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17 22 @Annieareyouokay Because We Each Have a Place That Makes
17 22 View conversation Jahar @J_tsar · 16 Jul 2012 @AnnieAreYouOkay because we each have a place that makes us who we are, why live by what was instead of what is annie. 18 39 View conversation Jahar retweeted #Muslim @hash_Muslim · 16 Jul 2012 #Ramadan picks us up from our slackness, recharge our faith, and give us a push towards our Creator. 142 49 Jahar @J_tsar · 16 Jul 2012 @therealAbdul_ for the blind and the lazy 1 4 Jahar retweeted Stewie Griffin @itStewieGriffin · 13 Jul 2012 In a Grammar class : Teacher: "HE does not like girls" What is 'He' in this sentence. ?? . Student : Gay. !! 62 20 Jahar retweeted Stewie Griffin @itStewieGriffin · 16 Jul 2012 You take "the" out of psychotherapist 71 33 Jahar @J_tsar · 16 Jul 2012 just gotta get away from reality and dream a little 81 109 Jahar @J_tsar · 16 Jul 2012 bed time is the best time 71 87 Jahar @J_tsar · 15 Jul 2012 whats all the fucking fussin for because im grubbing more? 10 26 Jahar @J_tsar · 15 Jul 2012 breaking bad tonight #bestshow 19 26 Jahar retweeted Words @funnyortruth · 15 Jul 2012 You're probably naked under all those clothes. You slut. 928 269 Jahar @J_tsar · 15 Jul 2012 too waved to even fall asleep #thespins 9 23 9 23 Jahar @J_tsar · 15 Jul 2012 so much hate i need a ak 82 88 Jahar retweeted Kat @KizzMcDutchie · 15 Jul 2012 Just saw a fat topless homeless woman bang out another fat white homeless woman in central sq lmfaooo 1 3 Jahar @J_tsar · 14 Jul 2012 byyyyyyyyyyaaaaaaaaaaahh 18 25 Jahar retweeted Alan Garner @AlanHungover · 14 Jul 2012 Oh look, it's raining outside. -
I'm Gonna Keep Growin'
always bugged off of that like he always [imi tated] two people. I liked the way he freaked that. So on "Gimme The Loot" I really wanted to make people think that it was a different person [rhyming with me]. I just wanted to make a hot joint that sounded like two nig gas-a big nigga and a Iii ' nigga. And I know it worked because niggas asked me like, "Yo , who did you do 'Gimme The Loot' wit'?" So I be like, "Yeah, well, my job is done." I just got it from Slick though. And Redman did it too, but he didn't change his voice. What is the illest line that you ever heard? Damn ... I heard some crazy shit, dog. I would have to pick somethin' from my shit, though. 'Cause I know I done said some of the most illest rhymes, you know what I'm sayin'? But mad niggas said different shit, though. I like that shit [Keith] Murray said [on "Sychosymatic"]: "Yo E, this might be my last album son/'Cause niggas tryin' to play us like crumbs/Nobodys/ I'm a fuck around and murder everybody." I love that line. There's shit that G Rap done said. And Meth [on "Protect Ya Neck"]: "The smoke from the lyrical blunt make me ugh." Shit like that. I look for shit like that in rhymes. Niggas can just come up with that one Iii' piece. Like XXL: You've got the number-one spot on me chang in' the song, we just edited it. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Dolemite Is My Name
DOLEMITE IS MY NAME Written by Scott Alexander and Larry Karaszewski FINAL IN THE BLACK We hear Marvin Gaye's "What's Goin' On" playing softly. VOICE I ain't lying. People love me. INT. DOLPHIN'S - DAY CU of a beat-up record from the 1950s. On the paper cover is a VERY YOUNG Rudy, in a tuxedo. It says "Rudy Moore - BUGGY RIDE" RUDY You play this, folks gonna start hoppin' and squirmin', just like back in the day. A hand lifts the record up to the face of RUDY RAY MOORE, late '40s, black, sweet, determined. RUDY When I sang this on stage, I swear to God, people fainted! Ambulance man was picking them off the floor! When I had a gig, the promoter would warn the hospital: "Rudy's on tonight -- you're gonna be carrying bodies out of the motherfucking club!" We see that we are in a RADIO BOOTH. A sign blinks "On The Air." The DJ, ROJ, frowns at the record. ROJ "Buggy Ride"? RUDY Wasn't no small-time shit. ROJ GodDAMN, Rudy! That record's 1000 years old! I've got Marvin Gaye singin' "Let's Get It On"! I can't be playin' no "Buggy Ride." (beat) Look, I have 60 seconds. I have to cue the next tune. Hm! Rudy bites his lip and walks away. Roj tries to go back to his job. He reaches for a Sly Stone single -- when Rudy suddenly bounds back up. RUDY How about "Step It Up and Go"? That's a real catchy rhythm-and-blues number. -
Flashback, Flash Forward: Re-Covering the Body and Id-Endtity in the Hip-Hop Experience
FLASHBACK, FLASH FORWARD: RE-COVERING THE BODY AND ID-ENDTITY IN THE HIP-HOP EXPERIENCE Submitted By Danicia R. Williams As part of a Tutorial in Cultural Studies and Communications May 04,2004 Chatham College Pittsburgh, Pennsylvania Tutor: Dr. Prajna Parasher Reader: Ms. Sandy Sterner Reader: Dr. Robert Cooley ACKNOWLEDGEMENTS I would like to thank Dr. Prajna Paramita Parasher, my tutor for her faith, patience and encouragement. Thank you for your friendship. Ms. Sandy Sterner for keeping me on my toes with her wit and humor, and Dr. Cooley for agreeing to serve on my board. Kathy Perrone for encouraging me always, seeing things in me I can only hope to fulfill and helping me to develop my writing. Dr. Anissa Wardi, you and Prajna have changed my life every time I attend your classes. My parent s for giving me life and being so encouraging and trusting in me even though they weren't sure what I was up to. My Godparents, Jerry and Sharon for assisting in the opportunity for me to come to Chatham. All of the tutorial students that came before me and all that will follow. I would like to give thanks for Hip-Hop and Sean Carter/Jay-Z, especially for The Black Album. With each revolution of the CD my motivation to complete this project was renewed. Whitney Brady, for your excitement and brainstorming sessions with me. Peace to Divine Culture for his electricity and Nabri Savior. Thank you both for always being around to talk about and live in Hip-Hop. Thanks to my friends, roommates and coworkers that were generally supportive. -
KEEFUS CIANCIA (Discography)
KEEFUS CIANCIA 1/1/19 (Discography) Recording Album / Project Artist Credit Beyond the Palace Walls Paragon Taxi Piano, Keyboards (1993) Jazz in the Present Tense The Solsonics Keyboards (1993) Bop Gun Ice Cube Keyboards (1993) Fo Life Mack 10 Keyboards (1993) Cool Struttin The Pacific Jazz Alliance Keyboards (1994) Keyboards, Moog Synthesizer, N Gatz We Truss South Central Cartel (1994) Claves Nut-Meg Sez "Bozo the Town" Weapon of Choice Keyboards, Vocals (1994) Clavinet, Fender Rhodes, Moog Back to Reality Jeune (1995) Lead Highperspice Weapon of Choice Keyboards, Vocals (1996) I Am L.V. L.V. Keyboards (1996) Radio Odyssey Various Artists Keyboards (1996) The Jade Vincent Moy Producer, Composer, Musician (1996) Experiment Concepto Sol d'Menta Keyboards (1998) Nutmeg Phantasy Weapon of Choice Keyboards (1998) Whitey Ford Sings the Blues [Clean] Everlast Keyboards, Performer (1998) Another True Fiction Jerry Toback Moog Synthesizer (1999) Eat at Whitey's Everlast Bass, Keyboards, Band (2000) Loud Rocks Various Artists Keyboards (2000) Moog Synthesizer, Claves, You Know, for Kids Hate Fuck Trio (2000) Wurlitzer Synthesizer, Farfisa Organ, The ID Macy Gray (2001) Composer Motherland Natalie Merchant Piano, Keyboards (2001) Stimulated, Vol. 1 Various Artists Keyboards (2001) Diana Priscilla Ahn (2001) Organ, Keyboards, Clavinet, C'mon, C'mon Sheryl Crow (2002) String Samples Keyboards, Producer, Engineer, Soul of John Black The Soul of John Black (2003) Associate Producer Piano, Keyboards, Moog Thousand Kisses Deep Chris Botti (2003) Synthesizer, -
Aileen Riggin, 1920 and 1924, Diving
An Olympian’s Oral History AILEEN RIGGIN 1920 Olympic Games – Antwerp - Springboard Diving - Gold Medal 1924 Olympic Games – Paris - Springboard Diving - Silver Medal - 100-meter Backstroke - Bronze Medal Interviewed by: Dr. Margaret Costa Edited by: Carmen E. Rivera Published by the LA84 Foundation 2141 West Adams Boulevard Los Angeles, California 90018 www.la84.org ©1999 LA84 Foundation All Rights Reserved 1 AILEEN RIGGIN Today is Friday, November 11th, 1994, in Honolulu, Hawaii. This is Dr. Margaret Costa interviewing Aileen Riggin, gold medalist, springboard diving, 1920. Silver medal, springboard diving, 1924. Bronze medal, 100-meter backstroke, 1924. Q: Tell me about your childhood. A: It’s diffi cult to pinpoint my childhood. Perhaps I should start when I was 11 because that’s when I started swimming competition and we were living in New York City. I was of very delicate health. I went through the Spanish infl uenza epidemic that occurred during 1917 and ‘18. This was the greatest scourge that ever hit the world, but very few people know about it now. It killed more people than died in World War II, World War I and II, I think. My doctor suggested swimming, but this wasn’t easy living in New York, except in the summer time. So we found a small pool in a little hotel, it was in the Brooklyn Heights, where we were living at that time. It was just by chance that a club was forming. It was really a club of businesswomen who wanted a place to exercise and swim after they were fi nished with their work in the daytime. -
Criminal Complaint AUSA Patrick M
AO 91 (Rev. 11/11) Criminal Complaint AUSA Patrick M. Otlewski (312) 469-6045 UNITED STATES DISTRICT COURT NORTHERN DISTRICT OF ILLINOIS EASTERN DIVISION UNITED STATES OF AMERICA CASE NUMBER: v. GREGORY SALVI CRIMINAL COMPLAINT I, the complainant in this case, state that the following is true to the best of my knowledge and belief. On or about April 9, 2015, at Hanover Park, in the Northern District of Illinois, Eastern Division, defendant GREGORY SALVI violated: COUNT ONE Code Section Offense Description 21 U.S.C. § 846 Attempt to knowingly and intentionally possess with intent to distribute five kilograms or more of a mixture and substance containing a detectable amount of cocaine, a Schedule II Controlled Substance COUNT TWO Code Section Offense Description 18 U.S.C. § 924(c)(1)(A) Possession of a firearm, namely, a loaded Glock .45 caliber handgun with serial number VD308, in furtherance of a drug trafficking crime for which defendant may be prosecuted in a court of the United States, namely, attempted possession with intent to distribute five kilograms or more of cocaine, in violation of 21 U.S.C. § 846 This criminal complaint is based upon these facts: X Continued on the attached sheet. SARAH HENKELMANN Special Agent, Federal Bureau of Investigation Sworn to before me and signed in my presence. Date: April 10, 2015 Judge’s signature City and state: Chicago, Illinois Jeffrey Cole, U.S. Magistrate Judge Printed name and Title UNITED STATES DISTRICT COURT ss NORTHERN DISTRICT OF ILLINOIS AFFIDAVIT I, SARAH HENKELMANN, being duly sworn, state as follows: I. -
Life Goes on a Skeptic’S Afterlife Education
Life Goes On A Skeptic’s Afterlife Education. By John Weiss All Pages, Copyright John Weiss, 2013 Cover design by Rebecca Swift Dedication This book is dedicated to those with a very open mind who believe, or want to believe, that this life is just the beginning of a long and wonderful journey. Preface Life after death? “He’s a liar. He’s delusional.” That’s what many people will be saying about me when they read this book. Honestly, I can’t blame them. I’m even quite skeptical about all this myself. The mere notion of a life after death experience appears to be a massive stretch of my imagination. But it’s all true; at least I think it is. If this profound, let alone confounding, experience of mine is true, then life is even more of a miracle than it already is. To me, life is now more precious than I ever suspected and, as I have now learned, must be experienced to its fullest every moment of the day. Of course, there’s nothing new about the concept of life after death. The whole idea has been around as long as, well, civilized people have been around. It’s part of most peoples’ most intimate belief systems. But not mine. I fervently believed that when you died, that was it. Adios forever. That’s probably why I’m still having trouble fully accepting my awakening. What I’d like to do now is take a moment and tell you a few more things about myself that may help you form an opinion. -
RAR Newsletter 131009.Indd
RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 10/16/2013 The Alternate Routes “Nothing More” Elton John - The Diving Board (album) A benefit single for Newtown Kindness, promoting kindness and Produced by T Bone Burnett Suggested tracks: “Mexican Vacation,” compassion in kids BDS and FMQB Most Added early! Already on: “Home Again,” “The Ballad of Blind Tom” and more Fantastic sales WCLZ, KOZT, KCLC, WFIV, WTYD, KBAC, KDEC, KFMG, WCBE, KOHO... Already on: KCSN, KOZT, KPIG, WDST, Music Choice, XM Loft & more Truth & Salvage Co. “Pick Me Up” Kings of Leon “Temple” New: WNKU, WFIV, WOCM, KDBB Early: WYCE More tour dates coming #1 Most Added! First week: WNCS, KPND, WEXT, WYMS, KTBG, WEXT... “The album title is most apt as the music, indeed, does serve as a ‘pick- Early: WXRT, WRLT, CIDR, WRNR, WXPK, WWCT, KCSN, WDST... me-up.’ Rating: 9 out of 10” - Music Connection Great set in Boulder BDS New & Active! Mediabase 38*! Fantastic sales - touring soon The Devil Makes Three “Stranger” Lily Kershaw “As It Seems” Another fantastic add week: KEXP, KNBA, KFMU, KSPN, WNRN, KNBA, KRCC... New: WNRN, WEXT, WYCE, WFIT, MSPR, KUNC Already on: WCOO, KPND, WOCM, Already on: KRSH, WNKU, WTMD, KPIG, WYCE, WCBE, WUIN KRML, WVMP... KCLC, WJCU, WCBE, KSPN, KFMU, KBAC... Midnight In The Garden in stores now Their New West debut, I’m a Stranger Here, was produced by Buddy Miller As heard on the CBS hit drama Criminal Minds On tour this month The Boxer Rebellion “Keep Moving” Houndmouth “Penitentiary” The follow up to the “Diamonds,” their highest charting AAA track New: WNRN, WUSM, KSLU ON: WYEP, KNBA, WFIV, WNKU, KMTN, KOHO, Single on All Access or my Dropbox New this week: KFMU, KSPN, WZNN WCBE, KDNK, KDEC.. -
BHL Ep 8.Docx
BUT HER LYRICS… EPISODE 008 SHOW NOTES: This episode of But Her Lyrics… tackles track 7 of Wonderful Hell, “Seeds.” Host Shawna speaks with friend and fellow activist Brittany Oliver on what it takes to be an ally in the fight against white nationalism. They also ponder the state of the White House when the last guy left. Shawna answers questions from Patreon (and recommends NOT drinking heavily before heading into the studio), and someone in the band is a bit worried about playing the beginning of the song live. Can you guess who? The official sponsor of this podcast is First Defense Krav Maga out of Herndon, VA! To become a sponsor or just support the podcast, become a patron at patreon.com/shawnapotter All episode transcriptions and important links can be found right here a few days after the original air date: shawnapotter.com/#/but-her-lyrics-podcast LINKS AND RESOURCES: https://www.brittanyformaryland.com Shawnapotter.com https://www.patreon.com/shawnapotter https://www.akpress.org/making-spaces-safer-book.html https://www.orcinypress.com/producto/como-crear-espacios-mas-seguros/ https://www.b9store.com/waronwomen https://shirtkiller.com/collections/waronwomen https://lhpmerch.com/artists/war-on-women/ https://coretexrecords.com/ Bigcrunchamprepair.com ‘Capture the Flag’ album workbook: https://bridge9.bandcamp.com/album/capture-the-flag BOOK RECOMMENDATIONS: The History of White People by Nell Irvin Painter What Are You Doing Here: A Black Woman’s Life and Liberation in Heavy Metal by Laina Dawes How to Be Anti-Racist by Ibram X. -
Billboard Magazine
Lamar photographed Dec. 30, 2015, in downtown Los Angeles. GRAMMYPREVIEW2016 KENDRICK’S February 13, 2016 SWEET | billboard.com REVENGE No, Lamar doesn’t care about those past snubs. Because the Compton rapper with 11 nominations knows this is his best work ever: ‘I want to win them all’ ‘IT’S STILL TOO WHITE, TOO MALE AND TOO OLD’ Grammy voters speak out! ‘THE SECRET IS… TALENT’ How Chris Stapleton conquered country WE PROUDLY CONGRATULATE OUR GRAMMY® THE RECORDING ACADEMY® SONG OF THE YEAR BEST DANCE/ELECTRONIC ALBUM LIFETIME ACHIEVEMENT AWARD ED SHEERAN CARIBOU HERBIE HANCOCK “THINKING OUT LOUD” OUR LOVE RECORD OF THE YEAR BEST NEW ARTIST BEST DANCE/ELECTRONIC ALBUM ED SHEERAN COURTNEY BARNETT DISCLOSURE “THINKING OUT LOUD” CARACAL BEST POP SOLO PERFORMANCE RECORD OF THE YEAR ED SHEERAN BEST DANCE/ELECTRONIC ALBUM MARK RONSON* “THINKING OUT LOUD” SKRILLEX & DIPLO “UPTOWN FUNK” SKRILLEX AND DIPLO PRESENT JACK Ü BEST POP SOLO PERFORMANCE ALBUM OF THE YEAR ELLIE GOULDING* BEST DANCE/ELECTRONIC ALBUM ED SHEERAN “LOVE ME LIKE YOU DO” JAMIE XX BEAUTY BEHIND THE MADNESS IN COLOUR BY THE WEEKND BEST POP DUO/GROUP PERFORMANCE (featured artist) MARK RONSON* BEST ROCK PERFORMANCE ALBUM OF THE YEAR “UPTOWN FUNK” ELLE KING “EX’S & OH’S” FLYING LOTUS BEST POP VOCAL ALBUM TO PIMP A BUTTERFLY MARK RONSON* BEST ROCK PERFORMANCE BY KENDRICK LAMAR UPTOWN SPECIAL WOLF ALICE (producer) “MOANING LISA SMILE” BEST DANCE RECORDING ALBUM OF THE YEAR BEST ROCK SONG JACK ANTONOFF ABOVE & BEYOND “WE’RE ALL WE NEED” ELLE KING (OF FUN. AND BLEACHERS) “EX’S & OH’S”