Leica S Medium Format – Minimum Size
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Do Something Important.TM
2.6X zoom in a cool, compact, capsule design with Advanced Photo System convenience. Do somethingwww.minolta.com important.TM www.minolta.com It’s All Within Your Grasp The VECTIS 260 makes picture-taking more fun for the whole family. The Advanced Photo System means easier operation and higher quality pictures, and a powerful 2.6X zoom expands your photo possibilities. Various automatic functions make it simple for everyone to take great pictures. It’s the compact camera that gives you more. ADVANCED PHOTO SYSTEM Get closer with 2.6X zoom! High-quality zoom lens adds variety to your photos. Powerful 2.6X Zoom A zoom lens this powerful gives you much greater versatility in framing your shots. You can take broad shots of the scenery, then zoom in for close-ups of the kids. The zoom range is a wide 25 — 65mm (equivalent to 31— 81mm in 35mm for- mat). For close-ups, you can move in as close as 1.64 ft. to your subject at any focal length, without having to set a special mode. Best of all, 25mm WIDE your photo will be sharp and clear, thanks to the Minolta high quality 4-element, 4-group zoom lens. 65mm TELE Greater ease and convenience Advanced Photo System makes photography more enjoyable — from start to finish! Index Prints for At-a-Glance Selection Drop-In Loading With photos this good, you’ll want to make reprints ... and now and Film Chamber Lock you can easily select the ones you want. With your pictures The ultimate in film loading you’ll receive an Index Print sheet, making it easy ease. -
LEICA SUPER ELMAR-M 21Mm F/3.4 ASPH. LEICA APO-SUMMICRON
LEICA APO-SUMMICRON-MSUPER ELMAR-M 21mm 50 mm f/3.4 f/2 ASPH. ASPH. 1 More than 30 years after the launch of Summicron-M 1:2/50 mm, which is still available, the Leica APO Summicron-M 1:2/50 mm ASPH. represents a totally new development. With its compact body - only marginally longer and slightly heavier than the Summicron-M 1:2/50 mm, and with an almost identical diameter, it provides visibly higher image quality. On the Leica APO Summicron-M 1:2/50 mm ASPH. the exceptional correction enables all aberrations to be reduced to a minimum level that is negli- gible in digital photography. Its key features include excellent contrast rendition, all the way to the corners of the image, even with a fully open aperture. The use of a „floating element“ ensures that this is retained, even for close-up shots. Vignetting is limited to a maximum - i.e. in the corners of the image - of just 2 stops at full aperture in 35 mm format, or around 1 on the Leica M8 mo- dels. Stopping down to 2.8 visibly reduces this light deterioration towards the edge of the image, with practically only the natural vignetting remaining. Distortion is very low at a maximum of just 0.4 % (pin cushoin), which is practically imperceptible. A total of eight lens elements are used to achieve this exceptional performance. To realize the apochromatic correction (resulting in a com- mon focusing plane for three light wavelengths), three are made of glass types with high anomalous partial color dispersion, while two of the others have a high refractive index. -
Leica S8APO Manual
Living up to Life User Manual Leica S8 APO B Leica S Series User Manual 1 Copyright All rights to this documentation are held by Leica Microsystems CMS GmbH. Reproduction of text or illustrations (in whole or in part) by print, photocopy, microfilm or other method (including electronic systems) is not allowed without express written permission from Leica Microsystems CMS GmbH. The instructions contained in the following documentation reflect state-of-the-art tech- nology. We have compiled the texts and illus- trations as accurately as possible. Still, we are Revision 1.0, published March 14, 2013 by: always grateful for comments and suggestions regarding potential mistakes within this docu- Leica Microsystems Wetzlar GmbH mentation. Ernst Leitz-Straße 17-37 D-35578 Wetzlar (Germany) The information included in this manual may http://www.leica-microsystems.com be changed without prior notice. Responsible for contents: Marketing CMS Leica S Series User Manual 2 Function of the Microscopes The Leica S8 APO B microscope, for which The manufacturer assumes no liabil- These (IVD) instruments are not this User Manual has been written, is used for • ity for damage caused by, or any • intended for use in the patient environ- routine examinations of cell and tissue cultures, risks arising from, using the microscope for ment defined by DIN VDE 0100-710. Nor are liquids and sediments. This includes examining other purposes than those for which they are they designed to be combined with medical specimens taken from the human body for the intended or not using them within the speci- instruments in accordance with EN 60601-1. -
Press Information
Press Information photokina 2018: Visitors to the Leica Camera stand in Hall 2.2 can look forward to a discovering a comprehensive portfolio of products and services Wetzlar, 6 September 2018. The focus of Leica’s appearance at photokina 2018 in Cologne is not only set on the extremely diverse product portfolio of the traditional manufacturer from Wetzlar, but also on the Leitz Park itself. At Leica, everything has always revolved around the picture, the school of visualisation, the history of photography, the vibrancy of photographic culture and the people behind the cameras – in other words, DAS WESENTLICHE. Since the opening of the Leitz Park complex on 15 June 2018, all this is now a visible and tangible experience. In the open-plan, newly conceived Leica stand in Hall 2.2, visitors can find information and comprehensive advice about the broad spectrum of Leica products and services for all photographic applications and scenarios. The demonstration area has now been split into thematic areas to provide easier orientation for professionals, amateurs and other visitors interested in particular Leica products or services. While the ‘Professional’ area concentrates on the Leica S and its lenses and products from Sinar Photography, the ‘Systems’ area focuses on the Leica SL, the Leica M and the APS-C cameras of the Leica CL and Leica TL systems – and, of course, the full range of corresponding Leica precision lenses. The ‘Compact’ area is dedicated to the Leica Q, Leica D-Lux, Leica V-Lux, Leica X-U and Leica C-Lux cameras and the Leica Sofort instant picture camera. -
LEICA Summarit-S 1:2,5/70 Mm ASPH. /CS
LEICA Summarit-S 1:2,5/70 mm ASPH. /CS Technische Daten. Abbildung 1:2 T ECHNISCHE DATEN Bestell-Nummer 11055 (CS: 11051) Bildwinkel ca. 42° / 35° / 24°, entspricht ca. 56 mm bei Kleinbild (diagonal, horizontal, vertikal) Optischer Aufbau Zahl der Linsen / Gruppen 8 / 6 Lage der Eintrittspupille unendlich: 26,66 mm (in Lichteinfallsrichtung vor Bajonett), nah: 43,62 mm (in Lichteinfallsrichtung vor Bajonett) Arbeitsbereich 0,5 m bis unendlich Entfernungseinstellung Skala Kombinierte Meter/feet-Einteilung Kleinstes Objektfeld 142 mm × 212 mm Größter Maßstab 1 : 4,7 Blende Einstellung / Funktionsweise Elektronisch gesteuerte Blende, Einstellung über Dreh-/Drückrad der Kamera, auch halbe Werte einstellbar Kleinster Wert 22 Bajonett Leica S-Bajonett Filterfassung / Gegenlichtblende Außenbajonett für Gegenlichtblende (im Lieferumfang), UV-Filter fest eingebaut, Innengewinde für E72-Filter, Filterfassung rotiert nicht Abmessungen und Gewicht Länge bis Bajonettauflage ca. 93 / 151mm (ohne / mit Gegenlichtblende) Größter Durchmesser ca. 90 / 117mm (ohne / mit Gegenlichtblende) Gewicht ca. 740 / 890g (ohne / mit Zentralverschluss) Seite 1 von 6 / Stand September 2010 / Technische Änderungen vorbehalten Leica Camera AG / Oskar-Barnack-Straße 11 / 35606 SOLMS / DEUTSCHLAND / Telefon +49(0)6442-208-0 / Telefax +49(0)6442-208-333 / www.leica-camera.com LEICA Summarit-S 1:2,5/70 mm ASPH. /CS Technische Zeichnung Linsenschnitt Asphärische Fläche Floating Element Abbildung 1:2 Dem Summarit-S 1:2,5/70 mm ASPH. kommt im Leica S-System die Rolle des Standard-Objektivs zu, dessen Bildwinkel dem eines 56 mm-Objektivs im Kleinbild entspricht. Damit sich dieses Objektiv für universelle Anwendungen empfiehlt, betrieben die Entwickler einen sehr hohen Aufwand, um höchste Abbildungsleistungen bereits bei offener Blende und bei allen Entfernungseinstellungen zu garantieren. -
Digital Vs 35-Mm Photography to Convert Or Not to Convert?
ORIGINAL ARTICLE Digital vs 35-mm Photography To Convert or Not to Convert? Mimi S. Kokoska, MD; John W. Currens, MD; Chris S. Hollenbeak, MA; J. Regan Thomas, MD; Brendan C. Stack, Jr, MD Objectives: To compare the quality of images gener- Results: The null hypothesis that there is no difference ated from a conventional 35-mm camera with those gen- between photographs taken with the various cameras was erated from various digital cameras; and to note the costs rejected (P,.001) for each of the image attributes. The im- of the cameras and ease of use. ages produced by the 35-mm camera (Nikon 6006) had the best overall quality, followed by the Olympus D600L, Design: A prospective, randomized, independent analy- Kodak DCS 315, and Olympus D320L digital cameras. Dif- sis of specific facial images taken with a 35-mm camera ferences in individual attributes between several of the cam- and 3 digital cameras by 3 facial plastic surgeons who eras in each category were statistically significant (P,.05). were blinded to camera type. Conclusions: The 35-mm camera produced the best over- Setting: An academic medical center. all image quality and ranked first for each of the indi- vidual attributes analyzed in this study. The Olympus Subjects: Thirteen volunteer subjects ranging from age D600L digital camera placed second in overall quality, 27 to 58 years. but there was no statistically significant difference in fo- cus, distortion, and resolution compared with the im- Main Outcome Measures: The overall quality, fo- ages generated by the 35-mm camera. The Olympus cus, distortion, trueness of color, resolution, contrast, and D600L digital camera also ranked second in color, con- presence of shadows were evaluated for each image. -
LEICA SL-SYSTEM Technical Data
LEICA SL-SYSTEM Technical Data. Camera Type LeiCa SL (Typ 601) Order No. 10 850 Mirrorless Fullframe System Camera Current Firmware 2.0 Lenses Lens Mount Leica L-Mount Applicable lenses Leica Vario-Elmarit-SL 24–90 mm f/2.8–4 ASPH. Order No. 11 176 Leica APO-Vario-Elmarit-SL 90–280 mm f/2.8–4 Order No. 11 175 Leica Summilux-SL 50 mm f/1.4 ASPH. Order No. 11 180 Lenses from the Leica T Camera System, Leica M-Lenses with Leica M-Adapter T, Leica S-Lenses with Leica S-Adapter L, Leica R-Lenses with Leica R-Adapter L and Leica Cine lenses with Leica PL-Adapter L. Sensor Type 24-MP-CMOS-Sensor (24 × 36 mm) Resolution Full Frame (24 MP): 6000 × 4000 Pixel, APS-C (10 MP): 3936 × 2624 Pixel Filter IR-Filter, no Lowpass Filter ISO ISO 50–ISO 50000 Sensor Cleaning Provided Processor Type Leica Maestro II series Internal RAM 2 GB: 33 DNGs or 30 JPEGs and DNGs image Image Data Format JPEG, DNG Colordepth 14 bit (DNG), 8 bit (JPEG) JPEG Color Space Adobe RGB, ECI RGB, sRGB Motion File Format MP4, MOV Resolution 4K (4096 × 2160) @ 24 fps; 4K (3840 × 2160) @ 25 and 30 fps; 1080 @ 24, 25, 30, 50, 60, 100 and 120 fps; 720 @ 24, 25, 30, 50, 60, 100 and 120 fps Bitrate 8 bit (recording); 10 bit (HDMI not recording) Color sampling 4:2:2/10 bit (HDMI only); 4:2:0/8 bit (recording on SD card) Video L-Log selectable Audio Manual/Auto; Stereo microphone, 48 kHz, 16 bit; Wind elimination Audio external via Audio-Adapter Audio-In (3.5 mm phone jack), Audio-Out (3.5 mm phone jack) Movie Length Max. -
Leica M System
screen_LEI771_MSystem_en 13.09.2006 9:43 Uhr Seite 3 Leica M System The fascination of the moment – analog and digital LEICA M8 new // /// LEICA M7 LEICA MP Leica à la carte screen_LEI771_MSystem_en 13.09.2006 9:43 Uhr Seite 4 1 “24 x 36” Leica M photography portfolio 9 Leica M System 21 LEICA M8 new 29 Simon Wheatley uses the LEICA M8 35 LEICA M7 41 LEICA MP 45 Leica à la carte 50 LEICA M7 entry set 51 Leica M lenses 56 Accessories 62 Technical Data LEICA M8 64 Technical Data LEICA M7/MP 67 “24 x 36” Leica M photography portfolio screen_LEI771_MSystem_en 13.09.2006 9:43 Uhr Seite 1 “24 x 36” Leica M photography portfolio Leica M pictures are unmistakable. They represent a very individual style of photography – they have the power to strike a chord, fascinate and surprise. In 1925 the Leitz company defined the 24 x 36 mm mini- ature format with the camera developed by Oskar Barnack. Since then, reportage photographers have used their discreet and fast Leica M cameras to shape our view of the world. “24 x 36” is the title of an ex- hibition of current work by M photographers. This brochure includes some of the images, representing outstanding examples of how Leica cameras can be used to develop a conscious vision and design, to highlight intensive involvement in a theme and to convey personal messages from the heart of everyday life. The photo galleries on the Internet show you how photography is de- veloping right now with the new digital LEICA M8. -
LEICA SL-SYSTEM Technical Data
LEICA SL-SYSTEM Technical Data. Camera Type LeiCa SL (Typ 601) Order No. 10 850 Mirrorless Fullframe System Camera Current Firmware 2.1 Lenses Lens Mount Leica L-Mount Applicable lenses Leica Vario-Elmarit-SL 24–90 mm f/2.8–4 ASPH. Order No. 11 176 Leica APO-Vario-Elmarit-SL 90–280 mm f/2.8–4 Order No. 11 175 Leica Summilux-SL 50 mm f/1.4 ASPH. Order No. 11 180 Lenses from the Leica T Camera System, Leica M-Lenses with Leica M-Adapter T, Leica S-Lenses with Leica S-Adapter L, Leica R-Lenses with Leica R-Adapter L and Leica Cine lenses with Leica PL-Adapter L. Sensor Type 24-MP-CMOS-Sensor (24 × 36 mm) Resolution Full Frame (24 MP): 6000 × 4000 Pixel, APS-C (10 MP): 3936 × 2624 Pixel Filter IR-Filter, no Lowpass Filter ISO ISO 50–ISO 50000 Sensor Cleaning Provided Processor Type Leica Maestro II series Internal RAM 2 GB: 33 DNGs or 30 JPEGs and DNGs image Image Data Format JPEG, DNG Colordepth 14 bit (DNG), 8 bit (JPEG) JPEG Color Space Adobe RGB, ECI RGB, sRGB Motion File Format MP4, MOV Resolution 4K (4096 × 2160) @ 24 fps; 4K (3840 × 2160) @ 25 and 30 fps; 1080 @ 24, 25, 30, 50, 60, 100 and 120 fps; 720 @ 24, 25, 30, 50, 60, 100 and 120 fps Bitrate 8 bit (recording); 10 bit (HDMI not recording) Color sampling 4:2:2/10 bit (HDMI only); 4:2:0/8 bit (recording on SD card) Video L-Log selectable Audio Manual/Auto; Stereo microphone, 48 kHz, 16 bit; Wind elimination Audio external via Audio-Adapter Audio-In (3.5 mm phone jack), Audio-Out (3.5 mm phone jack) Movie Length Max. -
FAQ LEICA SF 58 April 2009 En
FAQ LEICA SF 58 Status April 2009 System compatibility – Is it possible to use the LEICA SF 58 flash unit with all Leica system cameras? Compatible in TTL flash mode with: • M-System: LEICA M6 TTL, LEICA M7, LEICA M8, LEICA M8.2 • R-System: LEICA R8, LEICA R9 (analog) • S-System: LEICA S2 Compatible in automatic or manual flash mode with all Leica System Cameras with hot shoe and x- contact Why using a secondary reflector? The LEICA SF 58 is ideal for indirect lighting due to its high flash guide number (max. 58 at ISO100/21°). The secondary reflector retains a bright illumination, creates highlights, lightens up shadows, and delivers vivid colors. White balance adjustment The LEICA SF 58 has a color temperature of 5600K. Best photographic results are achieved by a camera white balance setting of “automatic” or “flash”. What kinds of batteries are recommended? Rechargeable batteries: • NiCd (1,2V), NiMH (1,2V) Batteries: • Lithium (1,5V), Alkaline-Manganese (1,5V) Why the battery symbol is not displayed constanty? The battery symbol is meant as a capacity warning and therefore only appears when the battery capacity will end soon. Page 1 of 2 / As at April 2009 Leica Camera AG / Oskar-Barnack-Straße 11 / D-35606 Solms / Phone +49 (0) 6442-208-0 / Telefax +49 (0) 6442-208-333 / www.leica-camera.com Focal length transfer with LEICA M8/M8.2 The focal length transfer takes place only with coded lenses provided the lens detection function is activated. Table: M8/M8.2 – Focal Length Display SF 58 Lens focal length Flash display (in mm) 16-18-21 24 18 24 21 28 24 28 28 35 35 35 50 50 75 90 90 105 135 105 Is it possible to use TTL flash mode with DMR (R8/R9)? When using LEICA R8 / R9 with a DMR, only manual or automatic flash mode is possible. -
Summarit-M 50Mm
LEICA SUMMARIT-M 50 mm f/2.5 1 Powerful, lightweight and designed to be easy to operate, the LEICA SUMMARIT-M 50 mm f/2.5's applications are as varied as life itself. It corresponds closely to the field of vision and viewing patterns of the human eye and offers an impressively neutral and natural perspective. On analog cameras, it is a brilliant standard lens while on the digital LEICA M8, its 67 mm equivalent focal length makes it ideal for portraits or picking out precise details. The 50 mm Summarit-M is tailor-made for everyday photography. Its lens speed is perfectly adapted for all common applications. It is an updated double-Gauss six-element construction based on our tried and tested design. All of this means that this particular Summarit-M makes the Leica M easier to experi ence than ever before, without cutting any corners in terms of optical performan- ce. Lens shape LEICA SUMMARIT-M 50 mm f/2.5 2 Engineering drawing Technical Data Angle of view (diagonal, horizontal, vertical) For 35 mm (24 x 36 mm) : 47°, 40°, 27°, for LEICA M8 (18 x 27 mm) : 36°, 30°, 20°, corresponds to a focal length of approx. 67 mm with 35 mm-format Optical design Number of lenses/groups: 6/4 Focus length: 50.1 mm Position of entrance pupil: 28.0 mm (related to the first lens surface in light direction) Distance setting Focusing range: 0.8 m to endless Scales: Combined meter/feet graduation Smallest object field / Largest reproduction ratio: For 35 mm, approx. -
Price List and Camera Models
I’m Back® GmbH Digital Back for 35mm Analog Cameras Carlo Maderno 24 6900 Lugano Switzerland Cell.: +41 789 429 998 www.imback.eu [email protected] I’m Back® 35mm Digital Back Details: Sensor: 16Mega CMOS Sensor Panasonic 34120 Display: 2.0"capacitive touch screens Picture System: Focusing screen Auto White: yes Video Resolution: UHD24(2880*2160) QHD30(2560*1440) Balance: yes 108OP60/30 720P120/60/30 VGA240 Auto Eve: yes Video nal aspect: Focusing screen/Vintage Picture ip: yes Picture Size: 20M 16M 12M 10M 8M 5M 3M VGA WIFI: yes Video Format: MP4 H.264 Remote: yes Picture Format: JPG & RAW Language EN FR ES PT DE IT CN RU JP Storage Capacity: Max 64Gb Battery: 3.7V 2.700mAh USB Interface: USB TYPE-C Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture IBP I'm Back PRO All main Brands 299 IBU Universal Cover All main Brands 49 CA1 Dedicated Cover Canon F-1 69 Canon A Canon A1 CA2 Dedicated Cover 49 Canon AE1 Canon AE1 program Canon FT CA3 Dedicated Cover 49 Canon FTB CA4 Dedicated Cover Canon eos300 69 CN1 Dedicated Cover Contax II 49 Contax G1 CN2 Dedicated Cover 79 CN3 Dedicated Cover Contax RTS 49 CN4 Dedicated Cover Contax G2 79 I’m Back GmbH | Via Carlo Maderno 24 | CH – 6900 Lugano |IDI: CHE-216.910.630 | [email protected] | www.imback.eu Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture DN1 Dedicated Cover