Leica X2 Brochure Anno 2012
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LEICA SUMMARON-M 1:5,6/28Mm Anleitung
LEICA SUMMARON-M 1:5,6/28mm Anleitung Instructions Notice d’utilisation Gebruiksaanwijzing Istruzioni Instrucciones Leica Camera AG I Am Leitz-Park 5 35578 WETZLAR I DEUTSCHLAND 取扱説明書 Telefon +49 (0) 6441-2080-0 I Telefax +49 (0) 6441-2080-333 543 VII/16/LW/D 3 www.leica-camera.com 9 f 5.6 [%] 100 f 5.6 [%] 100 sagittale Strukturen 80 sagittal structures 80 structures sagittales 60 sagittale structuren strutture sagittali 60 estructuras sagitales 40 放射線方向 40 tangentiale Strukturen 20 tangential structures 20 structures tangentielles 0 tangentiale structuren 0 3 6 9 12 15 18 21 strutture tangenziali 0 0 3 6 9 12 15 18Y'[mm]21 estructuras tangenciales 同心円方向 Y'[mm] f 8.0 [%] 100 f 8.0 [%] 100 80 80 60 60 40 40 20 20 0 0 3 6 9 12 15 18 21 0 0 3 6 9 12 15 18Y'[mm]21 Y'[mm] 1 1a 2a 2b 3 5a 5b 4 6 5d 5 5b 4a 4b 5c 1 Bezeichnung der Teile Désignation des pièces 1. Gegenlichtblende mit 1. Parasoleil avec a. Klemmschraube a. vis de serrage 2. Frontfassung mit 2. Monture frontale avec a. Filter-Innengewinde a. filtre de filetage intérieur b. Index für Blendeneinstellung b. repère du réglage du diaphragme 3. Blenden-Einstellring 3. Bague de réglage du diaphragme 4. Entfernungs-Einstellring mit 4. Bague de mise au point avec a. Verstellhebel a. levier de réglage b. Verriegelungsknopf b. bouton de verrouillage 5. Schärfentiefe-Skala mit 5. Échelle de profondeur de champ avec a. Index für Entfernungseinstellung a. index de mise au point b. -
LEICA SUPER ELMAR-M 21Mm F/3.4 ASPH. LEICA APO-SUMMICRON
LEICA APO-SUMMICRON-MSUPER ELMAR-M 21mm 50 mm f/3.4 f/2 ASPH. ASPH. 1 More than 30 years after the launch of Summicron-M 1:2/50 mm, which is still available, the Leica APO Summicron-M 1:2/50 mm ASPH. represents a totally new development. With its compact body - only marginally longer and slightly heavier than the Summicron-M 1:2/50 mm, and with an almost identical diameter, it provides visibly higher image quality. On the Leica APO Summicron-M 1:2/50 mm ASPH. the exceptional correction enables all aberrations to be reduced to a minimum level that is negli- gible in digital photography. Its key features include excellent contrast rendition, all the way to the corners of the image, even with a fully open aperture. The use of a „floating element“ ensures that this is retained, even for close-up shots. Vignetting is limited to a maximum - i.e. in the corners of the image - of just 2 stops at full aperture in 35 mm format, or around 1 on the Leica M8 mo- dels. Stopping down to 2.8 visibly reduces this light deterioration towards the edge of the image, with practically only the natural vignetting remaining. Distortion is very low at a maximum of just 0.4 % (pin cushoin), which is practically imperceptible. A total of eight lens elements are used to achieve this exceptional performance. To realize the apochromatic correction (resulting in a com- mon focusing plane for three light wavelengths), three are made of glass types with high anomalous partial color dispersion, while two of the others have a high refractive index. -
Press Information
Press information Free for release after: 28 April 2016, 3 p.m. (CET) LEICA M-D – the new digital Leica rangefinder without a monitor screen Wetzlar, 28 April 2016. With the Leica M-D (Typ 262), Leica Camera AG adds a further model to the Leica rangefinder system. Together with the Leica M and M-P (Typ 240), the Leica M (Typ 262) and the Leica M Monochrome (Typ 246), this increases the number of digital M-Generation cameras to five. The Leica M-D is the first serial production model of the digital M family to be made without a monitor screen. The usual location of the screen on the back of the camera is now taken by the ISO sensitivity setting dial – one of the few, but essential, features of the camera. Although the Leica M-D embodies the entire range of technical advantages perfected over decades in the Leica rangefinder system, it intentionally omits all but the most essential technical features. Radically reduced to the most important parameters required for photography – shutter speed, aperture, distance and ISO sensitivity – it promotes its users’ concentration on what is essential: the picture. To a large extent, the technical features of the Leica M-D are based on those of the Leica M (Typ 262). Just like all other digital M-Cameras, the Leica M-D (Typ 262) features a high- resolution CMOS full-frame sensor, albeit one that is dedicated exclusively to rangefinder photography, and supports neither video recording nor Live View. Its 24-megapixel resolution ensures exceptional imaging quality and extreme sensitivity to light. -
LEICA X1 As Spontaneous As Life Itself
LEICA X1 As spontaneous as life itself. CONTENTS HAVANA SNAPSHOTS 04 LEICA X1 10 TECHNICAL DATA 18 HAVANA SNAPSHOTS The Malecón in Havana directly at the port entrance, close to the shooting sets. LEICA X1 The ideal travel companion for capturing extraordinary moments. The sounds of reggaetón music echo through the narrow streets. Classic cars, long out of production but lovingly polished, sparkle under the merciless sun. On almost every building, pieces of plaster crumble from the façade. A few make one wonder if they’ll survive the next gust of wind. In some places, it seems as if the decrepit colonial-era buildings are holding each other up. Men sit in the shade, passing the time playing dominoes. A little farther up the street, musicians play salsa and a young couple dances. A man pushes a wheelbarrow fi lled with limes, rolling lazily past a group of women on the side of the street who tell each other stories that are probably as old as the women themselves. These are the fi rst impressions that Thomas Stefan gathers as he ambles through Havana’s languorous old city with his Leica X1. Thomas is a photographer’s assistant and is part of a crew of 40 who have come to the Cuban capital for a fashion shoot. The route from his hotel to the shooting set at the Malecón, Havana’s famous waterfront pro- menade, takes him through the Centro Habana. This is the fascinatingly dilapidated district that gives Havana its unmistakable charm. The tumbledown grandeur of the baroque and neoclassical monuments gives Thomas a fl eeting insight into the bygone prosperity of the city. -
Hugostudio List of Available Camera Covers
Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII -
Leica M9 Ebook, Epub
LEICA M9 PDF, EPUB, EBOOK David Taylor | 240 pages | 01 May 2012 | Guild of Master Craftsman Publications Ltd | 9781907708060 | English | Lewes, United Kingdom Leica M9 PDF Book They had a quality to them I haven't seen before. I like to overlook the disadvantages of the M9! The screen's brightness can be adjusted in the menus though there's no special reason not to have it on the factory default which is full power. As British photogrpaher Christopher Tribble said, that is "bye bye to red faces" which has been the major problem with the Lightroom 2. And as can be read on this page, this can even be performed without a memory card. I only turn it OFF when I travel with it in a bag where the shutter release might be activated by the sides of the bag. Thorsten Overgaard on Instagram. You can follow his work on px , IG , and Flickr , and get his tutorials here. Max Berak was employed at Leica in and was the architech of the first Leica lens which Ernst Leitz asked him to design for the "Barnack's camera" the prototype named after Oscar Barnack who invented it. I like the expressions on the faces in the M9-files better. Personally useful for street photography. In some cameras the speed of continious shooting can be adjusted. Our eye uses distortion correction. I used hyperfocal distance to focus as the Raynox focuses at a distance of 12cm on any camera. Then, after the new model is out, very good deals can frequently be found on the pre-owned market. -
Does Size Matter.Sanitized-20151026-GGCS
Does Size Matter? What’s New in Small Cameras and Should I Switch? Doug Kaye dougkaye.com [email protected] • Portfolio at DougKaye.com • Co-Host of All About the Gear • Cuba & Street Photography Workshops • Frequent guest on This Week in Photo • Active on Social Media • Portfolio at DougKaye.com • Co-Host of All About the Gear • Cuba & Street Photography Workshops • Frequent guest on This Week in Photo • Active on Social Media The Acronyms • DSLR: Digital Single-Lens Reflex • MILC: Mirrorless Interchangeable-Lens Camera • APS-C: ~1.5x Crop-Factor Sensor Size • MFT: Micro Four-Thirds • LCD: Liquid Crystal Display (rear) • OVF: Optical Viewfinder • EVF: Electronic Viewfinder MILCs • Mirrorless • Interchangeable Lens • Autofocus • Electronic Viewfinder Who’s Who • The Old Guard • Nikon & Canon • The Upstarts • Sony & Fujifilm (Full-Frame and APS-C) • Olympus & Panasonic/Lumix (MFT) • Leica? Samsung? iPhone? DSLR vs. Mirrorless MILC History MILC History • 2004: Epson RD-1 (1st Mirrorless) • 2006: Leica M8 (1st Digital Leica) • 2008: Panasonic G1 (1st MFT) • 2009: Leica M9 (1st Full Frame) • 2010: Sony NEX-5 (1st M-APS-C, Hybrid AF) • 2012: Fuji X-Pro1 (Hybrid VF, X-Trans) • 2013: Olympus OM-D E-M1 • 2014: Sony a7S (High ISO), a7R (36MP) • 2015: Sony a7 II, a7R II, a7S II (Full-Frame IBIS) MILC Advantages • Smaller & Lighter • Simpler & Less Expensive • EVF vs. OVF • Always in LiveView Mode (WYSIWYG) • Accurate Autofocus • Quieter & Less Vibration • Simpler Wide-Angle Lens Designs • Compatible w/Other Lens Mounts MILC Disadvantages • EVF vs. OVF? • Continuous Autofocus Speed/Accuracy • Lack of Accessories • Legacy Wide-Angle Lens Issues Sensor Size • Full 35mm Frame (FF): 1x • APS-C: 1.5x • MFT: 2x Pixel Size • Larger Pixels Capture More Light • Higher ISO, Lower Noise • Broader Dynamic Range • 16MP APS-C = 36MP Full Frame • 16MP MFT = 64MP Full Frame Field of View (FoV) • Smaller sensors just crop the image. -
Price List and Camera Models
I’m Back® GmbH Digital Back for 35mm Analog Cameras Carlo Maderno 24 6900 Lugano Switzerland Cell.: +41 789 429 998 www.imback.eu [email protected] I’m Back® 35mm Digital Back Details: Sensor: 16Mega CMOS Sensor Panasonic 34120 Display: 2.0"capacitive touch screens Picture System: Focusing screen Auto White: yes Video Resolution: UHD24(2880*2160) QHD30(2560*1440) Balance: yes 108OP60/30 720P120/60/30 VGA240 Auto Eve: yes Video nal aspect: Focusing screen/Vintage Picture ip: yes Picture Size: 20M 16M 12M 10M 8M 5M 3M VGA WIFI: yes Video Format: MP4 H.264 Remote: yes Picture Format: JPG & RAW Language EN FR ES PT DE IT CN RU JP Storage Capacity: Max 64Gb Battery: 3.7V 2.700mAh USB Interface: USB TYPE-C Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture IBP I'm Back PRO All main Brands 299 IBU Universal Cover All main Brands 49 CA1 Dedicated Cover Canon F-1 69 Canon A Canon A1 CA2 Dedicated Cover 49 Canon AE1 Canon AE1 program Canon FT CA3 Dedicated Cover 49 Canon FTB CA4 Dedicated Cover Canon eos300 69 CN1 Dedicated Cover Contax II 49 Contax G1 CN2 Dedicated Cover 79 CN3 Dedicated Cover Contax RTS 49 CN4 Dedicated Cover Contax G2 79 I’m Back GmbH | Via Carlo Maderno 24 | CH – 6900 Lugano |IDI: CHE-216.910.630 | [email protected] | www.imback.eu Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture DN1 Dedicated Cover -
Mamiya 645 200Mm F2.8 APO Review
16/08/2018 REVIEW | Mamiya 645M 200mm F2.8 APO PEBBLE PLACE REVIEWS - Medium Format - Mamiya 645M 200mm F2.8 APO Telephoto Lens HOME REVIEWS Rangefinder SLR Medium Format Accessories GEAR TALK LEICA db CONTAX db MAMIYA 645M 200MM F2.8 TELEPHOTO LENS My Facebook Page PICTURES Like 0 Updated June 19, 2018 Production Early 1980’s to 2002 Lens Composition 7 Elements in 5 Groups Floating Element No Angular Field of View 20˚ at infinity Actual Field of View 124mm (35mm Equivalent, on a 645 film negative) Minimum Focus 2.5 Meters / 8.2 Feet Aperture 8 Blades, Octagonal F-Stop Scale F2.8 to F22; full stop detents Filter Size 77mm Lens Cap 77mm Mamiya 645M 200mm F2.8 APO Lens Hood Built-in (slides into place) plus Screw-on Extension Phase One P65+ • F8 • 4-Sec • ISO 50 Weight 1107 Grams / 2.43 pounds (without caps) Lens Size 91mm Wide x 143.5mm Long OVERVIEW The Mamiya 645M 200mm F2.8 APO was designed for use on the Mamiya M645, M645-1000S, M645 J 645 Super and M645 PRO. While those cameras are long since discontinued, the Mamiya 200mm F2.8 APO's mounts directly to today’s modern Mamiya / Phase One 645AF bodies. These days I use the Mamiya 200mm F2.8 APO via the Leica S-Adapter Mamiya on the Leica S Typ 006, and have found the Mamiya 200mm APO to be outstanding portrait lens and equally adept Mamiya 645M 200mm F2.8 APO Phase One P65+ • F8 • 1/125 • ISO 50 as a landscape lens. -
Leica R-Lenses by Erwin Puts
Leica R-Lenses by Erwin Puts September 2003 Chapter 4: 28 mm and 35 mm lenses __ LEICA SUMMILUX-R 35 mm f/1.4 __ LEICA SUMMICRON-R 35 mm f/2 __ LEICA ELMARIT-R 28 mm f/2.8 Chapter 4 Leica R-Lenses 1 __Introduction into realms that were not explored in the past. An example is the Nikkor 43-86mm zoom lens that was optically very bad, but It is well known that the thirties and the fifties were the great offered the user a new way of visual expression. classical periods of the Leica rangefinder camera. The next One would be tempted to think that the lenses of Zeiss and period of 1965 to 1985 was the era of the mechanical SLR, Leitz were made with the goal to provide the photographer forever immortalized in the famous movie "Blow Up” by Anto- with the best possible image quality and not with the goal to nioni. In those days it was generally believed that the 35mm deliver tools that were needed to do the required job. In this SLR could evolve into the most universal photographic instru- respect the Japanese companies were far ahead. ment ever designed. Mechanical functions were replaced by The Japanese lenses did not deliver the ultimate in optical and electro-mechanical and electronic ones, more and more func- mechanical performance, but the practical characteristics tions were added and the lens range covered lenses from extre- (weight and compactness, or very wide angle or very wide me fish-eye to very long telephoto lenses with focal lengths of zoom range or very long telephoto lenses with high speeds) 2000mm and more. -
LEICA M TheFreedomToCaptureTheDecisiveMoment. CONTENTS
LEICA M Thefreedomtocapturethedecisivemoment. CONTENTS EDITORIAL 05 LEICACAMERAAG 06 LEICAHISTORY 08 LEICAREPORTAGE 10 LEICAM-SYSTEM 16 LEICAM9/M9-P 30 LEICAM7/MP 48 LEICAÀLACARTE 56 LEICAM-LENSES 58 LEICAM-ACCESSORIES 76 LEICAMTECHNICALDATA 84 LEICACAMERASANDSPORTOPTICS 92 DearfriendsofLeica, Unlikeanyothercamera,theLeicaMembodiesauniquelyindividualapproachtophotography.Itisandalwayshas beenanexquisiteinstrumentforenablingauniquevisualexperience,aninstrumentthatgivesphotographers freedomtocreate,whilealsomaximizingtheiroptionsforrealizingtheirownvisionoftheperfectpicture.The LeicaMistheidealcameraforcapturingphotographsthathavethecapacitytocapturetheinconspicuous, unnoticedaspectsoflife. SincetheintroductionoftheLeicaMrangefinderprinciplein1954,photojournalistsandphotographicartists haveinfluencedourimageoftheworldwiththeirdiscreet,fastLeicaMcameras.Rangefindercamerasareidealfor takingvibrant,authenticimagesofeventsastheyhappen,andtheseadvantageshavebeenexploitedbythemany photographersoftheworld’sfirstindependentphotoagency,Magnum,foundedin1947bylegendaryphotographer HenriCartier-Bressonandothers.Thenasnow,membersofMagnumbelievedthatphotographersmusthavea perspectiveintheirimagerythattranscendsasimple,clichédrecordingofreality. SoweareparticularlydelightedthattherelationshipbetweenMagnumPhotosInternationalInc.andLeicaCamera istodaystrongerthanever.Buildingonoursharedhistory,MagnumandLeicaarecollaboratingtoproduceaseries ofprojectsthatcontinueourlong-standingdedicationtoindependentdocumentaryphotography.Todaywe’revery pleasedtopresentoneofthefirstresultsofthiscollaboration,onthesepages. -
Leica M Empowering Your Creative Freedom to Capture Decisive Moments
Leica M Empowering your creative freedom to capture decisive moments. CONTENTS EDITORIAL 05 LEICA HISTORY 06 LEICA REPORTAGE 08 LEICA M - SYSTEM 14 NEW: LEICA M9 26 LEICA M7 AND MP 40 LEICA A LA CARTE 48 LEICA M - LENSES 50 LEICA M - ACCESSORIES 66 LEICA M TECHNICAL DATA 72 LEICA CAMERAS AND SPORT OPTICS 80 Dear friends of Leica, Leica Camera shares your passion and love of challenging creative photography. Our factory is dedicated to designing and constructing cameras and lenses of the highest quality and uncompromising performance for people just like you. Leica cameras and lenses are exquisite tools that let you experience a unique view of life – tools that ensure the photographer’s complete creative freedom. At the same time, they maximize the potential for realizing your most cherished visual concepts in the form of perfect pictures – images that capture and possess the power to express the otherwise hidden or unnoticed facets of life. The Leica M stands for precisely this special genre of photography as no other camera can. Since our introduction of the combined viewfinder/rangefinder principle in 1954, countless photojournalists and photographic artists have reshaped and redefined our views of the world with their responsive, silent, and discreet Leica M cameras. This is because rangefinder cameras are ideal for capturing vital and authentic images taken from real life, a fact that holds true to the present day. With their intense concentration solely on essential functions and timelessly purist design, the Leica M7 and MP cameras carry forth the noble heritage of their predecessors. What is more, they represent the crowning glory of classical Leica M photography.