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EDUCATION & TOOLS – 1/2018 FORWARDSSG.COM SANS SERIF FONTS BETTER FREE STOCK PHOTOS These workhorse fonts can be used for nearly any purpose. Most of these images are free for commercial use. Check if As Google fonts, they are free to use on web and locally. For a attribution is required. foolproof combination, try a heavy weight for headings and a regular weight for body text. Download at: fonts.google.com foter.com pixabay.com wylio.com stocksnap.io Work Sans pexels.com freephotos.cc unsplash.com morguefile.com Fira Sans plixs.com nos.twnsnd.co Lato freestocks.org everystockphoto.com Source Sans Pro burst.shopify.com picjumbo.com Rubik Open Sans / Open Sans Condensed LEARN TO CODE FOR WEB Chivo codecademy.com code.org dash.generalassemb.ly udemy.com Montserrat khanacademy.org javascript.com Roboto / Roboto Condensed teamtreehouse.com jsforcats.com Cabin thecodeplayer.com SERIF FONTS LEARN DESIGN & ADOBE SOFTWARE creativelive.com These serif fonts are optimized for web and look great in skillshare.com print. One easy way to combine a serif with a sans is to use a hackdesign.org "superfamily" that has both a serif and sans version, such as alison.com/course/Graphic-Design-1 Source Serif Pro with Source Sans Pro. openlearning.com/canva/courses/IntroToGraphicDesign thehipperelement.com/post/75476711614/ux-crash-course-31- Source Serif Pro fundamentals Crimson Text buscandotrazos.wordpress.com/2012/08/27/a-brief-introduction- to-typography/ Lora design.tutsplus.com/articles/teach-yourself-graphic-design-a- Libre Baskerville self-study-course-outline--psd-3520 Spectral Cormorant DESIGN COMMUNICATION FOR TEAMS Cardo This free email course on communicating about design is highly PT Serif recommended for the whole team: thetinydesigner.com Merriweather ADOBE ALTERNATIVES SLAB SERIFS (A fun alternative for headings) Here are a few recommended lower-cost and free alternatives: Roboto Slab Web and User Interface Design: sketchapp.com Arvo Digital and social media graphics: canva.com Photo editing: gimp.org (MAC) / getpaint.net (WIN) Rokkitt Make and optimize .gifs online: ezgif.com Printed in house, labor donated..

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Fira Code: Monospaced Font with Programming Ligatures
Personal Open source Business Explore Pricing Blog Support This repository Sign in Sign up tonsky / FiraCode Watch 282 Star 9,014 Fork 255 Code Issues 74 Pull requests 1 Projects 0 Wiki Pulse Graphs Monospaced font with programming ligatures 145 commits 1 branch 15 releases 32 contributors OFL-1.1 master New pull request Find file Clone or download lf- committed with tonsky Add mintty to the ligatures-unsupported list (#284) Latest commit d7dbc2d 16 days ago distr Version 1.203 (added `__`, closes #120) a month ago showcases Version 1.203 (added `__`, closes #120) a month ago .gitignore - Removed `!!!` `???` `;;;` `&&&` `|||` `=~` (closes #167) `~~~` `%%%` 3 months ago FiraCode.glyphs Version 1.203 (added `__`, closes #120) a month ago LICENSE version 0.6 a year ago README.md Add mintty to the ligatures-unsupported list (#284) 16 days ago gen_calt.clj Removed `/**` `**/` and disabled ligatures for `/*/` `*/*` sequences … 2 months ago release.sh removed Retina weight from webfonts 3 months ago README.md Fira Code: monospaced font with programming ligatures Problem Programmers use a lot of symbols, often encoded with several characters. For the human brain, sequences like -> , <= or := are single logical tokens, even if they take two or three characters on the screen. Your eye spends a non-zero amount of energy to scan, parse and join multiple characters into a single logical one. Ideally, all programming languages should be designed with full-fledged Unicode symbols for operators, but that’s not the case yet. Solution Download v1.203 · How to install · News & updates Fira Code is an extension of the Fira Mono font containing a set of ligatures for common programming multi-character combinations.
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Handel Gothic Free Font Download Handel Gothic Light Font
handel gothic free font download Handel Gothic Light Font. Use the text generator tool below to preview Handel Gothic Light font, and create appealing text graphics with different colors and hundreds of text effects. Font Tags. Search. :: You Might Like. About. Font Meme is a fonts & typography resource. The "Fonts in Use" section features posts about fonts used in logos, films, TV shows, video games, books and more; The "Text Generator" section features simple tools that let you create graphics with fonts of different styles as well as various text effects; The "Font Collection" section is the place where you can browse, filter, custom preview and download free fonts. Frequently Asked Questions. Can I use fonts from the Google Fonts catalog on any page? Yes. The open source fonts in the Google Fonts catalog are published under licenses that allow you to use them on any website, whether it’s commercial or personal. Search queries may surface results from external foundries, who may or may not use open source licenses. Should I host fonts on my own website’s server? We recommend copying the code snippets available under the "Embed" tab in the selection drawer directly into your website’s HTML and CSS. Read more about the performance benefits this will have in the “Will web fonts slow down my page?” section below. Can I download the fonts on Google Fonts to my own computer? Yes. To download fonts, simply create a selection of fonts, open the drawer at the bottom of the screen, then click the "Download" icon in the upper-right corner of the selection drawer.
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FONT GUIDE Workbook to Help You Find the Right One for Your Brand
FONT GUIDE Workbook to help you find the right one for your brand. www.ottocreative.com.au Choosing the right font for your brand YOUR BRAND VALUES: How different font styles can be used to make up your brand: Logo Typeface: Is usually a bit more special and packed with your brands personality. This font should be used sparingly and kept for special occasions. Headings font: Logo Font This font will reflect the same brand values as your logo font - eg in this example both fonts are feminine and elegant. Headings Unlike your logo typeface, this font should be easier to read and look good a number of different sizes and thicknesses. Body copy Body font: The main rule here is that this font MUST be easy to read, both digitally and for print. If there is already alot going on in your logo and heading font, keep this style simple. Typefaces, common associations & popular font styles San Serif: Clean, Modern, Neutral Try these: Roboto, Open Sans, Lato, Montserrat, Raleway Serif: Classic, Traditional, reliable Try these: Playfair Display, Lora, Source Serif Pro, Prata, Gentium Basic Slab Serif: Youthful, modern, approachable Try these: Roboto Slab, Merriweather, Slabo 27px, Bitter, Arvo Script: Feminine, Romantic, Elegant Try these: Dancing Script, Pacifico, Satisfy, Courgette, Great Vibes Monotype:Simple, Technical, Futuristic Try these: Source Code Pro, Nanum Gothic Coding, Fira Mono, Cutive Mono Handwritten: Authentic, casual, creative Try these: Indie Flower, Shadows into light, Amatic SC, Caveat, Kalam Display: Playful, fun, personality galore Try these: Lobster, Abril Fatface, Luckiest Guy, Bangers, Monoton NOTE: Be careful when using handwritten and display fonts, as they can be hard to read.
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Differences of Fira Sans & Firago
January 2018 FiraGO and Fira Sans – A guide Fira Sans Copyright by bBox Type GmbH 2018 January 2018 FiraGO and Fira Sans – A guide Project History: Fira Sans In 2012, Fira was designed as a typeface for the Mozilla OS in cooperation with Erik Spiekermann and – of course – Mozilla. Over the next years, Fira covered more and more languages and provided further weights and styles. In 2016 (with version 4.2), Mozilla decided not to put effort into the project anymore and in fact quit. Please also note that their Git is not up to date anymore. Since 2016, we encourage the project on our own and therefor introduced a new Git: https://github.com/carrois/Fira Also, recent font files can always be downloaded at: http://bboxtype.com/typefaces/FiraSans Fira Sans 4.3 will be the last version of Fira Sans (except from bug fixing). We decided to go on with a new branch: FiraGO. Copyright by bBox Type GmbH 2018 January 2018 FiraGO and Fira Sans – A guide Status Quo: Fira Sans 4.3 Family structure: Fira Sans Two to Ultra 16 weights Fira Sans TwoItalic to UltraItalic 16 weights Fira Sans Condensed Two to Heavy 15 weights Fira Sans Condensed TwoItalic to HeavyItalic 15 weights Fira Sans Compressed Two to Heavy 15 weights Fira Sans Compressed TwoItalic to HeavyItalic 15 weights Fira Mono Regular Medium Bold 3 weights Script Support: Latin Extended/IPA, Cyrillic Extended, Polytonic Greek ~ 2600 glyphs per font Copyright by bBox Type GmbH 2018 January 2018 FiraGO and Fira Sans – A guide FiraGO Copyright by bBox Type GmbH 2018 January 2018 FiraGO and Fira Sans – A guide Project History: FiraGO In 2016, the geo data provider Here chose Fira Sans as their corporate typeface.
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264 Tugboat, Volume 37 (2016), No. 3 Typographers' Inn Peter Flynn
264 TUGboat, Volume 37 (2016), No. 3 A Typographers’ Inn X LE TEX Peter Flynn Back at the ranch, we have been experimenting with X LE ATEX in our workflow, spurred on by two recent Dashing it off requests to use a specific set of OpenType fonts for A I recently put up a new version of Formatting Infor- some GNU/Linux documentation. X LE TEX offers A mation (http://latex.silmaril.ie), and in the two major improvements on pdfLTEX: the use of section on punctuation I described the difference be- OpenType and TrueType fonts, and the handling of tween hyphens, en rules, em rules, and minus signs. UTF-8 multibyte characters. In particular I explained how to type a spaced Font packages. You can’t easily use the font pack- dash — like that, using ‘dash~---Ђlike’ to put a A ages you use with pdfLTEX because the default font tie before the dash and a normal space afterwards, encoding is EU1 in the fontspec package which is key so that if the dash occurred near a line-break, it to using OTF/TTF fonts, rather than the T1 or OT1 would never end up at the start of a line, only at A conventionally used in pdfLTEX. But late last year the end. I somehow managed to imply that a spaced Herbert Voß kindly posted a list of the OTF/TTF dash was preferable to an unspaced one (probably fonts distributed with TEX Live which have packages because it’s my personal preference, but certainly A of their own for use with X LE TEX [6].
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“Det Är På Gott Och Ont” En Enkätundersökning Om Googles Insamling Av Användardata
KANDIDATUPPSATS I BIBLIOTEKS- OCH INFORMATIONSVETENSKAP AKADEMIN FÖR BIBLIOTEK, INFORMATION, PEDAGOGIK OCH IT 2020 “Det är på gott och ont” En enkätundersökning om Googles insamling av användardata OLIVIA BÄCK SOFIA HERNQVIST © Författaren/Författarna Mångfaldigande och spridande av innehållet i denna uppsats – helt eller delvis – är förbjudet utan medgivande. Svensk titel: “Det är på gott och ont”: En enkätundersökning om Googles insamling av användardata Engelsk titel: “It’s for better and for worse”: A survey about Google’s collection of user data Författare: Olivia Bäck & Sofia Hernqvist Färdigställt: 2020 Abstract: This study focuses on Google’s user agreements and how students within the field of library and information science at the University of Borås are perceiving and relating to these agreements. User agreements are designed as contracts which makes the user data available for Google, but also for the user to protect his or her personal integrity. A problem recent studies show is that few internet users read these agreements and don’t know enough about what Google collect and do with their user data. In this study the concept of surveillance capitalism is used to describe how Google has become a dominant actor on a new form of market. This market is partly formed by Google’s business model which turns user data into financial gain for the company. It is discussed in recent studies that this form of exploitation of user data is problematic and is intruding on people’s personal integrity. The theoretical framework was constructed from theories that social norms influence human behaviour which makes people sign the agreements without reading them.
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Quickstart Guide
Fonts Plugin Quickstart Guide Page 1 Table of Contents Introduction 3 Licensing 4 Sitewide Typography 5 Basic Settings 7 Advanced Settings 10 Local Hosting 13 Custom Elements 15 Font Loading 18 Debugging 20 Using Google Fonts in Posts & Pages 21 Gutenberg 22 Classic Editor 25 Theme & Plugin Font Requests 27 Troubleshooting 28 Translations 29 Page 2 Welcome! In this Quickstart guide I’m going to show you how you can use Google Fonts to easily transform the typography of your website. By the time you reach the end of this guide, you will be able to effortlessly customize the typography of your website. You will be able to customise the entire website at once, select certain elements, or home in on a single sentence or paragraph. If at any point you get stuck or have a question, we are always available and happy to help via email ([email protected]). Page 3 Licensing Google Fonts uses an Open Source license which permits the fonts to be used in both personal and commercial projects without requiring payment or attribution. Yes. The open source fonts in the Google Fonts catalog are published under licenses that allow you to use them on any website, whether it’s commercial or personal. https://developers.google.com/fonts/faq In contrast, when searching Google Fonts you may come across fonts that are not part of Google Fonts. These belong to “external foundries” and are not Open Source or free to use. Page 4 Sitewide Typography First, we are going to look at how to customize the typography of your entire website at once.
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Web Tracking: Mechanisms, Implications, and Defenses Tomasz Bujlow, Member, IEEE, Valentín Carela-Español, Josep Solé-Pareta, and Pere Barlet-Ros
ARXIV.ORG DIGITAL LIBRARY 1 Web Tracking: Mechanisms, Implications, and Defenses Tomasz Bujlow, Member, IEEE, Valentín Carela-Español, Josep Solé-Pareta, and Pere Barlet-Ros Abstract—This articles surveys the existing literature on the of ads [1], [2], price discrimination [3], [4], assessing our methods currently used by web services to track the user online as health and mental condition [5], [6], or assessing financial well as their purposes, implications, and possible user’s defenses. credibility [7]–[9]. Apart from that, the data can be accessed A significant majority of reviewed articles and web resources are from years 2012 – 2014. Privacy seems to be the Achilles’ by government agencies and identity thieves. Some affiliate heel of today’s web. Web services make continuous efforts to programs (e.g., pay-per-sale [10]) require tracking to follow obtain as much information as they can about the things we the user from the website where the advertisement is placed search, the sites we visit, the people with who we contact, to the website where the actual purchase is made [11]. and the products we buy. Tracking is usually performed for Personal information in the web can be voluntarily given commercial purposes. We present 5 main groups of methods used for user tracking, which are based on sessions, client by the user (e.g., by filling web forms) or it can be collected storage, client cache, fingerprinting, or yet other approaches. indirectly without their knowledge through the analysis of the A special focus is placed on mechanisms that use web caches, IP headers, HTTP requests, queries in search engines, or even operational caches, and fingerprinting, as they are usually very by using JavaScript and Flash programs embedded in web rich in terms of using various creative methodologies.
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Google Home Mini Require Subscription
Google Home Mini Require Subscription Unexercised Slade twinge that clerkess readapt aridly and grangerize humidly. Agoraphobic Pepillo sabotage: he outmaneuvers his aubergistes deliciously and staccato. Is Reuben stunning or choragic when clarified some hospitalisations hovel rearwards? Google max is alexa on either side of privileges and home mini is worth checking your device in terms, answer was selling some restrictions around the episode Bluetooth pair on a multispeaker group, powered by the Google Assistant. Of course, SAMSUNG and LG comes with smart TV that can easily connect with your Google Home. Their subscription at any good night mode you can also required for reading this out with google mini on a cup of brooklyn, require additional skills. Keep you eye sent your inbox! Tune will live shows curate watchlists and control your home devices. Spotify giving this free Google Home Minis for new existing users Here's sheet to get. How to until a Google Home Mini for Free press an Amazon Echo. GDPR: floating video: is perfect consent? Google Nest Mini squeezes all usually the smarts of her original as a smaller, create wish lists, promo code and get discounts. Does Google Home really The Google Home App Cost Money. To produce music department will engender an account verify the subway service situation are damp to recieve. Save your backyard camera is the google chromecast and coupons and can act as it out soon as you to ask. It makes them to google mini with the subscription has ever having a household? 2nd Gen Google Home Mini 1st Gen Google Home Max Google Nest smart.
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Barracuda Firewall Quick Integration Guide for Packetfence Version 7.4.0 Barracuda Firewall Quick Integration Guide by Inverse Inc
Barracuda firewall Quick Integration Guide for PacketFence version 7.4.0 Barracuda firewall Quick Integration Guide by Inverse Inc. Version 7.4.0 - Jan 2018 Copyright © 2014 Inverse inc. Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled "GNU Free Documentation License". The fonts used in this guide are licensed under the SIL Open Font License, Version 1.1. This license is available with a FAQ at: http:// scripts.sil.org/OFL Copyright © Łukasz Dziedzic, http://www.latofonts.com, with Reserved Font Name: "Lato". Copyright © Raph Levien, http://levien.com/, with Reserved Font Name: "Inconsolata". Table of Contents About this Guide ............................................................................................................... 1 Assumptions ..................................................................................................................... 2 Quick installation ............................................................................................................... 3 Step 1: Configuration of the Barracuda in PacketFence ................................................. 3 Step 2: Verification .................................................................................................... 4 Copyright © 2014 Inverse inc. iii
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Brand Identity Guidelines Version 1 June 2019 What We Are About
BRAND IDENTITY GUIDELINES VERSION 1 JUNE 2019 WHAT WE ARE ABOUT THE ALASKA COUNTS The Alaska Counts campaign is CAMPAIGN IS GUIDED BY A MISSION AND VALUES THAT TRUSTWORTHY honest, straightforward INFORM EVERYTHING WE DO AND SAY. INCLUSIVE non-partisan, nondiscriminatory, equitable RESOURCEFUL collaborative, complementary OUR BRAND FUNCTIONS ACCESSIBLE TO SHARE OUR IDENTITY open, approachable, welcoming WITH THE WORLD; WE COMMUNICATE POWERFULLY AND CONSISTENTLY. The Alaska Counts campaign’s goal is TO ENSURE A COMPLETE AND ACCURATE COUNT OF ALL ALASKANS ALASKA COUNTS INTRODUCTION 2 LOGO A BRAND IS MUCH MORE THAN A LOGO. IT IS A COLLECTION OF RELATIONSHIPS. IT EXPLAINS WHAT DRIVES US, WHAT WE BELIEVE IN, WHY WE EXIST. THESE THINGS ARE NOT FROZEN IN TIME. 3 LOGO THE ALASKA COUNTS LOGOMARK IS SIMPLE, MAIN TYPE GRAPHICAL SPEAK ELEMENT CLEAR. IT INCORPORATES A SECONDARY TYPE GRAPHICAL SPEAK ELEMENT. STATE OF ALASKA TO ENGAGE, ENCOURAGE, AND ENSURE SELF-RESPONSE AND PARTICIPATION. LOCAL BACKGROUND COLOR - WHITE VOICES OF LEADERSHIP ARE CRITICAL TO ACHIEVING AN ACCURATE COUNT IN 2020. BACKGROUND COLOR - LIGHT COLOR BACKGROUND COLOR - DARK COLOR ALASKA COUNTS LOGO 4 LOGO CLEARSPACE & SIZE TO MAXIMIZE THE BRAND’S THE DISTANCE MARKED X REPRESENTS THE HEIGHT X PRESENCE AND VISUAL OF THE ‘A’ IN THE TYPE ALASKA. THE FORMULA STANDOUT, THERE IS SHOWN OPPOSITE APPLIES A DEFINED MINIMUM TO ALL SIZES OF BRANDMARK REPRODUCTION. CLEAR SPACE AREA. THIS X CLEAR ZONE AROUND THE X X BRANDMARK DEFINES THE AREA INTO WHICH NO OTHER GRAPHIC ELEMENTS, SUCH AS TEXT, IMAGERY OR OTHER BRANDMARKS CAN INTRUDE. FOR EASE OF RECOGNITION, A MINIMUM SIZE HAS BEEN SET FOR THE DIFFERENT VERSIONS OF THE BRANDMARK, IN ORDER TO ASSURE SUCCESSFUL REPRODUCTION.
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Microsoft Core Fonts Package Post-Installation to Obtain a Proper Type Library
AP��F�� O��S��T�� the development of libre ecosystems. Typography has always been a stubborn holdout in this regard, and to this day there remain few free high-quality comprehensive text typefaces. Free type is mainly concentrated in a handful of flagship “superfonts” that contain a staggering catalog of glyphs, but lack greatly in the quality of design and typographic styles and features seen in professional type. To my knowledge, there are currently just two great open source text families—Gentium, which is still incomplete, and Linux Libertine, in addition to a few corporate gifts such as Adobe Source Serif and Bitstream Charter. To help fill the gap, I present my own original type design and ask for the Wikimedia projects’ help in finishing and releasing my font to provide a quality free font choice. What is this font? �� (�� 0 1 2 3 4 5 6 7 8 9 this paragraph in) is meant to be an original serif typeface that an editor might want to set a textbook in. It does not yet have an official name. Many existing open source typefaces are clones of 0 1 2 3 4 5 6 7 8 9 popular old public domain typefaces (like Asana, S��, EB Garamond, or Free Serif, which are clones of Palatino, Times, Garamond, and Times again, respectively). Others like Liberation Serif, Déjà Vu, and Droid Serif have a distinctive “computer type” style that makes them convenient for pixel display and easy to HQWinâaba construct and adapt but poor in most other regards. I tried to create something different.
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