Classics Resources for Schools
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Minute to Midnight (Atlee Pine Series#2)
ADVANCE INFORMATION A Minute to Midnight (Atlee Pine Series#2) David Baldacci 9781509874484 Fiction > Crime, Mystery & Thrillers Thriller / Suspense,Crime & Mystery,Modern & Contemporary Fiction (Post C 1945) Pan ǀ Rs 450 ǀ 640pp ǀ Paperback ǀ B Format September 15, 2020 A gripping thriller featuring Atlee Pine, FBI Special Agent, by internationally bestselling author David Baldacci. A Minute to Midnight is the gripping follow up to Long Road to Mercy featuring Special Agent Atlee Pine from one of the world's most favourite thriller writers, David Baldacci. Without Mercy. At six years old, Atlee's twin sister, Mercy, was taken from the family home while Atlee was left for dead. Since that fateful night, Atlee has dedicated her life and career to catching those who hurt others. Word of a killer. Atlee has never stopped searching for answers about her sister. A notorious serial killer, locked in a maximum-security prison, continues to haunt her. Does he really know what happened to Mercy? Quest for justice. When Atlee oversteps the mark on the arrest of a dangerous criminal, the FBI gives her a leave of absence - the perfect opportunity to return to where it all began. Determined to finally uncover the truth, Atlee Pine's journey home turns into a rollercoaster ride of murder, long-buried secrets and lies . and a revelation so personal that everything she once believed is fast turning to dust. Author Bio: David Baldacci is one of the world's bestselling and favourite thriller writers. With over 130 million copies in print, his books are published in over eighty territories and forty-five languages, and have been adapted for both feature-film and television. -
From Kottabos to War in Aristophanes' Acharnians Ross Scaife
SCAIFE, ROSS, From "Kottabos" to War in Aristophanes' "Acharnians" , Greek, Roman and Byzantine Studies, 33:1 (1992:Spring) p.25 From Kottabos to War In Aristophanes' Acharnians Ross Scaife r THE CENTER of a much-discussed speech in Acharnians ~(524-29), Aristophanes makes Dicaeopolis present the fol lowing aetiology of the Peloponnesian War: certain young Athenians, who were J.l(81)o01(o't'tu~ol-drunk from playing kottabos at a symposium-went to Megara and stole a whore named Simaitha. Then in turn the Megarians, whom Dicaeopolis describes as 7t£<puoryyroJ.l£vol-inflamed like fighting cocks from eating too much garlic-came to Athens and stole two whores from the brothel of Aspasia. So although there had been tit for tat, it was the Athenians who started the war, and somehow it was a game of kottabos that provoked them to vent their animal instincts so fatefully.l Elsewhere Aristophanes treats this game as just one among the many lighthearted diversions that his characters typically en joy, and thus as quite lacking any menacing aspect. At Pax 339-45, Trygaeus tries to restrain the Chorus by reminding them of the pleasures that a little more patience will soon bring them: a'A'A' o'tuv 'Aa~roJ.l£v U'\hftv, 't11VlKUU'tU xuip£'t£ KUt ~u't£ KUt y£'Au't'· 11- 811 yap £~£o'tat 'toe' UJ.ltV 7tAEtV J.l£VElV ~tv£'iv Ku8£1J8Elv, £~ 7tuv11yUPEt~ 8£rop£tv, EO'ttuo8ul Ko't'tu~i~Etv, 1 For Aristophanes' literary debts in this passage see J. -
BOOKS by the BEACH By
WWW. BOOKSBYTHEBEACH.CO.UK 11-15 APRIL BOOKS byby thethe BEACH2018 TICKETS AVAILABLE FROM THE STEPHEN JOSEPH THEATRE SCARBOROUGH BOOK FESTIVAL WELCOME WED 11 APRIL 10.30AM – 11.30AM £7 A WARM WELCOME to our NATALIE fifth BOOKS BY THE BEACH. HAYNES ANTIGONE - GREEKOEDIPUS MYTHS AND 2018 is a year of commemorations - one hundred years of Votes HOSTED BY PETER GUTTRIDGE for Women and the bicentenary of Mary Shelley’s Frankenstein. We’re joining in the celebrations and inviting you to the party. SCARBOROUGH LIBRARY CONCERT HALL We’ve a festival feast with everyone’s favourite flavour. There are themed lunches at The Crescent Hotel and The Stephen Joseph Bistro. A Brazilian Breakfast at Palm Court provides a fruity start...whilst Wykeham Abbey Old Kitchen is the perfect setting for a candelit dinner and a retelling of Romeo and Juliet. Writer, broadcaster and former stand up comedian Natalie Haynes is the author of Crime and thriller writers play their part and we’ve a new drama The Amber Fury and The Ancient Guide to Modern set in the town hall council chamber. Radio, screen and theatre Life. She has written and presented BBC Radio 4 stars take to the stage and we’re exploring the science of food. show, ‘Natalie Haynes Stands Up for the Classics’. There’s a dancer in the art gallery, musicians in the library and In a fresh look at the tale of Oedipus and Antigone St. Mary’s Church opens its doors to tales of Anne Brontë. Poignant Natalie introduces her new novel, The Children thoughts are shared for Amnesty International and TV journalists of Jocasta and brings Ancient Greece to life. -
Frances Anne Skoczylas Pownall
FRANCES POWNALL (March 2017) Department of History and Classics e-mail: [email protected] 2-28 H.M. Tory Building telephone: (780) 492-2630 University of Alberta (780) 492-9125 (fax) Edmonton, AB T6G 2H4 EDUCATION 1987–93 PhD in Classics, University of Toronto Major Field: The Greek Historiographical Tradition Before Alexander the Great Minor Field: Roman History Thesis: UnThucydidean Approaches: The Moral Use of the Past in Fourth-Century Prose Supervisor: Professor M. B. Wallace 1990 Vergilian Society, Summer Study Program Villa Vergiliana, Cuma, Italy 1989 American School of Classical Studies at Athens, Summer Archaeological Program 1985–87 MA in Classics, University of British Columbia Thesis: The Concept of Sacred War in Ancient Greece Supervisor: Professor Phillip Harding 1985 French Summer School, McGill University 1981–85 BA (Honours) in Classics, McGill University Thesis: The Cult of Artemis Tauropolos at Halae Araphenides and its Relationship with Artemis Brauronia Supervisor: Professor Albert Schachter SCHOLARLY AND RESEARCH INTERESTS • Greek historiography (Archaic through Hellenistic) • Greek history (especially Classical and Hellenistic) • Philip and Alexander of Macedon • Greek prose (history and oratory) ACADEMIC APPOINTMENTS 2008– University of Alberta (Professor) 1999–2008 University of Alberta (Associate Professor) 1993–99 University of Alberta (Assistant Professor) 1992–93 Memorial University of Newfoundland (Lecturer) 1991–92 Mount Allison University (Crake Doctoral Fellow/Instructor) NB: I took maternity -
Euripides and Gender: the Difference the Fragments Make
Euripides and Gender: The Difference the Fragments Make Melissa Karen Anne Funke A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Ruby Blondell, Chair Deborah Kamen Olga Levaniouk Program Authorized to Offer Degree: Classics © Copyright 2013 Melissa Karen Anne Funke University of Washington Abstract Euripides and Gender: The Difference the Fragments Make Melissa Karen Anne Funke Chair of the Supervisory Committee: Professor Ruby Blondell Department of Classics Research on gender in Greek tragedy has traditionally focused on the extant plays, with only sporadic recourse to discussion of the many fragmentary plays for which we have evidence. This project aims to perform an extensive study of the sixty-two fragmentary plays of Euripides in order to provide a picture of his presentation of gender that is as full as possible. Beginning with an overview of the history of the collection and transmission of the fragments and an introduction to the study of gender in tragedy and Euripides’ extant plays, this project takes up the contexts in which the fragments are found and the supplementary information on plot and character (known as testimonia) as a guide in its analysis of the fragments themselves. These contexts include the fifth- century CE anthology of Stobaeus, who preserved over one third of Euripides’ fragments, and other late antique sources such as Clement’s Miscellanies, Plutarch’s Moralia, and Athenaeus’ Deipnosophistae. The sections on testimonia investigate sources ranging from the mythographers Hyginus and Apollodorus to Apulian pottery to a group of papyrus hypotheses known as the “Tales from Euripides”, with a special focus on plot-type, especially the rape-and-recognition and Potiphar’s wife storylines. -
2021 SPRING Pan Macmillan Spring Catalogue 2021.Pdf
PUBLICITY CONTACTS General enquiries [email protected] * * * * * * * Alice Dewing Rosie Wilson [email protected] [email protected] Amy Canavan Siobhan Slattery [email protected] [email protected] Camilla Elworthy [email protected] * * * * * * * Elinor Fewster [email protected] FREELANCE Emma Bravo Anna Pallai [email protected] [email protected] Gabriela Quattromini Caitlin Allen [email protected] [email protected] Grace Harrison Emma Draude [email protected] [email protected] Hannah Corbett Emma Harrow [email protected] [email protected] Jess Duffy Jamie-Lee Nardone [email protected] [email protected] Kate Green Laura Sherlock [email protected] [email protected] Philippa McEwan Ruth Cairns [email protected] [email protected] CONTENTs PICADOR MACMILLAN COLLECTOR’S LIBRARY MANTLE MACMILLAN PAN TOR BLUEBIRD ONE BOAT PICADOR The War of the Poor Eric Vuillard A short, brutal tale by the author of The Order of The Day: the story of a moment in Europe’s history when the poor rose up and banded together behind a fiery preacher, to challenge the entrenched powers of the ruling elite. The fight for equality begins in the streets. The history of inequality is a long and terrible one. And it’s not over yet. Short, sharp and devastating, The War of the Poor tells the story of a brutal episode from history, not as well known as tales of other popular uprisings, but one that deserves to be told. Sixteenth-century Europe: the Protestant Reformation takes on the powerful and the privileged. -
Programme 2021 Thank You to Our Partners and Supporters
8–17 October 2021 cheltenhamfestivals.com/ literature #cheltlitfest PROGRAMME 2021 THANK YOU TO OUR PARTNERS AND SUPPORTERS Title Partner Festival Partners The Times and The Sunday Times Australia High Commission Supported by: the Australian Government and the British Council as part of the UK/Australia Season 2021-22 Principal Partners BPE Solicitors Arts Council England Cheltenham BID Baillie Gifford Creative New Zealand Bupa Creative Scotland Bupa Foundation Culture Ireland Costa Coffee Dutch Foundation For Literature Cunard Embassy of the Kingdom of the Netherlands Sky Arts Goethe Institut Thirty Percy Hotel Du Vin Waterstones Marquee TV Woodland Trust Modern Culture The Oldham Foundation Penney Financial Partners Major Partners Peters Rathbones Folio Prize The Daffodil T. S. Eliot Foundation Dean Close School T. S. Eliot Prize Mira Showers University Of Gloucestershire Pegasus Unwin Charitable Trust St. James’s Place Foundation Willans LLP Trusts and Societies The Booker Prize Foundation CLiPPA – The CLPE Poetry Award CLPE (Centre for Literacy in Primary Education) Icelandic Literature Center Institut Francais Japan Foundation Keats-Shelley Memorial Association The Peter Stormonth Darling Charitable Trust Media Partners Cotswold Life SoGlos In-Kind Partners The Cheltenham Trust Queen’s Hotel 2 The warmest of welcomes to The Times and The Sunday Times Cheltenham Literature Festival 2021! We are thrilled and delighted to be back in our vibrant tented Festival Village in the heart of this beautiful spa town. Back at full strength, our packed programme for all ages is a 10-day celebration of the written word in all its glorious variety – from the best new novels to incisive journalism, brilliant memoir, hilarious comedy, provocative spoken word and much more. -
The Silence of the Girls Readers' Guide
Women’s Prize for Fiction 2019 Reading Group Guide Also by Pat Barker: The Eye in the Door Union Street (1982) (1993) The Silence of the Girls Blow Your House Down The Ghost Road (1995) (1984) Another World (1998) by Pat Barker The Century’s Daughter Border Crossing (2001) (1986) Double Vision (2003) Hamish Hamilton The Man Who Wasn’t Life Class (2007) There (1988) Toby’s Room (2012) Regeneration (1991) Noonday (2015) About the book There was a woman at the heart of the Trojan war whose voice has been silent – till now. Briseis was a queen until her city was destroyed. Now she is slave to Achilles, the man who butchered her husband and brothers. Trapped in a world defined by men, can she survive to become the author of her own story? Discover the greatest Greek myth of all – retold by the witness history forgot. About the author Pat Barker was born in Yorkshire and began her literary career in her forties, when she took a short writing course taught by Angela Carter. Encouraged by Carter to continue writing and exploring the lives of working class women, she sent her fiction out to publishers. Thirty-five years later, she has published fifteen novels, including her masterfulRegeneration Trilogy, been made a CBE for services to literature, and won awards including the Guardian Fiction Prize and the UK’s highest literary honour, the Booker Prize. She lives in Durham and her latest novel is The Silence of the Girls. womensprizeforfiction.co.uk readinggroups.org read – The Reading Agency Ltd • Registered number: 3904882 (England & Wales) Questions and discussion points 1. -
OMC | Data Export
Ayelet Peer, "Entry on: Pandora's Jar: Women in Greek Myths by Natalie Haynes", peer-reviewed by Lisa Maurice and Susan Deacy. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2021). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/1192. Entry version as of October 07, 2021. Natalie Haynes Pandora's Jar: Women in Greek Myths United Kingdom (2020) TAGS: Alcestis Amazons Athena/ Athene Clytemnestra Euripides Eurydice Helen Hesiod Homer Jason Jocasta Medea Medusa Oedipus Orpheus Pandora Penelope Phaedra We are still trying to obtain permission for posting the original cover. General information Title of the work Pandora's Jar: Women in Greek Myths Country of the First Edition United Kingdom Country/countries of popularity worldwide Original Language English First Edition Date 2020 Natalie Haynes, Pandora's Jar: Women in Greek Myths, London: First Edition Details Picador an imprint of Pan Macmillan, 2020, 310 pp. ISBN 9781509873135 (ebook) Genre Nonfiction* Target Audience Adults Author of the Entry Ayelet Peer, Bar Ilan University, [email protected] Lisa Maurice, Bar Ilan University, [email protected] Peer-reviewer of the Entry Susan Deacy, University of Roehampton, [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood... The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges, ERC Consolidator Grant (2016–2021), led by Prof. Katarzyna Marciniak, Faculty of “Artes Liberales” of the University of Warsaw. -
A Thousand Ships Pdf, Epub, Ebook
A THOUSAND SHIPS PDF, EPUB, EBOOK Natalie Haynes | 368 pages | 23 Jul 2020 | Pan MacMillan | 9781509836215 | English | London, United Kingdom A Thousand Ships PDF Book Without these two women, there would have been no plague, Achilles would not have withdrawn his forces, from the war, Patroclus would not have taken his place, etc, these two women in the original poem are vital characters without a voice. And for what reason? Item location:. But this is the women's war, just as much as it is the men's, and the poet will look upon their pain - the pain of the women who have always been relegated to the edges of the story, victims of men, survivors of men, slaves of men - and he will tell it, or he will tell nothing at all. Opens image gallery Image not available Photos not available for this variation. As they search for answers, a ruthless wizard returned from exile is building an army of evil. Or alternatively, to berate him for not writing what you think he should have? Learn more. The refund price after restocking and shipping fees are deducted will be issued to you via the original method of payment for your purchase. But in the wrong hands, the book also holds the power to destroy all magickind. She gradually reaches wider and wider to draw in multiples different causes and effects. Ten seemingly endless years of conflict between the Greeks and the Trojans are over. Troy has fallen. It has that epic feel obviously, as it is drawing on so many classical versions, especially Homer's Iliad and Odyssey among other sources , but also in the way it deals with the big themes of the impacts of war 3. -
Institute of Classical Studies Library
UNIVERSITY OF LONDON SCHOOL OF ADVANCED STUDY INSTITUTE OF CLASSICAL STUDIES Annual Report 66 1 August 2018 – 31 July 2019 SENATE HOUSE MALET STREET LONDON WC1E 7HU 1 STAFF DIRECTOR and EDITOR OF PUBLICATIONS Professor Greg Woolf, PhD, FBA, FSA Scot, FSA READER IN DIGITAL CLASSICS Gabriel Bodard, PhD PUBLIC ENGAGEMENT FELLOW Emma Bridges, PhD POSTDOCTORAL RESEARCH FELLOW Ilaria Bultrighini, PhD POSTDOCTORAL RESEARCH FELLOW Camilla Norman, PhD (from September 2018) PELAGIOS EDUCATION DIRECTOR AND RESEARCH FELLOW Valeria Vitale, PhD RESEARCH FELLOW IN LIBRARY AND INFORMATION SCIENCE ON THE COACS PROJECT Simona Stoyanova, MA (January-February 2019) INSTITUTE MANAGER Valerie James, MA, MLitt PUBLICATIONS AND WEB MANAGER Elizabeth Potter, PhD LIBRARIAN Joanna Ashe, MA, MSc DEPUTY LIBRARIAN Paul Jackson, MA, MCLIP SENIOR LIBRARY ASSISTANT Susan Willetts, MSc, MA, MCLIP LIBRARY ASSISTANTS Christopher Ashill, MA, MLib, MCLIP Maria Kekki, MA WINNINGTON INGRAM TRAINEE Barbara Roberts, MPhil 2 ADVISORY COUNCIL 2018-19 Chairman: Dr Andrew Burnett, CBE, FSA, FBA (to end December 2018) Professor Catherine Morgan, OBE, FBA (from January 2019) Ex officio Members: The Dean of the School of Advanced Study (Professor Rick Rylance) The Director (Professor Greg Woolf, FBA) A Director of another SAS Institute (Professor Philip Murphy, Director, Institute of Commonwealth Studies) Representatives of the Hellenic and Roman Societies and the Classical Association Professor Judith Mossman (The Hellenic Society), ex officio Professor Tim Cornell (The Roman Society), -
Designing Women: Aristophanes' Lysistrata
Aristophanes’ Lysistrata 37 DESIGNING WOMEN: ARISTOPHANES’ LYSISTRATA AND THE “HETAIRIZATION” OF THE GREEK WIFE* SARAH CULPEPPER STROUP INTRODUCTION Aristophanes’ Lysistrata is a comedy of political and sexual negotiation and of what happens when complementary but distinct spheres of social interaction—the polis and the oikos, the public and the private—are torn apart and turned inside-out by protracted and seemingly ineluctable warfare. Produced, most probably, at the Lenaia of 411,1 this unusually topical drama offers an alluring reversal of the more standard comic representation of female sexuality as implicitly destructive to the civic body, forging in its place a fantasy world in which strictly proscribed sexual negotiation might * Various drafts of this article have benefited greatly from the criticisms and advice of numerous readers. I am indebted to, among others, Ruby Blondell, Mary LeBlanc, and two especially helpful anonymous readers for Arethusa. Thanks are due also to Jeffrey Henderson and Christopher Faraone, who forwarded to me manuscript versions of their own work on the topic, and to Andrew Stewart and Christopher Hallet, for their generous help with my use of the visual material. Any errors that remain are my own and should not be credited to my kind and conscientious readers. 1 A secure dating for this drama is difficult. As Henderson 1987.xv–xviii argues, however, the internal evidence of the play—the attitudes, assumptions, and arguments of the characters—in addition to the evidence given in the eighth book of Thukydides (though admittedly problematic in chronology at some places) will support a date of 411. For fuller discussions of dating, see Sommerstein 1977 and Westlake 1980.