LEICA V-LUX 30 a World Waiting to Be Discovered
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Do Something Important.TM
2.6X zoom in a cool, compact, capsule design with Advanced Photo System convenience. Do somethingwww.minolta.com important.TM www.minolta.com It’s All Within Your Grasp The VECTIS 260 makes picture-taking more fun for the whole family. The Advanced Photo System means easier operation and higher quality pictures, and a powerful 2.6X zoom expands your photo possibilities. Various automatic functions make it simple for everyone to take great pictures. It’s the compact camera that gives you more. ADVANCED PHOTO SYSTEM Get closer with 2.6X zoom! High-quality zoom lens adds variety to your photos. Powerful 2.6X Zoom A zoom lens this powerful gives you much greater versatility in framing your shots. You can take broad shots of the scenery, then zoom in for close-ups of the kids. The zoom range is a wide 25 — 65mm (equivalent to 31— 81mm in 35mm for- mat). For close-ups, you can move in as close as 1.64 ft. to your subject at any focal length, without having to set a special mode. Best of all, 25mm WIDE your photo will be sharp and clear, thanks to the Minolta high quality 4-element, 4-group zoom lens. 65mm TELE Greater ease and convenience Advanced Photo System makes photography more enjoyable — from start to finish! Index Prints for At-a-Glance Selection Drop-In Loading With photos this good, you’ll want to make reprints ... and now and Film Chamber Lock you can easily select the ones you want. With your pictures The ultimate in film loading you’ll receive an Index Print sheet, making it easy ease. -
LEICA SUPER ELMAR-M 21Mm F/3.4 ASPH. LEICA APO-SUMMICRON
LEICA APO-SUMMICRON-MSUPER ELMAR-M 21mm 50 mm f/3.4 f/2 ASPH. ASPH. 1 More than 30 years after the launch of Summicron-M 1:2/50 mm, which is still available, the Leica APO Summicron-M 1:2/50 mm ASPH. represents a totally new development. With its compact body - only marginally longer and slightly heavier than the Summicron-M 1:2/50 mm, and with an almost identical diameter, it provides visibly higher image quality. On the Leica APO Summicron-M 1:2/50 mm ASPH. the exceptional correction enables all aberrations to be reduced to a minimum level that is negli- gible in digital photography. Its key features include excellent contrast rendition, all the way to the corners of the image, even with a fully open aperture. The use of a „floating element“ ensures that this is retained, even for close-up shots. Vignetting is limited to a maximum - i.e. in the corners of the image - of just 2 stops at full aperture in 35 mm format, or around 1 on the Leica M8 mo- dels. Stopping down to 2.8 visibly reduces this light deterioration towards the edge of the image, with practically only the natural vignetting remaining. Distortion is very low at a maximum of just 0.4 % (pin cushoin), which is practically imperceptible. A total of eight lens elements are used to achieve this exceptional performance. To realize the apochromatic correction (resulting in a com- mon focusing plane for three light wavelengths), three are made of glass types with high anomalous partial color dispersion, while two of the others have a high refractive index. -
LEICA Summarit-S 1:2,5/70 Mm ASPH. /CS
LEICA Summarit-S 1:2,5/70 mm ASPH. /CS Technische Daten. Abbildung 1:2 T ECHNISCHE DATEN Bestell-Nummer 11055 (CS: 11051) Bildwinkel ca. 42° / 35° / 24°, entspricht ca. 56 mm bei Kleinbild (diagonal, horizontal, vertikal) Optischer Aufbau Zahl der Linsen / Gruppen 8 / 6 Lage der Eintrittspupille unendlich: 26,66 mm (in Lichteinfallsrichtung vor Bajonett), nah: 43,62 mm (in Lichteinfallsrichtung vor Bajonett) Arbeitsbereich 0,5 m bis unendlich Entfernungseinstellung Skala Kombinierte Meter/feet-Einteilung Kleinstes Objektfeld 142 mm × 212 mm Größter Maßstab 1 : 4,7 Blende Einstellung / Funktionsweise Elektronisch gesteuerte Blende, Einstellung über Dreh-/Drückrad der Kamera, auch halbe Werte einstellbar Kleinster Wert 22 Bajonett Leica S-Bajonett Filterfassung / Gegenlichtblende Außenbajonett für Gegenlichtblende (im Lieferumfang), UV-Filter fest eingebaut, Innengewinde für E72-Filter, Filterfassung rotiert nicht Abmessungen und Gewicht Länge bis Bajonettauflage ca. 93 / 151mm (ohne / mit Gegenlichtblende) Größter Durchmesser ca. 90 / 117mm (ohne / mit Gegenlichtblende) Gewicht ca. 740 / 890g (ohne / mit Zentralverschluss) Seite 1 von 6 / Stand September 2010 / Technische Änderungen vorbehalten Leica Camera AG / Oskar-Barnack-Straße 11 / 35606 SOLMS / DEUTSCHLAND / Telefon +49(0)6442-208-0 / Telefax +49(0)6442-208-333 / www.leica-camera.com LEICA Summarit-S 1:2,5/70 mm ASPH. /CS Technische Zeichnung Linsenschnitt Asphärische Fläche Floating Element Abbildung 1:2 Dem Summarit-S 1:2,5/70 mm ASPH. kommt im Leica S-System die Rolle des Standard-Objektivs zu, dessen Bildwinkel dem eines 56 mm-Objektivs im Kleinbild entspricht. Damit sich dieses Objektiv für universelle Anwendungen empfiehlt, betrieben die Entwickler einen sehr hohen Aufwand, um höchste Abbildungsleistungen bereits bei offener Blende und bei allen Entfernungseinstellungen zu garantieren. -
Digital Vs 35-Mm Photography to Convert Or Not to Convert?
ORIGINAL ARTICLE Digital vs 35-mm Photography To Convert or Not to Convert? Mimi S. Kokoska, MD; John W. Currens, MD; Chris S. Hollenbeak, MA; J. Regan Thomas, MD; Brendan C. Stack, Jr, MD Objectives: To compare the quality of images gener- Results: The null hypothesis that there is no difference ated from a conventional 35-mm camera with those gen- between photographs taken with the various cameras was erated from various digital cameras; and to note the costs rejected (P,.001) for each of the image attributes. The im- of the cameras and ease of use. ages produced by the 35-mm camera (Nikon 6006) had the best overall quality, followed by the Olympus D600L, Design: A prospective, randomized, independent analy- Kodak DCS 315, and Olympus D320L digital cameras. Dif- sis of specific facial images taken with a 35-mm camera ferences in individual attributes between several of the cam- and 3 digital cameras by 3 facial plastic surgeons who eras in each category were statistically significant (P,.05). were blinded to camera type. Conclusions: The 35-mm camera produced the best over- Setting: An academic medical center. all image quality and ranked first for each of the indi- vidual attributes analyzed in this study. The Olympus Subjects: Thirteen volunteer subjects ranging from age D600L digital camera placed second in overall quality, 27 to 58 years. but there was no statistically significant difference in fo- cus, distortion, and resolution compared with the im- Main Outcome Measures: The overall quality, fo- ages generated by the 35-mm camera. The Olympus cus, distortion, trueness of color, resolution, contrast, and D600L digital camera also ranked second in color, con- presence of shadows were evaluated for each image. -
FAQ LEICA SF 58 April 2009 En
FAQ LEICA SF 58 Status April 2009 System compatibility – Is it possible to use the LEICA SF 58 flash unit with all Leica system cameras? Compatible in TTL flash mode with: • M-System: LEICA M6 TTL, LEICA M7, LEICA M8, LEICA M8.2 • R-System: LEICA R8, LEICA R9 (analog) • S-System: LEICA S2 Compatible in automatic or manual flash mode with all Leica System Cameras with hot shoe and x- contact Why using a secondary reflector? The LEICA SF 58 is ideal for indirect lighting due to its high flash guide number (max. 58 at ISO100/21°). The secondary reflector retains a bright illumination, creates highlights, lightens up shadows, and delivers vivid colors. White balance adjustment The LEICA SF 58 has a color temperature of 5600K. Best photographic results are achieved by a camera white balance setting of “automatic” or “flash”. What kinds of batteries are recommended? Rechargeable batteries: • NiCd (1,2V), NiMH (1,2V) Batteries: • Lithium (1,5V), Alkaline-Manganese (1,5V) Why the battery symbol is not displayed constanty? The battery symbol is meant as a capacity warning and therefore only appears when the battery capacity will end soon. Page 1 of 2 / As at April 2009 Leica Camera AG / Oskar-Barnack-Straße 11 / D-35606 Solms / Phone +49 (0) 6442-208-0 / Telefax +49 (0) 6442-208-333 / www.leica-camera.com Focal length transfer with LEICA M8/M8.2 The focal length transfer takes place only with coded lenses provided the lens detection function is activated. Table: M8/M8.2 – Focal Length Display SF 58 Lens focal length Flash display (in mm) 16-18-21 24 18 24 21 28 24 28 28 35 35 35 50 50 75 90 90 105 135 105 Is it possible to use TTL flash mode with DMR (R8/R9)? When using LEICA R8 / R9 with a DMR, only manual or automatic flash mode is possible. -
Summarit-M 50Mm
LEICA SUMMARIT-M 50 mm f/2.5 1 Powerful, lightweight and designed to be easy to operate, the LEICA SUMMARIT-M 50 mm f/2.5's applications are as varied as life itself. It corresponds closely to the field of vision and viewing patterns of the human eye and offers an impressively neutral and natural perspective. On analog cameras, it is a brilliant standard lens while on the digital LEICA M8, its 67 mm equivalent focal length makes it ideal for portraits or picking out precise details. The 50 mm Summarit-M is tailor-made for everyday photography. Its lens speed is perfectly adapted for all common applications. It is an updated double-Gauss six-element construction based on our tried and tested design. All of this means that this particular Summarit-M makes the Leica M easier to experi ence than ever before, without cutting any corners in terms of optical performan- ce. Lens shape LEICA SUMMARIT-M 50 mm f/2.5 2 Engineering drawing Technical Data Angle of view (diagonal, horizontal, vertical) For 35 mm (24 x 36 mm) : 47°, 40°, 27°, for LEICA M8 (18 x 27 mm) : 36°, 30°, 20°, corresponds to a focal length of approx. 67 mm with 35 mm-format Optical design Number of lenses/groups: 6/4 Focus length: 50.1 mm Position of entrance pupil: 28.0 mm (related to the first lens surface in light direction) Distance setting Focusing range: 0.8 m to endless Scales: Combined meter/feet graduation Smallest object field / Largest reproduction ratio: For 35 mm, approx. -
Mamiya 645 200Mm F2.8 APO Review
16/08/2018 REVIEW | Mamiya 645M 200mm F2.8 APO PEBBLE PLACE REVIEWS - Medium Format - Mamiya 645M 200mm F2.8 APO Telephoto Lens HOME REVIEWS Rangefinder SLR Medium Format Accessories GEAR TALK LEICA db CONTAX db MAMIYA 645M 200MM F2.8 TELEPHOTO LENS My Facebook Page PICTURES Like 0 Updated June 19, 2018 Production Early 1980’s to 2002 Lens Composition 7 Elements in 5 Groups Floating Element No Angular Field of View 20˚ at infinity Actual Field of View 124mm (35mm Equivalent, on a 645 film negative) Minimum Focus 2.5 Meters / 8.2 Feet Aperture 8 Blades, Octagonal F-Stop Scale F2.8 to F22; full stop detents Filter Size 77mm Lens Cap 77mm Mamiya 645M 200mm F2.8 APO Lens Hood Built-in (slides into place) plus Screw-on Extension Phase One P65+ • F8 • 4-Sec • ISO 50 Weight 1107 Grams / 2.43 pounds (without caps) Lens Size 91mm Wide x 143.5mm Long OVERVIEW The Mamiya 645M 200mm F2.8 APO was designed for use on the Mamiya M645, M645-1000S, M645 J 645 Super and M645 PRO. While those cameras are long since discontinued, the Mamiya 200mm F2.8 APO's mounts directly to today’s modern Mamiya / Phase One 645AF bodies. These days I use the Mamiya 200mm F2.8 APO via the Leica S-Adapter Mamiya on the Leica S Typ 006, and have found the Mamiya 200mm APO to be outstanding portrait lens and equally adept Mamiya 645M 200mm F2.8 APO Phase One P65+ • F8 • 1/125 • ISO 50 as a landscape lens. -
Folleto FW 2016.Pdf
casanova del 7 al 12 fotoweek barcelona ’16 de noviembre Lunes 7 Grabación de audio de campo para vídeo profesional con Hug Salvat 10:30-12:00 En esta sesión veremos recomendaciones técnicas que nos ayudarán a mejorar notablemente el contenido sonoro de nuestras lmaciones, repasando los posibles escenarios y contenidos en los que solemos trabajar del 7 al 12 de noviembre (conversación, sonidos ambientales, música,...) para analizar qué equipos nos serán más útiles. 12:30-14:00 La iluminación strobist con Nissin Air System: mi herramienta habitual de trabajo con Miguel A. Muñoz Pellicer En una charla muy dinámica, que terminará con una sesión de retrato en exteriores, veremos cómo lograr una iluminación de calidad, potente, versátil, facil de controlar y de transportar con el sistema de ash inalámbrico Nissin Air System, comprobando así las posibilidades © Miguel A. Muñoz Pellicer ilimitadas de la iluminación “strobist”. fo 14:30-16:00 Las novedades de DJI que no te puedes perder con Albert Pérez casanova formación Repasaremos las principales novedades de la marca DJI: el nuevo y espera- do dron ultra compacto MAVIC, los nuevos estabilizadores OSMO + y OSMO MOBILE y los estabilizadores Ronin M y Ronin MX. Tambien hablaremos de los complementos ideales para trabajar con este tipo de dispositivos: monito- res, sistemas de transmision de vídeo... 16:30-18:00 Fotografía de Ballet: trabajo del movimiento con Dayron Vera Dayron Vera hablará de su trabajo y de cómo los ashes B1 Profoto le ofrecen la abilidad que necesita para dar rienda suelta a la imagi- nación y obtener unas imágenes que llegan al alma de todos. -
L E N S E S & a C C E S S O R I
P. 4 P. 5 P. 6 P. 7 Scott Grant / Hai Tre / Jeff Carter / Gathot Subroto / Canada Vietnam UK Indonesia P. 8 P. 9 P.10 Matt Hart / Bert Stephani / Max De Martino / UK Belgium Italy P.11 P.12 P.13 P.14 Omar Z Robles / Simone Sbarglia / Pål Laukli / LS Trung / U.S.A. Italy Norway Vietnam P.15 P.16 P.17 Yonghui Wang / Supalerk Fabian De Backer / China Narubetkrausee / Belgium Thailand P.18 P.19 P.20 Taeyoung An / Joe Ng / Chalit Padoongcheep / Korea Canada Thailand P.21 P.21 Torwong Salwala / Giulia Torra / Thailand Italy Cover_P.2-3 Jonas Dyhr Rask / Denmark Specifications are subject to change without notice. LENSES & ACCESSORIES For more information, please visit our website: http://www.http://fujifilm-x.com/en/accessories/ c 2016 FUJIFILM Corporation P2-3/P36 The vision of the X Series, the choice for X Series owners A collection of creativity-oriented lenses, which complement the X-Trans CMOS sensor perfectly and eliminate the low-pass filter for ultimate sharpness. X Mount Lenses _ P.4-21 Accessories _ P.23-29 Technology _ P.30-33 Specifications _ P.34-35 2 3 P4-5/P36 XF14mmF2.8 R XF16mmF1.4 R WR X-T2 : F11 1/4 sec. ISO200 Scott Grant / Canada High resolving power across the frame from the centre to the edges. This ultra-wide-angle lens, which has a diagonal angle of view greater than 90°, produces extraordinary images. Distortion has been kept to a measured value of zero, with sharpness right across the frame, even when the subject is near the edges. -
LEICA M TheFreedomToCaptureTheDecisiveMoment. CONTENTS
LEICA M Thefreedomtocapturethedecisivemoment. CONTENTS EDITORIAL 05 LEICACAMERAAG 06 LEICAHISTORY 08 LEICAREPORTAGE 10 LEICAM-SYSTEM 16 LEICAM9/M9-P 30 LEICAM7/MP 48 LEICAÀLACARTE 56 LEICAM-LENSES 58 LEICAM-ACCESSORIES 76 LEICAMTECHNICALDATA 84 LEICACAMERASANDSPORTOPTICS 92 DearfriendsofLeica, Unlikeanyothercamera,theLeicaMembodiesauniquelyindividualapproachtophotography.Itisandalwayshas beenanexquisiteinstrumentforenablingauniquevisualexperience,aninstrumentthatgivesphotographers freedomtocreate,whilealsomaximizingtheiroptionsforrealizingtheirownvisionoftheperfectpicture.The LeicaMistheidealcameraforcapturingphotographsthathavethecapacitytocapturetheinconspicuous, unnoticedaspectsoflife. SincetheintroductionoftheLeicaMrangefinderprinciplein1954,photojournalistsandphotographicartists haveinfluencedourimageoftheworldwiththeirdiscreet,fastLeicaMcameras.Rangefindercamerasareidealfor takingvibrant,authenticimagesofeventsastheyhappen,andtheseadvantageshavebeenexploitedbythemany photographersoftheworld’sfirstindependentphotoagency,Magnum,foundedin1947bylegendaryphotographer HenriCartier-Bressonandothers.Thenasnow,membersofMagnumbelievedthatphotographersmusthavea perspectiveintheirimagerythattranscendsasimple,clichédrecordingofreality. SoweareparticularlydelightedthattherelationshipbetweenMagnumPhotosInternationalInc.andLeicaCamera istodaystrongerthanever.Buildingonoursharedhistory,MagnumandLeicaarecollaboratingtoproduceaseries ofprojectsthatcontinueourlong-standingdedicationtoindependentdocumentaryphotography.Todaywe’revery pleasedtopresentoneofthefirstresultsofthiscollaboration,onthesepages. -
Leica M Empowering Your Creative Freedom to Capture Decisive Moments
Leica M Empowering your creative freedom to capture decisive moments. CONTENTS EDITORIAL 05 LEICA HISTORY 06 LEICA REPORTAGE 08 LEICA M - SYSTEM 14 NEW: LEICA M9 26 LEICA M7 AND MP 40 LEICA A LA CARTE 48 LEICA M - LENSES 50 LEICA M - ACCESSORIES 66 LEICA M TECHNICAL DATA 72 LEICA CAMERAS AND SPORT OPTICS 80 Dear friends of Leica, Leica Camera shares your passion and love of challenging creative photography. Our factory is dedicated to designing and constructing cameras and lenses of the highest quality and uncompromising performance for people just like you. Leica cameras and lenses are exquisite tools that let you experience a unique view of life – tools that ensure the photographer’s complete creative freedom. At the same time, they maximize the potential for realizing your most cherished visual concepts in the form of perfect pictures – images that capture and possess the power to express the otherwise hidden or unnoticed facets of life. The Leica M stands for precisely this special genre of photography as no other camera can. Since our introduction of the combined viewfinder/rangefinder principle in 1954, countless photojournalists and photographic artists have reshaped and redefined our views of the world with their responsive, silent, and discreet Leica M cameras. This is because rangefinder cameras are ideal for capturing vital and authentic images taken from real life, a fact that holds true to the present day. With their intense concentration solely on essential functions and timelessly purist design, the Leica M7 and MP cameras carry forth the noble heritage of their predecessors. What is more, they represent the crowning glory of classical Leica M photography. -
LEICA SUMMICRON-M 50 Mm F/2 1
LEICA SUMMICRON-M 50 mm f/2 1 The optical computation of this lens leads to perfect image quality that extends into the corners at full aperture, with outstanding contrast over the entire picture area, even in the close-up range. Stopping down to f/2.8 or f/4 brings only a minimal increase in contrast. Distortion is extremely low and practically undetectable. The ideal lens for all photographers who want a high-performan- ce tool that weighs very little and is compact in size. Lens shape LEICA SUMMICRON-M 50 mm f/2 2 Engineering drawing Technical Data Angle of view (diagonal, horizontal, vertical) 47°, 40°, 27° Optical design Number of elements / groups: 6 / 4 Focal length: 52.3 mm Entrance pupil: 25.1 mm (related to the first lens surface in light direction) Focusing range: 0.7 m to Infinity Distance setting Scale: combined meter/feet-increments Smallest object field: 277 mm x 416 mm Highest reproduction ratio: 1:11.5 Diaphragm Setting / Type: with clickstops (including half values), manual diaphragm Smallest aperture: f/16 Bayonet Leica M quick-change bayonet Filter (type) internal thread for screw-in type filters E 39 Lens hood built-in, telescopic Dimensions and weight Length: 43.5 mm Largest diameter: 53 mm Weight: approx. 240 g / 335 g (black anodized- / silver chrome finish) LEICA SUMMICRON-M 50 mm f/2 3 MTF graphs Aperture Stop 2.0 Aperture Stop 5.6 [%] [%] 100 100 80 80 60 60 40 40 20 20 0 0 0 5 10 15 20 0 5 10 15 20 Y'[mm] Y'[mm] Aperture Stop 2.8 [%] 100 The MTF is indicated both at full aperture and at f/5.6 at long taking distances (infinity).