T. gondii 15 Nod-like Receptor Sensing of T. gondii 17 Modulation of Host Cell Pathways by T. gondii Effectors 19 Monocytes in Immunity to T. -
TV Review: Supergirl – Series 1 | Nouse
Nouse Web Archives TV Review: Supergirl – Series 1 Page 1 of 3 News Comment MUSE. Politics Business Science Sport Roses Freshers Muse › Film & TV › Features Film Reviews TV Reviews Festivals TV Review: Supergirl – Series 1 Supergirl had a good first series, establishing solid foundations for the show whilst exhibiting only a few teething problems that could easily be remedied in the second series, says Liam Dooley Tuesday 10 May 2016 ★★★★☆ Image: CBS Supergirl is an upbeat, feel-good television series that follows the story of Kara Zor-El, cousin to the famous Superman, as she struggles to balance her newfound hero status with her life as Kara Danvers: sister to Alex Danvers, assistant to Cat Grant and love-interest to both James Olson and Winn Schott. Despite becoming Supergirl sometime after her cousin had already become the fully-fledged hero of Metropolis, Kara by no means lives in his shadow. The first series, as any opening gambit for a superhero programme does, finds Kara coming to terms with her powers, establishing herself as a hero and learning who she can and cannot trust. In this sense it might seem a little generic, but what makes Supergirl such an interesting show is precisely the traditional style of its protagonist’s story. Nowadays it would seem that everything needs to be ‘gritty’ and ‘dark’, especially in the world of DC adaptations, to be impactful. Supergirl, however, shines out of this as a bright beacon of hope. The Kyrptonian heroes have always been a little too perfect. With a whole array of supernatural powers and with the strength of Gods, there’s only really two ways that they can be dealt with on screen. -
Exception, Objectivism and the Comics of Steve Ditko
Law Text Culture Volume 16 Justice Framed: Law in Comics and Graphic Novels Article 10 2012 Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Jason Bainbridge Swinburne University of Technology Follow this and additional works at: https://ro.uow.edu.au/ltc Recommended Citation Bainbridge, Jason, Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko, Law Text Culture, 16, 2012, 217-242. Available at:https://ro.uow.edu.au/ltc/vol16/iss1/10 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Abstract The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. This relationship has also informed superhero comics themselves – going all the way back to Superman’s debut in Action Comics 1 (June 1938). As DC President Paul Levitz says of the development of the superhero: ‘There was an enormous desire to see social justice, a rectifying of corruption. Superman was a fulfillment of a pent-up passion for the heroic solution’ (quoted in Poniewozik 2002: 57). This journal article is available in Law Text Culture: https://ro.uow.edu.au/ltc/vol16/iss1/10 Spider-Man, The Question and the Meta-Zone: Exception, Objectivism and the Comics of Steve Ditko Jason Bainbridge Bainbridge Introduction1 The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. -
COMIC BOOKS AS AMERICAN PROPAGANDA DURING WORLD WAR II a Master's Thesis Presented to College of Arts & Sciences Departmen
COMIC BOOKS AS AMERICAN PROPAGANDA DURING WORLD WAR II A Master’s Thesis Presented To College of Arts & Sciences Department of Communications and Humanities _______________________________ In Partial Fulfillment of the Requirements for the Master of Science Degree _______________________________ SUNY Polytechnic Institute By David Dellecese May 2018 © 2018 David Dellecese Approval Page SUNY Polytechnic Institute DEPARTMENT OF COMMUNICATIONS AND HUMANITIES INFORMATION DESIGN AND TECHNOLOGY MS PROGRAM Approved and recommended for acceptance as a thesis in partial fulfillment of the requirements for the degree of Master of Science in Information Design + Technology. _________________________ DATE ________________________________________ Kathryn Stam Thesis Advisor ________________________________________ Ryan Lizardi Second Reader ________________________________________ Russell Kahn Instructor 1 ABSTRACT American comic books were a relatively, but quite popular form of media during the years of World War II. Amid a limited media landscape that otherwise consisted of radio, film, newspaper, and magazines, comics served as a useful tool in engaging readers of all ages to get behind the war effort. The aims of this research was to examine a sampling of messages put forth by comic book publishers before and after American involvement in World War II in the form of fictional comic book stories. In this research, it is found that comic book storytelling/messaging reflected a theme of American isolation prior to U.S. involvement in the war, but changed its tone to become a strong proponent for American involvement post-the bombing of Pearl Harbor. This came in numerous forms, from vilification of America’s enemies in the stories of super heroics, the use of scrap, rubber, paper, or bond drives back on the homefront to provide resources on the frontlines, to a general sense of patriotism. -
13Th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture
13th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture James F. O’Gorman Non-fiction 38.65 ACROSS THE SEA OF GREGORY BENFORD SF 9.95 SUNS Affluent Society John Kenneth Galbraith 13.99 African Exodus: The Origins Christopher Stringer and Non-fiction 6.49 of Modern Humanity Robin McKie AGAINST INFINITY GREGORY BENFORD SF 25.00 Age of Anxiety: A Baroque W. H. Auden Eclogue Alabanza: New and Selected Martin Espada Poetry 24.95 Poems, 1982-2002 Alexandria Quartet Lawrence Durell ALIEN LIGHT NANCY KRESS SF Alva & Irva: The Twins Who Edward Carey Fiction Saved a City And Quiet Flows the Don Mikhail Sholokhov Fiction AND ETERNITY PIERS ANTHONY SF ANDROMEDA STRAIN MICHAEL CRICHTON SF Annotated Mona Lisa: A Carol Strickland and Non-fiction Crash Course in Art History John Boswell From Prehistoric to Post- Modern ANTHONOLOGY PIERS ANTHONY SF Appointment in Samarra John O’Hara ARSLAN M. J. ENGH SF Art of Living: The Classic Epictetus and Sharon Lebell Non-fiction Manual on Virtue, Happiness, and Effectiveness Art Attack: A Short Cultural Marc Aronson Non-fiction History of the Avant-Garde AT WINTER’S END ROBERT SILVERBERG SF Austerlitz W.G. Sebald Auto biography of Miss Jane Ernest Gaines Fiction Pittman Backlash: The Undeclared Susan Faludi Non-fiction War Against American Women Bad Publicity Jeffrey Frank Bad Land Jonathan Raban Badenheim 1939 Aharon Appelfeld Fiction Ball Four: My Life and Hard Jim Bouton Time Throwing the Knuckleball in the Big Leagues Barefoot to Balanchine: How Mary Kerner Non-fiction to Watch Dance Battle with the Slum Jacob Riis Bear William Faulkner Fiction Beauty Robin McKinley Fiction BEGGARS IN SPAIN NANCY KRESS SF BEHOLD THE MAN MICHAEL MOORCOCK SF Being Dead Jim Crace Bend in the River V. -
Club Add 2 Page Designoct07.Pub
H M. ADVS. HULK V. 1 collects #1-4, $7 H M. ADVS FF V. 7 SILVER SURFER collects #25-28, $7 H IRR. ANT-MAN V. 2 DIGEST collects #7-12,, $10 H POWERS DEF. HC V. 2 H ULT FF V. 9 SILVER SURFER collects #12-24, $30 collects #42-46, $14 H C RIMINAL V. 2 LAWLESS H ULTIMATE VISON TP collects #6-10, $15 collects #0-5, $15 H SPIDEY FAMILY UNTOLD TALES H UNCLE X-MEN EXTREMISTS collects Spidey Family $5 collects #487-491, $14 Cut (Original Graphic Novel) H AVENGERS BIZARRE ADVS H X-MEN MARAUDERS TP The latest addition to the Dark Horse horror line is this chilling OGN from writer and collects Marvel Advs. Avengers, $5 collects #200-204, $15 Mike Richardson (The Secret). 20-something Meagan Walters regains consciousness H H NEW X-MEN v5 and finds herself locked in an empty room of an old house. She's bleeding from the IRON MAN HULK back of her head, and has no memory of where the wound came from-she'd been at a collects Marvel Advs.. Hulk & Tony , $5 collects #37-43, $18 club with some friends . left angrily . was she abducted? H SPIDEY BLACK COSTUME H NEW EXCALIBUR V. 3 ETERNITY collects Back in Black $5 collects #16-24, $25 (on-going) H The End League H X-MEN 1ST CLASS TOMORROW NOVA V. 1 ANNIHILATION A thematic merging of The Lord of the Rings and Watchmen, The End League follows collects #1-8, $5 collects #1-7, $18 a cast of the last remaining supermen and women as they embark on a desperate and H SPIDEY POWER PACK H HEROES FOR HIRE V. -
Here Back at 2 Sakaarans Disintegrating Them
83,871 Kills in Guardians of the Galaxy Kills by Character Ronan The Accuser (Lee Pace): 83,241 Peter Jason Quill/Star-Lord (Chris Pratt): 60 Yondu Udonta (Michael Rooker): 28 Groot (Played by Krystian Godlewski/Voiced by Vin Diesel): 24 Subject: 89P13/Rocket Raccoon (Played by Sean Gunn/Voiced by Bradley Cooper): 23 Drax The Destroyer (Dave Bautista): 9 Eson The Searcher (CGI): 7 Denarian Garthan Saal (Peter Serafinowicz): 5 Gamora (Zoe Saldana): 4 Horuz (Tom Proctor): 3 Nebula (Karen Gillan): 1 Kraglin Obfonteri (Sean Gunn): 1 Carina (Ophelia Lovibond): 1 Deaths by Scene Earth 1988: 1 Meredith Quill dies from cancer Morag: 2 Quill kicks the plasma sphere back at 2 Sakaarans disintegrating them The Dark Aster: 1 Ronan crushes a Nova Corps soldiers head with his hammer The Kyln: 1 Gamora cuts a prisoners throat with a knife Sanctuary: 1 Ronan shoots a concussive blast from his hammer breaking The Other's neck Deadline.com Escaping The Kyln: 2 Groot throws the watchtower guard off the balcony to his death Rocket rams the watchtower into a wall blowing up a guard "Cleanse it!": 16 2 guards bodies are seen killed by Sakaaran's 13 prisoners bodies are seen killed by Sakaarans A Sakaaran stabs a guard History of The Infinity Stones: 9 Eson hits his staff into the ground disintegrating 7 people 2 Cosmic Beings are disintegrated by The Power Stone "I will no longer be your slave!": 1 Carina touches The Power Stone causing her to explode Skirmish on Knowhere: 9 A Necrocraft crashes into a hole blowing up a Sakaaran Rocket rams his Industrial -
Recommend Me a Movie on Netflix
Recommend Me A Movie On Netflix Sinkable and unblushing Carlin syphilized her proteolysis oba stylise and induing glamorously. Virge often brabble churlishly when glottic Teddy ironizes dependably and prefigures her shroffs. Disrespectful Gay symbolled some Montague after time-honoured Matthew separate piercingly. TV to find something clean that leaves you feeling inspired and entertained. What really resonates are forgettable comedies and try making them off attacks from me up like this glittering satire about a writer and then recommend me on a netflix movie! Make a married to. Aldous Snow, she had already become a recognizable face in American cinema. Sonic and using his immense powers for world domination. Clips are turning it on surfing, on a movie in its audience to. Or by his son embark on a movie on netflix recommend me of the actor, and outer boroughs, leslie odom jr. Where was the common cut off point for users? Urville Martin, and showing how wealth, gives the film its intended temperature and gravity so that Boseman and the rest of her band members can zip around like fireflies ambling in the summer heat. Do you want to play a game? Designing transparency into a recommendation interface can be advantageous in a few key ways. The Huffington Post, shitposts, the villain is Hannibal Lector! Matt Damon also stars as a detestable Texas ranger who tags along for the ride. She plays a woman battling depression who after being robbed finds purpose in her life. Netflix, created with unused footage from the previous film. Selena Gomez, where they were the two cool kids in their pretty square school, and what issues it could solve. -
Costume Culture: Visual Rhetoric, Iconography, and Tokenism In
COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to the Office of Graduate Studies Texas A&M University-Commerce in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2017 COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to: Advisor: Christopher Gonzalez Committee: Tabetha Adkins Donna Dunbar-Odom Mike Odom Head of Department: M. Hunter Hayes Dean of the College: Salvatore Attardo Interim Dean of Graduate Studies: Mary Beth Sampson iii Copyright © 2017 Michael G. Baker iv ABSTRACT COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS Michael G. Baker, PhD Texas A&M University-Commerce, 2017 Advisor: Christopher Gonzalez, PhD Superhero comic books provide a unique perspective on marginalized characters not only as objects of literary study, but also as opportunities for rhetorical analysis. There are representations of race, gender, sexuality, and identity in the costuming of superheroes that impact how the audience perceives the characters. Because of the association between iconography and identity, the superhero costume becomes linked with the superhero persona (for example the Superman “S” logo is a stand-in for the character). However, when iconography is affected by issues of tokenism, the rhetorical message associated with the symbol becomes more difficult to decode. Since comic books are sales-oriented and have a plethora of tie-in merchandise, the iconography in these symbols has commodified implications for those who choose to interact with them. When consumers costume themselves with the visual rhetoric associated with comic superheroes, the wearers engage in a rhetorical discussion where they perpetuate whatever message the audience places on that image. -
Homeland Emergency Response Operational and Equipment Systems
Disclaimer: This report was prepared by the International Association of Fire Fighters (IAFF) under contract with NIOSH. It should not be considered a statement of NIOSH policy or of any agency or individual who was involved. PROJECT HEROES Homeland Emergency Response Operational and Equipment Systems Task 1: A Review of Modern Fire Service Hazards and Protection Needs Presented to: National Personal Protective Technology Laboratory National Institute for Occupational Safety and Health (NIOSH) Post Office Box 18070 626 Cochrans Mill Road Pittsburgh, Pennsylvania 15236 Presented by: Occupational Health and Safety Division International Association of Fire Fighters (IAFF) 1750 New York Avenue, N.W. Washington, DC 20006 13 October 2003 EXECUTIVE SUMMARY The first task of Project HEROES was undertaken by the International Association of Fire Fighters (IAFF) to examine and define the protection needs of fire fighters and other first responders during a broad array of different missions. This task began with a review for how the fire service and its responsibilities have changed over the past 20 years since personal protective equipment (PPE) was then affected by Project FIRES. In that 20 year period, the fire service has evolved to gain responsibility for a larger number of missions. Fire suppression is no longer the chief responsibility for most fire departments, but rather responses to a wide range of missions, including emergency medical aid, technical rescue, and more recently the prospect for terrorism events involving weapons of mass destruction. As America’s fire fighters attempt to keep up with these changing roles, it is noted that the level of preparedness and PPE needed to safety carry out the different missions is often lacking. -
The Influence of Gun Control Legislation on Rampage Shootings
University of Central Florida STARS HIM 1990-2015 2015 The Influence of Gun Control Legislation on Rampage Shootings Andrew D. Manor University of Central Florida Part of the Legal Studies Commons Find similar works at: https://stars.library.ucf.edu/honorstheses1990-2015 University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by STARS. It has been accepted for inclusion in HIM 1990-2015 by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Manor, Andrew D., "The Influence of Gun Control Legislation on Rampage Shootings" (2015). HIM 1990-2015. 1872. https://stars.library.ucf.edu/honorstheses1990-2015/1872 THE INFLUENCE OF GUN CONTROL LEGISLATION ON RAMPAGE SHOOTINGS by ANDREW D. MANOR A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Legal Studies in the College of Health and Public Affairs and in The Burnett Honors College at the University of Central Florida Orlando, Florida Fall Term 2015 Thesis Chair: Dr. James Beckman Abstract The United States has experienced several mass shootings in the past few years. It has been averaging one shooting every week in 2015, and something must be done about it. This problem appears to be limited to the United States since several other nations have been able to minimize, and almost eliminate the number of mass shootings. By taking an analysis of the gun laws of the United States with those of Australia and Canada it can be concluded that some aspects of strict gun control can reduce the number of mass shootings.