11/7/2013 AGSA 2013 Festival Media Release
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Commissioned Orchestral Version of Jonathan Dove’S Mansfield Park, Commemorating the 200Th Anniversary of the Death of Jane Austen
The Grange Festival announces the world premiere of a specially- commissioned orchestral version of Jonathan Dove’s Mansfield Park, commemorating the 200th anniversary of the death of Jane Austen Saturday 16 and Sunday 17 September 2017 The Grange Festival’s Artistic Director Michael Chance is delighted to announce the world premiere staging of a new orchestral version of Mansfield Park, the critically-acclaimed chamber opera by composer Jonathan Dove and librettist Alasdair Middleton, in September 2017. This production of Mansfield Park puts down a firm marker for The Grange Festival’s desire to extend its work outside the festival season. The Grange Festival’s inaugural summer season, 7 June-9 July 2017, includes brand new productions of Monteverdi’s Il ritorno d'Ulisse in patria, Bizet’s Carmen, Britten’s Albert Herring, as well as a performance of Verdi’s Requiem and an evening devoted to the music of Rodgers & Hammerstein and Rodgers & Hart with the John Wilson Orchestra. Mansfield Park, in September, is a welcome addition to the year, and the first world premiere of specially-commissioned work to take place at The Grange. This newly-orchestrated version of Mansfield Park was commissioned from Jonathan Dove by The Grange Festival to celebrate the serendipity of two significant milestones for Hampshire occurring in 2017: the 200th anniversary of the death of Austen, and the inaugural season of The Grange Festival in the heart of the county with what promises to be a highly entertaining musical staging of one of her best-loved novels. Mansfield Park was originally written by Jonathan Dove to a libretto by Alasdair Middleton based on the novel by Jane Austen for a cast of ten singers with four hands at a single piano. -
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TWICKENHAM5 CHORAL SOCIETY ISRAEL IN EGYPT Soprano: Mary Bevan Alto: Roderick Morris Tenor: Nathan Vale Brandenburg Baroque Sinfonia conducted by Christopher Herrick All Saints Church, Kingston Saturday 4 July 2015 Would you like to see your company here? . Take advantage of our competitive rates . Advertise with the TCS . Put your products and services before a large and discerning audience Email [email protected] for more details. A Catholic school warmly welcoming girls of all faiths, age 3 – 18 Visits to Prep and Senior Departments on alternate Wednesdays. Please call us on 020 3261 0139 Email: [email protected] www.stcatherineschool.co.uk THE FRAMING COMPANY Bespoke Picture Framing 6 FIFE ROAD KINGSTON KT1 1SZ 020 8549 9424 www.the-framing-company.com FUTURE CONCERTS AND EVENTS Thursday 10 September 2015, St Martin-in-the-Fields, 7pm MOZART: Requiem Brandenburg Sinfonia Sunday 11 October 2015, Landmark Arts Centre, Teddington, 7.30pm A concert as part of the Richmond Festival of Music and Drama, celebrating the borough hosting several matches of the Rugby World Cup 2015 VIVALDI: Gloria MOZART: Requiem Emily Vine, Freya Jacklin, Daniel Joy, Peter Lidbetter Brandenburg Sinfonia Saturday 12 December 2015, All Saints Church, Kingston, 7.30pm ROSSINI: Petite Messe Solennelle MENDELSSOHN: Hymn of Praise (arr Iain Farrington) Sarah Fox, Patricia Orr, Peter Auty, Jamie Hall Iain Farrington, piano and Freddie Brown, organ Saturday 9 April 2016, All Saints Church, Kingston, 7.30pm PIZZETTI: Missa di Requiem DURUFLÉ: Requiem Saturday 9 July 2016, St John’s Smith Square, 7.30pm ELGAR: Dream of Gerontius Miranda Westcott, Peter Auty, David Soar Brandenburg Sinfonia TCS is affiliated to Making Music, which represents and supports amateur performing and promoting societies throughout the UK Twickenham Choral Society is a registered charity, number 284847 The use of photographic video or audio recording equipment during the performance is not permitted without the prior approval of the Twickenham Choral Society. -
To Download the Full Archive
Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No. -
Adventures Adventures
THEADVENTURESADVENTURES COUNTCOUNT ORYORY Music by Gioachino Rossini CAST: PRODUCTION: Count Ory: Nicholas Sharratt Musical Director: Nicholas Jenkins Raimbaud, a friend of Ory: Benedict Nelson Director: Harry Fehr Ory’s Tutor: Steven Page Designer: Max Dorey Isolier, Ory’s brother: Kate Howden Lighting Designer: Christopher Nairne Two cavaliers, friends of Ory: Benjamin Ellis* Assistant Director: Jack Furness and Guy Elliott* Assistant Musical Director: Jeremy Cooke Countess Adele: Anna Devin Production Manager: Rene (Freddy) Marchal Ragonde , a friend of the Countess: Louise Winter Costume Supervisor: Felicity Langthorne A lady, another friend of the Countess: Costume Assistant: Jo Ray Claire Barton* Hair and Make-Up: Maisie Palmer Alice, a villager: Zoe Freedman* Production Assistant: Sophie Horan *Vocal student at Trinity Laban Conservatoire of Music and Dance Senior Stage Manager: Sasja Ekenberg Deputy Stage Manager: Marian Sharkey Blackheath Halls Opera Chorus Assistant Stage Managers: Mimi Palmer-Johnston Blackheath Halls Orchestra and Rosanna Grimes Pupils from Greenvale School Community Stage Manager: Sarah Southerton Pupils from Charlton Park Academy Technical Assistant Stage Manager: Pupils from Year 5 at St Margaret’s Primary School Oliver Ballantyne Pupils from Year 4 at Lee Manor Primary School Project Manager: Rose Ballantyne Assistant Project Manager: Alice Murray BLACKHEATH HALLS TEAM: General Manager: Keith Murray Publicity and Programme Designer: Community Engagement Manager: Rose Ballantyne Colin Dunlop Operations Manager: Hannah Benton TRINITY LABAN PROJECT TEAM: Technical Manager: Malcolm Richards Programme Manager: Anna Wyatt and Marketing and Box Office Co-ordinator:Kyle Jarvis Helen Hendry Development Officer:Helma Zebregs Project Leader: Joe Townsend Bookkeeper: Debra Skeet Administrator: Caroline Foulkes Running time: 2hrs and 30mins We have been staging community operas at Blackheath WELCOME Halls since July 2007. -
Booklet-SIGCD272.Pdf
CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. 40 1 291.0mm x 169.5mm CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer YELLOW Catalogue No. BLACK Job Title Page Nos. Airs chantés [SF] 21. v. Unis la fraîcheur et le feu ....................[1.25] 1. Air romantique .............................................[1.38] 22. vi. Homme au sourire tendre .................[2.08] 2. Air champêtre................................................[1.20] 23. vii. La grande rivière qui va.....................[0.53] 3. Air grave ..........................................................[2.38] Calligrammes [TO] 4. Air vif................................................................[1.08] 24. i. L’espionne ..................................................[1.48] 5. Colloque [TO] and [LA]........................[3.13] 25. ii. Mutation.....................................................[0.44] n his notorious little 1918 pamphlet Le Coq et l’Arlequin,Jean Cocteau pronounced 26. iii. Ver s le sud ..................................................[1.52] that ‘a composer always has too many notes on his keyboard.’This was a lesson the 6. Mazurka [TO] ............................................[3.45] 27. iv. Il pleut.........................................................[1.12] Iyoung Francis Poulenc took to heart and observed throughout his career; and nowhere 7. La grenouillère [AM].............................[2.10] 28. -
Carnegie Hall Rental
Tuesday Evening, April 5, 2016, at 8:00 Isaac Stern Auditorium / Ronald O. Perelman Stage Conductor’s Notes Q&A with Leon Botstein at 7:00 presents A Mass of Life LEON BOTSTEIN, Conductor FREDERICK DELIUS A Mass of Life Part I Animato Animoso Andante tranquillo con dolcezza Agitato ma moderato Andante molto tranquillo Intermission Part II: On the Mountains Introduction: Andante Con elevazione e vigore Andante Lento Lento molto Allegro, ma non troppo, con gravità Largo, con solennità SARAH FOX, Soprano AUDREY BABCOCK, Mezzo-soprano RODRICK DIXON, Tenor THOMAS CANNON, Baritone BARD FESTIVAL CHORALE JAMES BAGWELL, Director This performance is generously supported by the Delius Trust. This evening’s concert will run approximately two hours and ten minutes including one 20-minute intermission. American Symphony Orchestra welcomes the many organizations who participate in our Community Access Program, which provides free and low-cost tickets to underserved groups in New York’s five boroughs. For information on how you can support this program, please call (212) 868-9276. PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. ASO’S 2016–17 VANGUARD SERIES AT CARNEGIE HALL Wednesday, October 19, 2016 Troubled Days of Peace with the Bard Festival Chorale Two one-act operas with strikingly different reactions to tyranny. Ernst Krenek – Der Diktator (“The Dictator”) Richard Strauss – Friedenstag (“Day of Peace”) Friday, November 18, 2016 Bernstein and the Bostonians This concert pays tribute to a group of composers known as the “Boston School” who lived, studied, taught, and composed in and around that city. Leonard Bernstein – Candide Overture Irving Fine – Symphony Harold Shapero – Symphony for Classical Orchestra Arthur Berger – Ideas of Order Richard Wernick – …and a time for peace Friday, February 10, 2017 Prague Central: Great 20th-Cenutry Czech Composers Though right in the center of the group of countries that defined the Western musical tradition, Czech composers often felt like outsiders looking in. -
Sir Colin Davis Discography
1 The Hector Berlioz Website SIR COLIN DAVIS, CH, CBE (25 September 1927 – 14 April 2013) A DISCOGRAPHY Compiled by Malcolm Walker and Brian Godfrey With special thanks to Philip Stuart © Malcolm Walker and Brian Godfrey All rights of reproduction reserved [Issue 10, 9 July 2014] 2 DDDISCOGRAPHY FORMAT Year, month and day / Recording location / Recording company (label) Soloist(s), chorus and orchestra RP: = recording producer; BE: = balance engineer Composer / Work LP: vinyl long-playing 33 rpm disc 45: vinyl 7-inch 45 rpm disc [T] = pre-recorded 7½ ips tape MC = pre-recorded stereo music cassette CD= compact disc SACD = Super Audio Compact Disc VHS = Video Cassette LD = Laser Disc DVD = Digital Versatile Disc IIINTRODUCTION This discography began as a draft for the Classical Division, Philips Records in 1980. At that time the late James Burnett was especially helpful in providing dates for the L’Oiseau-Lyre recordings that he produced. More information was obtained from additional paperwork in association with Richard Alston for his book published to celebrate the conductor’s 70 th birthday in 1997. John Hunt’s most valuable discography devoted to the Staatskapelle Dresden was again helpful. Further updating has been undertaken in addition to the generous assistance of Philip Stuart via his LSO discography which he compiled for the Orchestra’s centenary in 2004 and has kept updated. Inevitably there are a number of missing credits for producers and engineers in the earliest years as these facts no longer survive. Additionally some exact dates have not been tracked down. Contents CHRONOLOGICAL LIST OF RECORDING ACTIVITY Page 3 INDEX OF COMPOSERS / WORKS Page 125 INDEX OF SOLOISTS Page 137 Notes 1. -
Grant Doyle Baritone
Grant Doyle Baritone He appears frequently with numerous UK He played the lead role in the Channel 4/ABC film companies, where his roles have included Sasha of The Eternity Man, which won the Rose d’Or Paradise Moscow, Albert Werther and Robin Award for Best Performing Arts programme; he Oakapple/Sir Ruthven Murgatroyd Ruddigore for also recorded the Forester for the BBC animated Opera North; Count Le nozze di Figaro, Don film of The Cunning Little Vixen with the Giovanni (title role) and Forester The Cunning Deutsches Symphonie-Orchester Berlin, Little Vixen for Garsington Opera; Figaro Barber of conducted by Kent Nagano, as well as creating the Seville, Paolo Simon Boccanegra, Emireno role of Carlo in Judith Weir’s opera Armida for Ottone, Hector King Priam, Edoardo The Siege of Channel 4 TV. Calais, Nello Pia de' Tolomei, Oreste Iphigénie en Tauride, and Marcello La Bohème for English As a busy concert soloist, Grant Doyle performs Touring Opera; Frédéric Lakmé, Marcello, regularly throughout the UK and Australia in Yeletsky PiQue Dame, Fantastic Mr Fox (title role), repertoire which includes Carmina Burana (The Zurga Les pêcheurs de perles and Robert Iolanta Bach Choir/Royal Festival Hall, Bournemouth for Opera Holland Park; Figaro Le nozze di Figaro Symphony, Royal Philharmonic and Ulster for Longborough Festival Opera, Apparition of a orchestras, Australian Ballet and Ex Cathedra), Poet The Adventures of Mr Brouček for Scottish Fauré Requiem (Hallé Orchestra), Bach Christmas Opera and Eugene Onegin (Stanley Hall Oratorio (Copenhagen Philharmonic), Judas Opera/Opera Project). He has also appeared for Maccabeus (King’s Lynn Festival), Janáček’s Glyndebourne on Tour and opera in the round at Glagolitic Mass (Philharmonia/Brighton Festival), Royal Albert Hall. -
Concert Program
BERNSTEIN CELEBRATION concert program BERNSTEIN CLASSICS 15 AUGUST | 7.30pm BERNSTEIN ON BROADWAY 18 AUGUST | 7.30pm 1 Sir Andrew Davis Davis Andrew Sir Chief Conductor Chief featuring SIR ANDREW DAVIS • LANG LANG • BRIAN COX VERDI’S REQUIEM • HANSEL AND GRETEL • BOLÉRO • and more SUBSCRIBE AT MSO.COM.AU THE MSO CELEBRATES LEONARD BERNSTEIN Vincent Plush In August 1974, the New York Side Story re-defined the American Philharmonic Orchestra gave three theatre. Rarely is the spirit of the concerts in the Melbourne Town Hall. theatre absent, even in works like the Their conductor was Leonard Bernstein. Chichester Psalms and the Jeremiah Symphony, which burn as eternal Conductor, composer, pianist, testimony to his Jewish faith. educator, philosopher, humanitarian, political activist and social irritant, the Few composers have created music so man known as Lenny was everywhere. memorable that it percolates in your From the Broadway stage to the head as you leave the concert hall. synagogue, from the loftiest concert Actually, it remains in our lives forever, halls of Europe to the war-ravaged exhilarating and enriching us, refreshing hills of Israel, from the Camelot of universal truths and, like Candide JFK to the Watergate tapes, Lenny himself, offering prospects for “the best was the Everyman of American music, of all possible worlds”. universally known and (mostly) admired Thanks, Lenny, and Happy Birthday. for his capacity to distil the American experience into his music. For nearly 20 years, the Australian composer and These MSO’s concerts celebrate the writer Vincent Plush lived and worked in North range of his boundless talents. -
Worldcon Philharmonic Orchestra
FRIDAY 15th August 2014 at 20:00 in the ICC Auditorium Conductor: Keith Slade Soprano: Sarah Fox Featured Composer: Gary Lloyd Host: Vincent Docherty Producer: Adam Robinson Programme John Williams Superman March Joseph Haydn The Representation of Chaos from The Creation Ron Grainer & Murray Gold Doctor Who: Main Title (arr. Robin McEwan) Antonín Dvořák Song to the Moon from Rusalka Martin O'Donnell & Michael Salvatori Halo: Main Theme (arr. Ralph Ford) Yoko Shimomura Kingdom Hearts (arr. Ralph Ford) Tan Dun The Eternal Vow from Crouching Tiger Concerto Gustav Holst Mars & Jupiter from The Planets Suite Interval (20 mins) Courage, McCarthy, Star Trek Through the Years (Arr. Calvin Custer) Chattaway, & Goldsmith Original Theme, DS9, Inner Light, Generations, Voyager, Motion Picture Charles Ives The Unanswered Question Igor Stravinsky Berceuse & Finale from The Firebird Suite Gary Lloyd The Bridge Redux (In memoriam Iain Banks) John Williams Star Wars Suite Main Title, Princess Leia's Theme, The Imperial March (Darth Vader's Theme), Yoda's Theme, Throne Room & End Title In tonight’s concert, members of the London Symphony Orchestra, Royal Philharmonic Orchestra, BBC Symphony Orchestra, BBC Concert Orchestra, London Philharmonic Orchestra, Philharmonia Orchestra and the Britten Sinfonia, will perform works related to science fiction and fantasy. These include pieces that demonstrate different forms of music of the fantastic, or have – in the past – been considered 'the sound of the future', in addition to familiar works written to enhance -
The Royal Opera 2005/6 Season
THE ROYAL OPERA 2005/6 SEASON Contents: Page 1. Antonio Pappano Introduction 2 2. The Royal Opera 2005/6 Repertory 4 3. Vilar Young Artists 34 4. The Royal Opera 2005/6 Season Opera at a Glance 35 5. The Royal Opera Performance Dates 39 6. Press Office Contacts 41 Telephone, personal and online booking on http://www.roh.org.uk opens 28 June 2005. Supported by Arts Council England 1 Introduction to the 2005/6 Royal Opera Season – Antonio Pappano I’m really thrilled with the unusual mix of work the new Season offers. We open with concert performances of Donizetti’s last opera, Dom Sébastien. It’s one of Donizetti’s greatest achievements and yet it’s rarely heard. It’s bigger than the Donizetti we know and love and probably sounds more Verdian to our ears, but it’s an unusual piece in that it has a significant role (Zayda) for a mezzo-soprano instead of the usual soprano – we have Vesselina Kasarova singing the part. Piero Faggioni’s production of La fanciulla del West is an old Covent Garden favourite from the last 30 years and one I’ve always wanted to revive. It’s a piece that otherwise rarely comes up, and it deserves a renaissance. The Wild West setting seems so improbable but it works so well – we all love to see a Western, and Puccini’s music is very cinematic, brilliantly conjuring up the locale and colours of America. It’s one of his most sophisticated scores, as sophisticated, if not more so, than Turandot. -
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SOLOISTS /OPERA NORTH/ RICHARD FARNES CHAN 3162(3) GIUSEPPE VERDI: DON CARLOS CHANDOS Giuseppe Verdi (1813 – 1901) DON CARLOS Opera in four acts Libretto by Joseph Méry and Camille du Locle, after Schiller English translation by Andrew Porter © Lebrecht Music & Arts Photo Library Photo & Arts Music © Lebrecht Philip II, King of Spain Alastair Miles bass Don Carlos, Infante of Spain Julian Gavin tenor Rodrigo, Marquis of Posa William Dazeley baritone The Grand Inquisitor John Tomlinson bass Elisabeth de Valois, Philip’s Queen Janice Watson soprano Giuseppe Verdi Giuseppe Princess of Eboli Jane Dutton mezzo-soprano Thibault,Elisabeth de Valois’ page Julia Sporsén soprano Countess of Aremberg silent Count of Lerma Stephen Briggs tenor An old Monk Clive Bayley bass Voice from Heaven Rebecca Ryan soprano Royal Herald Campbell Russell tenor Flemish Deputies Julian Close bass Grant Doyle baritone Stephen Richardson bass Riccardo Simonetti baritone A. Galloway Bell bass Stephen Dowson baritone Chorus of Opera North Timothy Burke chorus master Orchestra of Opera North David Greed leader Alexander Ingram assistant conductor Giuseppe Verdi Richard Farnes 3 Time Page Time Page compact disc one 11 ‘Carlos my friend, hope of our future’ 4:27 [p.47] Act I Rodrigo, Eboli, Elisabeth Scene 1: At the tomb of Charles V in the Monastery of San Juste 12 ‘I come before the Queen and I ask for a favour’ 7:57 [p.48] 1 Prelude 2:17 [p.40] 13 ‘Here where I stand let the earth crack asunder’ 1:46 [p.50] 2 ‘Charles the Fifth, our mighty Lord’ 4:01 [p.40] Don Carlos,