Dan Torday CV
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History Dissertation Workshop Finding Primary Source Material in Special
History Dissertation Workshop Finding primary source material in Special Collections General Up-to-date information about the Special Collections Department (collection descriptions, manuscripts search, opening hours, exhibitions pages, etc) is at: http://www.gla.ac.uk/services/specialcollections/ You can navigate to the Special Collections homepage by selecting the Special Collections button at the foot of the library’s homepage. Useful resources on the Special Collections web pages Collection descriptions Each of the collections is described fully along with guidance about how to find material (including links to relevant catalogue records) at: http://www.gla.ac.uk/services/specialcollections/collectionsa-z/ Browsing through these descriptions can help give you a ‘feel’ for the kind of material available in Special Collections, but use the subject index (follow link on left toolbar ‘Search by subject’) to ascertain which of the collections might be of most relevance to more specific topics: http://www.gla.ac.uk/services/specialcollections/searchbysubject/ Collections that might be of particular interest for pre-modern history dissertations: • Chapbooks : recreational reading of the poor in 18th & 19th Centuries • Ferguson : includes substantial collection of witchcraft literature • Hunterian : wide ranging 18th century library (early books/medieval manuscripts) • J.S.C. : pamphlets, broadsides & books from 1690-99 • Murray : collection strong in west of Scotland regional history • Ogilvie : English civil war pamphlets • Smith (ephemera) -
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K. A. Applegate Jeffrey Archer Diana Athill Paul Auster Wasi Ahmed Victoria Aveyard Kevin Baker Mark Allen Baker Nicholson Baker Iain Banks Russell Banks Julian Barnes Andrea Barrett Max Barry Sebastian Barry Louis Bayard Peter Behrens Elizabeth Berg Wendell Berry Maeve Binchy Dustin Lance Black Holly Black Amy Bloom Chris Bohjalian Roberto Bolano S. J. Bolton William Boyd T. C. Boyle John Boyne Paula Brackston Adam Braver Libba Bray Alan Brennert Andre Brink Max Brooks Dan Brown Don Brown www.downloadexcelfiles.com Christopher Buckley John Burdett James Lee Burke Augusten Burroughs A. S. Byatt Bhalchandra Nemade Peter Cameron W. Bruce Cameron Jacqueline Carey Peter Carey Ron Carlson Stephen L. Carter Eleanor Catton Michael Chabon Diane Chamberlain Jung Chang Kate Christensen Dan Chaon Kelly Cherry Tracy Chevalier Noam Chomsky Tom Clancy Cassandra Clare Susanna Clarke Chris Cleave Ernest Cline Harlan Coben Paulo Coelho J. M. Coetzee Eoin Colfer Suzanne Collins Michael Connelly Pat Conroy Claire Cook Bernard Cornwell Douglas Coupland Michael Cox Jim Crace Michael Crichton Justin Cronin John Crowley Clive Cussler Fred D'Aguiar www.downloadexcelfiles.com Sandra Dallas Edwidge Danticat Kathryn Davis Richard Dawkins Jonathan Dee Frank Delaney Charles de Lint Tatiana de Rosnay Kiran Desai Pete Dexter Anita Diamant Junot Diaz Chitra Banerjee Divakaruni E. L. Doctorow Ivan Doig Stephen R. Donaldson Sara Donati Jennifer Donnelly Emma Donoghue Keith Donohue Roddy Doyle Margaret Drabble Dinesh D'Souza John Dufresne Sarah Dunant Helen Dunmore Mark Dunn James Dashner Elisabetta Dami Jennifer Egan Dave Eggers Tan Twan Eng Louise Erdrich Eugene Dubois Diana Evans Percival Everett J. -
Malamud Release 2013
FOR IMMEDIATE RELEASE PRESS CONTACT: Wednesday, April 3, 2013 Peter Eramo, (202) 675-0344, [email protected] Emma Snyder, (202) 898-9061, [email protected] George Saunders to receive 2013 PEN/Malamud Award for Excellence in the Short Story Washington, D.C.—George Saunders has been selected to receive the 2013 PEN/Malamud Award. Given annually since 1988 in honor of the late Bernard Malamud, this award recognizes a body of work that demonstrates excellence in the art of short fiction. The announcement was made today by the directors of the PEN/Faulkner Foundation, Robert Stone and Susan Richards Shreve, Co-Chairs. George Saunders is an acclaimed essayist and author of novellas, but he is best known for his energetic, inventive, and deeply humane short stories. In the words of Alan Cheuse, a member of the Malamud Award Committee, “Saunders is one of the most gifted and seriously successful comic short story writers working in America today. And his comedy, like most great comedy, is dark. George Saunders is the real thing, the successor to such dark comedians of ordinary speech as Donald Barthelme and Grace Paley. He's a Vonnegutian in his soul and, paradoxically, a writer like no one but himself.” This singular writing voice is equal parts hilarious and compassionate, merging colloquial language with technocratic jargon, surreal futuristic landscapes with everyday homes and yards, foreboding undercurrents with sparks of enormous optimism. The first of Saunders’s four published story collections, CivilWarLand in Bad Decline, arrived in 1996 and moved Thomas Pynchon to describe Saunders as, “An astoundingly tuned voice—graceful, dark, authentic, and funny—telling just the kinds of stories we need to get us through these times.” His most recent collection, Tenth of December, was published to near universal acclaim in January of 2013 and inspired a New York Times Magazine cover story titled, “George Saunders Has Written the Best Book You’ll Read This Year.” Charles Yu, reviewing it in the L.A. -
Daniel Green
DANIEL GREEN 2 TABLE OF CONTENTS RADICAL REALISTS “Like Life: Radical Realism and the Fiction of Sam Pink” (5) “Reinforcing Hard Reality: Stephen Dixon” (14) “Sincerity and the Surface: On Nicholson Baker” (19) “Not Somewhere or Anywhere” (Ottessa Moshfegh) (26) “Entering Cross River” (Rion Amilcar Scott) (30) “Contextualized Naturalism: The Artfulness of Russell Banks's Affliction” (36) “Sleights of Hand” (Philip Roth) (46) REGRESSIVE REALISTS “Richard Powers I: Forsaking Illusions” (50) “Lost in the Woods: Richard Powers, The Overstory” (58) “Safely Familiar” (Denis Johnson) (63) “Getting At The Thing Itself” (Kent Haruf” (66) “Endless Talk” (Richard Ford) (71) “Killing the Joke” (Lorrie Moore) (80) “Until the Movie Comes Out” (Richard Russo) (84) “Illusions of Substance” (Charles Baxter) (89) 3 PREFACE The underlying assumption of most of my critical writing has been that, far from representing a tangential, eccentric practice (as much of current literary culture would have it), “experimental” fiction in fact provides an indispensable service in helping to keep the literary resources of fiction refreshed. Often this entails contrasting such fiction with a conventionalized or exhausted realism, which despite the interventions of fabulists and postmodernists (not to mention the efforts of many genre writers) remains more or less the default preference in both American fiction and general-interest literary criticism. But the problem with a blanket critique of realism, especially from the years after World War II, and even more especially -
Benefits of the Library Treasures Volume Considered
Making treasures pay? Benefits of the library treasures volume considered K. E. Attar Senate House Library University of London [email protected] The past decade has seen the publication of numerous treasures books relating to the holdings of libraries of various sizes across several sec- tors, with more in progress at the time of writing. These glossy tomes are not cheap to produce. Apart from up-front payment of publication costs, to be recouped through sales, there is the cost of photography and staff time: selecting items to be featured, identifying and liaising with contribu- tors, writing, editing and proof-reading. Why do it? Are we on a bandwagon, keeping pace with each other because the time has come when not to have produced a treasures volume may suggest a library’s paucity of rare, valuable or significant items? If the aim is to stake a claim about status and holdings, how meaningful will treasures volumes be when we all have them? How much do they really demonstrate now, when in a sense they are a leveller: if a treasures volume features, say, one hundred items, a library with 101 appro- priate candidates can produce one just as well as a library with ten thousand items from which to choose. While only time will test the long-term value of the treasures volume in raising a library’s profile, creating such a book can be a positive enterprise in numerous other ways. This article is based on the treasures volume produced by Senate House Library, University of London, in November 2012.1 It reflects on benefits Senate House Library has enjoyed by undertaking the project, in the hope that the sharing of one library’s experience may encourage others. -
Science, Values, and the Novel
Science, Values, & the Novel: an Exercise in Empathy Alan C. Hartford, MD, PhD, FACR Associate Professor of Medicine (Radiation Oncology) Geisel School of Medicine at Dartmouth 2nd Annual Symposium, Arts & Humanities in Medicine 29 January 2021 The Doctor, 1887 Sir Luke Fildes, Tate Gallery, London • “One of the essential qualities of the clinician is interest in humanity, for the secret of the care of the patient is in caring for the patient.” From: Francis W. Peabody, “The Care of the Patient.” JAMA 1927; 88: 877-882. Francis Weld Peabody, MD 1881-1927 Empathy • Empathy: – “the ability to understand and share the feelings of another.” • Cognitive (from: Oxford Languages) • Affective • Somatic • Theory of mind: – “The capacity to identify and understand others’ subjective states is one of the most stunning products of human evolution.” (from: Kidd and Castano, Science 2013) – Definitions are not full agreed upon, but this distinction is: • “Affective” and “Cognitive” empathy are independent from one another. Can one teach empathy? Reading novels? • Literature as a “way of thinking” – “Literature’s problem is that its irreducibility … makes it look unscientific, and by extension, soft.” – For example: “‘To be or not to be’ cannot be reduced to ‘I’m having thoughts of self-harm.’” – “At one and the same time medicine is caught up with the demand for rigor in its pursuit of and assessment of evidence, and with a recognition that there are other ways of doing things … which are important.” (from: Skelton, Thomas, and Macleod, “Teaching literature -
11 Th Grade American Literature Summer Assignment (20192020 School Y Ear)
6/26/2019 American Lit Summer Reading 2019-20 - Google Docs 11 th Grade American Literature Summer Assignment (20192020 School Y ear) Welcome to American Literature! This summer assignment is meant to keep your reading and writing skills fresh. You should choose carefully —select books that will be interesting and enjoyable for you. Any assignments that do not follow directions exactly will not be accepted. This assignment is due Friday, August 16, 2019 to your American Literature Teacher. This will count as your first formative grade and be used as a diagnostic for your writing ability. Directions: For your summer assignment, please choose o ne of the following books to read. You can choose if your book is Fiction or Nonfiction. Fiction Choices Nonfiction Choices Catch 22 by Joseph Heller The satirical story of a WWII soldier who The Short and Tragic Life of Robert Peace by Jeff Hobbs. An account thinks everyone is trying to kill him and hatches plot after plot to keep of a young African‑American man who escaped Newark, NJ, to attend from having to fly planes again. Yale, but still faced the dangers of the streets when he returned is, Bastard Out of Carolina by Dorothy Allison The story of an abusive “nuanced and shattering” ( People ) and “mesmeric” ( The New York Southern childhood. Times Book Review ) . The Known World by Edward P. Jones The story of a black, slave Outliers / Blink / The Tipping Point by Malcolm Gladwell Fascinating owning family. statistical studies of everyday phenomena. For Whom the Bell Tolls by Ernest Hemingway A young American The Hot Zone: A Terrifying True Story by Richard Preston There is an anti‑fascist guerilla in the Spanish civil war falls in love with a complex outbreak of ebola virus in an American lab, and other stories of germs woman. -
Marilynne Robinson's Gilead and Home Jeffrey Gonzaleza a the Borough of Manhattan Community College Published Online: 06 Aug 2014
This article was downloaded by: [Jeffrey Gonzalez] On: 07 August 2014, At: 10:09 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Critique: Studies in Contemporary Fiction Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/vcrt20 Ontologies of Interdependence, the Sacred, and Health Care: Marilynne Robinson's Gilead and Home Jeffrey Gonzaleza a The Borough of Manhattan Community College Published online: 06 Aug 2014. To cite this article: Jeffrey Gonzalez (2014) Ontologies of Interdependence, the Sacred, and Health Care: Marilynne Robinson's Gilead and Home, Critique: Studies in Contemporary Fiction, 55:4, 373-388, DOI: 10.1080/00111619.2013.783780 To link to this article: http://dx.doi.org/10.1080/00111619.2013.783780 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
Jhumpa Lahiri
Jhumpa Lahiri Sanjeev felt knots forming at the back of his neck. He felt dizzy. He needed to lie down. He walked toward the bedroom, but stopped short when he saw Twinkle’s shoes facing him in the doorway. He thought of her slipping them on her feet. But in- stead of feeling irritated, as he had ever since they “moved into the house together, he felt a pang of an- ticipation at the thought of her rushing unsteadily down the winding staircase in them, scratching the floor a bit in her path. The pang intensified as he thought of her running to the bathroom to brighten her lipstick, and eventually rushing to get people their coats, and finally rushing to the cherry-wood table when the last guest had left, to begin opening their housewarming presents. It was the same pang he used to feel before they were married, when he would hang up the phone after one of their con- Quick Facts versations, or when he would drive back from the airport, wondering which ascending plane in the * Born in 1967 sky was hers. * Parents emigrated to — “This Blessed House,” Interpreter of Maladies England from India * Wrote Interpreter of Biography Maladies Jhumpa Lahiri was born in London, England in 1967. She is the daugh- ter of parents who emigrated from India. She was then raised in Rhode Island where her father worked as a librarian and her mother as ”a teacher. Lahiri received a B.A in English Literature at Barnard College , and later This page was researched and submitted by: Nicholas Gipe, received her M.A in English, Creative writing, and Comparative Studies Lindsay Greco, Geri Spencer, in Literature and the Arts, as well as a Ph.D in Renaissance Studies from and Jackie Yang on 12/20/05. -
Novel to Novel to Film: from Virginia Woolf's Mrs. Dalloway to Michael
Rogers 1 Archived thesis/research paper/faculty publication from the University of North Carolina at Asheville’s NC DOCKS Institutional Repository: http://libres.uncg.edu/ir/unca/ Novel to Novel to Film: From Virginia Woolf’s Mrs. Dalloway to Michael Cunningham’s and Daldry-Hare’s The Hours Senior Paper Presented in Partial Fulfillment of the Requirements For a Degree Bachelor of Arts with A Major in Literature at The University of North Carolina at Asheville Fall 2015 By Jacob Rogers ____________________ Thesis Director Dr. Kirk Boyle ____________________ Thesis Advisor Dr. Lorena Russell Rogers 2 All the famous novels of the world, with their well known characters, and their famous scenes, only asked, it seemed, to be put on the films. What could be easier and simpler? The cinema fell upon its prey with immense rapacity, and to this moment largely subsists upon the body of its unfortunate victim. But the results are disastrous to both. The alliance is unnatural. Eye and brain are torn asunder ruthlessly as they try vainly to work in couples. (Woolf, “The Movies and Reality”) Although adaptation’s detractors argue that “all the directorial Scheherezades of the world cannot add up to one Dostoevsky, it does seem to be more or less acceptable to adapt Romeo and Juliet into a respected high art form, like an opera or a ballet, but not to make it into a movie. If an adaptation is perceived as ‘lowering’ a story (according to some imagined hierarchy of medium or genre), response is likely to be negative...An adaptation is a derivation that is not derivative—a work that is second without being secondary. -
GVPT 449K, Politics Through Popular Fiction and Short Stories, Fall, 2016
1 GVPT 449K, Politics Through Popular Fiction and Short Stories, Fall, 2016 Professor Alford, 1151 Tydings. Office Hrs, Tu, 5-6pm, Thur 5-7pm, and by appointment. Call x54169 and leave a message. Email works even better: [email protected]. Come visit; too few students do. Also, feel free to email me with comments, suggestions, gripes. I need the feedback. I often meet with graduate students, and occasionally have committee meetings during office hours (it can't be helped), so please make an appointment. Feel free to drop by, but understand I might be meeting with another student, or in an unavoidable meeting. The course is not organized around ELMS/Canvas, but around the seminar. Nevertheless, the discussion section on ELMS/Canvas plays an important role in the course, as you will see. It is also a good way to reach other students in the course. Be sure and check your .umd email, or have a good repeater/email forwarding. Basics Course meets: Tue, 6:30-9:15pm ELMS website for this course: www.elms.umd.edu Communication: It is probably best to contact me by email directly, but you can also do so through the course website. I will do the same, especially if we miss a class. This is especially important for a course that meets only once a week. Main Idea of the Course I have chosen books and short stories that are "popular" rather than "literary," though many are both. None are terribly long, and all are quite accessible to undergraduates. You probably have read some already. -
The Paterno Anthology
The Paterno Anthology A book collection dedicated in honor of Suzanne Pohland Paterno in celebration of her 80th birthday February 14, 2020 Abby Aldrich Rockefeller: The Woman in the Family by Bernice Kert Abigail Adams: A Life by Woody Holton Aeneid by Virgil After All, It’s Only a Game by Willie Morris Ahab’s Wife by Sena Jeter Naslund The Alchemist by Paulo Coelho Alexander Hamilton by Ron Chernow Alicia: My Story by Alicia Appleman-Jurman All the Light We Cannot See by Anthony Doerr American Fiction, American Myth: Essays by Philip Young edited by David Morrell and Sandra Spanier The American Story: Conversations with Master Historians by David M. Rubenstein The Art of Dancing: Explained by Reading and Figures by Kellom Tomlinson The Art of Gratitude by Jeremy David Engels Atlas Shrugged by Ayn Rand The Audacity of Hope: Thoughts on Reclaiming the American Dream by Barack Obama The Best of Simple: Stories by Langston Hughes Beyond the Godfather: Italian American Writers on the Real Italian American Experience edited by A. Kenneth Ciongoli and Jay Parini Bipolar Faith: A Black Woman’s Journey with Depression and Faith by Monica A. Coleman The Book of Joy: Lasting Happiness in a Changing World by the Dalai Lama and Archbishop Desmond Tutu The Book Thief by Markus Zusak By Honor Bound: Two Navy SEALs, the Medal of Honor, and a Story of Extraordinary Courage by Tom Norris and Mike Thornton with Dick Couch By Way of the Heart: Toward a Holistic Christian Spirituality by S. J. Wilkie Au Candide, ou l’Optimisme by Voltaire Chicka Chicka Boom Boom by Bill Martin Jr.