Occult of Personality Choose a Discussion
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Black Platonism of David Lindsay
Volume 19 Number 2 Article 3 Spring 3-15-1993 Encounter Darkness: The Black Platonism of David Lindsay Adelheid Kegler Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Kegler, Adelheid (1993) "Encounter Darkness: The Black Platonism of David Lindsay," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 19 : No. 2 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol19/iss2/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Characterizes Lindsay as a “belated symbolist” whose characters are “personifications of ontological values.” Uses Neoplatonic “references to transcendence” but his imagery and technique do not suggest a positive view of transcendence. Additional Keywords Lindsay, David—Neoplatonism; Lindsay, David—Philosophy; Lindsay, David. A Voyage to Arcturus; Neoplatonism in David Lindsay This article is available in Mythlore: A Journal of J.R.R. -
The Altered States of David Lindsay: Three Psychedelic Novels of the 1920S
The Altered States of David Lindsay: Three Psychedelic Novels of the 1920s ‘He drank copiously. It affected his palate in a new way – with the purity and cleanness of water was combined the exhilaration of sparkling wine, raising his spirits – but somehow the intoxication brought out his better nature, and not his lower… Maskull now realised his environment as it were for the first time. All his sense organs started to show him beauties and wonders he had not hitherto suspected.’ David Lindsay, A Voyage to Arcturus, 1920. ‘A dark, cosmic and elegant meditation on life and death, A Voyage to Arcturus might well be the most psychedelic novel ever written.’ Mark Pilkington, Frieze Magazine, Issue 124, June-August 2009. David Lindsay (1876–1945), whose novels were originally published in the nineteen twenties and thirties, was a forgotten figure in literature until one of his novels, an extraordinary and elaborate fantasy, A Voyage to Arcturus1, was republished by Gollancz.2 It went on to be published in numerous popular paperback editions, as something of an underground classic during the psychedelic sixties and seventies, along with the work of other rediscovered fantasy authors such as Mervyn Peak, Lord Dunsany and J R Tolkien.3 Notwithstanding Fortean author and fringe culture pundit Mark Pilkington’s observation, that Arcturus might well be ‘the most psychedelic novel ever written’4 and the fact that Rick Doblin the founder and executive director of the psychedelic campaigning organisation MAPS named the home he built Arcturus in honour of Lindsay’s book5, the role of the consumption of psychoactive substances in the narrative of Arcturus seems to have gone almost entirely unremarked by commentators. -
Lost Knowledge of the Imagination
Praise for Gary Lachman “The Lost Knowledge of the Imagination rejoins the parted Red Sea of modern intellect, demonstrating how rationalism and esotericism are not divided forces but necessary complements and parts of a whole in the human wish for understanding. More still, he elevates the relevancy of spiritual philosophies that we are apt to short-shrift, from Crowley to positive thinking, and issues a warning: If thoughts are causative, it is all the more vital that we, the thinkers, know ourselves.” Mitch Horowitz, PEN Award-winning author of Occult America and One Simple Idea: How Positive Thinking Reshaped Modern Life “A cracking author.” Lynn Picknett, Magonia Review of Books “Lachman is an easy to read author yet has a near encyclopaedic knowledge of esotericism and is hence able to offer many different perspectives on the subject at hand.” Living Traditions magazine “Lachman’s sympathetic, but not uncritical, account of [Rudolf Steiner’s] life is to be recommended to anyone who wishes to be better informed about this gifted and remarkable man.” Kevin Tingay, The Christian Parapsychologist “Lachman challenges many contemporary theories by reinserting a sense of the spiritual back into the discussion” Leonard Schlain, author of The Alphabet Versus the Goddess “Lachman’s depth of reading and research are admirable.” Scientific and Medical Network Review For Kathleen Raine (1908-2003), who showed the way Contents Title Page Dedication Acknowledgments Chapter One: A Different Kind of Knowing Chapter Two: A Look Inside the World Chapter Three: The Knower and the Known Chapter Four: The Way Within Chapter Five: The Learning of the Imagination Chapter Six: The Responsible Imagination Further Reading Also by Gary Lachman Copyright Acknowledgments My thanks go to my editor Christopher Moore for taking on the project and to the staff of the British Library where most of the research was done. -
The Occult Webb
-ii- T H E O C C U L T W E B B An Appreciation of the Life and Work of James Webb Compiled by John Robert Colombo With Contributions from Colin Wilson Joyce Collin-Smith Gary Lachman COLOMBO & COMPANY Second Enlarged Edition Copyright (c) 1999 by J.R. Colombo Copyright (c) 2015 by J.R. Colombo Contributions Copyright (c) 1999 & 2015 by Colin Wilson Copyright (c) 1999 & 2015 by Joyce Collin-Smith Copyright (c) 2001 & 2015 by Gary Lachman All Rights Reserved. Printed in Canada. ISBN 978-1-894540-79-7 Colombo & Company 42 Dell Park Avenue Toronto M6B 2T6 Canada Phone 1 (416) 782 6853 Fax 1 (416) 782 0285 Email [email protected] Homepage www.colombo.ca -iv- C O N T E N T S Preface, 1 Preface to the Second Edition, 3 Acknowledgements, 7 1. Biographical Notes, 10 2. Bibliographical Notes, 13 3. References, 27 4. James Webb and the Occult, 38 (Colin Wilson) 5. A Precognitive Dream, 57 (Joyce Collin-Smith) 6. “The Curious Nature of the Human Mind”: An Appreciation of James Webb, 61 (Joyce Collin-Smith) 7. “So I’m Pausing for a Moment”: An Appreciation of Jamie, 77 (Joyce Collin-Smith) 8. “The Strange Death of James Webb”: An Appreciation of the Late James Webb, 92 (Gary Lachman) L’Envoi, 102 -v- P R E F A C E The idea of Tradition has been made familiar by poets and philosophers, and disreputable by occultists of every description. J.W., The Harmonious Circle This monograph is an appreciation of the life and work of James Webb. -
LIVINGS Edward-Thesis.Pdf
OPEN SILENCE: AN APPLICATION OF THE PERENNIAL PHILOSOPHY TO LITERARY CREATION by EDWARD A R LIVINGS Principal Supervisor: Professor John McLaren Secondary Supervisor: Mr Laurie Clancy A thesis submitted in complete fulfilment of the requirements for PhD, 2006. School of Communication, Culture and Languages Victoria University of Technology © Edward A R Livings, 2006 Above the senses are the objects of desire, above the objects of desire mind, above the mind intellect, above the intellect manifest nature. Above manifest nature the unmanifest seed, above the unmanifest seed, God. God is the goal; beyond Him nothing. From the Kāthak Branch of the Wedas (Katha-Upanishad)1 1 Shree Purohit Swāmi and W B Yeats, trans., The Ten Principal Upanishads (1937; London: Faber and Faber, 1985) 32. 2 ACKNOWLEDGEMENTS I wish to acknowledge the efforts of my supervisors Professor John McLaren and Laurie Clancy and those of John Jenkins, Jordie Albiston and Joanna Steer, all of whom contributed, directly or indirectly, to the production of this thesis and to whom I am most grateful. I hope the quality of the dissertation reflects the input of these people, who have so ably assisted in its production. Any faults found within the thesis are attributable to me only. 3 ABSTRACT Open Silence: An Application of the Perennial Philosophy to Literary Creation is a dissertation that combines a creative component, which is a long, narrative poem, with a framing essay that is an exegesis on the creative component. The poem, entitled The Silence Inside the World, tells the story of four characters, an albino woman in a coma, an immortal wizard, a dead painter, and an unborn soul, as they strive to comprehend the bizarre, dream-like realm in which they find themselves. -
Purim Passover Workshops
BULLETIN WINTER 2021 Spring Classes MONDAYS Wilshire Fitness with Sara Berg 9:30 - 10:30 a.m. Music Matters with Cantor Don Gurney 12:00 - 1:00 p.m. TUESDAYS Ten Amazing Jewish Women in History You’ve Never Heard Of with Rabbi Susan Nanus SERVICES @home 12:00 - 1:00 p.m. WEDNESDAYS El Judaismo Sepharadi: Exploring Sephardic Customs, Culture, and Ideas with Rabbi Daniel Bouskila 9:30 -10:15 a.m. From Our Clergy and Their Mentors 12:00 - 1:00 p.m. Purim Passover Workshops March 10 - The Preparation to March 17 - The Seder March 24 - Sharing Traditions, Passover Haggadahs, and Recipes THURSDAYS Wilshire Fitness with Sara Berg 9:30-10:30 a.m. Understanding the Holocaust with Holocaust Educator IN THIS The Jewish Significance of Triangles .............. 2 Randy Fried The Summer of 20Twenty-Fun ...................... 5 12:00 - 1:00 p.m. ISSUE Welcome University Synagogue ..................... 6 Creative Additions to Your Seder Plate............ 8 COMMENTARY What Does Haman Really Represent? While it is well known that the character of Haman in the Purim While we typically link Haman’s evil ways to the lineage of story represents an existential threat to the Jews of ancient Amalek and the unending forces attempting to eradicate the Persia, recent scholarship has revealed that Haman symbolizes Jewish people, there is a more accurate and mathematical a far more menacing and dangerous universal symbol. link between Haman and the forces of evil. Haman’s hat is the According to Biblical, Kabbalistic, and Zoroastrian sources, clue. Beginning around 2900 BCE, the underground forces Haman represents the intergalactic visitation of anti-Semitic of triangular domination began to make themselves known. -
Boletin Indice 36
BOLETÍN DE SUMARIOS Esta nueva entrega del Boletín de Sumarios recoge 174 nuevos números, correspondientes a 62 títulos distintos, recibidos en la Biblioteca durante los meses de octubre, noviembre y diciembre de 2013. Ordenados alfabéticamente, los títulos van seguidos de los números recibidos que, mediante enlaces, permiten acceder a los sumarios correspondientes. Si desea consultar alguna de estas revistas, puede hacerlo en la Sala de Lectura de la Biblioteca de Cultura. La mayoría de ellas se encuentra también en la Biblioteca Nacional. Si usted se encuentra fuera de Madrid, puede dirigirse a la Red de Bibliotecas de su Comunidad. Confiamos en que la información que ofrecen estos boletines sea de utilidad y rogamos remitan cualquier sugerencia sobre este servicio al buzón [email protected] Secretaría General Técnica Subdirección General de Documentación y Publicaciones Ábaco: Revista de Cultura y Ciencias Sociales. Vol. 75: núm. 1 (2013) ADE Teatro. Núms. 147, 148 (2013) Anales del Museo de América. Vol. XIX (2011) Arquitectura viva. Núm. 156 (2013) Arte y Parte. Núms. 103, 104, 105. 106, 107, 108 (2013) BBF: Bulletin des Bibliothèques de France. Núms. 5, 6 (2013) BJC: Boletín de Jurisprudencia Constitucional. Núm. 377 (2013) Boletín de la Institución Libre de Enseñanza. Núms. 89-90, 91-92 (2013) Clarín: Revista de Nueva Literatura. Núms. 103, 104, 105, 106, 107, 108 (2013) Claves de razón práctica. Núms. 226, 227, 228, 229, 230, 231 (2013) CLIJ: Cuadernos de Literat. Infantil y Juvenil. Núms. 251, 252, 253, 254, 255, 256 (2013) Croquis, El. Núms. 165, 166, 167, 168-169 (2013) Cuadernos Hispanoamericanos. Núms. 760, 761, 762 (2013) Cultural Trends. -
Mark J Langwith Phd Thesis
'A FAR GREEN COUNTRY' : AN ANALYSIS OF THE PRESENTATION OF NATURE IN WORKS OF EARLY MYTHOPOEIC FANTASY FICTION Mark J. Langwith A Thesis Submitted for the Degree of PhD at the University of St. Andrews 2007 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/313 This item is protected by original copyright This item is licensed under a Creative Commons License ‘A FAR GREEN COUNTRY’: AN ANALYSIS OF THE PRESENTATION OF NATURE IN WORKS OF EARLY MYTHOPOEIC FANTASY FICTION MARK J. LANGWITH A Thesis for the Degree of Doctorate of Philosophy University of St. Andrews 21 December 2006 ii ABSTRACT This study undertakes an examination of the representation of nature in works of literature that it regards as early British ‘mythopoeic fantasy’. By this term the thesis understands that fantasy fiction which is fundamentally concerned with myth or myth-making. It is the contention of the study that the connection of these works with myth or the idea of myth is integral to their presentation of nature. Specifically, this study identifies a connection between the idea of nature presented in these novels and the thought of the late-Victorian era regarding nature, primitivism, myth and the impulse behind mythopoesis. It is argued that this conceptual background is responsible for the notion of nature as a virtuous force of spiritual redemption in opposition to modernity and in particular to the dominant modern ideological model of scientific materialism. -
The Journal of the Assembly for Expanded Perspectives on Learning
The Journal of the Assembly for Expanded Perspectives on Learning Volume 15 Winter 2009-2010 Article 14 2009 Reviews Julie J. Nichols Charles Suhor Edward Sullivan Follow this and additional works at: https://trace.tennessee.edu/jaepl Part of the Creative Writing Commons, Curriculum and Instruction Commons, Curriculum and Social Inquiry Commons, Disability and Equity in Education Commons, Educational Methods Commons, Educational Psychology Commons, English Language and Literature Commons, Instructional Media Design Commons, Liberal Studies Commons, Other Education Commons, Special Education and Teaching Commons, and the Teacher Education and Professional Development Commons Recommended Citation Nichols, Julie J.; Suhor, Charles; and Sullivan, Edward (2009) "Reviews," The Journal of the Assembly for Expanded Perspectives on Learning: Vol. 15 , Article 14. Available at: https://trace.tennessee.edu/jaepl/vol15/iss1/14 This Essay is brought to you for free and open access by Volunteer, Open Access, Library Journals (VOL Journals), published in partnership with The University of Tennessee (UT) University Libraries. This article has been accepted for inclusion in The Journal of the Assembly for Expanded Perspectives on Learning by an authorized editor. For more information, please visit https://trace.tennessee.edu/jaepl. 90 JAEPL, Vol. 15, Winter 2009–2010 REVIEWS Meaning and The Evolution of Consciousness: A Retrospective on the Writing of Owen Barfield Julie J. Nichols, Utah Valley University Barfield, Owen. History in English Words. London: Methuen and Co., Ltd., 1926; 2e London: Faber and Faber, 1953. Faber Paper- back, 1962. Reprinted 1964, 1969; also Massachusetts: Lindisfarne P, 1967; 8th printing, with a foreword by W. H. Auden, 2007. —. Poetic Diction: A Study in Meaning. -
Download The
DAVID LINDSAY'S A VOYAGE TO ARCTURUS ALLEGORICAL DREAM FANTASY AS A LITERARY MODE by JACK S CHOFIELD B.A., University of Birmingham, 1969 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE DEPARTMENT OF ENGLISH We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, 19 72 tn presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver 8, Canada Date Abstract David Lindsay's A Voyage to Arcturus must be read as an allegorical dream fantasy for its merit to be correctly discerned. Lindsay's central themes are introduced in a study of the man and his work. (Ch. 1). These themes are found to be common in allegorical dream fantasy, the phenomen- ological background of which is established (Ch. 2). A distinction can then be drawn between fantasy and romance, so as to define allegorical dream fantasy as a literary mode (Ch. 3). After the biographical, theoretical and literary backgrounds of A Voyage have been established in the first three chapters, the second three chapters explicate the structure of the book as an allegorical dream fantasy. -
“Deep in Mines of Old Belief”: Gnosticism in Modern Canadian Literature
“Deep in Mines of Old Belief”: Gnosticism in Modern Canadian Literature by Ryan Edward Miller M.A. (English), Simon Fraser University, 2001 B.A. (English), University of British Columbia, 1997 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of English Faculty of Arts and Social Sciences © Ryan Edward Miller 2012 SIMON FRASER UNIVERSITY Summer 2012 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for "Fair Dealing." Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. APPROVAL Name: Ryan Edward Miller Degree: Doctor of Philosophy, English Title of Thesis: “Deep In Mines of Old Belief”: Modern Gnosticism in Modern Canadian Literature Examining Committee: Chair: Dr. Carolyn Lesjak Associate Professor & Graduate Chair Department of English ______________________________________ Dr. Kathy Mezei, Senior Supervisor Professor Emerita, Department of Humanities ______________________________________ Dr. Sandra Djwa, Supervisor Professor Emerita, Department of English ______________________________________ Dr. Christine Jones, Supervisor Senior Lecturer, Department of Humanities ______________________________________ Dr. Eleanor Stebner, Internal Examiner Associate Professor & Woodsworth Chair, Department of Humanities ______________________________________ -
You're Listening to Imaginary Worlds, a Show About How We Create Them
1 You’re listening to Imaginary Worlds, a show about how we create them and why we suspend our disbelief. I’m Eric Molinsky. He wanted his work to be taken seriously – on his own terms. But John Ronald Reuel Tolkien was such an outlier in the world of academia in mid 20th century England. MD: There was a lot of nasty snide Oxford gossip going on for a long time, oh he’s a genius but he went off the rails and started writing these crazed epics. This is Michael Drout. He teaches the works of Tolkien at Wheaton College. MD: Tolkien had one of the plumb jobs at Oxford, he’s the Rollins and Bosworth profess or Anglo Saxon, it meant that he had give a number of lectures but he had a much lower workload on the understanding that he’s going to produce amazing scholarship like he did at beginning of his career. And he produced very little and what he produced was weird. Laughs. Why? MD: Well for example he sends off to essays and studies battle on Malden but it’s a play in blank verse but turns out to be influential but what was editor thinking? A play? And that was hardly the weirdest thing Professor Tolkien had written. In 1937, he put out a fantasy novel called The Hobbit. His colleagues were okay with that. You can’t blame the man for wanting to make extra money on the side. But Tolkien become obsessed, even lost in this imaginary world he had created.