Rogues of the Borderlands, the Hobbit, and the Lord of the Rings, and All Characters and Places Therein, Are Trademark Properties of TOLKIEN ENTERPRISES

Total Page:16

File Type:pdf, Size:1020Kb

Rogues of the Borderlands, the Hobbit, and the Lord of the Rings, and All Characters and Places Therein, Are Trademark Properties of TOLKIEN ENTERPRISES ROGUES OF THE TM BORDERLANDS 1.0 Guidelines............................................................................2 10.0 The Celeglin Barrows......................................... 28 1.1 ABBREVIATIONS ...................................................................2 10.1 THE TALE OF THE BURIAL MOUNDS ................................. 28 1.2 A DAPTING THIS MODULE TO YOUR CAMPAIGN..................2 10.2 THE NPCs ...................................................................... 29 10.3 THE SETTING.................................................................. 30 2.0 Introduction...................................................................3 10.4 THE TASK ...................................................................... 33 3.0 The Lands of Numeriador........................................4 10.5 ENCOUNTERS.................................................................... 34 3.1 T HE GEOGRAPHY...............................................................4 11.0 Other Suggested Adventures ......................... 34 3.2 T HE CLIMATE...................................................................4 11.1 THE STOLEN SWORD ........................................................34 11.2 THE EAGLE'S NEST........................................................ 35 ............................................................5 4.0 Flora and Fauna 11.3 THE MINES OF BELEGOST.................................................35 4.1 FLORA ...............................................................................5 4.2 FAUNA ...............................................................................6 12.0 Tables ........................................................................... 36 4.3 MONSTERS..........................................................................8 12.1 NPC TABLE .................................................................... 36 12.2 BEAST TABLE ................................................................. 38 5.0 People and Cultures.....................................................9 12.3 ENCOUNTER TABLE.......................................................... 39 5.1 THE RIVERMEN....................................................................9 12.4 WEATHER TABLE ............................................................ 39 5.2 THE DÚNEDAIN.................................................................... 9 12.5 WIND TABLE .................................................................. 39 5.3 THE DWARVES OF THE NAN-I-NAUGRIM ...........................9 5.4 THE ELVES ....................................................................... 10 5.5 THE OTHER RACES.......................................................... 10 CREDITS 6.0 Politics and Power...................................................... 10 Author/ Designer: John Crowdis 6.1 T HE KINGDOM OF ARTHEDAIN ........................................ 10 6.2 LINDON AND THE ELVES..........................................……10 The Stolen Sword: Jessica M. Ney 6.3 THE DWARVES ................................................................ 11 Editor/Developer: Jessica Ney 6.4 PEOPLE OF NOTE .............................................................. 11 Cover Illustration: Angus McBride 7.0 Towns and Villages of Numeriador ................... 13 Interior Illustration: Paul Jermy 7.1 T HE MANNISH SETTLEMENTS .......................................... 13 Layouts: David and Elissa Martin, William Hyde 7.2 T HE DWARVEN VALE ............................................................. 14 7.3 THE ELVISH HAVENS ...................................................... 14 Color Maps: Pete Fenlon Project Specific Contributions: Series Editor: Jessica M. 8.0 The Legend of the Ice Caves.................................. 15 8.1 O LD BAIR'S TALE ..........................................................15 Ney; Content Editor: Peter C. Fenlon; Page Design: 8.2 THE NPCs ........................................................................15 Jennifer Kleine; Layout: Andrew Christensen, Edward 8.3 THE SETTING.................................................................... 17 Dinwiddie; Cover Graphics: I. Haines Sprunt; Editorial 8.4 THE TASK ....................................................................... 21 Contributions: S. Coleman Charlton. 8.5 ENCOUNTERS...................................................................... 21 ICE MANAGEMENT — Art Director/Production Manager: Terry K. 9.0 No Sense of Humor ....................................................22 Amthor; Sales: Manager: Deane Begiebing; Editing & Development Manager: Coleman Charlton; President: Peter Fenlon; CEO: Bruce 9.1 U RBUTH, GRUD, AND WUMAG ......................................... 22 Neidlinger, Controller: Kurt Rasmussen. 9.2 THE NPCs ........................................................................ 22 ICE STAFF — Marketing Consultant: John Morgan; Print Buyer: Bill 9.3 THE SETTING..................................................................... 25 Downs; Production Supervisor: Suzanne Young; Editing & Development 9.4 THE TASK......................................................................... 27 Staff: Kevin Barrett. Rob Bell. Pete Fenlon, Jessica Ney. John 9.5 ENCOUNTERS .................................................................... 27 Ruemmler; Graphics & Production Staff: Andrew Christensen, Edward Dinwiddie, William Hyde, Jennifer Kleine, I. Haines Sprunt, Kevin Williams; Sales & Customer Service Staff: John Brunkhart; Finance Staff: Heidi Heffner, Shipping Staff: John Breckenridge, Kurt Fischer, David Johnson. Leo LaDell. Copyright 1990 © TOLKIEN ENTERPRISES, a division of ELAN MERCHANDISING, Inc., Berkeley, CA. Rogues of the Borderlands, The Hobbit, and The Lord of the Rings, and all characters and places therein, are trademark properties of TOLKIEN ENTERPRISES. Produced and distributed by IRON CROWN ENTERPRISES, Inc., P.O. Box 1605, Charlottesville, VA 22902. Stock # 8014 First U.S. Printing, January, 1990. ISBN 1-55806-083-9 2 Guidelines Ehlissa ducked suddenly behind the standing stone overlooking the burial mounds. Was that a cloak fluttering in the cool night breeze? She CHARACTER STATS pulled her own garment closer, knotting its hem to prevent a gust of wind Ag ..... Agility (RM/MERP) Me ....Memory (RM) from carrying the cape's folds outside her hiding place. Kneeling on the Co ..... Constitution (RM/MERP) Ig ...... Intelligence (MERP) damp soil in the stone's shadow, she peered around the monolith's bulk. St ....... Strength (RM/MERP) Re .... Reasoning (RM) Starlight, glimmering faintly on the distant, snow-capped peaks of the Pr ...... Presence (RM/MERP) Em .... Empathy (RM) Ered Luin, illuminated the scene before her. It(In) Intuition (RM/MERP) Qu ..... Quickness (RM) A ring of hills cupped the grassy vale where the Celeglin Barrows SD ..... Self Discipline (RM) marked the tombs of long dead Dúnadan warriors. The crouching woman let out a careful breath. The stone portal of the nearest mound gaped open, GAME TERMS and from its dank maw a shadow drifted across the threshold. As the stars' AT ...... Armor Type Lvl ............. Level (exp. or spell pale rays probed his looming silhouette, the shadow became a man bp ....... bronze piece(s) MA ............ Martial Arts cloaked in blood-red. The wind caught his garb, spreading the heavy cp ....... copper piece(s) Mod ........... Modifier or fabric to show merely shivering air within the billowing cape. This was no Crit ....Critical strike mp .............. mithril piece(s) man! Ehlissa shuddered as the wraith turned in her direction. D ........ Die or Dice NPC ........... Non-player Character D100.. Percentile Dice Result OB ............. Offensive bonus DB ...... Defensive Bonus PC .............. Player Character 1.0 GUIDELINES FRP ... Fantasy Role Playing PP .............. Power Points Fantasy role playing is akin to a living novel where the players are the GM ....Gamemaster R or Rad ....Radius main characters. Everyone combines to write a story which is never short gp ...... gold pieces(s) Rnd or Rd ..Round of adventure. They help create a new land and strange new tales. ip ........ iron piece(s) RR ............. Resistance Roll This series is designed as a tool for Gamemasters (GMs) who wish to jp ....... jade piece(s) Stat ............ Statistic or run scenarios or campaigns set in J.R.R. Tolkien's Middle-earth. The tp ........ tinpiece(s) adventure modules are complete and ready-to- run studies of very specific areas, and are intended to be used with a minimum of additional work. 1.2 ADAPTING THIS MODULE Each has statistical information based on the Middle-earth Role Playing Like the rest of this series, this module is designed for use with the (MERP) and Rolemaster (RM) fantasy systems. The modules are, how- Middle-earth Role Playing game (MERP) or the more advanced Rolemas- ever, adaptable for use with most major role playing games. Creative ter (RM) system, but is adaptable to most other major FRP games. guidelines, not absolutes, are emphasized. Statistics are expressed on a closed or open-ended scale, using a 1-100 PROFESSOR TOLKIEN'S LEGACY base and percentile dice (D100). No other dice are required. Each module is based on extensive research and attempts to meet the high standards associated with the Tolkien legacy. Rational linguistic, 1.21 CONVERTING STATS AND BONUSES cultural, and geological data are employed. Interpretive material has been Bonuses: When converting percentile values to a 1-20 system a simple included with great
Recommended publications
  • Cult of the Dragon
    Cult of the Dragon by Dale Donovan And naught will be left save shuttered thrones with no rulers. But the dead dragons shall rule the world entire, and . Sammaster First-Speaker Founder of the Cult of the Dragon Dedication To my mother and my father, who always encouraged me, no matter how seemingly strange my interests may have appeared. Thanks to you both I had the chance to pursueand obtainmy dream. While it may seem curious to dedicate a book about a bunch of psycho cultists to ones parents, I figured that, of all people, you two would understand. Credits Design: Dale Donovan Additional and Original Design: L. Richard Baker III, Eric L. Boyd, Timothy B. Brown, Monte Cook, Nigel Findley, Ed Greenwood, Lenard Lakofka, David Kelman, Bill Muhlhausen, Robert S. Mullin, Bruce Nesmith, Jeffrey Pettengill, Jon Pickens, and James M. Ward Development & Editing: Julia Martin Cover Illustration: Clyde Caldwell Interior Illustrations: Glen Michael Angus Art Direction: Dana Knutson and Dawn Murin Typesetting: Angelika Lokotz Research, Inspiration, & Additional Contributions: Robert L. Nichols & Craig Sefton Special Acknowledgment: Gregory Detwiler, Ed Greenwood, Jamie Nossal, Cindy Rick, Carl Sargent, Steven Schend, and the stories of Clark Ashton Smith & Edgar Allan Poe Campaign setting based on the original game world of Ed Greenwood. Based on the original DUNGEONS & DRAGONS® rules created by E. Gary Gygax and Dave Arneson. ADVANCED DUNGEONS & DRAGONS, AD&D, DUNGEONS & DRAGONS, DUNGEON MASTER, FORGOTTEN REALMS, MONSTROUS COMPENDIUM, PLAYERS OPTION, and the TSR logo are registered trademarks owned by TSR, Inc. COUNCIL OF WYRMS, ENCYCLOPEDIA MAGICA, and MONSTROUS MANUAL are trademarks owned by TSR, Inc.
    [Show full text]
  • The Forgotten Realms Are a World of the Realms, Matched by a Sheet of Very Similar to the Earth of the 13Th and Ice, Equally Relentless, to Its East
    These things also I have observed: that knowledge of our world is to be nurtured like a precious flower, for it is the most precious thing we have. Wherefore guard the word written and heed words unwrittenand set them down ere they fade . Learn then, well, the arts of reading, writing, and listening true, and they will lead you to the greatest art of all: understanding. Alaundo of Candlekeep Cyclopedia of the Realms Table of Contents Introductions ..................................................................4 About this Product ..............................................................5 Time in the Realms ..............................................................6 Names in the Realms .............................................................7 Languages of the Realms .........................................................8 Currency in the Realms ..........................................................9 Religion in the Realms ...........................................................10 Cyclopedia Entries ..............................................................19 Anauroch Map ..................................................................23 Arabel Map ....................................................................24 Cormyr Map ...................................................................33 Cormyr Royal Lineage ...........................................................34 DalelandsMap ..................................................................36 Immersea Map ..................................................................53
    [Show full text]
  • Oh My Goddess!: V. 16 Pdf, Epub, Ebook
    OH MY GODDESS!: V. 16 PDF, EPUB, EBOOK Kosuke Fujishima | 240 pages | 11 Jan 2011 | Dark Horse Comics,U.S. | 9781595825940 | English | Milwaukie, United States Oh My Goddess!: v. 16 PDF Book Light and Shadow: The kid plans to cause all time to stop and everything to stay eternally frozen in one time. Charlenia Kirkes rated it it was amazing Oct 21, Animage in Japanese. Vanguard: High School Arc Cont. Kodansha Manga Award — General. Overview Ever since a cosmic phone call brought the literal young goddess Belldandy into college student Keiichi's residence, his personal life has been turned upside down, sideways, and sometimes even into strange dimensions! Inara rated it really liked it Jan 21, Anime International Company. Lists with This Book. Other books in the series. A seal exists between the demon world and Earth, named the Gate to the Netherworld. Chapters Ah! Currently, no plans exist for licensing that special OVA episode. Volume Demons have similar class and license restrictions, and are accompanied by familiars instead of angels. It premiered in the November issue of Afternoon where it is still being serialized. Ryo-Ohki —present Oh My Goddess! Wikimedia Commons Wikiquote. Policenauts It was okay. Oh My Goddess!: v. 16 Writer These include the spirits of Money, Wind, Engine and such. There are no discussion topics on this book yet. Tamagotchi — Inazuma Eleven — Usaru-san Tamagotchi! This Fandom wiki is currently inactive. Tokyo , Japan : Tokuma Shoten. Released in concert with the OVA series in , [17] Smith has since stated that he saw the title as a play on "Oh my god! White Fox.
    [Show full text]
  • Jormungand, Volume 4 Pdf, Epub, Ebook
    JORMUNGAND, VOLUME 4 PDF, EPUB, EBOOK Keitaro Takahashi | 192 pages | 10 Aug 2010 | Viz Media, Subs. of Shogakukan Inc | 9781421532189 | English | San Francisco, United States Jormungand, Volume 4 PDF Book Title page [ edit edit source ] Karen Low vs. Jormungand —The name of the giant snake from Norse mythology, created by the wicked god Loki, ran through Rentaro's head. Two sides are sculptured , one Hedin Selland Hogni Ragnar. Sword Oratoria Volume 4. Koko then heads for the airport, on the way commenting that Africa is one hell of a place. Jonah is a child soldier, born amidst the chaotic conflicts that rage across West Asia, his family lost to a war fueled by weapons supplied by the so-called Merchants of Death--international arms dealers. About this product Product Information Death is their business, and business is good. Archived from the original on When the citizens of this Norn Germanicia Available Stock Add to want list Add to cart Fine. It was probably a Stage Three. Volume 3 - 1st printing. Sign in to Purchase Instantly. The "Common Knowledge" section now includes a "Series" field. Valmet agrees, stating that she too was unable to grasp anything. Volume 10 - 1st printing. However Schokolade points out that this would make Koko more attractive to deal with and that if she is dead Scarecrow will not be able to get anything out of her. A number of women are dropping by for relaxing meals, including the capable waterworks guildmaster, a storied mercenary, and the witch of the woods. This means the head and tail must be next to Cyprus, just as Add to cart Very Fine.
    [Show full text]
  • … … Mushi Production
    1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Mushi Production (ancien) † / 1961 – 1973 Tezuka Productions / 1968 – Group TAC † / 1968 – 2010 Satelight / 1995 – GoHands / 2008 – 8-Bit / 2008 – Diomédéa / 2005 – Sunrise / 1971 – Deen / 1975 – Studio Kuma / 1977 – Studio Matrix / 2000 – Studio Dub / 1983 – Studio Takuranke / 1987 – Studio Gazelle / 1993 – Bones / 1998 – Kinema Citrus / 2008 – Lay-Duce / 2013 – Manglobe † / 2002 – 2015 Studio Bridge / 2007 – Bandai Namco Pictures / 2015 – Madhouse / 1972 – Triangle Staff † / 1987 – 2000 Studio Palm / 1999 – A.C.G.T. / 2000 – Nomad / 2003 – Studio Chizu / 2011 – MAPPA / 2011 – Studio Uni / 1972 – Tsuchida Pro † / 1976 – 1986 Studio Hibari / 1979 – Larx Entertainment / 2006 – Project No.9 / 2009 – Lerche / 2011 – Studio Fantasia / 1983 – 2016 Chaos Project / 1995 – Studio Comet / 1986 – Nakamura Production / 1974 – Shaft / 1975 – Studio Live / 1976 – Mushi Production (nouveau) / 1977 – A.P.P.P. / 1984 – Imagin / 1992 – Kyoto Animation / 1985 – Animation Do / 2000 – Ordet / 2007 – Mushi production 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … 1948 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 … Tatsunoko Production / 1962 – Ashi Production >> Production Reed / 1975 – Studio Plum / 1996/97 (?) – Actas / 1998 – I Move (アイムーヴ) / 2000 – Kaname Prod.
    [Show full text]
  • Liste De Modules *D&D
    Liste de modules *D&D Liste de modules *D&D La dernière version est disponible sur le site D&D Collection (http://dndcollection.free.fr) Cette liste a été générée le 13/01/2004 Ce document a été créé à l'aide de FPDF Ecrivez à : [email protected] pour tout renseignement ou remarque Page 1 WIZARDS OF THE COAST, D&D, AD&D and all the campaign settings for *D&D are registered trademarks of Wizards of the Coast, Inc. This site (http://dndcollection.free.fr) is not affiliated with Wizards of the Coast, Inc. Liste de modules *D&D Allemand Page 2 WIZARDS OF THE COAST, D&D, AD&D and all the campaign settings for *D&D are registered trademarks of Wizards of the Coast, Inc. This site (http://dndcollection.free.fr) is not affiliated with Wizards of the Coast, Inc. Liste de modules *D&D AD&D 1ere Edition Dragonlance N° TSR Code Titre Module PDF Copie DL2 Drachen der Flammen DL1 Drachen der Verzweiflung DL5 Drachengeheimnisses Forgotten Realms N° TSR Code Titre Module PDF Copie I3-5 Wüste der Verdammnis Greyhawk N° TSR Code Titre Module PDF Copie 8609/9 L2 Auf der Spur des Attentäters 8608/0 L1 Begegnung auf dem Knochenhügel Monstrous Arcana N° TSR Code Titre Module PDF Copie 8301 Die Teufel der See Non classés N° TSR Code Titre Module PDF Copie 8650/0 N1 Gegen den Kult des Reptilien-Gottes Règles N° TSR Code Titre Module PDF Copie 8537/6 Monster Handbuch I 8538/5 Monster Handbuch II Mythen & Legenden 8136/1 Spieler Handbuch Page 3 WIZARDS OF THE COAST, D&D, AD&D and all the campaign settings for *D&D are registered trademarks of Wizards of the Coast, Inc.
    [Show full text]
  • The Hobbit by J.R.R
    Discussion Guide THE HOBBIT by J.R.R. Tolkien Rhymes Professor Tolkien was deeply interested in words, their meanings, and the ways they could be used. He loved rhymes, riddles, proverbs, sayings, songs, folktales, and stories. The reader will notice Tolkien’s use of verse in telling us about his characters. For example, here is a verse from a goblin song: Clap! Snap! The black crack! Grip, grab! Pinch, nab! And down, down to Goblin-town You go, my lad! Do they sound jolly and friendly? Hardly! Here’s an elf song: O! Will you be staying About the Book Your ponies are straying! Many decades ago in England, a highly respected TheOr will daylight you be is flying? dying! professor at Oxford was correcting exam papers and, having a few minutes to spare, idly scribbled on a blank To stay would be jolly page in an exam book, “In a hole in the ground there ToAnd fly listen would and be harkfolly, lived a hobbit.” He didn’t even know what a hobbit was, Till the end of the dark or why he wrote those words. But they were, neverthe- To our tune less, the beginning of one of the most famous fantasy ha! ha! adventure tales ever written. The professor was J.R.R. Tolkien, and the book, of course, was The Hobbit. This sounds lighthearted and merry, a song of friend- Tolkien was a teacher of (among other things) philology ship and feasting. Other songs and poems are humorous and a student of many languages, including such an- or descriptive.
    [Show full text]
  • The Medieval Cardinal Virtues in Tolkien's the Hobbit
    The Medieval Cardinal Virtues in Tolkien’s The Hobbit BA Thesis Anne Sieberichs Student Number: 1271233 Online Culture: Art, Media and Society / Global Communication / Digital Media Department of Culture Studies School of Humanities and Digital Sciences Date: July 2020 Supervisor: Dr. Inge van der Ven Second Reader: Dr. Sander Bax ‘There is a lot more in him than you guess, and a deal more than he has any idea of himself.’1 1 J.R.R Tolkien, The Hobbit, or There and Back Again (United Kingdom: HarperCollinsPublishers, 2011), 19. 2 Table of contents 1.0 Introduction……………………………………………………………………………………. 4 1.1 Method………………………………………………………………………………… 5 1.2 Previous Research on Tolkien………………………………………………………….7 1.3 Tolkien’s Opus and The Hobbit………………………………………………………. 8 2.0 A Short History of Cardinal Virtues in the Middle Ages………………………………………9 3.0 Medieval Cardinal Virtues in Tolkien’s opus………………………………………………….11 3.1 Christianity and Tolkien……………………………………………………………….11 3.2 Prudence: ‘For even the very wise cannot see all ends.’2……………………………...12 3.2.1 Gandalf the prudent in The Hobbit………………………………………….15 3.3 Justice: ‘There is more in you of good than you know, child of the kindly West.’ 3….17 3.3.1 the case of Justice through the Arkenstone in The Hobbit………………….18 3.4 Fortitude: ‘But I expect they had lots of chances, like us, of turning back, only they didn’t.’4…………………………………………………………………………………….21 3.4.1. Fortitude: A case study of Bilbo’s Fortitude in The Hobbit………………… 24 3.5 Temperance: ‘If more of us valued food and cheer and song above hoarded gold, it would be a merrier world.’5……………………………………………………………….
    [Show full text]
  • Fantasy Playhouse Children's Theater and Academy Mainstage
    Fantasy Playhouse Children’s Theater and Academy Mainstage Production Study Guide FANTASY PLAYHOUSE CHILDREN’S THEATER & ACADEMY PRESENTS Book by J. R. R Tolkien Adapted by Edward Mast Produced by special arrangement with The Dramatic Publishing Company of Woodstock, Illinois a message from Brief History of the Hobbit the education director This study guide is designed to prepare “In a hole in the ground there lived a hobbit.” -J.R.R Tolkien educators and their students for a In a letter dated 1955, John Ronald Reul Tolkien recalls memorable and educational experience. this being the first sentence he wrote in 1930 that inspired We hope this helps jump-start the what would later become known as The Hobbit; a fictional critical thinking process as you attend tale that takes place in a mythical land called Middle Earth. By Fantasy Playhouse Children’s Theater’s 1932 Tolkien had finished the story and sent the manuscript to production of “The Hobbit.” In this several friends, including C.S Lewis. The legend goes that in guide, you will find discussion topics 1936, the book made its way into the hands of Stanley Unwin, for before and after the production, a reputable publisher with Allen & Unwin, who then passed classroom activities with curriculum it along to his 10 year old son, Rayner, for a review. Young connections, and resource materials. Rayner’s raving comments settled Allen & Unwin’s decision to Hope you enjoy the show! publish Tolkien’s book in 1937. Encouraged by The Hobbit’s - Candice Cooper, Education Director initial success, the publishers requested a sequel, and the concept for The Lord of the Rings emerged.
    [Show full text]
  • University Microfilms, Inc., Ann Arbor, Michigan
    Ecology Of The Arctic Fox In Northern And Western Alaska Item Type Thesis Authors Chesemore, David Lee Download date 26/09/2021 00:11:53 Link to Item http://hdl.handle.net/11122/8257 MASTER'S THESIS M-1372 CHESEMORE, David Lee ECOLOGY OF THE ARCTIC FOX IN NORTHERN AND WESTERN ALASKA. University of Alaska, M.S., 1967 Agriculture, forestry and wildlife University Microfilms, Inc., Ann Arbor, Michigan Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ECOLOGY OF THE ARCTIC FOX IN NORTHERN AND WESTERN ALASKA __ A THESIS Presented to the Faculty of the University of Alaska in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE By David Lee Chesemore, B. S. College, Alaska May, 1967 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ECOLOGY OF THE ARCTIC FOX IN NORTHERN AND W ESTERN ALASK A APPROVED: Chairman Department Head APPROVED: ______DATE /£ /?/7 . j A ^ -__ ___ Dean of the Collegege ofof BiologicalBiological / / ' Sciences and Renewable Resources AU«. Vice President for Research and Advanced Study Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ABSTRACT The economic importance of the white fox in Barrow Village and its ecology on the Teshekpuk Lake Section of the Arctic Coastal Plain, Alaska, were studied from July, 1961, through May, 1963, and from September, 1966, through January, 1967. White fox pelts are economically prime from December to April with the best pelts being taken in January and February. In Alaska high fox populations occur on an average of every 3.
    [Show full text]
  • Studies in the Sources of J.R.R. Tolkien's the Lord of the Rings
    .-- . .,l,.. .I~ i . ,. s._ .i. -_. _..-..e.. _ . (3 f Preface i In the Spring of 1968 while I was studying the Old English poem Beowulf with Dr. Rudolph Bambas, my colleague and classmate Judith Moore suggested that I might enjoy reading a new work by J:R.R. Tolkien, known to us as the editor of Sir Gawain and the Green Knight and the author of that seminal article -- “Beowulf: The Monsters and the Critics.” The Hobbit and The Lord of the Rings delighted me that summer. In the fall, at the urging of another colleague, I enrolled in the Old Norse seminar. That conjunction of events proved to be the beginning of a lifelong study of Northern literature and its contributions to the cauldron of story which produced The Lord of the Rings, The Hobbit, The Silmarillion, and The Unfinished Tales. The first version of this study became my doctoral dissertation -- “Studies in the Sources of J.R.R. Tolkien’s The Lord of the Rings.“1 Throughout the years that followed while I was either teaching college English or working as a librarian, I have continued my research. The original study was based on about twenty-five sagas; that number has been tripled. Christopher Tolkien’s careful publication of The Silmarillion, The Unfinished Tales, and six volumes of The Historv of Middle-earth has greatlyreatly expanded the canon available for scholarly study. Humphrey Carpenter’s authorized biography has also been helpful. However, the Letters of J.R.R. Tolkien have produced both the . greatest joy and the greatest terror.
    [Show full text]
  • 620 88159 001 A&E Guide2.Qxd
    Arms and equipment guide ™ Credits Designers: ERIC CAGLE, JESSE DECKER, JEFF QUICK, AND JAMES WYATT Additional Contributions by: ANDY COLLINS, DAVID NOONAN, AND RICH REDMAN Developer: RICH REDMAN Editors: KIM MOHAN, DAVID NOONAN, AND JENNIFER CLARKE WILKES Creative Director: ED STARK Cover Artist: ERIC PETERSON Interior Artists: DENNIS CRAMER, DAVID DAY, DAVID MARTIN, SCOTT ROLLER, AND SAM WOOD Cartographer: TODD GAMBLE Graphic Production Specialist: ERIN DORRIES Graphic Designer: CYNTHIA FLIEGE Art Director: DAWN MURIN Category Manager: ANTHONY VALTERRA Director of RPG R&D: BILL SLAVICSEK Vice President of Publishing: MARY KIRCHOFF Project Manager: MARTIN DURHAM Production Manager: CHAS DELONG Sources for this work include the following: ADVANCED DUNGEONS &DRAGONS® 2nd Edition Arms &Equipment Guide, ADVANCED DUNGEONS &DRAGONS 2nd Edition Monstrous Manual, Aurora’s Whole Realms Catalogue, Bastion of Broken Souls, Book of Vile Darkness, Defenders of the Faith, DRAGON® magazine #281, the FORGOTTEN REALMS® Campaign Setting, Heart of Nightfang Spire, Lord of the Iron Fortress, Magic of Faerûn, Monstrous Compendium Annual vols. 2 and 3, Of Ships and the Sea, Oriental Adventures, Song and Silence, The Standing Stone, StrongholdSample Builder’s Guide, Sword file and Fist, and Tome and Blood. Based on the original DUNGEONS & DRAGONS® rules created by Gary Gygax and Dave Arneson, and the new DUNGEONS & DRAGONS game designed by Jonathan Tweet, Monte Cook, Skip Williams, Richard Baker, and Peter Adkison. This Wizards of the Coast game product contains no Open Game Content. No portion of this work may be reproduced in any form without written permission. To learn more about the Open Gaming License and the d20 System™ License, please visit www.wizards.com/d20.
    [Show full text]