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Noël Carroll - Eine Bibliographie 2008 Repositorium für die Medienwissenschaft Hans Jürgen Wulff Noël Carroll - Eine Bibliographie 2008 https://doi.org/10.25969/mediarep/12896 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Noël Carroll - Eine Bibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2008 (Medienwissenschaft: Berichte und Papiere 88). DOI: https://doi.org/10.25969/mediarep/12896. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0088_08.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 88, 2008: Noël Carroll. ISSN 1613-7477. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. Letzte Änderung: 11. Februar 2008. URL der Hamburger Fassung: http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0088_08.pdf Noël Carroll - Eine Bibliographie Zusammengestellt v. Hans J. Wulff Das Werk des Philosophen und Filmtheoretikers ￢ Rev. (Casetti, Francesco) in: Iris, 9, Spring 1989, pp. Noël Carroll ist außerordentlich vielgestaltig, über 182-187. ￢ mehrere Disziplinen verstreut, umfaßt allgemeine Rev. (Jarvie, Ian) in: Historical Journal of Film, Radio and Television 11,1, 1991, pp. 90-91. Arbeiten zur ästhetischen Theorie (auf diesem Ge- ￢ Rev. (Lehman, Peter: Noël Carroll and the Philosophy biet ist Carroll vor allem in den letzten Jahren aktiv of Film Theory) in: Persistence of Vision 8, 1990, pp. gewesen) ebenso wie Arbeiten zur Filmtheorie, zur 85-93. formalistischen Beschreibung des Films, zu Affekt- ￢ Rev. (Plantinga, Carl) in: Quarterly Journal of Speech, strukturen in verschiedenen Genres, zum postmoder- Nov. 1990, pp. 456-458. ￢ nen Kino. Carroll war an zahlreichen Disputen mit Rev. (Polan, Dana) in: Film Quarterly 42,3, 1989, pp. anderen Philosophen beteiligt (die ich hier soweit 49-50. ￢ Rev. (Testa, Bart: Out of theory) in: Canadian Journal möglich mitdokumentiert habe, denen ich aber keine of Film Studies 1,2, 1991, pp. 49-65. eigene Aufmerksamkeit habe zukommen lassen). ￢ Rev. (Wilson, George) in: The Philosophical Review Und es finden sich - zur Überraschung auch solcher 100, July 1991, pp. 506-510. Leser, die Carrolls Arbeit seit Jahren verfolgen - Ar- beiten zum Tanz und zur Tanztheorie. Mystifying Movies: Fads and Fallacies in Contem- porary Film Theory. New York: Columbia Universi- ty Press 1988, x, 262 pp. ￢ Paperback ed. New York 1991, 368 pp. Inhalt: ￢ Bücher Buckland, Warren: Critique of Poor Reason. In: Screen 30,4, Autumn 1989, pp. 80-103. Herausgeberschaften ￢ Artikel Casetti, Francesco: Quelle théorie pour le cinéma? In: Rezensionen Iris, 9, 1989, pp. 182-187. ￢ Jennifer Hammett: Essentializing movies: Perceiving Artikel zu Carroll, Unklassifizierbares cognitive film theory. In: Wide Angle 14,1, 1992, pp. 86-94. ￢ Lehman, Peter: Noël Carroll and the Philosophy of Bücher Film Theory. In: Persistence of Vision 8, 1990, pp. 85- 93. ￢ An In-Depth Analysis of Buster Keaton's THE Rev. (Haffner, Pierre) in: Script (frz.), 13, Herbst 1991, GENERAL. Unveröff. Ph.D. Thesis, New York Univer- p. 20. sity 1976, 242 pp. ￢ Rev. (Hanson, Karen) in: The Philosophical Review ￢ Ann Arbor, Mich.: University Microfilms International 100, July 1991, pp. 663-665. ￢ 1977, 3 microfiches. Rev. (Jarvik, Laurence) in: Historical Journal of Film, Radio and Television 10,3, 1990, pp. 324-325. ￢ Some Philosophical Issues of Film Theory. Unver- Rev. (Prince, Stephen) in: Film Quarterly 45,2, 1991, pp. 49-51. öff. Ph.D. Thesis, University of Illinois, Chicago ￢ 1982, 328 pp. Rev. (Sesonske, Alexander) in: Journal of Aesthetics and Art Criticism 47,3, 1989, pp. 284-285. ￢ Ann Arbor, Mich.: UMI 1983, 321 pp. ￢ Rev. (Whittock, Trevor) in: British Journal of Aesthe- tics 29, Autumn 1989, pp. 379-381. Philosophical Problems of Classical Film Theory. ￢ Rev. (Zucker, Carole Zucker) in: Cinémas (Montréal) Princeton: Princeton University Press 1988, x, 268 1,1-2, 1990, pp. 155-162. pp. ￢ Rev. (Cameron, Evan William) in: Journal of Aesthe- tics and Art Criticism 47,1, 1989, pp. 85-86. Noël Carroll // Medienwissenschaft/Hamburg, 88, 2008 /// 2 The Philosophy of Horror, or Paradoxes of the He- A Philosophy of Mass Art. Oxford: Clarendon Press art. New York/London: Routledge 1990, xi, 256 pp. 1998, xii, 425 pp. ￢ James Peterson: The Freddie Kruger of film theory ￢ Enthält die Abschnitte: 1. Philosophical Resistance to strikes again. In: Wide Angle 14,1, 1992, pp. 78-85. Mass Art: The Majority Tradition . - 2. Philosophical ￢ Vorobej, Mark: Monsters and the Paradox of Horror. Celebrations of Mass Art: The Minority Tradition. - 3. In: Dialogue 36, Spring 1997, pp. 219-246. The Nature of Mass Art. - 4. Mass Art and the Emoti- ￢ Vgl. dazu einen kleinen Disput zwischen Carroll und ons. - 5. Mass Art and Morality. - 6. Mass Art and Berys Gaut: Berys Gaut: The Paradox of Horror. In: Ideology. ￢ British Journal of Aesthetics 33,4, 1993, pp. 333-345. Higgins, Kathleen Marie: Mass Appeal. [Restricted -- Carroll, Noël: Enjoying Horror Fictions: A Reply to Access]. In: Philosophy and Literature 23,1, 1999, pp. Gaut. In: British Journal of Aesthetics 35,1, 1995, pp. 197-205. 67-72. -- Berys Gaut: The Enjoyment Theory of Hor- ￢ Rev. in: Estudios Filosoficos 53,152, 2004, pp. 183- ror: A Response to Carroll. In: British Journal of Aes- 185. thetics 35,3, 1995, pp. 284-289. ￢ Rev. (Horowitz, Gregg) in: The Journal of Philosophy ￢ Rev. in: Estudios Filosoficos 54,157, 2005, pp. 595- 96,2, Febr. 1999, pp. 99-105. 597 ￢ Rev. (Kemp, Gary) in: British Journal of Aesthetics ￢ Rev. (Devereaux, Mary) in: The Philosophical Review 39,3, July 1999, pp. 300-303. 101, Oct. 1992, pp. 950-953. ￢ Rev. (Smith, Anthony: Currency and Loose Change) ￢ Rev. (Levinson, Jerrold) in: The Journal of Aesthetics in: Times Higher Education Supplement, 1326, and Art Criticism 49,3, Summer 1991, pp. 253-258. 4.3.1998, p. 27. ￢ Rev. (MacKendrick, Louise K.) in: Canadian Journal ￢ Rer. (Yanal, R.J.) in: Philosophical Books 40,3, July of Communication 17,1, 1992. 1999, pp. 200-202. ￢ Rev. (MacKenzie, Scott) in: Modern Language Notes ￢ Shaw, Daniel: It All Depends on What You Mean By 106, Dec. 1991, pp. 1093-1097. 'Ideology'. = Film-Philosophy On-line forum. ￢ Rev. (Matravers, Derek) in: British Journal of Aesthe- tics 31, April 1991, pp. 174-176. Interpreting the Moving Image. New York: Cam- ￢ Rev. (Morrison, James) in: Film Criticism 15,3, 1991, bridge University Press 1998, xviii, 370 pp. (Cam- pp. 41-43. bridge Studies in Film.). ￢ Rev. (Simons, Jan) in: Skrien, 179, Aug./Sept. 1991, ￢ Buckland, Warren: The Practice of Filmic Interpretati- pp. 63-64. on. In: Film-Philosophy: Electronic Salon, 16. No- ￢ Rev. (Solomon, Robert C.) in: Philosophy and Litera- vember 1998 (http://www.Mailbase.ac.uk/lists/film- ture 16,1, 1992, pp. 163-173. philosophy/files/buckland.html.). ￢ Shaw, Daniel: A Humean Definition of Horror. = ￢ Dazu: Replies to Commentators. In: Film and Philoso- Film-philosophy web site. phy, 5-6, 2002, pp. 172-179. ￢ Rev. in: Sight and Sound 9,5, May 1999, p. 30. Theorizing the Moving Image. New York: Cam- bridge University Press 1996, xix, 426 pp. (Cam- Philosophy of art. A contemporary introduction. bridge Studies in Film.). London/New York: Routledge 1999, xii, 273 pp. ￢ Rev. (Blackwell, Scott) in: Film Criticism 22,2, Winter (Routledge Contemporary Introduction to Philoso- 1997-98, pp. 81-86. phy.). ￢ Rev. (Gaut, Berys) in: Journal of Aesthetics and Art ￢ Repr. 2002. Criticism, 1998, pp. 86-88. ￢ ￢ Rev. (Graham McFee) in: British Journal of Aesthetics Rev. (Prince, Stephen) in: Film Quarterly 52,2, 1998, 41,2, 2001, pp. 229-232. pp. 60-61. ￢ Rev. (Testa, Bart) in: British Journal of Aesthetics, Beyond aesthetics. Philosophical essays. Cambridge 1997. ￢ [...]: Cambridge University Press 2001, xiv, 450 pp. Rev. (Warburton, Nigel) in: British Journal of Aesthe- ￢ Enthält die Abschnitte: 1. Beyond aesthetics. - 2. Art, tics 38,4, Oct.1997, 438-40. ￢ history, and narrative. - 3. Interpretation and intention. Rev. (Wood, Aylish) in: Journal of American Studies - 4. Art, emotion, and morality. - 5. Alternative topics. 32,1, 1998, pp. 142-143. ￢ ￢ Rev. in: Journal of Aesthetics and Art Criticism 60,4, Hertzberg, Ludvig: Piecemeal Engineering. = Film- Fall 2002, pp. 356-358. philosophy web site. ￢ Rev. in: Mind 113,450, April 2004, pp. 323-326. ￢ Tarnay, Lazslo: The Rear Window of Essentialism. = Film-philosophy web site. Noël Carroll // Medienwissenschaft/Hamburg, 88, 2008 /// 3 Engaging the moving image. New Haven, Conn. ￢ Rev. (Hedling, Olof: Polemisk betraktelse av filmkriti- [...]: Yale University Press 2003, xxv, 420 pp. (Yale ken) in: Filmhaftet: Tidskrift om Film och TV 24,3 Series in the Philosophy & Theory of Art.). (=95), 1996, pp. 58-59. ￢ ￢ Sankowski, Edward: Films Studies, the Moving Rev. (Knight, Deborah) in: Journal of Aesthetic Edu- Image, and Noël Carroll. In: The Journal of Aesthetic cation 32,2, 1998, pp. 109-112. ￢ Education 40,1, Spring 2006, pp. 104-110. Rev. (Pipolo, Tony) in: Cineaste 23,1, 1997, pp. 56-58. ￢ ￢ Rev. in: Journal of Aesthetics and Art Criticism 62,4, Rev. (Ruyters, Jann) in: Skrien, 212, Febr./March Fall 2004, pp. 394-397. 1997, p. 73. ￢ Rev. (Schweinitz, Jörg) in: Journal for the Study of Comedy incarnate. Buster Keaton, physical humor, British Cultures 5,2, 1998, pp. 227-229. ￢ and bodily coping. Oxford [...]: Blackwell 2007, v, Rev. (Wyatt, Justin) in: Film Quarterly 51,1, 1997, pp. 180 pp. 55-57. The philosophy of motion pictures. Malden, Mass. Theories of art today. Madison, Wisc. [...]: Universi- ty of Wisconsin Press 2000, vi, 268 S. [...]: Blackwell 2008, 241 pp. (Foundations of the ￢ Philosophy of the Arts.). Rev. in: Estudios Filosoficos 51(148), 2002, pp. 571- 572. ￢ [Verlag:] The philosophy of motion pictures has typi- ￢ Dazu: SATS 2,2, 2001, pp.
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