THE BEGGAR's OPERA – CLS/Curnyn CHAN 10548(2)
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A Midsummer Night's Dream
Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears -
Abstract Why We Turn the Page: a Literary Theory Of
ABSTRACT WHY WE TURN THE PAGE: A LITERARY THEORY OF DYNAMIC STRUCTURALISM Justin J. J. Ness, Ph.D. Department of English Northern Illinois University, 2019 David J. Gorman, Director This study claims that every narrative text intrinsically possesses a structure of fixed relationships among its interest components. The progress of literary structuralism gave more attention to the static nature of what a narrative is than it did to the dynamic nature of how it operates. This study seeks to build on the work of those few theorists who have addressed this general oversight and to contribute a more comprehensive framework through which literary critics may better chart the distinct tensions that a narrative text cultivates as it proactively produces interest to motivate a reader’s continued investment therein. This study asserts that the interest in narrative is premised on three affects— avidity, anxiety, and curiosity—and that tensions within the text are developed through five components of discourse: event, description, dialog, sequence, and presentation. NORTHERN ILLINOIS UNIVERSITY DEKALB, ILLINOIS MAY 2019 WHY WE TURN THE PAGE: A LITERARY THEORY OF DYNAMIC STRUCTURALISM BY JUSTIN J. J. NESS ©2019 Justin J. J. Ness A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH Dissertation Director: David J. Gorman ACKNOWLEDGMENTS David Gorman, the director of my project, introduced me to literary structuralism six years ago and has ever since challenged me to ask the simple questions that most people take for granted, to “dare to be stupid.” This honesty about my own ignorance was—in one sense, perhaps the most important sense—the beginning of my life as a scholar. -
ELLBEEDEE (IRE) Damana (FR) (2007) Be My Guest (USA) a Bay Mare Assert Tochar Ban (USA) Irish Bird (USA)
Shirley Heights Darshaan Delsy (FR) Dalakhani (IRE) Miswaki (USA) Daltawa (IRE) ELLBEEDEE (IRE) Damana (FR) (2007) Be My Guest (USA) A Bay Mare Assert Tochar Ban (USA) Irish Bird (USA) (1990) Sir Ivor (USA) Guest Night Mesopotamia ELLBEEDEE (IRE), won 1 race at 3 years and placed twice; Dam of one winner: 2013 Bournemouth Belle (f. by Canford Cliffs (IRE)), won 1 race at 2 years and placed twice including third in Betfair Empress Stakes, (GB) Newmarket, L. 2014 Charming Loza (GB) (f. by Lawman (FR)), ran a few times at 3 years, 2017. 2015 (f. by Frankel (GB)), died as a yearling. 2016 (f. by Intello (GER)). 2017 (f. by Mastercraftsman (IRE)). 1st Dam TOCHAR BAN (USA), won 1 race at 3 years and £10,601 and placed 6 times, from only 8 starts; dam of seven winners from 12 runners and 13 foals of racing age including- UNCHARTED HAVEN (GB) (f. by Turtle Island (IRE)), won 4 races at 2 to 4 years in France and in U.S.A. and £206,199 including San Clemente Stakes, Del Mar, Gr.2 and San Gorgonio Handicap, Santa Anita, Gr.2, placed 5 times including second in Mrs Revere Stakes, Churchill Downs, Gr.2, third in Santa Barbara Handicap, Santa Anita, Gr.2 and Buena Vista Handicap, Santa Anita, Gr.2; dam of 5 winners. HIGH HEELED (IRE) (f. by High Chaparral (IRE)), 4 races at 2 and 3 years and £213,667 including totesport.com St Simon Stakes, Newbury, Gr.3 and EBF Lyric Stakes, York, L., placed 8 times including second in Prix de Pomone - Haras d'Etreham, Deauville, Gr.2, Nyse Euronext Prix de Royallieu, Longchamp, Gr.2, third in Investec Coronation Cup, Epsom Downs, Gr.1, Investec Oaks Stakes, Epsom Downs, Gr.1 and Bet 365 Lancashire Oaks, Haydock Park, Gr.2; dam of PABOUCHE (IRE) (f. -
Phd Commentary Final
PORTFOLIO OF COMPOSITIONS Towards a New Aesthetic in Contemporary Instrumental Ensemble, Vocal and Chamber Opera Composition A thesis submitted for the degree of Doctor of Philosophy by Shirley J. Thompson School of Arts, Brunel University September 2011 Shirley J. Thompson Submission for Doctor of Philosophy School of Arts Brunel University 1 ABSTRACT This submission for the degree of Doctor of Philosophy focuses on works for large instrumental ensemble in conjunction with the voice. Instrumental ensemble and vocal mediums such as the orchestral art song, the song cycle and the opera in one act, provide platforms to explore the expressiveness of the lyrical dramatic voice and the dialectic tension between composing for the solo voice with a range of instrumental ensemble forces. The portfolio of compositions includes the orchestral song, The Woman Who Refused to Dance; the orchestral song trilogy, Spirit Songs; and the opera in one act, Queen Nanny of the Maroons. Issues of composition technique, vocal expression and operatic narrative are examined and in addition the three named works explore notions of post-colonial heroic representation of subjects that might not usually attract ideological recognition in Western European art music contexts. Methods for developing inclusive, post-modern musical language for the mixed instrumental and vocal ensemble are explored; including the employment of spoken word expression and the integration of popular music idioms within contemporary Western European art music contexts. In the writing of lyrics for the songs and libretto for the opera, increased responsibility is assumed in the completion of vocal works in addition to musical consideration to find the effects on the works when the roles of composer and writer are combined. -
Media Guide 2020
MEDIA GUIDE 2020 Contents Welcome 05 Minstrel Stakes (Group 2) 54 2020 Fixtures 06 Jebel Ali Racecourse & Stables Anglesey Stakes (Group 3) 56 Race Closing 2020 08 Kilboy Estate Stakes (Group 2) 58 Curragh Records 13 Sapphire Stakes (Group 2) 60 Feature Races 15 Keeneland Phoenix Stakes (Group 1) 62 TRM Equine Nutrition Gladness Stakes (Group 3) 16 Rathasker Stud Phoenix Sprint Stakes (Group 3) 64 TRM Equine Nutrition Alleged Stakes (Group 3) 18 Comer Group International Irish St Leger Trial Stakes (Group 3) 66 Coolmore Camelot Irish EBF Mooresbridge Stakes (Group 2) 20 Royal Whip Stakes (Group 3) 68 Coolmore Mastercraftsman Irish EBF Athasi Stakes (Group 3) 22 Coolmore Galileo Irish EBF Futurity Stakes (Group 2) 70 FBD Hotels and Resorts Marble Hill Stakes (Group 3) 24 A R M Holding Debutante Stakes (Group 2) 72 Tattersalls Irish 2000 Guineas (Group 1) 26 Snow Fairy Fillies' Stakes (Group 3) 74 Weatherbys Ireland Greenlands Stakes (Group 2) 28 Kilcarn Stud Flame Of Tara EBF Stakes (Group 3) 76 Lanwades Stud Stakes (Group 2) 30 Round Tower Stakes (Group 3) 78 Tattersalls Ireland Irish 1000 Guineas (Group 1) 32 Comer Group International Irish St Leger (Group 1) 80 Tattersalls Gold Cup (Group 1) 34 Goffs Vincent O’Brien National Stakes (Group 1) 82 Gallinule Stakes (Group 3) 36 Moyglare Stud Stakes (Group 1) 84 Ballyogan Stakes (Group 3) 38 Derrinstown Stud Flying Five Stakes (Group 1) 86 Dubai Duty Free Irish Derby (Group 1) 40 Moyglare ‘Jewels’ Blandford Stakes (Group 2) 88 Comer Group International Curragh Cup (Group 2) 42 Loughbrown -
2017 Season 2
1 2017 SEASON 2 Eugene Onegin, 2016 Absolutely everything was perfection. You have a winning formula Audience member, 2016 1 2 SEMELE George Frideric Handel LE NOZZE DI FIGARO Wolfgang Amadeus Mozart PELLÉAS ET MÉLISANDE Claude Debussy IL TURCO IN ITALIA Gioachino Rossini SILVER BIRCH Roxanna Panufnik Idomeneo, 2016 Garsington OPERA at WORMSLEY 3 2017 promises to be a groundbreaking season in the 28 year history of Cohen, making his Garsington debut, and directed by Annilese Miskimmon, Garsington Opera. Artistic Director of Norwegian National Opera, who we welcome back nine years after her Il re pastore at Garsington Manor. We will be expanding to four opera productions for the very first time and we will now have two resident orchestras as the Philharmonia Orchestra joins us for Our fourth production will be a revival from 2011 of Rossini’s popular comedy, Pelléas et Mélisande. Il turco in Italia. We are delighted to welcome back David Parry, who brings his conducting expertise to his 13th production for us, and director Martin Duncan Our own highly praised Garsington Opera Orchestra will not only perform Le who returns for his 6th season. nozze di Figaro, Il turco in Italia and Semele, but will also perform the world premiere of Roxanna Panufnik’s Silver Birch at the conclusion of the season. To cap the season off we are very proud to present a brand new work commissioned by Garsington from composer Roxanna Panufnik, to be directed Pelléas et Mélisande, Debussy’s only opera and one of the seminal works by our Creative Director of Learning & Participation, Karen Gillingham, and I of the 20th century, will be conducted by Jac van Steen, who brought such will conduct. -
View List (.Pdf)
Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No. -
Download Programme
TWICKENHAM5 CHORAL SOCIETY ISRAEL IN EGYPT Soprano: Mary Bevan Alto: Roderick Morris Tenor: Nathan Vale Brandenburg Baroque Sinfonia conducted by Christopher Herrick All Saints Church, Kingston Saturday 4 July 2015 Would you like to see your company here? . Take advantage of our competitive rates . Advertise with the TCS . Put your products and services before a large and discerning audience Email [email protected] for more details. A Catholic school warmly welcoming girls of all faiths, age 3 – 18 Visits to Prep and Senior Departments on alternate Wednesdays. Please call us on 020 3261 0139 Email: [email protected] www.stcatherineschool.co.uk THE FRAMING COMPANY Bespoke Picture Framing 6 FIFE ROAD KINGSTON KT1 1SZ 020 8549 9424 www.the-framing-company.com FUTURE CONCERTS AND EVENTS Thursday 10 September 2015, St Martin-in-the-Fields, 7pm MOZART: Requiem Brandenburg Sinfonia Sunday 11 October 2015, Landmark Arts Centre, Teddington, 7.30pm A concert as part of the Richmond Festival of Music and Drama, celebrating the borough hosting several matches of the Rugby World Cup 2015 VIVALDI: Gloria MOZART: Requiem Emily Vine, Freya Jacklin, Daniel Joy, Peter Lidbetter Brandenburg Sinfonia Saturday 12 December 2015, All Saints Church, Kingston, 7.30pm ROSSINI: Petite Messe Solennelle MENDELSSOHN: Hymn of Praise (arr Iain Farrington) Sarah Fox, Patricia Orr, Peter Auty, Jamie Hall Iain Farrington, piano and Freddie Brown, organ Saturday 9 April 2016, All Saints Church, Kingston, 7.30pm PIZZETTI: Missa di Requiem DURUFLÉ: Requiem Saturday 9 July 2016, St John’s Smith Square, 7.30pm ELGAR: Dream of Gerontius Miranda Westcott, Peter Auty, David Soar Brandenburg Sinfonia TCS is affiliated to Making Music, which represents and supports amateur performing and promoting societies throughout the UK Twickenham Choral Society is a registered charity, number 284847 The use of photographic video or audio recording equipment during the performance is not permitted without the prior approval of the Twickenham Choral Society. -
View Becomes New." Anton Webern to Arnold Schoenberg, November, 25, 1927
J & J LUBRANO MUSIC ANTIQUARIANS Catalogue 74 The Collection of Jacob Lateiner Part VI ARNOLD SCHOENBERG 1874-1951 ALBAN BERG 1885-1935 ANTON WEBERN 1883-1945 6 Waterford Way, Syosset NY 11791 USA Telephone 561-922-2192 [email protected] www.lubranomusic.com CONDITIONS OF SALE Please order by catalogue name (or number) and either item number and title or inventory number (found in parentheses preceding each item’s price). To avoid disappointment, we suggest either an e-mail or telephone call to reserve items of special interest. Orders may also be placed through our secure website by entering the inventory numbers of desired items in the SEARCH box at the upper left of our homepage. Libraries may receive deferred billing upon request. Prices in this catalogue are net. Postage and insurance are additional. An 8.625% sales tax will be added to the invoices of New York State residents. International customers are asked to kindly remit in U.S. funds (drawn on a U.S. bank), by international money order, by electronic funds transfer (EFT) or automated clearing house (ACH) payment, inclusive of all bank charges. If remitting by EFT, please send payment to: TD Bank, N.A., Wilmington, DE ABA 0311-0126-6, SWIFT NRTHUS33, Account 4282381923 If remitting by ACH, please send payment to: TD Bank, 6340 Northern Boulevard, East Norwich, NY 11732 USA ABA 026013673, Account 4282381923 All items remain the property of J & J Lubrano Music Antiquarians LLC until paid for in full. Fine Items & Collections Purchased Please visit our website at www.lubranomusic.com where you will find full descriptions and illustrations of all items Members Antiquarians Booksellers’ Association of America International League of Antiquarian Booksellers Professional Autograph Dealers’ Association Music Library Association American Musicological Society Society of Dance History Scholars &c. -
„A TRIBUTE to FAUSTINA BORDONI“ SONY-Release Spring 2012 Ouvertüren & Arien Von G
Christoph Müller & Stefan Pavlik artistic management GmbH Byfangweg 22 CH 4051 Basel T: +41 61 273 70 10 F: +41 61 273 70 20 [email protected] www.artisticmanagement.eu Tribute to Faustina Bordoni Cappella Gabetta Andrés Gabetta - Violine und Leitung Gabor Boldoczki - Trompete Sergei Nakariakov – Trompete Tournee auf Anfrage „A TRIBUTE TO FAUSTINA BORDONI“ SONY-Release spring 2012 Ouvertüren & Arien von G. F. Händel und J. A. Hasse Müller & Pavlik artistic management GmbH Vivica Genaux, Mezzosopran Cappella Gabetta, Andrés Gabetta, Konzertmeister JOHANN ADOLPH HASSE (1699-1783) Ouvertüre aus »Zenobia« (1740/1761) JOHANN ADOLPH HASSE Recitativo e aria: "Son morta... Nelle cupe orrende grotte aus »Senocrita« (1737) JOHANN ADOLPH HASSE Ouvertüre aus »Il ciro riconosciuto« (1748) Aria: "Quel nome se ascolto"aus »Il Ciro riconosciuto« Aria "Padre ingiusto" aus »Cajo Fabricio« (1734) GEORG FRIEDRICH HÄNDEL (1685 – 1759) Ouvertüre aus »Poro, re dell’Indie» HWV 28 (1731) Aria: "Ti pentirai, crudel" aus »Tolomeo« HWV 25 (1728) Pause GEORG FRIEDRICH HÄNDEL Müller & Pavlik Artistic Management GmbH Ouvertüre aus »Arminio« HWV 36 (1736) GEORG FRIEDRICH HÄNDEL Aria: "Lusinghe più care" aus »Alessandro« HWV 21 (1726) Aria: "Parmi che giunta in porto" aus »Radamisto« HWV 12 (1720) JOHANN ADOLPH HASSE Ouvertüre aus »Didone abbandonata« (1742) Aria "Ah! che mancar mi sento" (1781) Aria: "Qual di voi... Piange quel fonte" aus »Numa Pompilio« (1741) JOHANN ADOLPH HASSE Aria: "Va' tra le selve ircane" aus »Artaserse« (1730) Faustina Bordoni, Primadonna assoluta der Dresdner Hofoper und Frau von J. A. Hasse. Starb 1781. „Ah! Che mancar mi sento“ schrieb Hasse wenige Tage nach ihrem Tod. Cappella Gabetta Sol Gabetta erfüllte sich mit der "Cappella Gabet- ta" einen ihrer musikalischen Träume: Mit ihrem Bruder Andrès Gabetta als Konzert- meister und einer handverlesenen Schar von hoch qualifizierten Musikern aus Gabettas Umfeld kre- ieren sie Programme aus Barock und Frühklassik, die sie auf Originalinstrumenten in Konzerten und auf CD präsentieren. -
Mario Ferraro 00
City Research Online City, University of London Institutional Repository Citation: Ferraro Jr., Mario (2011). Contemporary opera in Britain, 1970-2010. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1279/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] CONTEMPORARY OPERA IN BRITAIN, 1970-2010 MARIO JACINTO FERRARO JR PHD in Music – Composition City University, London School of Arts Department of Creative Practice and Enterprise Centre for Music Studies October 2011 CONTEMPORARY OPERA IN BRITAIN, 1970-2010 Contents Page Acknowledgements Declaration Abstract Preface i Introduction ii Chapter 1. Creating an Opera 1 1. Theatre/Opera: Historical Background 1 2. New Approaches to Narrative 5 2. The Libretto 13 3. The Music 29 4. Stage Direction 39 Chapter 2. Operas written after 1970, their composers and premieres by 45 opera companies in Britain 1. -
Native Fish Conservation
Yellowstone SScience Native Fish Conservation @ JOSH UDESEN Native Trout on the Rise he waters of Yellowstone National Park are among the most pristine on Earth. Here at the headwaters of the Missouri and Snake rivers, the park’s incredibly productive streams and lakes support an abundance of fish. Following the last Tglacial period 8,000-10,000 years ago, 12 species/subspecies of fish recolonized the park. These fish, including the iconic cutthroat trout, adapted and evolved to become specialists in the Yellowstone environment, underpinning a natural food web that includes magnificent animals: ospreys, bald eagles, river otters, black bears, and grizzly bears all feed upon cutthroat trout. When the park was established in 1872, early naturalists noted that about half of the waters were fishless, mostly because of waterfalls which precluded upstream movement of recolonizing fishes. Later, during a period of increasing popularity of the Yellowstone sport fishery, the newly established U.S. Fish Commission began to extensively stock the park’s waters with non-natives, including brown, brook, rainbow, and lake trout. Done more than a century ago as an attempt to increase an- gling opportunities, these actions had unintended consequences. Non-native fish caused serious negative impacts on native fish populations in some watersheds, and altered the parks natural ecology, particularly at Yellowstone Lake. It took a great deal of effort over many decades to alter our native fisheries. It will take a great deal more work to restore them. As Aldo Leopold once said, “A thing is right when it tends to preserve the integrity, stability, and beauty of the biotic com- munity.