The Making of Chicago Review: the Meteoric Years
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CURRICULUM VITAE – Paul D. Grannis April 6, 2021 DATE of BIRTH: June 26, 1938 EDUCATION
CURRICULUM VITAE { Paul D. Grannis July 15, 2021 EDUCATION: B. Eng. Phys., with Distinction, Cornell University (1961) Ph.D. University of California, Berkeley (1965) Thesis: Measurement of the Polarization Parameter in Proton-Proton Scattering from 1.7 to 6.1 BeV Advisor, Owen Chamberlain EMPLOYMENT: Research Professor of Physics, State Univ. of New York at Stony Brook, 2007 { Distinguished Professor Emeritus, State Univ. of New York at Stony Brook, 2007 { Chair, Department of Physics and Astronomy, Stony Brook, 2002 { 2005 Distinguished Professor of Physics, State Univ. of New York at Stony Brook, 1997 { 2006 Professor of Physics, Stony Brook, 1975 { 1997 Associate Professor of Physics, Stony Brook, 1969 { 1975 Assistant Professor of Physics, Stony Brook, 1966 { 1969 Research Associate, Lawrence Radiation Laboratory, 1965 { 1966 1 AWARDS: Danforth Foundation Fellow, 1961 { 1965 Alfred P. Sloan Foundation Fellow, 1969 { 1971 Fellow, American Physical Society Fellow, American Association for the Advancement of Science Exceptional Teaching Award, Stony Brook, 1992 Exceptional Service Award, U.S. Department of Energy, 1997 John S. Guggenheim Fellowship, 2000 { 2001 American Physical Society W.K.H. Panofsky Prize, 2001 Honorary Doctor of Science, Ohio University, 2009 W. V. Houston Memorial Lectureship, Rice University 2012 Foreign member, Russian Academy of Science, 2016 Co-winner with the members of the DØ Collaboration, European Physical Society High Energy Particle Physics Prize, 2019 2 OTHER ACTIVITIES: Visiting Scientist, Rutherford -
ARTS & HUMANITIES CITATION INDEX JOURNAL LIST Total
ARTS & HUMANITIES CITATION INDEX JOURNAL LIST Total journals: 1151 1. A + U-ARCHITECTURE AND URBANISM Monthly ISSN: 0389-9160 A & U PUBL CO LTD, 30-8 YUSHIMA 2-CHOME BUNKYO-KU, TOKYO, JAPAN, 113 2. AAA-ARBEITEN AUS ANGLISTIK UND AMERIKANISTIK Semiannual ISSN: 0171-5410 GUNTER NARR VERLAG, DISCHINGERWEG 5, TUBINGEN, GERMANY, D 72070 3. ACADIENSIS Semiannual ISSN: 0044-5851 UNIV NEW BRUNSWICK, DEPT HISTORY, FREDERICTON, CANADA, NB, E3B 5A3 4. ACTA MOZARTIANA Quarterly ISSN: 0001-6233 DEUTSCHE MOZART-GESELLSCHAFT, FRAUENTORSTRASSE 30, AUGSBURG, GERMANY, D-86152 5. ACTA MUSICOLOGICA Semiannual ISSN: 0001-6241 INT MUSICOLOGICAL SOC, BOX 561, BASEL, SWITZERLAND, CH-4001 6. ACTA POLONIAE HISTORICA Semiannual ISSN: 0001-6829 INST HIST PAN, RYNEK STAREGO MIASTA 29-31, WARSAW, POLAND, 00272 7. ADALYA Annual ISSN: 1301-2746 SUNA & INAN KIRAC RESEARCH INSTITUTE MEDITERRANEAN CIVILIZATIONS, BARBAROS MAH. KOCATEPE SK. NO. 25, KALEICI, TURKEY, ANTALYA, 07100 8. AEVUM-RASSEGNA DI SCIENZE STORICHE LINGUISTICHE E FILOLOGICHE Tri-annual ISSN: 0001-9593 VITA PENSIERO, LARGO A GEMELLI 1, MILAN, ITALY, 20123 9. AFRICAN AMERICAN REVIEW Quarterly ISSN: 1062-4783 AFRICAN AMERICAN REVIEW, DEPT ENGLISH, INDIANA STATE UNIV, TERRE HAUTE, USA, IN, 47809 10. AFRICAN ARTS Quarterly ISSN: 0001-9933 M I T PRESS, 238 MAIN STREET, STE 500, CAMBRIDGE, USA, MA, 02142- 1046 11. AFRICAN ECONOMIC HISTORY Annual ISSN: 0145-2258 UNIV WISCONSIN MADISON, AFRICAN STUDIES PROGRAM, 205 INGRAHAM HALL, 1155 OBSERVATORY DR, MADISON, USA, WI, 53706 12. AGENDA Quarterly ISSN: 0002-0796 AGENDA, 5 CRANBOURNE COURT ALBERT BRIDGE RD, LONDON, ENGLAND, SW11 4PE 13. AGRICULTURAL HISTORY Quarterly ISSN: 0002-1482 UNIV CALIFORNIA PRESS, C/O JOURNALS DIVISION, 2000 CENTER ST, STE 303, BERKELEY, USA, CA, 94704-1223 14. -
Sandra G. Biedron - Curriculum Vitae – January 2020
Sandra G. Biedron - Curriculum Vitae – January 2020 Page # Name and Contact, Brief Listing of Research and Career Interests, Security Clearances Previously Held, Education, and Training and/or Certification Necessary for Some Federal Contracts and Access to National Laboratories ... 2 Significant Honors and Awards ....................................................................................................................................................... 4 Professional Organizations and Service .......................................................................................................................................... 6 Work and Consulting Experience .................................................................................................................................................... 8 Grants, Contracts, Funding, and Recent Donations or Transfers ........................................................................................... 14 Books ................................................................................................................................................................................................. 17 Journal Articles ................................................................................................................................................................................. 19 Conference Papers .......................................................................................................................................................................... -
Downloaded Typical NBA Front-Office Executive
R 1 E 12/20/12 9:48 AM 104, NUMB E LUM O SEPTOCT 2011, V R 3 E 105, NUMB E LUM O B 2013, V E JANF AUSTRIA TO PAKISTAN … BOOK COVERS … L IGHT … VA CCINE TESTING … BENJAMIN MAYS JANFEB 2013 UCH_JAN–FEB_covers and spine_v6.indd 1 alumniweekend June –June , LET KNOWLEDGE GROW FROM MORE TO MORE. Mark your calendar now for Alumni Weekend 2013. • CHALLENGE conventional thinking and join scholarly conversations at UnCommon Core sessions. • HONOR outstanding alumni and faculty service to the University and the global community. • STRENGTHEN personal and professional connections across professional schools and divisions. • JOIN the broader University of Chicago alumni community and discover the rich spectrum of experience, achievement, and perspectives. uestions? Call 800.955.0065, e-mail [email protected], or visit alumniweekend.uchicago.edu. Alumni Weekend Jan/Feb ad_12.11.indd 1 12/19/12 12:51 PM Features 26 A PASSAGE TO INDIA In 1956, two new PhDs drove a Land Rover from Austria to India to begin the JANFEB 2013 research that would be their life’s work. Notes from their journey. By Lloyd VOLUME 105, NUMBER 3 and Susanne Rudolph 38 UNDER THE COVERS Isaac Tobin’s designs for University of Chicago Press books provoke readers to take a deeper look. By Jason Kelly 46 TWILIGHT ZONE Exploring the attributes of low light, an architect and a physicist try to cultivate a dim awareness. By Lydialyle Gibson 54 NEEDLE AND THREAT The road to safe, reliable bioweapon vaccines for children is fraught with ethical peril. -
52-234, Steinhoff2.Indd
EIRIK STEINHOFF The Making of Chicago Review: The Meteoric Years Chicago Review’s Spring 1946 inaugural issue lays out the magazine’s ambitions with admirable force: “rather than compare, condemn, or praise, the Chicago Review chooses to present a contemporary standard of good writing.” This emphasis on the contemporary comes with a sober assessment of “the problems of a cultural as well as an economic reconversion” that followed World War II, with particular reference to the consequences this instrumentalizing logic held for contemporary writing: “The emphasis in American universities has rested too heavily on the history and analysis of literature—too lightly on its creation.” Notwithstanding this confident incipit, cr was hardly an immediate success. It had to be built from scratch by student editors who had to negotiate a sometimes supportive, sometimes antagonistic relationship with cr’s host institution, the University of Chicago. The story I tell here focuses on the labors of F.N. Karmatz and Irving Rosenthal, the two editors who put cr on the map in the 1950s, albeit in different and potentially contradictory ways. Their hugely ambitious projects twice drove cr to the brink of extinction, but they also established two idiosyncratic styles of cultural engagement that continue to inform the Review’s practice into the twenty-first century. Rosenthal’s is the story that is usually told of cr’s early years: in 1957 and ’58 he and poetry editor Paul Carroll published a strong roster of emerging Beat writers, including several provocative excerpts from Naked Lunch, William S. Burroughs’s work-in-progress. -
The Making of Chicago Review: the Meteoric Years
EIRIK STEINHOFF college magazine into a nationally distributed, closely read organ of intellectual record. Rosenthal, in turn, reinvented Karmatz’s reinven- tion, presenting edgier fare to the mainstream audience Karmatz cultivated. Their inadvertent collaboration across time created the The Making of Chicago Review: The Meteoric Years conditions of autonomy under which the magazine thrives to this day, even as their projects tested the limits of University sponsorship. Chicago Review’s Spring 1946 inaugural issue lays out the magazine’s Chicago Review has been edited by graduate students at the ambitions with admirable force: “rather than compare, condemn, or University of Chicago since its inception. This is, on the face of it, an praise, the Chicago Review chooses to present a contemporary standard improbable model for survival. Other university-affiliated journals of good writing.” This emphasis on the contemporary comes with a of cr’s scale and longevity are typically edited by tenured faculty, an sober assessment of “the problems of a cultural as well as an economic arrangement that tends to maximize editorial continuity and minimize reconversion” that followed World War II, with particular reference to friction with their host institution. The Kenyon Review, for instance, the consequences this instrumentalizing logic held for contemporary has had thirteen professor-editors since its inception in 1939; The writing: “The emphasis in American universities has rested too heavily Yale Review, founded in 1911, has had eight, two of whom edited for on the history and analysis of literature—too lightly on its creation.” more than twenty years. In contrast, Chicago Review has had fifty- Notwithstanding this confident incipit, cr was hardly an immediate four different editors in the last sixty years. -
James S. Jaffe Rare Books Llc
JAMES S. JAFFE RARE BOOKS LLC ARCHIVES & COLLECTIONS / RECENT ACQUISITIONS 15 Academy Street P. O. Box 668 Salisbury, CT 06068 Tel: 212-988-8042 Email: [email protected] Website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers All items are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. 1. [ANTHOLOGY] CUNARD, Nancy, compiler & contributor. Negro Anthology. 4to, illustrations, fold-out map, original brown linen over beveled boards, lettered and stamped in red, top edge stained brown. London: Published by Nancy Cunard at Wishart & Co, 1934. First edition, first issue binding, of this landmark anthology. Nancy Cunard, an independently wealthy English heiress, edited Negro Anthology with her African-American lover, Henry Crowder, to whom she dedicated the anthology, and published it at her own expense in an edition of 1000 copies. Cunard’s seminal compendium of prose, poetry, and musical scores chiefly reflecting the black experience in the United States was a socially and politically radical expression of Cunard’s passionate activism, her devotion to civil rights and her vehement anti-fascism, which, not surprisingly given the times in which she lived, contributed to a communist bias that troubles some critics of Cunard and her anthology. Cunard’s account of the trial of the Scottsboro Boys, published in 1932, provoked racist hate mail, some of which she published in the anthology. Among the 150 writers who contributed approximately 250 articles are W. E. B. Du Bois, Arna Bontemps, Sterling Brown, Countee Cullen, Alain Locke, Arthur Schomburg, Samuel Beckett, who translated a number of essays by French writers; Langston Hughes, Zora Neale Hurston, William Carlos Williams, Louis Zukofsky, George Antheil, Ezra Pound, Theodore Dreiser, among many others. -
William Bronk
Neither Us nor Them: Poetry Anthologies, Canon Building and the Silencing of William Bronk David Clippinger Argotist Ebooks 2 * Cover image by Daniel Leary Copyright © David Clippinger 2012 All rights reserved Argotist Ebooks * Bill in a Red Chair, monotype, 20” x 16” © Daniel Leary 1997 3 The surest, and often the only, way by which a crowd can preserve itself lies in the existence of a second crowd to which it is related. Whether the two crowds confront each other as rivals in a game, or as a serious threat to each other, the sight, or simply the powerful image of the second crowd, prevents the disintegration of the first. As long as all eyes are turned in the direction of the eyes opposite, knee will stand locked by knee; as long as all ears are listening for the expected shout from the other side, arms will move to a common rhythm. (Elias Canetti, Crowds and Power) 4 Neither Us nor Them: Poetry Anthologies, Canon Building and the Silencing of William Bronk 5 Part I “So Large in His Singleness” By 1960 William Bronk had published a collection, Light and Dark (1956), and his poems had appeared in The New Yorker, Poetry, Origin, and Black Mountain Review. More, Bronk had earned the admiration of George Oppen and Charles Olson, as well as Cid Corman, editor of Origin, James Weil, editor of Elizabeth Press, and Robert Creeley. But given the rendering of the late 1950s and early 1960s poetry scene as crystallized by literary history, Bronk seems to be wholly absent—a veritable lacuna in the annals of poetry. -
View Prospectus
Archive from “A Secret Location” Small Press / Mimeograph Revolution, 1940s–1970s We are pleased to offer for sale a captivating and important research collection of little magazines and other printed materials that represent, chronicle, and document the proliferation of avant-garde, underground small press publications from the forties to the seventies. The starting point for this collection, “A Secret Location on the Lower East Side,” is the acclaimed New York Public Library exhibition and catalog from 1998, curated by Steve Clay and Rodney Phillips, which documented a period of intense innovation and experimentation in American writing and literary publishing by exploring the small press and mimeograph revolutions. The present collection came into being after the owner “became obsessed with the secretive nature of the works contained in the exhibition’s catalog.” Using the book as a guide, he assembled a singular library that contains many of the rare and fragile little magazines featured in the NYPL exhibition while adding important ancillary material, much of it from a West Coast perspective. Left to right: Bill Margolis, Eileen Kaufman, Bob Kaufman, and unidentified man printing the first issue of Beatitude. [Ref SL p. 81]. George Herms letter ca. late 90s relating to collecting and archiving magazines and documents from the period of the Mimeograph Revolution. Small press publications from the forties through the seventies have increasingly captured the interest of scholars, archivists, curators, poets and collectors over the past two decades. They provide bedrock primary source information for research, analysis, and exhibition and reveal little known aspects of recent cultural activity. The Archive from “A Secret Location” was collected by a reclusive New Jersey inventor and offers a rare glimpse into the diversity of poetic doings and material production that is the Small Press Revolution. -
Appendix A: Educational Resources in Astronomy
Appendix A: Educational Resources in Astronomy A.I Planetariums, Museums, and Exhibits A.I.I Planetariums and Museums in the United Kingdom England - AAC Planetarium, Amateur Astronomy Centre, Bacup Road, Clough Bank, Tod morden, Lancs. OLl4 7HW. Tel: 0706816964. - British Museum, Great Russell Street, London WC1B 3DG; Tel: 071-323 8395 ext. 395. Astronomical clocks. - British Museum (Natural History), Cromwell Road, South Kensington, London SW7 5BD; Tel: 071-938 9123. Extensive meteorite collection. - Caird Planetarium, Old Royal Observatory, Greenwich, London SE 10. - William Day Planetarium, Plymouth Polytechnic, School of Maritime Studies, Ply- mouth PL4 8AA. Tel: 0752 264666. - Electrosonic Ltd., 815 Woolwich Road, London SE7 8LT. - Greenwich Planetarium, South Building, Greenwich Park, Greenwich, London SE 10. Tel: 081-858 1167. - William Herschel House and Museum, 19 New King Street, Bath, BA1 2Bl. Con tact: Dr. A.V. Sims, 30 Meadow Park, Bathford, Bath; Tel: 0225 859529. Open Mar-Oct daily 2-5 pm, Nov-Feb Sundays only, 2-5 pm. - lodrell Bank Planetarium and Visitor Center, Lower Withington, Nr. Macclesfield, Cheshire SK11 9DL; Tel: 0477 71339. - Kings Observatory, Kew, Old Deer Park, Richmond, Surrey TW9 2AZ. - University of Leicester, The Planetarium, Department of Astronomy, University Road, Leicester LEI 7RH; Tel: 0533 522522. - Liverpool Museum Planetarium, William Brown Street, Liverpool, Merseyside L3 8EN. Tel: 051-2070001 ext. 225. - London Planetarium, Marylebone Road, London NW1 5LR; Tel: 071-486 1121 (9:30--5:30), 071-486 1121 (recording). - City of London Polytechnic, The Planetarium, 100 Minories, Tower Hill, London EC3N BY. 071-283 1030. - London Schools Planetarium, John Archer School Building, Wandsworth Rd., Sutherland Grove, London SW18; Tel: 081-788 4253. -
Auerhahn Press Records, 1959-1967
http://oac.cdlib.org/findaid/ark:/13030/tf6t1nb1xb No online items Guide to the Auerhahn Press records, 1959-1967 Processed by The Bancroft Library staff The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu © 1997 The Regents of the University of California. All rights reserved. Note Arts and Humanities --Book ArtsArts and Humanities --Literature --PoetrySocial Sciences --PublishingHistory --History, California --History, Bay Area Guide to the Auerhahn Press BANC MSS 71/85 c 1 records, 1959-1967 Guide to the Auerhahn Press Records, 1959-1967 Collection number: BANC MSS 71/85 c The Bancroft Library University of California, Berkeley Berkeley, California Contact Information: The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu Processed by: The Bancroft Library staff Date Completed: ca. 1971 Encoded by: Xiuzhi Zhou © 1997 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Auerhahn Press Records, Date (inclusive): 1959-1967 Collection Number: BANC MSS 71/85 c Creator: Auerhahn Press Extent: Number of containers: 8 boxes Repository: The Bancroft Library Berkeley, California 94720-6000 Physical Location: For current information on the location of these materials, please consult the Library's online catalog. Abstract: Correspondence with contributors, manuscripts, mock-ups, corrected proofs, mailing lists, accounts, and samples of ephemeral printing. Languages Represented: English Access Collection is open for research. Publication Rights Copyright has not been assigned to The Bancroft Library. -
Evergreen Review on Film, Mar 16—31
BAMcinématek presents From the Third Eye: Evergreen Review on Film, Mar 16—31 Marking the release of From the Third Eye: The Evergreen Film Reader, a new anthology of works published in the seminal counterculture journal, BAMcinématek pays homage to a bygone era of provocative cinema The series kicks off with a week-long run of famed documentarian Leo Hurwitz’s Strange Victory in a new restoration The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Feb 17, 2016/Brooklyn, NY—From Wednesday, March 16, through Thursday, March 31, BAMcinématek presents From the Third Eye: Evergreen Review on Film. Founded and managed by legendary Grove Press publisher Barney Rosset, Evergreen Review brought the best in radical art, literature, and politics to newsstands across the US from the late 1950s to the early 1970s. Grove launched its film division in the mid-1960s and quickly became one of the most important and innovative film distributors of its time, while Evergreen published incisive essays on cinema by writers like Norman Mailer, Amos Vogel, Nat Hentoff, Parker Tyler, and many others. Marking the publication of From the Third Eye: The Evergreen Review Film Reader, edited by Rosset and critic Ed Halter, this series brings together a provocative selection of the often controversial films that were championed by this seminal publication—including many distributed by Grove itself—vividly illustrating how filmmakers worked to redefine cinema in an era of sexual, social, and political revolution. The series begins with a week-long run of a new restoration of Leo Hurwitz’s Strange Victory (1948/1964), “the most ambitious leftist film made in the US” (J.