Life Here Began out There

Total Page:16

File Type:pdf, Size:1020Kb

Life Here Began out There PART ONE LIFE HERE BEGAN OUT THERE COPYRIGHTED MATERIAL CCH001.inddH001.indd 7 99/8/10/8/10 22:28:25:28:25 PPMM CCH001.inddH001.indd 8 99/8/10/8/10 22:28:26:28:26 PPMM CHAPTER 1 Are You Alive? he original 1978 Battlestar Galactica began with the narrated words “ There are those who believe that life began out there. ” In the 2003 miniseries, Commander William Adama cites the T opening lines of the sacred scrolls of the Colonial civilization, which reiterate the idea. Here on Earth, many religions and more than a few scientists also suggest that life was brought to a lifeless Earth from elsewhere in the universe. What is life? How did it begin? What is the story of the origin of life? Life has always been a tricky concept to defi ne. Many people and cultures have tried as soon as they were able to ask the question. Because life seemed to be something magi- cal, something that could not be explained Number Six: Are by ordinary means, many of them looked you alive? Military Liaison: Yes. to spiritual or extra - or paranormal Number Six: Prove it. ways to explain life. Life, for many — Miniseries, Part I 9 CCH001.inddH001.indd 9 99/8/10/8/10 22:28:26:28:26 PPMM 10 THE SCIENCE OF BATTLESTAR GALACTICA cultures, had a certain divine spark to it, a spark that could not be understood by ordinary humans. Gradually, as reason came to replace mysticism, life developed a dif- ferent defi nition. The mystical aspects of life were lost and scientists viewed life as a continuing process — or rather, several processes: inges- tion, excretion, growth, reproduction, response to stimuli, and death. The idea that “ life is what it does ” was incomplete; a skilled debater could always fi nd exceptions. What if, for instance, a living creature existed on a much slower (or much faster) time scale than ours? Pick up a rock. Look at its various layers, or embedded crystals. Now ask yourself why you know that this rock is not alive. The rock in your hand might very well be ingesting, excreting, growing, reproducing, react- ing, and dying — but on a scale of millions of years. At that rate, you ’ d never detect any of its activity. The rock would seem to be dead. Or take the case of mayfl ies. They live their entire lives from birth to death in one day, just long enough for us to understand what they ’ re up to. But would we be able to recognize creatures that lived their entire lives in one hour? One minute? One second? A fraction of a second? To us, their entire existence would appear like a fl ash of faraway lightning, so brief we wouldn ’ t be sure it was there at all. To them, we would be like rocks, unmoving and unchangeable, the stable backdrop against which they go about their lives. * Since we ’ re dealing with a science fi ction show that takes place in space, we should perhaps use a defi nition of life developed by people looking for life in outer space. In the early 1990s, a NASA astrobiology panel defi ned “ life ” as a self - sustaining chemical system capable of undergoing Darwinian evolution . † It’ s not perfect, but it ’ ll do. The best scientifi c explanation available to the Colonials is that life would have begun on Kobol sometime around 3.8 billion years ago, when the planet had fi nally solidifi ed, and water vapor in the atmo- sphere precipitated out to form liquid water on the surface. The water acted as a solvent for other chemicals, and the constant intermixing * This idea was explored very well in the Star Trek TOS episode “ Wink of an Eye. ” † That innocuous defi nition is under debate to this day, even within NASA itself. CCH001.inddH001.indd 1100 99/8/10/8/10 22:28:26:28:26 PPMM Gaius Baltar and Six hold human/Cylon hybrid Hera, in a vision. Caprica Six and Baltar on Caprica, before the attack. 11 CCH001.inddH001.indd 1111 99/8/10/8/10 22:28:27:28:27 PPMM 12 THE SCIENCE OF BATTLESTAR GALACTICA created a bouillabaisse of various chemicals and molecules just waiting to be put into the right order. According to our current understanding, somehow — we still don ’ t know the details — the raw chemicals of life (usually nothing more elaborate than hydrogen, carbon, oxygen, and nitrogen) came together in various confi gurations in millions of places in the oceans over mil- lions of years. In all this turmoil, eventually one confi guration became able to produce crude copies of itself. This particular molecule, by the virtue of copying itself, eventually came to dominate the early envi- ronment. By continually mutating and adapting, some copies became more and more effi cient at copying themselves, and others became less effi cient. The ones that were less effi cient at copying themselves were by defi nition unfi t, and they quickly died out. The ones that survived also developed ways to fi nd sources of energy in the immediate vicin- ity. By acquiring energy from the environment, the process became self - sustaining, and met NASA ’ s defi nition for life. As Kobol formed from smaller asteroids and comets, the last pieces of comet ice to arrive became the water and gases that made Kobol ’ s oceans and atmosphere. These comets were essentially small chemistry sets. In addition to water, comets are reliably thought to have seeded the newborn planet with methane (CH4 ), ammonia (NH3 ), hydrogen 3 Ϫ sulfi de (H2 S), phosphate (PO4 ) radicals, carbon dioxide (CO2 ) and carbon monoxide (CO). With those chemicals you can build a king- dom of life. It is very likely that Kobol ’ s fi rst atmosphere was primarily made of fi ve gases: nitrogen, carbon dioxide, carbon monoxide, ammonia vapor, and methane. There was no oxygen in this atmosphere, hence no ozone layer. * With no ozone layer there would be almost no fi lter for ultravio- let radiation from the sun, so almost all of it would reach the surface. To anyone who is already alive, this would be a bad thing, but on a sterile Kobol before the creation of life, it could be just what was needed. The discovery of lightning in the clouds of Venus and Jupiter (whose atmosphere is quite similar to that of early Kobol) means * The chemical formula for ozone is O3 . CCH001.inddH001.indd 1122 99/8/10/8/10 22:28:29:28:29 PPMM ARE YOU ALIVE? 13 that it is very likely that Kobol ’ s early atmosphere was also rent by the occasional lightning bolt. Both ultraviolet radiation and lightning are mechanisms that could have put enormous amounts of energy into Kobol ’ s oceans and atmosphere. Chemical reactions need some sort of energy to get going, and Kobol had that in abun- dance. When you have millions of years to work with, nearly any type of energy is enough to make some form of organic compound out of those ingredients. This isn ’ t just speculation. In 1953, two scientists at the University of Chicago, Stanley Miller and Harold Urey, created complex organic molecules out of simple elements. Miller and Urey built a small plan- etary ecosystem in their laboratory. They started with a fl ask fi lled with liquid water and the appropriate salts and chemicals (CH4 , NH3 , H2 ) dissolved in it to represent Earth ’ s early ocean. They connected that fl ask to a series of glass tubes and reservoirs that contained the gaseous mixture that represented Earth ’ s early atmosphere. In the glass reservoir that held the “ atmosphere, ” they placed two electrodes, posi- tioned just so to create a spark gap. A condenser at the bottom of the “ atmosphere ” precipitated the water vapor and closed the loop by sending it back into the “ ocean. ” Miller and Urey gently warmed their ocean to evaporate some of the water into the atmosphere, and then ran a simple electric spark through the resulting gas to simulate the action of lightning. They ran the experiment for a week and watched as the water in their ocean turned pink and then brown. After a week they analyzed the ocean fl uid and discovered that it was full of complex organic molecules, the most exciting of which were the simple amino acids glycine and alanine, two of the building blocks of protein. Amino acids 1 are not life per se, but without amino acids there would be no proteins or enzymes, and without proteins or enzymes there would be no life as we know it. Subsequent similar experiments by Miller and Urey and by other scientists had even more interesting results. By adding ammonium cyanide to the mixture, it is possible to syn- thesize adenine, a nucleic acid and one of the building blocks of DNA! Think about that — one of the pieces of the control mecha- nism that makes you the unique being that you are can be made on CCH001.inddH001.indd 1133 99/8/10/8/10 22:28:29:28:29 PPMM 14 THE SCIENCE OF BATTLESTAR GALACTICA practically any planet that has a similar atmosphere, similar ocean, similar energy sources. Even further experiments along the Miller - Urey line discovered that with a slightly different concentration of starter materials, one could create fatty acids or lipids. Because of the nature of fats, they naturally tend to collect themselves into spherical globules, which is nearly perfect for encapsulating and concentrating various types of material — such as the material that makes up a living cell.
Recommended publications
  • Battlestar Galactica
    Institutionen för studier av samhällsutveckling och kultur – ISAK LiU Norrköping Battlestar Galactica - Ett mänskligt universum Oscar Larsson Kandidatuppsats från programmet Kultur, samhälle, mediegestaltning 2008 Linköpings Universitet, Campus Norrköping, 601 74 Norrköping ISAK-Instutionen för studier av samhällsutveckling och kultur ISRN LIU-ISAK/KSM-G -- 09/02 -- SE Handledare: Michael Godhe Nyckelord: Battlestar Galactica, Battlestar, BG, Science Fiction, SF, Sci-Fi, Sci Fi, det mänskliga, människan, religion. Sammanfattning: Science Fiction har sedan sin uppkomst gestaltat samhället och de samhällsfrågor som för sin tid är aktuella. Alltifrån ifall människans existens är kroppslig eller andlig, till vad som händer när livsformer från andra planeter kommer till Jorden, har diskuteras i Science Fiction. I tv- serien Battlestar Galactica gestaltas och problematiseras vår samtid. Genom att flytta mänskligheten från Jorden och ut i rymden, där de konfronteras med en mängd etiska och moraliska frågor – tvingade att se över vad de själva är och vad de håller på att bli. Undersökningen avser att besvara frågor kring hur BG gestaltar människan och hennes förhållande till etik, moral, politik och religion. 1. INLEDNING 1 2. SYFTE & FRÅGSTÄLLNINGAR 2 3. DISPOSITION 3 4. TEORETISKA OCH METODOLOGISKA PERSPEKTIV 4 4.1 Forskningsfält 4 4.2 Representationsbegreppet 5 4.3 Kritiska ingångar 6 4.4 Metod och urval 8 5. DET MÄNSKLIGA 10 6. SCIENCE FICTION 14 7. ANALYTISK DEL 1: BATTLESTAR GALACTICA SOM ETT NARRATIVT UNIVERSUM 18 7.1 Mänskliga huvudkaraktärer 18 7.2 Cylonska huvudkaraktärer 20 7.3 Miniserien 22 7.4 Säsong 1 23 7.5 Säsong 2 23 7.6 Säsong 3 24 7.7 Battlestar Galactica: Razor 25 7.8 Säsong 4 25 7.9 Generell analys 26 8.
    [Show full text]
  • Battlestar Galactica Rules Summary And
    The Esoteric Order of Gamers www.orderofgamers.com High quality materials for the dedicated devotee of immersive, thematic tabletop games. Game rules summaries, foamcore box plans, articles, interviews, reviews, videos, tutorials, forums – and lots more. @EOGamers gplus.to/EOGamers facebook.com/EOGamers EsotericOrderGamers v4.4 Jul 2015 Game: BATTLESTAR GALACTICA Publisher: Fantasy Flight Games (2008) Page 1: Rules summary front Page 2: Rules summary back Page 3: Player reference front x2 Page 4: Player reference back x2 Page 5: Pegasus rules summary front Page 6: Pegasus rules summary back Page 7: Exodus rules summary front Page 8: Exodus rules summary back Page 9: Exodus play reference x2 Page 10: Daybreak rules summary front Page 11: Daybreak rules summary back Page 12: Daybreak play reference x2 Page 13: Combining Expansions summary Page 14: Revised Lines of Succession x2 Print on card (ensure you are printing at 100% scale) laminate and trim to size. These sheets are intended only for the personal use of existing owners of the game for additional reference. Universal Head makes no claim whatsoever to the rights of the publisher and copyright holder, and does not benefit financially from these player aids. Artwork from the original game is copyrighted by the publisher and used without permission. This PDF may not be re-posted online, sold or used in any way except for personal use. GAME TURN TITLE CARDS Some allow a player to repair vipers and Galactica locations. Players take complete turns, starting with the first player and The President can draw Quorum cards using the President Title If you have more than 10 Skill cards in hand (not including proceeding clockwise.
    [Show full text]
  • Battlestar Galactica: Season Three Checklist
    Battlestar Galactica: Season Three Checklist Base Cards # Card Title [ ] 01 Title Card/Checklist [ ] 02 Title Card/Checklist [ ] 03 Title Card/Checklist [ ] 04 Occupation [ ] 05 Occupation [ ] 06 Occupation [ ] 07 Precipice [ ] 08 Precipice [ ] 09 Precipice [ ] 10 Exodus: Part 1 [ ] 11 Exodus: Part 1 [ ] 12 Exodus: Part 1 [ ] 13 Exodus: Part 2 [ ] 14 Exodus: Part 2 [ ] 15 Exodus: Part 2 [ ] 16 Collaborators [ ] 17 Collaborators [ ] 18 Collaborators [ ] 19 Torn [ ] 20 Torn [ ] 21 Torn [ ] 22 A Measure of Salvation [ ] 23 A Measure of Salvation [ ] 24 A Measure of Salvation [ ] 25 Hero [ ] 26 Hero [ ] 27 Hero [ ] 28 Unfinished Business [ ] 29 Unfinished Business [ ] 30 Unfinished Business [ ] 31 The Passage [ ] 32 The Passage [ ] 33 The Passage [ ] 34 The Eye of Jupiter [ ] 35 The Eye of Jupiter [ ] 36 The Eye of Jupiter [ ] 37 Rapture [ ] 38 Rapture [ ] 39 Rapture [ ] 40 Taking a Break from All Your Worries [ ] 41 Taking a Break from All Your Worries [ ] 42 Taking a Break from All Your Worries [ ] 43 The Woman King [ ] 44 The Woman King [ ] 45 The Woman King [ ] 46 A Day in the Life [ ] 47 A Day in the Life [ ] 48 A Day in the Life [ ] 49 Dirty Hands [ ] 50 Dirty Hands [ ] 51 Dirty Hands [ ] 52 Maelstrom [ ] 53 Maelstrom [ ] 54 Maelstrom [ ] 55 The Son Also Rises [ ] 56 The Son Also Rises [ ] 57 The Son Also Rises [ ] 58 Crossroads: Part 1 [ ] 59 Crossroads: Part 1 [ ] 60 Crossroads: Part 1 [ ] 61 Crossroads: Part 2 [ ] 62 Crossroads: Part 2 [ ] 63 Crossroads: Part 2 Significant Seven (1:8 Packs) # Card Title [ ] SS1 Brother Cavil [ ]
    [Show full text]
  • Lines of Succession and Rules for Combat
    lines of succession and Rules for Combat Lines of Succession During the “Distribute Title Cards” step of setup, the character who is highest in each title’s order of succession gains that title. When a title is lost during the game and is not taken by a specific player, it is given to the player (aside from the one who is losing the title) whos is able to hold the title and is highest in the title’s order of succession. The orders of succession below include all characters from all expansions. The CAG Title is only used with the Cylon Fleet option from Exodus. Admiral President CAG 1 Helena Cain 1 Laura Roslin 1 Lee “Apollo” Adama (Pilot) 2 William Adama 2 Gaius Baltar (Political Leader) 2 Kara “Starbuck” Thrace 3 Saul Tigh 3 Lee Adama (Political Leader) 3 Louanne “Kat” Katraine 4 Karl “Helo” Agathon (Military Leader) 4 Tom Zarek (Political Leader) 4 Karl “Helo” Agathon (Pilot) 5 Felix Gaeta 5 Romo Lampkin 5 Sharon “Boomer” Valerii 6 Louis Hoshi 6 Tory Foster 6 Brendan “Hot Dog” Costanza 7 Tom Zarek (Military Leader) 7 Ellen Tigh 7 Samuel T. Anders 8 Lee “Apollo” Adama (Pilot) 8 Lee “Apollo” Adama (Pilot) 8 Lee Adama (Political Leader) 9 Anastasia “Dee” Dualla 9 Tom Zarek (Military Leader) 9 Karl “Helo” Agathon (Military Leader) 10 Karl “Helo” Agathon (Pilot) 10 Felix Gaeta 10 William Adama 11 Kara “Starbuck” Thrace 11 William Adama 11 Helena Cain 12 Louanne “Kat” Katraine 12 Karl “Helo” Agathon (Military Leader) 12 Saul Tigh 13 Sharon “Boomer” Valerii 13 “Chief” Galen Tyrol 13 Felix Gaeta 14 Brendan “Hot Dog” Costanza 14 Gaius Baltar (Support) 14 Anastasia “Dee” Dualla 15 Samuel T.
    [Show full text]
  • The Adama Timeline
    The Adama Timeline Started by pyroquis, Jan 17 2010 03:46 PM Page 1 of 2 37 replies to this topic #1 pyroquis Mansquito Members 1 posts Posted 17 January 2010 - 03:46 PM In Caprica's Pilot William Adama would appear to be about 10 or 11 years old. The Series is supposed to take place 58 years prior to the first Cylon war. Adama wouldn't appear to be more than in his 50s at the end of BSG. I wonder how that will be explained. I don't remember any reference to Time travel in BSG. I know it will be some time before the show even has to consider that . I hope this series runs to completion as it looks really cool. #2 lucian78 Cyborg Full Members 1,479 posts Posted 17 January 2010 - 10:39 PM pyroquis, on Jan 17 2010, 03:46 PM, said: In Caprica's Pilot William Adama would appear to be about 10 or 11 years old. The Series is supposed to take place 58 years prior to the first Cylon war. Adama wouldn't appear to be more than in his 50s at the end of BSG. I wonder how that will be explained. I don't remember any reference to Time travel in BSG. I know it will be some time before the show even has to consider that . I hope this series runs to completion as it looks really cool. Good genes? look at jack lalaine for god's sake he is almost 100 and doesn't look it...some people age well is all.
    [Show full text]
  • Battlestar Galactica: Season Two Checklist
    Battlestar Galactica: Season Two Checklist Base Cards # Card Title [ ] 01 Title Card [ ] 02 Title Card [ ] 03 Title Card [ ] 04 Scattered [ ] 05 Scattered [ ] 06 Scattered [ ] 07 Valley of Darkness [ ] 08 Valley of Darkness [ ] 09 Valley of Darkness [ ] 10 Fragged [ ] 11 Fragged [ ] 12 Fragged [ ] 13 Resistance [ ] 14 Resistance [ ] 15 Resistance [ ] 16 The Farm [ ] 17 The Farm [ ] 18 The Farm [ ] 19 Home, Part 1 [ ] 20 Home, Part 1 [ ] 21 Home, Part 1 [ ] 22 Home, Part 2 [ ] 23 Home, Part 2 [ ] 24 Home, Part 2 [ ] 25 Final Cut [ ] 26 Final Cut [ ] 27 Final Cut [ ] 28 Flight of the Phoenix [ ] 29 Flight of the Phoenix [ ] 30 Flight of the Phoenix [ ] 31 Pegasus [ ] 32 Pegasus [ ] 33 Pegasus [ ] 34 Resurrection Ship, Part 1 [ ] 35 Resurrection Ship, Part 1 [ ] 36 Resurrection Ship, Part 1 [ ] 37 Resurrection Ship, Part 2 [ ] 38 Resurrection Ship, Part 2 [ ] 39 Resurrection Ship, Part 2 [ ] 40 Epiphanies [ ] 41 Epiphanies [ ] 42 Epiphanies [ ] 43 Black Market [ ] 44 Black Market [ ] 45 Black Market [ ] 46 Scar [ ] 47 Scar [ ] 48 Scar [ ] 49 Sacrifice [ ] 50 Sacrifice [ ] 51 Sacrifice [ ] 52 The Captain's Hand [ ] 53 The Captain's Hand [ ] 54 The Captain's Hand [ ] 55 Downloaded [ ] 56 Downloaded [ ] 57 Downloaded [ ] 58 Lay Down Your Burdens, Part 1 [ ] 59 Lay Down Your Burdens, Part 1 [ ] 60 Lay Down Your Burdens, Part 1 [ ] 61 Lay Down Your Burdens, Part 2 [ ] 62 Lay Down Your Burdens, Part 2 [ ] 63 Lay Down Your Burdens, Part 2 [ ] 64 New Caprica [ ] 65 New Caprica [ ] 66 New Caprica [ ] 67 New Caprica [ ] 68 New Caprica [ ] 69 New Caprica
    [Show full text]
  • AALL Spectrum | November/December 2016 | Volume 21, Number 2
    UP FRONT MEMBER PROFILE VANTAGE POINT RYAN OVERDORF 3 SENIOR ELECTRONIC/ MEDIA SERVICES LIBRARIAN 3 UNIVERSITY OF TOLEDO 3 LAVALLEY LAW LIBRARY 3 TOLEDO, OH WHAT’S YOUR GREATEST ADVICE TO YOUR ACHIEVEMENT AND HOW 20-YEAR-OLD SELF? HAS IT SHAPED YOU? I would give myself a Many years ago, I wrote my list of everyday life skills girlfriend a love song. One and say, “Work on these; of my brothers played and you only think you’ve recorded two guitar tracks for mastered them.” it. I recorded the vocal melody and harmony, mixing every- thing on my computer. I pre- sented it to her on Valentine’s Day. She was so impressed, she later married me! My wife has been a wonderfully important influence in my life. WORDS TO LIVE BY? The Golden Rule: “Do to others as you would have them do to you,” is a principle to aspire to, FAVORITE TRAVEL DESTINATION? but difficult to live by. For me the drive can be the destination, because on a short enough highway, I may drive just to see the end of the road (looking it up on Google Street View isn’t quite the same). If I had to pick a destination I’ve been to again and again, I’d choose a local one, the Wildwood Preserve Metropark in IF YOU COULD BE ANY CHARACTER Toledo. It’s a great place to relax IN FICTION, WHO WOULD IT BE? after work, even when you look I’m happy to live my comparatively around and see a few hundred other boring nonfiction life, but I would people had the same idea.
    [Show full text]
  • Downloading Doppelgängers: New Media Anxieties and Transnational Ironies in Battlestar Galactica.” Science Fiction Film and Television 2.1 (2009): 432-51
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Athabasca University Library Institutional Repository McCutcheon, Mark A. “Downloading Doppelgängers: New Media Anxieties and Transnational Ironies in Battlestar Galactica.” Science Fiction Film and Television 2.1 (2009): 432-51. Publisher’s notice: Reprinted from Science Fiction Film and Television, with permission of Liverpool University Press. © 2009 Liverpool University Press. Author’s notice: AU students and personnel can access the article directly at the above link; readers at other institutions can find the article via the Project MUSE or Academic Onefile databases. Other readers are referred to the publisher’s version. Downloading Doppelgängers: New Media Anxieties and Transnational Ironies in Battlestar Galactica Battlestar Galactica (US 2004-09) has become a phenomenally popular fictional show in an age of ‘reality’ programmes. A pointedly post 9/11 updating of Glen A. Larson’s 1970s broadcast series of the same name, the new Battlestar has produced ardent fan communities across the USA. Thanks to its international circulation, it has also generated a strong global audience. Much of its popularity derives from the creative liberties that executive producers Ronald D. Moore and David Eick have taken with Larson’s series. Far from being a niche sf programme, it reworks the original with more and stronger female characters, and has season-spanning serial drama storylines as soap operatic as they are space operatic. It consistently and creatively elaborates on its premise as an allegory of the USA’s twenty-first century ‘war on terror’. There is, however, another war being fought in the remade Battlestar, a guerrilla-style culture war that is, in its articulation of cultural economic problems in intellectual property (IP) and transnational productions, as timely as the show’s post-9/11 theme.
    [Show full text]
  • Order Realm Sub-Realm Question Answer Song Artist Time
    Order Realm Sub-realm Question Answer Song Artist Time What was the home state of Geographical Let's get things Peanuts cartoonist Charles Shultz Minnesota Pig- . Linus and Lucy Vince Guirauldi 3:02 1 Cartoons started and who was his dirtiest Pen character? By night they hunt ghosts. By day, The Legend of "Who ya gonna Charlie Daniels . Niche TV what company do Grant Wilson Roto-Rooter Wooley 4:13 call?" Band 2 and Jason Hawes work for? Swamp When Brodie and TS go to the second mall of their day, TS tries Does this hat Kevin Smith on a hat. What word is stitched . make me look Clerks Chewbacca Supernova 1:24 Films onto the front of the hat? 3 fat? WARNING: SHORT SONG Agatha Christie's longest-running Don't Spoil the God Save the . Theatah! West End mystery was written for Queen Mary Jimi Hendrix 2:26 Ending! Queen 4 whose 80th birthday? British veterinarian turned You want me to computer programmer Sarah Animal The Haptic Cows with . put my hand Baillie created an artificial cow's Dana Lyons 5:20 Husbandry Cow Guns 5 WHERE? butt to train would-be livestock vets. What's her invention called? Which of the famed "Real Men of Mr. Dedicated Potent Beer for fun and Genius" was said to be a funny Houston It's Not Right, Whitney . 4:15 6 Potables profit bunny train conductor who wore Astros Mascot But It's Okay Houston size 25 fluffy shoes? (Junction Jack) In Spring 2007, overcrowding at a Dance, Blood on the concert in Goodrich Hall caused Something So Crowded .
    [Show full text]
  • Law, Technology and Science Fiction
    Technical Legality: Law, Technology and Science Fiction Author Tranter, Kieran Published 2010 Thesis Type Thesis (PhD Doctorate) School Griffith Law School DOI https://doi.org/10.25904/1912/2422 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/366905 Griffith Research Online https://research-repository.griffith.edu.au Technical Legality: Law, Technology and Science Fiction Kieran Tranter Bachelor of Science (Griffith University) Bachelor of Laws (Hon 1) (Griffith University) Socio-Legal Research Centre, Griffith Law School, Griffith University, Queensland Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy 11 May 2010 i For Sophia and Alexander ii Abstract This thesis concerns the intersections of law and technology, referred to here as ‘technical legality’. It argues that reflection on technical legality reveals the mythic of modernity. The starting point for the argument is that the orthodox framing of technology by law – the ‘law and technology enterprise’ – does not comprehend its own speculative jurisdiction – that is, it fails to realise its oracle orientation towards imagining the future. In this science fiction as the modern West’s mythform, as the repository for projections of technological futures, is recognised as both the law and technology enterprise’s wellspring and cipher. What is offered in this thesis is a more thorough exploration of technical legality through taking science fiction seriously. This seriousness results in two implications for the understanding of technical legality. The first implication is that the anxieties and fantasies that animate the calling forth of law by technology become clearer.
    [Show full text]
  • James Tiberius Kirk
    1) Spaceships (at least 10) – captains - wherefrom Enterprise – James Tiberius Kirk – Star Trek (TV series) Prometheus – William Ronson – Stargate SG1 (TV series) Daedalos – Steven Caldwell – Stargate Atlantis (TV series) Destiny – Everett Young – Stargate Universe (TV series) Moya – John Crichton – Farscape (TV series) Battlestar Galactica – William Adama – Battlestar Galactica (TV series) Andromeda Ascendant – Dylan Hunt – Andromeda (TV series) Planet Express Ship – Turanga Leela – Futurama (TV series) Axiom – B. McCrea (there wasn’t said his first name) – Wall-e (Movie) TARDIS – Doctor – Doctor Who (TV series) Millenium Falcon – Han Solo – Star Wars (Movies) Icarus – George Taylor – Planet of the Apes (Movie) Heart of Gold – Zaphod Beebleprox – The Hitchhiker’s Guide to the Galaxy NSEA Protector – Peter Quincy Taggart – Galaxy Quest (Movie/parody) 2) Sci-fi vs. Fantasy, 5 sci-fi/fantasy books and series/movies + reasons why I like them Science fiction differs from fantasy in that, within the context of the story, its imaginary elements are largely possible within scientifically established or scientifically postulated laws of nature (though some elements in a story might still be pure imaginative speculation). Exploring the consequences of such differences is the traditional purpose of science fiction, making it a "literature of ideas". Science fiction is largely based on writing rationally about alternative possibilities. The settings for science fiction are often contrary to known reality. Fantasy is a genre that uses magic and other supernatural forms as a primary element of plot, theme, and/or settings. Many works within the genre take place on fictional planes or planets where magic is common. Fantasy is generally distinguished from science fiction and horror by the expectation that it steers clear of scientific and macabre themes, respectively, though there is a great deal of overlap between the three (which are subgenres of speculative fiction).
    [Show full text]
  • Battlestar Galactica
    “33” Fully COLLATED June 22, 2004 Written by Ronald D. Moore Episode #T1801 BATTLESTAR GALACTICA "33" Episode #T1801 Written by Ronald D. Moore Fully Collated June 22, 2004 EXECUTIVE PRODUCERS: Ronald D. Moore David Eick CO-EXEC PRODUCER: Toni Graphia PRODUCED BY: Harvey Frand DIRECTOR: Michael Rymer Copyright 2004 Stanford Pictures Inc & Point of View Prods. This material is the property of Stanford Pictures Inc & Point of View Prods and is intended and restricted solely for use by its personnel. Distribution or disclosure of the material to unauthorized persons is prohibited. The sale, copying or reproduction of this material in any form is also prohibited. BATTLESTAR GALACTICA "33" Episode # T1801 REVIS ION HIS TORY DATE COLOR PAGES 4/2/04 White 1-62 4/12/04 Full Blue 1-55 4/13/04 PINK Rev 8, 10, 12, 14, 18, 19, 21, 21A, 21B, 23, 24, 26, 27-28, 33, 35, 38, 39, 42, 44, 45, 47, 48, 49, 50 4/16/04 YELLOW Rev 2, 3, 5, 7, 8, 10, 12, 12A, 13, 15, 18, 19, 20, 21, 21A, 21B, 22, 23, 24, 29, 30, 32, 33, 43, 48, 49, 50, 50A, 51, 52, 53 4/19/04 GREEN Rev 18, 23, 29, 30, 33, 45 5/10/04 GOLDENROD Rev 3, 3A, 4, 4A BATTLESTAR GALACTICA "33" Episode #T1801 Fully Collated 6/22/04 CAST Commander William Adama President Laura Roslin Capt Lee Adama Lt Kara Thrace Col Saul Tigh Gaius Baltar Chief Galen Tyrol Lt Sharon Valerii Number Six Billy Crashdown Dualla Gaeta Helo Pilot (only on PA) Socinus Cally BATTLESTAR GALACTICA "33" Episode #T1801 Fully Collated 6/22/04 S ETS BATTLESTAR GALACTICA CAPRICA Colonial One Interiors Colonial One - Office Baltar's House CIC Adama's Quarters Exteriors Corridors Forest Hangar Deck Officers' Head Pilots' Ready Room SPACE Interiors Raptor Sharon's Raptor Kara's Viper Lee's Viper Exteriors Galactica Caprica Civilian Ships Colonial One Olympic Carrier Cylon Ships Vip ers Raptors “33” TEASER FADE IN: 1 INT.
    [Show full text]