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The Making of Chicago Review: the Meteoric Years
EIRIK STEINHOFF The Making of Chicago Review: The Meteoric Years Chicago Review’s Spring 1946 inaugural issue lays out the magazine’s ambitions with admirable force: “rather than compare, condemn, or praise, the Chicago Review chooses to present a contemporary standard of good writing.” This emphasis on the contemporary comes with a sober assessment of “the problems of a cultural as well as an economic reconversion” that followed World War II, with particular reference to the consequences this instrumentalizing logic held for contemporary writing: “The emphasis in American universities has rested too heavily on the history and analysis of literature—too lightly on its creation.” Notwithstanding this confident incipit, cr was hardly an immediate success. It had to be built from scratch by student editors who had to negotiate a sometimes supportive, sometimes antagonistic relationship with cr’s host institution, the University of Chicago. The story I tell here focuses on the labors of F.N. Karmatz and Irving Rosenthal, the two editors who put cr on the map in the 1950s, albeit in different and potentially contradictory ways. Their hugely ambitious projects twice drove cr to the brink of extinction, but they also established two idiosyncratic styles of cultural engagement that continue to inform the Review’s practice into the twenty-first century. Rosenthal’s is the story that is usually told of cr’s early years: in 1957 and ’58 he and poetry editor Paul Carroll published a strong roster of emerging Beat writers, including several provocative excerpts from Naked Lunch, William S. Burroughs’s work-in-progress. -
The Making of Chicago Review: the Meteoric Years
EIRIK STEINHOFF college magazine into a nationally distributed, closely read organ of intellectual record. Rosenthal, in turn, reinvented Karmatz’s reinven- tion, presenting edgier fare to the mainstream audience Karmatz cultivated. Their inadvertent collaboration across time created the The Making of Chicago Review: The Meteoric Years conditions of autonomy under which the magazine thrives to this day, even as their projects tested the limits of University sponsorship. Chicago Review’s Spring 1946 inaugural issue lays out the magazine’s Chicago Review has been edited by graduate students at the ambitions with admirable force: “rather than compare, condemn, or University of Chicago since its inception. This is, on the face of it, an praise, the Chicago Review chooses to present a contemporary standard improbable model for survival. Other university-affiliated journals of good writing.” This emphasis on the contemporary comes with a of cr’s scale and longevity are typically edited by tenured faculty, an sober assessment of “the problems of a cultural as well as an economic arrangement that tends to maximize editorial continuity and minimize reconversion” that followed World War II, with particular reference to friction with their host institution. The Kenyon Review, for instance, the consequences this instrumentalizing logic held for contemporary has had thirteen professor-editors since its inception in 1939; The writing: “The emphasis in American universities has rested too heavily Yale Review, founded in 1911, has had eight, two of whom edited for on the history and analysis of literature—too lightly on its creation.” more than twenty years. In contrast, Chicago Review has had fifty- Notwithstanding this confident incipit, cr was hardly an immediate four different editors in the last sixty years. -
James S. Jaffe Rare Books Llc
JAMES S. JAFFE RARE BOOKS LLC ARCHIVES & COLLECTIONS / RECENT ACQUISITIONS 15 Academy Street P. O. Box 668 Salisbury, CT 06068 Tel: 212-988-8042 Email: [email protected] Website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers All items are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. 1. [ANTHOLOGY] CUNARD, Nancy, compiler & contributor. Negro Anthology. 4to, illustrations, fold-out map, original brown linen over beveled boards, lettered and stamped in red, top edge stained brown. London: Published by Nancy Cunard at Wishart & Co, 1934. First edition, first issue binding, of this landmark anthology. Nancy Cunard, an independently wealthy English heiress, edited Negro Anthology with her African-American lover, Henry Crowder, to whom she dedicated the anthology, and published it at her own expense in an edition of 1000 copies. Cunard’s seminal compendium of prose, poetry, and musical scores chiefly reflecting the black experience in the United States was a socially and politically radical expression of Cunard’s passionate activism, her devotion to civil rights and her vehement anti-fascism, which, not surprisingly given the times in which she lived, contributed to a communist bias that troubles some critics of Cunard and her anthology. Cunard’s account of the trial of the Scottsboro Boys, published in 1932, provoked racist hate mail, some of which she published in the anthology. Among the 150 writers who contributed approximately 250 articles are W. E. B. Du Bois, Arna Bontemps, Sterling Brown, Countee Cullen, Alain Locke, Arthur Schomburg, Samuel Beckett, who translated a number of essays by French writers; Langston Hughes, Zora Neale Hurston, William Carlos Williams, Louis Zukofsky, George Antheil, Ezra Pound, Theodore Dreiser, among many others. -
View Prospectus
Archive from “A Secret Location” Small Press / Mimeograph Revolution, 1940s–1970s We are pleased to offer for sale a captivating and important research collection of little magazines and other printed materials that represent, chronicle, and document the proliferation of avant-garde, underground small press publications from the forties to the seventies. The starting point for this collection, “A Secret Location on the Lower East Side,” is the acclaimed New York Public Library exhibition and catalog from 1998, curated by Steve Clay and Rodney Phillips, which documented a period of intense innovation and experimentation in American writing and literary publishing by exploring the small press and mimeograph revolutions. The present collection came into being after the owner “became obsessed with the secretive nature of the works contained in the exhibition’s catalog.” Using the book as a guide, he assembled a singular library that contains many of the rare and fragile little magazines featured in the NYPL exhibition while adding important ancillary material, much of it from a West Coast perspective. Left to right: Bill Margolis, Eileen Kaufman, Bob Kaufman, and unidentified man printing the first issue of Beatitude. [Ref SL p. 81]. George Herms letter ca. late 90s relating to collecting and archiving magazines and documents from the period of the Mimeograph Revolution. Small press publications from the forties through the seventies have increasingly captured the interest of scholars, archivists, curators, poets and collectors over the past two decades. They provide bedrock primary source information for research, analysis, and exhibition and reveal little known aspects of recent cultural activity. The Archive from “A Secret Location” was collected by a reclusive New Jersey inventor and offers a rare glimpse into the diversity of poetic doings and material production that is the Small Press Revolution. -
Auerhahn Press Records, 1959-1967
http://oac.cdlib.org/findaid/ark:/13030/tf6t1nb1xb No online items Guide to the Auerhahn Press records, 1959-1967 Processed by The Bancroft Library staff The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu © 1997 The Regents of the University of California. All rights reserved. Note Arts and Humanities --Book ArtsArts and Humanities --Literature --PoetrySocial Sciences --PublishingHistory --History, California --History, Bay Area Guide to the Auerhahn Press BANC MSS 71/85 c 1 records, 1959-1967 Guide to the Auerhahn Press Records, 1959-1967 Collection number: BANC MSS 71/85 c The Bancroft Library University of California, Berkeley Berkeley, California Contact Information: The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu Processed by: The Bancroft Library staff Date Completed: ca. 1971 Encoded by: Xiuzhi Zhou © 1997 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Auerhahn Press Records, Date (inclusive): 1959-1967 Collection Number: BANC MSS 71/85 c Creator: Auerhahn Press Extent: Number of containers: 8 boxes Repository: The Bancroft Library Berkeley, California 94720-6000 Physical Location: For current information on the location of these materials, please consult the Library's online catalog. Abstract: Correspondence with contributors, manuscripts, mock-ups, corrected proofs, mailing lists, accounts, and samples of ephemeral printing. Languages Represented: English Access Collection is open for research. Publication Rights Copyright has not been assigned to The Bancroft Library. -
“Howl”--Allen Ginsberg (1959) Added to the National Registry: 2006 Essay by Cary O’Dell
“Howl”--Allen Ginsberg (1959) Added to the National Registry: 2006 Essay by Cary O’Dell Original album Original label Allen Ginsberg “I thought I wouldn’t write a poem, but just write what I wanted to without fear, let my imagination go, open secrecy, and scribble magic lines from my real mind—sum up my life—something I wouldn’t be able to show anybody, write for my own soul’s ear and a few other golden ears.” --Allen Ginsberg, 1959 Poet Allen Ginsberg’s stunning, controversial, epic and once-considered “obscene” three-part poem “Howl” was composed in the summer of 1955. It was first published in 1956. The poem’s radical language and incendiary images has since transcended poetry circles and academia. And its sentiments—perhaps put forth most directly in its famous opening line, “I saw the best minds of my generation destroyed by madness, starving hysterical naked,…”-- have come to summarize a decade and to speak for a generation. The 1959 recitation of “Howl” named to the National Registry in 2006 was not the work’s first oral presentation, nor even its first recorded one. The piece was first read aloud by its author in a San Francisco gallery in October of 1955. And its first, though aborted, recording was made in March of 1956 at Reed College in Portland, Oregon; at that time, Ginsberg performed only part one of the poem however before pleading fatigue and stopping. This ‘59 version--arguably the definitive rendition by its writer—came to be staged and recorded in Chicago at a benefit for the recently-launched literally magazine “Big Table.” “Big Table” was founded by defectors from the well-establish and well-respected “Chicago Review” magazine over what many saw as undue influence and censorship of the periodical by its parent, the University of Chicago. -
The Day Lady Died"
Naming things : Frank O'Hara and "The Day Lady Died" Autor(en): Mattix, Micah Objekttyp: Article Zeitschrift: SPELL : Swiss papers in English language and literature Band (Jahr): 18 (2006) PDF erstellt am: 04.10.2021 Persistenter Link: http://doi.org/10.5169/seals-100042 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch Naming Things: Frank O'Hara and "The Day Lady Died" Micah Matrix Frank O'Hara's "The Day Lady Died" 1959) is one of his most recognized and difficult poems because of the way O'Hara uses simple statements to name the things and events of his lunch hour. -
Kenyon Collegian College Archives
Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 4-5-1973 Kenyon Collegian - April 5, 1973 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - April 5, 1973" (1973). The Kenyon Collegian. 1062. https://digital.kenyon.edu/collegian/1062 This News Article is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. 00d D Volumne XCX D Kenyon College, Gambier, Ohio, April 5, 1973 No. 17 KC Class Of '77 Former Hobart College Dean Receiving Letters Mean Selected For VP admissions by John Graham program, York said, by Ann Rosenberger "Diversification of the student body Dr. McKean had the rich admin- A istrative in The Kenyon admissions procedure is always a goal of the admissions The search for Kenyon' s first experience both academic of and non quali- this year remains nearly the same committee, but it is notourprimary Vice President of the College has academic affairs that to fied him to do the McKean as in past years, and the size and goal.' Kushan agreed, saying that resulted in the selection of John work. Dr. ar large-scal- e, does composition of next year's freshman any organized project R.O. McKean. Dr. McKean is a realize the necessity of hiring er women class will closely approximate this to redirect the admissions towards native of Cortland, New York and to aid in the revamping and ng direction of the year's class, according to Admis- making Kenyon a microcosmic re- is presently serving as the Dean of female population of the sions Director John Kushan. -
Dan Torday CV
6/30/21 Daniel Torday ________________________________________________________________________ EDUCATION Master Of Fine Arts in Creative Writing, Syracuse University, Syracuse, NY, 2007. Bachelor of Arts in English, Kenyon College, Gambier, OH. Magna Cum Laude. 2000. PUBLICATIONS FICTION Books: Boomer1. Novel. Hardcover. New York, NY. St. Martin’s Press. Fall 2018. Kirkus Best Fiction of 2018. Longlisted for the 2020 Simpson/Joyce Carol Oates Literary Prize. Feature film adaptation in development by End Cue production. Director Tamar Glezerman. Paperback. September 2019. New York, NY, Picador Books. The Last Flight of Poxl West. Novel. Hardcover. New York, NY. St. Martin’s Press, 2015. 291 pages. Winner of the 2017 Sami Rohr Choice Prize and the 2015 National Jewish Book Award for Fiction. New York Times Book Review Editors’ Choice. Finalist for the Wallant Award. Longlisted for the International Dublin Literary Award. Amazon.com Best Debuts of 2015. Paperback. March 2016. New York, NY. Picador, 2016. 300 pages. French, Spanish, Japanese and Czech language editions. The Sensualist. Novella. Los Angeles, CA. Nouvella Books, 2012. 177 pages. Winner of the 2012 National Jewish Book Award for Outstanding Debut Fiction, the 2013 Goldberg Prize. Short Stories: Harvard Review. “A Guide For the Perplexed.” Issue 57. 2021. Guernica. “All Your Fathers All Your Brothers All Your Sons and Their Sons.” December 2020. 1 Conjunctions. “Neighbor.” Short Story. Spring 2019. Selected as Best American Short Stories 2020 Distinguished story. “You Are Traffic.” Short Story. Spring 2018. Tin House. “Nate Gertzman Draws the Internet.” Short Story. 68. Winter 2016. Selected as Best American Short Stories 2017 Distinguished story. n+1. “ECKEETA.” Short story. -
Kenyon Collegian Archives
Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian Archives 4-30-2020 Kenyon Collegian - April 30, 2020 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - April 30, 2020" (2020). The Kenyon Collegian. 2519. https://digital.kenyon.edu/collegian/2519 This Book is brought to you for free and open access by the Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. ESTABLISHED 1856 April 30, 2020 Vol. CXLVII, No. 25 Renowned poet Nicole Terez Dutton selected as next KR editor BECCA FOLEY of the main reasons why Dutton felt so fore,” she said. “That is a beautiful tra- EDITOR-IN-CHIEF drawn to becoming an editor was be- dition to honor and expand going for- cause she could bring attention to artists ward.” LINNEA MUMMA NEWS ASSISTANT who she felt were underrepresented and In his term as editor, Lynn helped the left out of the spotlight. Review burgeon from a literary magazine On Tues. April 28, the Kenyon Review “I love working with writers to help into a robust organization. Because of announced that acclaimed poet Nicole them finalize their vision and get the Lynn, Kenyon is able to host the annual Terez Dutton would be the successor to best possible version of their work into Kenyon Review Literary Festival, writing David Lynn ’76 P’14 as the magazine’s the world,” she said. -
Front Matter
Cambridge University Press 978-1-107-18445-9 — The Cambridge Companion to the Beats Edited by Steven Belletto Frontmatter More Information i The Cambridge Companion to the Beats The Cambridge Companion to the Beats offers an in- depth overview of one of the most innovative and popular literary periods in America, the Beat era. The Beats were a literary and cultural phenomenon originating in New York City in the 1940s that reached worldwide signii cance. Although its most well- known i gures remain Jack Kerouac, Allen Ginsberg, and William S. Burroughs, the Beat Movement radiates out to encompass a rich diversity of i gures and texts that merit further study. Consummate innovators, the Beats had a profound effect not only on the direction of American literature but also on models of sociopolitical critique that would become more widespread in the 1960s and beyond. Bringing together the most inl uential Beat scholars writing today, this Companion provides a comprehensive exploration of the Beat Movement, asking critical questions about its associated i gures and arguing for their importance to postwar American letters. Steven Belletto is Associate Professor of English at Lafayette College. He is the author of No Accident, Comrade: Chance and Design in Cold War American Narratives (2012) and a co- editor of American Literature and Culture in an Age of Cold War: A Critical Reassessment (2012). The author of numerous articles on post- 1945 American literature and culture that have appeared in journals such as American Literature , American Quarterly , ELH , and Twentieth- Century Literature , from 2011 to 2016 he was associate editor of the journal Contemporary Literature , and is currently an editor there. -
The John Crowe Ransom Papers
THE JOHN CROWE RANSOM PAPERS (MSS. 006) Inventory ARRANGED AND DESCRIBED BY CATHERINE ASHLEY VIA 2005 SPECIAL COLLECTIONS JEAN AND ALEXANDER HEARD LIBRARY VANDERBILT UNIVERSITY 419 21ST Avenue South Nashville, TN 37240 615-322-2807 CONTENTS OF INVENTORY Contents Page # Summary 3 Biographical/Historical Note 4-8 Scope and Content Note 9 List of Series and Subseries 10-11 Series and Subseries Descriptions 12-13 Container List 14-33 2 SUMMARY Size 3 linear ft. Geographic United States Locations Inclusive 1908-1976 Dates Bulk 1911-1974 Dates Languages English Summary The Papers of John Crowe Ransom (1888-1974), poet, educator, editor, critic, Vanderbilt alumnus (B.A. 1909) and former Vanderbilt faculty member (1914-1937), were acquired by The Jean and Alexander Heard library during the summer of 1988 from collector Stuart T. Wright of Winston-Salem, North Carolina. Access No Restrictions Restrictions Copyright Consult Head of Special Collections Stack Locations Manuscripts 3 BIOGRAPHICAL/HISTORICAL NOTE 1888 John Crowe Ransom was born April 30, in Pulaski, Tennessee, the third of the four children of John James Ransom (1853-1934) and Sara Ella Crowe Ransom (1859-1947); his siblings were Annie Phillips, Richard B. (Dick), and Ella Irene (Ellene). 1891-1899 Ransom lived in four Middle Tennessee communities served by his father, a Methodist minister, Spring Hill, Franklin, Springfield, and Nashville. Educated at home until he was ten, Ransom entered public school in October 1898. 1899 In September entered the Bowen School in Nashville. Angus Gordon Bowen, the headmaster, Ransom wrote many years later, “did more for my...education than any other man.” 1903 In June he was graduated at the head of his class from Bowen, and in September he entered Vanderbilt University.