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Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
Leica M System
screen_LEI771_MSystem_en 13.09.2006 9:43 Uhr Seite 3 Leica M System The fascination of the moment – analog and digital LEICA M8 new // /// LEICA M7 LEICA MP Leica à la carte screen_LEI771_MSystem_en 13.09.2006 9:43 Uhr Seite 4 1 “24 x 36” Leica M photography portfolio 9 Leica M System 21 LEICA M8 new 29 Simon Wheatley uses the LEICA M8 35 LEICA M7 41 LEICA MP 45 Leica à la carte 50 LEICA M7 entry set 51 Leica M lenses 56 Accessories 62 Technical Data LEICA M8 64 Technical Data LEICA M7/MP 67 “24 x 36” Leica M photography portfolio screen_LEI771_MSystem_en 13.09.2006 9:43 Uhr Seite 1 “24 x 36” Leica M photography portfolio Leica M pictures are unmistakable. They represent a very individual style of photography – they have the power to strike a chord, fascinate and surprise. In 1925 the Leitz company defined the 24 x 36 mm mini- ature format with the camera developed by Oskar Barnack. Since then, reportage photographers have used their discreet and fast Leica M cameras to shape our view of the world. “24 x 36” is the title of an ex- hibition of current work by M photographers. This brochure includes some of the images, representing outstanding examples of how Leica cameras can be used to develop a conscious vision and design, to highlight intensive involvement in a theme and to convey personal messages from the heart of everyday life. The photo galleries on the Internet show you how photography is de- veloping right now with the new digital LEICA M8. -
Mamiya 645 200Mm F2.8 APO Review
16/08/2018 REVIEW | Mamiya 645M 200mm F2.8 APO PEBBLE PLACE REVIEWS - Medium Format - Mamiya 645M 200mm F2.8 APO Telephoto Lens HOME REVIEWS Rangefinder SLR Medium Format Accessories GEAR TALK LEICA db CONTAX db MAMIYA 645M 200MM F2.8 TELEPHOTO LENS My Facebook Page PICTURES Like 0 Updated June 19, 2018 Production Early 1980’s to 2002 Lens Composition 7 Elements in 5 Groups Floating Element No Angular Field of View 20˚ at infinity Actual Field of View 124mm (35mm Equivalent, on a 645 film negative) Minimum Focus 2.5 Meters / 8.2 Feet Aperture 8 Blades, Octagonal F-Stop Scale F2.8 to F22; full stop detents Filter Size 77mm Lens Cap 77mm Mamiya 645M 200mm F2.8 APO Lens Hood Built-in (slides into place) plus Screw-on Extension Phase One P65+ • F8 • 4-Sec • ISO 50 Weight 1107 Grams / 2.43 pounds (without caps) Lens Size 91mm Wide x 143.5mm Long OVERVIEW The Mamiya 645M 200mm F2.8 APO was designed for use on the Mamiya M645, M645-1000S, M645 J 645 Super and M645 PRO. While those cameras are long since discontinued, the Mamiya 200mm F2.8 APO's mounts directly to today’s modern Mamiya / Phase One 645AF bodies. These days I use the Mamiya 200mm F2.8 APO via the Leica S-Adapter Mamiya on the Leica S Typ 006, and have found the Mamiya 200mm APO to be outstanding portrait lens and equally adept Mamiya 645M 200mm F2.8 APO Phase One P65+ • F8 • 1/125 • ISO 50 as a landscape lens. -
Leica R-Lenses by Erwin Puts
Leica R-Lenses by Erwin Puts September 2003 Chapter 4: 28 mm and 35 mm lenses __ LEICA SUMMILUX-R 35 mm f/1.4 __ LEICA SUMMICRON-R 35 mm f/2 __ LEICA ELMARIT-R 28 mm f/2.8 Chapter 4 Leica R-Lenses 1 __Introduction into realms that were not explored in the past. An example is the Nikkor 43-86mm zoom lens that was optically very bad, but It is well known that the thirties and the fifties were the great offered the user a new way of visual expression. classical periods of the Leica rangefinder camera. The next One would be tempted to think that the lenses of Zeiss and period of 1965 to 1985 was the era of the mechanical SLR, Leitz were made with the goal to provide the photographer forever immortalized in the famous movie "Blow Up” by Anto- with the best possible image quality and not with the goal to nioni. In those days it was generally believed that the 35mm deliver tools that were needed to do the required job. In this SLR could evolve into the most universal photographic instru- respect the Japanese companies were far ahead. ment ever designed. Mechanical functions were replaced by The Japanese lenses did not deliver the ultimate in optical and electro-mechanical and electronic ones, more and more func- mechanical performance, but the practical characteristics tions were added and the lens range covered lenses from extre- (weight and compactness, or very wide angle or very wide me fish-eye to very long telephoto lenses with focal lengths of zoom range or very long telephoto lenses with high speeds) 2000mm and more. -
Folleto FW 2016.Pdf
casanova del 7 al 12 fotoweek barcelona ’16 de noviembre Lunes 7 Grabación de audio de campo para vídeo profesional con Hug Salvat 10:30-12:00 En esta sesión veremos recomendaciones técnicas que nos ayudarán a mejorar notablemente el contenido sonoro de nuestras lmaciones, repasando los posibles escenarios y contenidos en los que solemos trabajar del 7 al 12 de noviembre (conversación, sonidos ambientales, música,...) para analizar qué equipos nos serán más útiles. 12:30-14:00 La iluminación strobist con Nissin Air System: mi herramienta habitual de trabajo con Miguel A. Muñoz Pellicer En una charla muy dinámica, que terminará con una sesión de retrato en exteriores, veremos cómo lograr una iluminación de calidad, potente, versátil, facil de controlar y de transportar con el sistema de ash inalámbrico Nissin Air System, comprobando así las posibilidades © Miguel A. Muñoz Pellicer ilimitadas de la iluminación “strobist”. fo 14:30-16:00 Las novedades de DJI que no te puedes perder con Albert Pérez casanova formación Repasaremos las principales novedades de la marca DJI: el nuevo y espera- do dron ultra compacto MAVIC, los nuevos estabilizadores OSMO + y OSMO MOBILE y los estabilizadores Ronin M y Ronin MX. Tambien hablaremos de los complementos ideales para trabajar con este tipo de dispositivos: monito- res, sistemas de transmision de vídeo... 16:30-18:00 Fotografía de Ballet: trabajo del movimiento con Dayron Vera Dayron Vera hablará de su trabajo y de cómo los ashes B1 Profoto le ofrecen la abilidad que necesita para dar rienda suelta a la imagi- nación y obtener unas imágenes que llegan al alma de todos. -
Il Summilux 50/1.4 Fu Introdotto Sul Mercato Nel 1959 E Andò a Sostituire Il Summarit 50/1.5
Cenni sul classico Summilux 50 di Giuseppe Ciccarella Il Summilux 50/1.4 fu introdotto sul mercato nel 1959 e andò a sostituire il Summarit 50/1.5. Rispetto a quest'ultimo potè giovarsi di nuovi vetri anche se il disegno continuava ad essere quello di Taylor & Hobson utilizzato dallo Schneider Xenon del 1936 prima e dal Summarit poi. Leitz Summarit 1.5/50mm (1949) Leitz Summilux 1.4/50mm (1959) Leitz Summilux 1.4/50mm (1962) Dr. Walter Mandler Leitz Summilux 1.4/50mm (1966) Dr. Walter Mandler I primi Summilux provvedevano ad una uniformità di campo combinata ad una buona risoluzione a tutta apertura. All'infinito, ai diaframmi da 5.6 a 11, la nitidezza ai bordi migliorava insieme al contrasto. Il Summarit e i primi Summilux sono equiparabili, da f/4 in poi, al 50 Elmar 3.5 scala rossa e al 50 Summicron rientrante, ma entrambi i luminosi, per la correzione flat field, sono affetti, alla massima apertura, da flare. Il primo Summilux, alla massima apertura e a tutte le distanze, era superiore al Summarit, ma a f/1.4 e a f/2 si notava la presenza di flare, era d©obbligo quindi sviluppando la pellicola e in sede di stampa incrementare il contrasto. L©obiettivo era disponibile inizialmente cromato silver in seguito si aggiunse la versione laccata nera. Pochi esemplari cromati silver furono prodotti nella versione a vite - il nostro mentore Ghester ci dice 548. Nel 1962 il Dr. Walter Mandler, prende in mano il progetto e ridisegna il Summilux utilizzando i pregiati vetri al Lantanio. -
LEICA M TheFreedomToCaptureTheDecisiveMoment. CONTENTS
LEICA M Thefreedomtocapturethedecisivemoment. CONTENTS EDITORIAL 05 LEICACAMERAAG 06 LEICAHISTORY 08 LEICAREPORTAGE 10 LEICAM-SYSTEM 16 LEICAM9/M9-P 30 LEICAM7/MP 48 LEICAÀLACARTE 56 LEICAM-LENSES 58 LEICAM-ACCESSORIES 76 LEICAMTECHNICALDATA 84 LEICACAMERASANDSPORTOPTICS 92 DearfriendsofLeica, Unlikeanyothercamera,theLeicaMembodiesauniquelyindividualapproachtophotography.Itisandalwayshas beenanexquisiteinstrumentforenablingauniquevisualexperience,aninstrumentthatgivesphotographers freedomtocreate,whilealsomaximizingtheiroptionsforrealizingtheirownvisionoftheperfectpicture.The LeicaMistheidealcameraforcapturingphotographsthathavethecapacitytocapturetheinconspicuous, unnoticedaspectsoflife. SincetheintroductionoftheLeicaMrangefinderprinciplein1954,photojournalistsandphotographicartists haveinfluencedourimageoftheworldwiththeirdiscreet,fastLeicaMcameras.Rangefindercamerasareidealfor takingvibrant,authenticimagesofeventsastheyhappen,andtheseadvantageshavebeenexploitedbythemany photographersoftheworld’sfirstindependentphotoagency,Magnum,foundedin1947bylegendaryphotographer HenriCartier-Bressonandothers.Thenasnow,membersofMagnumbelievedthatphotographersmusthavea perspectiveintheirimagerythattranscendsasimple,clichédrecordingofreality. SoweareparticularlydelightedthattherelationshipbetweenMagnumPhotosInternationalInc.andLeicaCamera istodaystrongerthanever.Buildingonoursharedhistory,MagnumandLeicaarecollaboratingtoproduceaseries ofprojectsthatcontinueourlong-standingdedicationtoindependentdocumentaryphotography.Todaywe’revery pleasedtopresentoneofthefirstresultsofthiscollaboration,onthesepages. -
Leica M Empowering Your Creative Freedom to Capture Decisive Moments
Leica M Empowering your creative freedom to capture decisive moments. CONTENTS EDITORIAL 05 LEICA HISTORY 06 LEICA REPORTAGE 08 LEICA M - SYSTEM 14 NEW: LEICA M9 26 LEICA M7 AND MP 40 LEICA A LA CARTE 48 LEICA M - LENSES 50 LEICA M - ACCESSORIES 66 LEICA M TECHNICAL DATA 72 LEICA CAMERAS AND SPORT OPTICS 80 Dear friends of Leica, Leica Camera shares your passion and love of challenging creative photography. Our factory is dedicated to designing and constructing cameras and lenses of the highest quality and uncompromising performance for people just like you. Leica cameras and lenses are exquisite tools that let you experience a unique view of life – tools that ensure the photographer’s complete creative freedom. At the same time, they maximize the potential for realizing your most cherished visual concepts in the form of perfect pictures – images that capture and possess the power to express the otherwise hidden or unnoticed facets of life. The Leica M stands for precisely this special genre of photography as no other camera can. Since our introduction of the combined viewfinder/rangefinder principle in 1954, countless photojournalists and photographic artists have reshaped and redefined our views of the world with their responsive, silent, and discreet Leica M cameras. This is because rangefinder cameras are ideal for capturing vital and authentic images taken from real life, a fact that holds true to the present day. With their intense concentration solely on essential functions and timelessly purist design, the Leica M7 and MP cameras carry forth the noble heritage of their predecessors. What is more, they represent the crowning glory of classical Leica M photography. -
Leica R-Lenses by Erwin Puts
Leica R-Lenses by Erwin Puts January 2004 Chapter 7: 28-90 mm lens __ LEICA VARIO-ELMARIT-R 28-90 MM F/2.8-4.5 ASPH Chapter 7 Leica R-Lenses 1 __Introduction The zoomlens as a species of lens design has had a strange movements of the lens mount. evolution. The first design seems to be the Vario-Glaukar This new Leica zoomlens has a number of innovative featu- 1:2.8/25-80 mm for 16 mm cine cameras, created by res that elevates zoomlens design to a new level. Siemens around 1936. Especially in movies, the idea of a smoothly changing rate of magnification is very valuable as It is the first Leica zoomlens that has a zoom range above a it can dispense of the stationary camera, moving on a trol- ratio of 1:3, to be exact it is 1:3.214, very close to the ley over rails. The first patent for a zoomlens is from 1902 magic mathematical number pi (3.14…). by a USA company. The idea of a zoomlens is now more than a hundred years old. The first zoomlenses for 35 mm The second innovation is a new and very elaborate mecha- cameras were regarded as toys and even during the eigh- nical design for the movement of the lens groups. ties of the previous century the Leica company declared that zoomlenses would never surpass the image quality of The third innovation is the ergonomics: the LEICA VARIO- fixed focal lengths. It is Mr Kölsch who deserves the credit ELMARIT-R 28-90 MM F/2.8-4.5 ASPH has one of the for two major breakthroughs in Leica lens design: the smoothest lensmounts I have touched, considering the fact aspherical surface and the high quality zoomlens. -
Leica Lens Saga
Erwin Puts LEICA LENS SAGA evolution - optical design - evaluation - future Berek’s Legacy: the 50 mm lens for Leica rangefinder cameras imx edition 9/2016 Colophon Leica Lens Saga by Erwin Puts Limited edition: September 2016 ISBN: 978-94-91089-12-1 NUR: 473 Published by: imX/Photosite Moerasmeer 51, 3994JJ Houten, Netherlands © 2016 by Erwin Puts and imX Made on Apple MacBook Pro 15inch Book content produced with Scrivener Book design with InDesign CC Font: Adobe Garamond Printed and bound by PNB, Lithuania All rights reserved. No part of this book may be reproduced, translated, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission in writing from the publisher. This publication has not been sponsored in any way by Leica Camera AG or any of the other manufactur- ers whose products are mentioned in the book. Information and data in this book is correct to the best of the author’s and publisher’s knowledge. Be- cause use of this information is beyond the author’s and publisher’s control, all liability is disclaimed. 2 Contents 1. Introduction 7 2. The opto-mechanical properties of Leica CRF lenses 15 2.1. Introduction 16 2.2. Opto-mechanical limits 17 2.3. The search for perfection 24 2.4. Spot diagrams of early Leica standard lenses 29 3. Process of Image formation 43 3.1. The nature of physical laws 44 3.2. Role of light in the photographic process 46 3.3. Principles of geometrical optics: points and lines 49 3.4. -
May 1, 2018 Price List What's Changing.Xlsx
Leica Order Leica Product Name & Description Today's Price May 1st Price Number 10301 Leica MP 0.72 silver $4,550 $4,795 10302 Leica MP 0.72 black $4,550 $4,795 10370 Leica M-A (Typ 127), black $4,550 $4,695 10371 Leica M-A (Typ 127), silver $4,550 $4,695 10503 Leica M7 0.72 black $4,550 $4,795 10504 Leica M7 0.72 silver $4,550 $4,795 Leica M7 Beginners Set 10546 $5,795 $5,995 with 50mm Summicron-M f2 10770 Leica M (Typ 240), black $6,595 $6,995 10771 Leica M (Typ 240), silver $6,595 $6,995 10772 Leica M-P (Typ 240), silver $6,995 $7,495 10773 Leica M-P (Typ 240), black $6,995 $7,495 10947 Leica M (Typ 262) $5,595 $5,995 10930 Leica M Monochrom (Typ 246) $7,550 $7,995 20000 Leica M 10, black $6,895 $7,295 20001 Leica M 10, silver $6,895 $7,295 11626 16-18-21 Tri-Elmar-M f4 ASPH $5,395 $5,595 11642 16-18-21 Tri-Elmar-M f4 ASPH w/Univ. WA Finder M $5,995 $6,295 11649 18mm Super-Elmar-M f3,8 ASPH $2,995 $3,195 11647 21mm Summilux-M f1,4 ASPH $7,495 $7,795 11145 21mm Super-Elmar-M f3,4 ASPH $2,895 $2,995 Leica Order Leica Product Name & Description Today's Price May 1st Price Number 11601 24mm Summilux-M f1,4 ASPH $7,295 $7,495 11648 24mm Elmar-M f3,8 ASPH $2,495 $2,695 11668 28mm Summilux-M f1,4 ASPH $6,295 $6,595 11672 28mm Summicron-M f2 ASPH $4,195 $4,395 11663 35mm Summilux-M f1,4 ASPH black $4,995 $5,295 11675 35mm Summilux-M f1,4 ASPH silver $5,295 $5,495 11673 35mm Summicron-M f2 ASPH black $3,195 $3,295 11674 35mm Summicron-M f2 ASPH silver $3,395 $3,495 11679 35mm Summarit-M f2,4 ASPH silver $2,095 $2,195 11602 50mm Noctilux-M f0,95 -
LEICA NOCTILUX-M 50 Mm F/1 1
LEICA NOCTILUX-M 50 mm f/1 1 The speed of the Noctilux surpasses even that of the human eye. As the world’s first production f/1 lens for 35 mm photography it is a milestone in the history of photography. Its outstanding contrast rendition provides a delicate separation of barely discernible color differences and an exact resolution of the finest details. Its maximal freedom of stray light and coma results in a practically flare-free reproduction of point sources of light. This lens makes a unique and fascinating pictorial expression possible. It is not only excellently suitable for photography at twilight, but also for nighttime photography without flash. The light of a candle is suffi- cient for beautifully clear pictorial results. Image details can be emphasized by taking advantage of the very shallow depth of field at full aperture. The contours in the unsharp areas of such pictures dissolve in a nearly abstract form and color aesthetic. Lens shape LEICA NOCTILUX-M 50 mm f/1 2 Engineering drawing Technical Data Angle of view (diagonal, horizontal, vertical) 47°, 40°, 27° Optical design Number of elements / groups: 7 / 6 Focal length: 52.4 mm Entrance pupil: 42.9 mm (related to the first lens surface in light direction) Focusing range: 1 m to Infinity Distance setting Scale: combined meter/feet-increments Smallest object field: 410 mm x 615 mm Highest reproduction ratio: 1:17 Diaphragm Setting / Type: with clickstops (including half values), manual diaphragm Smallest aperture: f/16 Bayonet Leica M quick-change bayonet Filter (type) internal thread for screw-in type filters E 60 Lens hood built-in, telescopic Dimensions and weight Length: 62 mm Largest diameter: 69 mm Weight: approx.