ABSTRACT Jack Kerouac Was a Well-Known American Writer Who

Total Page:16

File Type:pdf, Size:1020Kb

ABSTRACT Jack Kerouac Was a Well-Known American Writer Who UNIVERSIDAD DE CUENCA ABSTRACT Jack Kerouac was a well-known American writer who was famous for his spontaneous prose in all of his autobiographical works. In the first chapter, we refer about the most important characteristics about Jack Kerouac’s life. We illustrate Kerouac’s early years, his beginning in writing with his early works. Moreover, his mature life during his days from the university to the time he became a famous writer and the description of his death. In the second chapter, we show the origins and the analysis of On the Road. In which we introduce the characters and review the situations in which Jack and his friends where involved during each trip. We also take into account the changes this novel had before its publication and the opinions about it. AUTORAS: Denis Tenesaca Benenaula Diana Ramón López 1 UNIVERSIDAD DE CUENCA Finally, the last two chapters contain important aspects. The third one tell us about the “Beat Generation”, its origins, members, what they did, and the different elements that characterized them; for instance: literature, fashion, women, etc. Moreover, in the fourth chapter, we present their lifestyle, the different liberations that appeared because of them and the music which used to identify the Beats. Key words: On the Road, “Beat Generation”, spontaneous prose, lifestyle, members, trips, liberation, characters, music, works. AUTORAS: Denis Tenesaca Benenaula Diana Ramón López 2 UNIVERSIDAD DE CUENCA TABLE OF CONTENTS INTRODUCTION CHAPTER I: JACK KEROUAC’S BIOGRAPHY 1.1 Early life 1.2 Early works 1.3 Mature life 1.4 Later works 1.5 Jack Kerouac’s death CHAPTER II: ON THE ROAD CHARACTERISTICS 2.1. Origins 2.2 Analysis about the novel On the Road 2.2.1 Analysis 2.3 Changes within the novel 2.3.2 Major Characters AUTORAS: Denis Tenesaca Benenaula Diana Ramón López 3 UNIVERSIDAD DE CUENCA 2.3.3 Minor Characters 2.3.4 Manuscript 2.4 The critics of the novel CHAPTER III: “BEAT GENERATION” 3.1 Concept of the “Beat Generation” 3.2 Members of the “Beat Generation” 3.3 Facts 3.3.1 Book by the “Beat Generation” 3.4 Beat Elements 3.4.1 The Beat and Literature 3.4.2 The Beats and Cinema 3.4.3 The Beats and Fashion AUTORAS: Denis Tenesaca Benenaula Diana Ramón López 4 UNIVERSIDAD DE CUENCA 3.4.4 The Beats and the road 3.4.5 The Beats and outsiders 3.4.6 The Beats and women 3.4.7 Modernism CHAPTER IV: INFLUENCES OF THE BOOK ON THE ROAD ON AMERICAN CULTURE AND YOUTH 4.1 Lyfestyle 4.1.1 Dressing 4.1.2 The Beatnik stereotype 4.1.3 Transition to the “Hippie” era 4.1.4 Bohemian and Hippie Lifestyles 4.1.5 Drug usage 4.2 Liberation 4.2.1 Espiritual Liberation AUTORAS: Denis Tenesaca Benenaula Diana Ramón López 5 UNIVERSIDAD DE CUENCA 4.2.2 Sexual Liberation 4.2.3 African American Liberation 4.3 Music 4.3.1 Jazz 4.3.2 Rock and roll CONCLUSIONS FOOTNOTES BIBLIOGRAPY AUTORAS: Denis Tenesaca Benenaula Diana Ramón López 6 UNIVERSIDAD DE CUENCA UNIVERSIDAD DE CUENCA Facultad de Filosofía, Letras y Ciencias de la Educación “JACK KEROUAC’S ON THE ROAD AND ITS INFLUENCES ON THE ‘BEAT GENERATION’” Tesis previa a la obtención del título de Licenciada en Ciencias de la Educación, especialidad de Lengua y Literatura Inglesa. DIRECTOR: Dr. Ion Youman AUTORAS: Denis Tenesaca Benenaula Diana Ramón López Cuenca-Ecuador 2010 AUTORAS: Denis Tenesaca Benenaula Diana Ramón López 7 UNIVERSIDAD DE CUENCA DEDICATION This present work is dedicated firstly to our great God and then our family, who always gave us their unconditional support for getting our goals. Diana and Denis AUTORAS: Denis Tenesaca Benenaula Diana Ramón López 8 UNIVERSIDAD DE CUENCA KNOWLEDGMENT We want to express our deep and sincere grateful to God and all the people who helped us in many ways to finish our thesis, especially Dr. Ion Youman who gave us of his time and knowledge to develop and finish our investigative work. AUTORAS: Denis Tenesaca Benenaula Diana Ramón López 9 UNIVERSIDAD DE CUENCA INTRODUCTION Jack Kerouac was an American Poet. He was born in 1922 in Lowell, Massachusetts. Jack is thought to be one of America’s most influential writers. In 1957, he published his most famous book, On the Road. It was an inspiration to the generation of 1950s and 1960s to take off and travel across America in search of freedom and adventure. His childhood was deeply marked by the death of his older brother Gerard. When he was at 17, he began to take a more serious interest in writing because of a knee injury that prevented him of becoming a major football star. During his visit to some relatives, he became friends with Alan Ginsberg, William Burroughs and Gregory Corso. These writers formed the nucleus of what came to be known as the “Beat Generation”. AUTORAS: Denis Tenesaca Benenaula Diana Ramón López 10 UNIVERSIDAD DE CUENCA They were a group of writers who would push literary boundaries and were open to all new experiences. This work is important for us because it represents one of the reasons for what American society changed in terms of literature and lifestyle. Jack Kerouac’s book On the Road had an amazing influence mainly on the “Beat Generation”. It was considered as a “Bible” for the members of this movement. Also, it had a great interest among people, especially in youth. Since this literary work differs from the others because of the spontaniety in its writing. When the book was originally released, The New York Times hailed it as “the most beautifully executed, the clearest and the most important utterance” of Kerouac’s generation. The novel was chosen by Time magazine as one of the 100 best English-language novels from 1923 to 2005. AUTORAS: Denis Tenesaca Benenaula Diana Ramón López 11 UNIVERSIDAD DE CUENCA Jack Kerouac had wrote many novels using the same style of writing such as The Town and the City, The Dharma Bums, The Subterraneans, among others, being On the Road the most famous one. It is an autobiographical work that was based on the spontaneous road trips of Kerouac and his friend across the America’s mid-century. It was inspired by jazz, poetry, drug experiences and sexual promiscuity. Many of the names and details of Kerouac's experiences are changed in the novel. On the Road is the story of two young men, Sal Paradise and Dean Moriarty, who travel anxiously back and out across the American continent by seeking thrills, finding in one of them to Neal Cassady (Dean Moriarty in the novel). These characters in real life people were what came to be known as the “Beat Generation”. AUTORAS: Denis Tenesaca Benenaula Diana Ramón López 12 UNIVERSIDAD DE CUENCA Every episode in the novel was inspired by real life events. The book would probably shocked readers also today. Many critics attacked the work as evidence of the increasing immorality of American youth. Other critics saw it as an original work. American readers were fascinated with the bohemian lifestyle of the characters. It turned the novel into a bestseller. Kerouac wrote the novel in an original way just as it happened, not following the same style as the other writers named during the history. Therefore, Kerouac edited On the Road himself several times over the years before presenting it to a publishing company. He had even begun to write the first version in French, his first language, which is one of the many reasons for its delayed publication. This work also reflects important themes like immigration, the place of the women in the society, AUTORAS: Denis Tenesaca Benenaula Diana Ramón López 13 UNIVERSIDAD DE CUENCA African American people, religion and the way of dressing. All of them make the book a tool of inspiration for many people who feel identified with this novel. AUTORAS: Denis Tenesaca Benenaula Diana Ramón López 14 UNIVERSIDAD DE CUENCA CHAPTER I JACK KEROUAC’S BIOGRAPHY AUTORAS: Denis Tenesaca Benenaula Diana Ramón López 15 UNIVERSIDAD DE CUENCA Jack Kerouac, American novelist and poet. 1.1 EARLY LIFE Jean Louis Lebris de Kerouac1 was born in Lowell, Massachusetts, on March 12, 1922. His parents, Leo- Alcide Kerouac and Gabrielle-Ange Levesque, had emigrated separately from rural Quebec to New Hampshire, where they met and married before moving to Lowell; Kerouac’s mother worked in a shoe factory, and his father worked as a printer. None of the houses of their part of Lowell were anything fancy. It was a neighborhood and town of working people. But on March 12, 1922, happiness filled the second floor of the apartment at 9 Lupine Road , Lowell, Massachusetts. That evening a baby boy was born to Leo-Alcide Kerouac and Gabrielle-Ange Levesque Kerouac. The French Canadian couple named their son Jean-Louis Lebris de Kerouac. At the beginning, they called him Jack or Ti Jean2. AUTORAS: Denis Tenesaca Benenaula Diana Ramón López 16 UNIVERSIDAD DE CUENCA Jack was the Kerouacs’ third child. Their little girl, Caroline was born on October 25, 1918, in Lowell, Massachusetts she was three and half years old. Jack’s older brother, Gerard was born on August 23, 1916, was five and half. But he died at the age of nine in 1926, from rheumatic fever, an event later described in Jack’s novel Visions of Gerard. Leo and Gabrielle were immigrants from Quebec, the French-speaking province of Canada. Their ancestors had been immigrants too, travelling across the ocean from France to Canada in the 18th century.
Recommended publications
  • Ken Lopez Bookseller Modern Literature 165 1 Lopezbooks.Com
    MODERN LITERATURE 165 KEN LOPEZ BOOKSELLER MODERN LITERATURE 165 1 LOPEZBOOKS.COM KEN LOPEZ BOOKSELLER MODERN LITERATURE 165 2 KEN LOPEZ, Bookseller MODERN LITERATURE 165 51 Huntington Rd. Hadley, MA 01035 (413) 584-4827 FAX (413) 584-2045 [email protected] | www.lopezbooks.com 1. (ABBEY, Edward). The 1983 Western Wilderness Calendar. (Salt Lake City): (Dream Garden) CATALOG 165 — MODERN LITERATURE (1982). The second of the Wilderness calendars, with text by Abbey, Tom McGuane, Leslie Marmon Silko, All books are first printings of the first edition or first American edition unless otherwise noted. Our highest Ann Zwinger, Lawrence Clark Powell, Wallace Stegner, grade is fine. Barry Lopez, Frank Waters, William Eastlake, John New arrivals are first listed on our website. For automatic email notification about specific titles, please create Nichols, and others, as well as work by a number of an account at our website and enter your want list. To be notified whenever we post new arrivals, just send your prominent photographers. Each day is annotated with email address to [email protected]. a quote, a birthday, or an anniversary of a notable event, most pertaining to the West and its history and Books can be ordered through our website or reserved by phone or e-mail. New customers are requested to pay natural history. A virtual Who’s Who of writers and in advance; existing customers may pay in 30 days; institutions will be billed according to their needs. All major photographers of the West, a number of them, including credit cards accepted. Any book may be returned for any reason within 30 days, but we request notification.
    [Show full text]
  • Importance of Mobilty in Jack Kerouac's on the Road And
    SOBİAD Mart 2015 Onur KAYA IMPORTANCE OF MOBILTY IN JACK KEROUAC’S ON THE ROAD AND DENNIS HOPPER’S EASY RIDER Arş. Gör. Onur KAYA Abstract Journey as a mobility in 1950s and 1960s of the United States of America showed itself in the works of authors and directors of the films. Among them, Jack Kerouack’s On The Road (1955) and Dennis Hopper’s Easy Rider (1969) are significant works. Analysing both works will put forth representation of mobility in America and the period. For the method, mobility notion will be emphasized. The mobility notion in works and representation of its effects on people, period will be analyzed. Comparison of representation of mobility in two works will be done. Finally, the study will reveal the importance of mobility in the American society. Key Words: Beats, 50s, 60s, Mobility, Road JACK KEROUAC’IN ON THE ROAD VE DENNIS HOPPER’IN EASY RIDER YAPITLARINDA HAREKETLİLİĞİN ÖNEMİ Öz Yolculuk bir hareketlilik olarak Amerika Birleşik Devletlerinin 1950ler ve 1960larında yazarlarla film yönetmenlerinin eserlerinde kendisini göstermiştir. Bunlar içerisinde Jack Kerouack’ın On The Road (1955) ve Dennis Hopper’ın Easy Rider (1969) eserleri önemli yapıtlardır. Her iki eserin incelenmesi o dönemde ve Amerika’da hareketliliğin temsilini ortaya koyacaktır. Metot olarak hareketlilik kavramı irdelenecektir. Eserlerdeki hareketlilik kavramı ve onun insanlarla dönem üzerindeki etkileri analiz edilecektir. Her iki eserdeki hareketlililiğin temsilinin karşılaştırılması yapılacaktır. Sonuç olarak çalışma Amerikan toplumundaki hareketliliğin
    [Show full text]
  • “Howl”—Allen Ginsberg (1959) Added to the National Registry: 2006 Essay by David Wills (Guest Post)*
    “Howl”—Allen Ginsberg (1959) Added to the National Registry: 2006 Essay by David Wills (guest post)* Allen Ginsberg, c. 1959 The Poem That Changed America It is hard nowadays to imagine a poem having the sort of impact that Allen Ginsberg’s “Howl” had after its publication in 1956. It was a seismic event on the landscape of Western culture, shaping the counterculture and influencing artists for generations to come. Even now, more than 60 years later, its opening line is perhaps the most recognizable in American literature: “I saw the best minds of my generation destroyed by madness…” Certainly, in the 20h century, only T.S. Eliot’s “The Waste Land” can rival Ginsberg’s masterpiece in terms of literary significance, and even then, it is less frequently imitated. If imitation is the highest form of flattery, then Allen Ginsberg must be the most revered writer since Hemingway. He was certainly the most recognizable poet on the planet until his death in 1997. His bushy black beard and shining bald head were frequently seen at protests, on posters, in newspapers, and on television, as he told anyone who would listen his views on poetry and politics. Alongside Jack Kerouac’s 1957 novel, “On the Road,” “Howl” helped launch the Beat Generation into the public consciousness. It was the first major post-WWII cultural movement in the United States and it later spawned the hippies of the 1960s, and influenced everyone from Bob Dylan to John Lennon. Later, Ginsberg and his Beat friends remained an influence on the punk and grunge movements, along with most other musical genres.
    [Show full text]
  • KEROUAC, JACK, 1922-1969. John Sampas Collection of Jack Kerouac Material, Circa 1900-2005
    KEROUAC, JACK, 1922-1969. John Sampas collection of Jack Kerouac material, circa 1900-2005 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Kerouac, Jack, 1922-1969. Title: John Sampas collection of Jack Kerouac material, circa 1900-2005 Call Number: Manuscript Collection No. 1343 Extent: 2 linear feet (4 boxes) and 1 oversized papers box (OP) Abstract: Material collected by John Sampas relating to Jack Kerouac and including correspondence, photographs, and manuscripts. Language: Materials entirely in English. Administrative Information Restrictions on Access Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Related Materials in Other Repositories Jack Kerouac papers, New York Public Library Related Materials in This Repository Jack Kerouac collection and Jack and Stella Sampas Kerouac papers Source Purchase, 2015 Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. John Sampas collection of Jack Kerouac material, circa 1900-2005 Manuscript Collection No. 1343 Citation [after identification of item(s)], John Sampas collection of Jack Kerouac material, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University.
    [Show full text]
  • „As Always the Lunch Is Naked‟ Jack Kerouac‟S
    Universiteit Gent Academiejaar 2006-2007 „AS ALWAYS THE LUNCH IS NAKED‟ FORMAL EXPERIMENTS OF THE BEAT GENERATION FOCUSSING ON JACK KEROUAC‟S SPONTANEOUS PROSE AND WILLIAM BURROUGHS‟S CUT-UPS Promotor: Gert Buelens Verhandeling voorgelegd aan de faculteit Letteren en Wijsbegeerte voor het verkrijgen van de graad licenciaat in de taal- en letterkunde: Germaanse Talen door Lien De Coster 2 ACKNOWLEDGEMENTS I‟d like to thank Gert Buelens, my promoter, Ishrat Lindblad, Olga Putilina, and Rickey Mantley for their revisions, useful comments, enthusiasm and interest. 3 DEDICATION Last year, when I lived in Sweden, I caught a lung inflammation after I went swimming in the ice. One day during my long recovery, a friend of mine brought me a book. It was The Dharma Bums by Jack Kerouac. When I finally got better we talked about it, and for the first time I heard about the Beats. Back then my friend had a hard time defining who they were and my understanding did not come that evening – it came gradually through frequenting Wirströms, the wonderful jazz bar where the musicians made „IT‟ happen every week during the Tuesday jam session, through a lot of walking and talking in the everchanging everlasting woods, through travelling by myself, with my backpack as my only companion. Gradually it came - till the day the friend who had given me the book sent me a letter. When I read it, I knew I understood; 4 Monday, March 6, 2006, 4:53 AM last night i meet a old man(60 i think) spanish man in that party where i invite you...
    [Show full text]
  • The 1957 Howl Obscenity Trial and Sexual Liberation
    Portland State University PDXScholar Young Historians Conference Young Historians Conference 2015 Apr 28th, 1:00 PM - 2:15 PM A Howl of Free Expression: the 1957 Howl Obscenity Trial and Sexual Liberation Jamie L. Rehlaender Lakeridge High School Follow this and additional works at: https://pdxscholar.library.pdx.edu/younghistorians Part of the Cultural History Commons, Legal Commons, and the United States History Commons Let us know how access to this document benefits ou.y Rehlaender, Jamie L., "A Howl of Free Expression: the 1957 Howl Obscenity Trial and Sexual Liberation" (2015). Young Historians Conference. 1. https://pdxscholar.library.pdx.edu/younghistorians/2015/oralpres/1 This Event is brought to you for free and open access. It has been accepted for inclusion in Young Historians Conference by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. A HOWL OF FREE EXPRESSION: THE 1957 HOWL OBSCENITY TRIAL AND SEXUAL LIBERATION Jamie L. Rehlaender Dr. Karen Hoppes HST 201: History of the US Portland State University March 19, 2015 2 A HOWL OF FREE EXPRESSION: THE 1957 HOWL OBSCENITY TRIAL AND SEXUAL LIBERATION Allen Ginsberg’s first recitation of his poem Howl , on October 13, 1955, at the Six Gallery in San Francisco, ended in tears, both from himself and from members of the audience. “The people gasped and laughed and swayed,” One Six Gallery gatherer explained, “they were psychologically had, it was an orgiastic occasion.”1 Ironically, Ginsberg, upon initially writing Howl , had not intended for it to be a publicly shared piece, due in part to its sexual explicitness and personal references.
    [Show full text]
  • Journeys of the Beat Generation
    My Witness Is the Empty Sky: Journeys of the Beat Generation Christelle Davis MA Writing (by thesis) 2006 Certificate of Authorship/Originality I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all the information sources and literature used are indicated in the thesis. Signature of Candidate 11 Acknowledgements A big thank you to Tony Mitchell for reading everything and coping with my disorganised and rushed state. I'm very appreciative of the Kerouac Conference in Lowell for letting me attend and providing such a unique forum. Thank you to Buster Burk, Gerald Nicosia and the many other Beat scholars who provided some very entertaining e­ mails and opinions. A big slobbering kiss to all my beautiful friends for letting me crash on couches all over the world and always ringing, e­ mailing or visiting just when I'm about to explode. Thanks Andre for making me buy that first copy of On the Road. Thank you Tim for the cups of tea and hugs. I'm very grateful to Mum and Dad for trying to make everything as easy as possible. And words or poems are not enough for my brother Simon for those silly months in Italy and turning up at that conference, even if you didn't bother to wear shoes.
    [Show full text]
  • What Are You If Not Beat? – an Individual, Nothing
    Ghent University Faculty of Arts and Philosophy “What are you if not beat? – An individual, nothing. They say to be beat is to be nothing.”1 Individual and Collective Identity in the Poetry of Allen Ginsberg Supervisor: Paper submitted in partial Dr. Sarah Posman fulfillment of the requirements for the degree of “Master in de Taal- en Letterkunde: Engels” by Sarah Devos May 2014 1 From “Variations on a Generation” by Gregory Corso 0 Acknowledgments I would like to thank Dr. Posman for keeping me motivated and for providing sources, instructive feedback and commentaries. In addition, I would like to thank my readers Lore, Mathieu and my dad for their helpful additions and my library companions and friends for their driving force. Lastly, I thank my two loving brothers and especially my dad for supporting me financially and emotionally these last four years. 1 Contents Introduction ................................................................................................................................ 3 Chapter 1. Ginsberg, Beat Generation and Community. ............................................................ 7 Internal Friction and Self-Promotion ...................................................................................... 7 Beat ......................................................................................................................................... 8 ‘Generation’ & Collective Identity ......................................................................................... 9 Ambivalence in Group Formation
    [Show full text]
  • This Is Not a Dissertation: (Neo)Neo-Bohemian Connections Walter Gainor Moore Purdue University
    Purdue University Purdue e-Pubs Open Access Dissertations Theses and Dissertations 1-1-2015 This Is Not A Dissertation: (Neo)Neo-Bohemian Connections Walter Gainor Moore Purdue University Follow this and additional works at: https://docs.lib.purdue.edu/open_access_dissertations Recommended Citation Moore, Walter Gainor, "This Is Not A Dissertation: (Neo)Neo-Bohemian Connections" (2015). Open Access Dissertations. 1421. https://docs.lib.purdue.edu/open_access_dissertations/1421 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Graduate School Form 30 Updated 1/15/2015 PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance This is to certify that the thesis/dissertation prepared By Walter Gainor Moore Entitled THIS IS NOT A DISSERTATION. (NEO)NEO-BOHEMIAN CONNECTIONS For the degree of Doctor of Philosophy Is approved by the final examining committee: Lance A. Duerfahrd Chair Daniel Morris P. Ryan Schneider Rachel L. Einwohner To the best of my knowledge and as understood by the student in the Thesis/Dissertation Agreement, Publication Delay, and Certification Disclaimer (Graduate School Form 32), this thesis/dissertation adheres to the provisions of Purdue University’s “Policy of Integrity in Research” and the use of copyright material. Approved by Major Professor(s): Lance A. Duerfahrd Approved by: Aryvon Fouche 9/19/2015 Head of the Departmental Graduate Program Date THIS IS NOT A DISSERTATION. (NEO)NEO-BOHEMIAN CONNECTIONS A Dissertation Submitted to the Faculty of Purdue University by Walter Moore In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2015 Purdue University West Lafayette, Indiana ii ACKNOWLEDGEMENTS I would like to thank Lance, my advisor for this dissertation, for challenging me to do better; to work better—to be a stronger student.
    [Show full text]
  • "Paradise on Speed: Discourses of Acceleration in Jack Kerouac's On
    "Paradise on Speed: Charters, Ann, ed. Beat Down to Your Soul. New York: Penguin, Discourses of Acceleration 2001. in Jack Kerouac's On the Road" ---, ed. The Portable Beat Reader. NY: Viking, 1992. Prof. Dr. Gerd Hurm ---, ed. The Beats: Literary Bohemians in Postwar America. A John F. Kennedy-Institut Berlin Dictionary of Literary Biography,. Vol. 16. Detroit, 27. November 2008 Michigan: Gale, 1983. Cook, Bruce. The Beat Generation. Westport: Greenwood Press, Select Bibliography 1983. Davidson, Michael. The San Francisco Renaissance, Poetics and General Studies Community at Mid-Century. Cambridge University, 1989. Belgrad, Daniel. The Culture of Spontaneity: Improvisation and the Dickstein, Morris. Leopards in the Temple: the Transformation of Arts in Postwar America. Chicago: U of Chicago P., 1998. American Fiction, 1945-1970. Cambridge: Harvard University Press, 2002. Bessel, Richard, ed. Life after Death. Washington, DC: Cambridge UP, 2003. Duberman, Martin. Visions of Kerouac. Boston: Little, Brown, 1977. Biskind, Peter. Seeing Is Believing: How Hollywood Taught Us To Stop Worrying and Love the Fifties. New York, Pantheon Elliott, Emory et al., ed. Columbia Literary History of the United Books, 1983. States. New York: Columbia UP, 1988. Brandt, Stefan L. The Culture of Corporeality: Aesthetic Ellwood, Robert S. The Fifties Spiritual Marketplace: American Experience and the Embodiment of America (1945 - Religion in a Decade of Conflict. New Brunswick: Rutgers 1960). Heidelberg: Carl Winter Verlag, 2007. UP, 1997 Breines, Winie. Young, White, and Miserable: Growing up Female Foreman, Joel. The Other Fifties: Interrogating Midcentury in the Fifties. Boston: Beacon Books, 1992. American Icons. Urbana: University of Illinois Press, 1997. Chafe, William.
    [Show full text]
  • The Making of Chicago Review: the Meteoric Years
    EIRIK STEINHOFF The Making of Chicago Review: The Meteoric Years Chicago Review’s Spring 1946 inaugural issue lays out the magazine’s ambitions with admirable force: “rather than compare, condemn, or praise, the Chicago Review chooses to present a contemporary standard of good writing.” This emphasis on the contemporary comes with a sober assessment of “the problems of a cultural as well as an economic reconversion” that followed World War II, with particular reference to the consequences this instrumentalizing logic held for contemporary writing: “The emphasis in American universities has rested too heavily on the history and analysis of literature—too lightly on its creation.” Notwithstanding this confident incipit, cr was hardly an immediate success. It had to be built from scratch by student editors who had to negotiate a sometimes supportive, sometimes antagonistic relationship with cr’s host institution, the University of Chicago. The story I tell here focuses on the labors of F.N. Karmatz and Irving Rosenthal, the two editors who put cr on the map in the 1950s, albeit in different and potentially contradictory ways. Their hugely ambitious projects twice drove cr to the brink of extinction, but they also established two idiosyncratic styles of cultural engagement that continue to inform the Review’s practice into the twenty-first century. Rosenthal’s is the story that is usually told of cr’s early years: in 1957 and ’58 he and poetry editor Paul Carroll published a strong roster of emerging Beat writers, including several provocative excerpts from Naked Lunch, William S. Burroughs’s work-in-progress.
    [Show full text]
  • Ernest Hemingway Global American Modernist
    Ernest Hemingway Global American Modernist Lisa Tyler Sinclair Community College, USA Iconic American modernist Ernest Hemingway spent his entire adult life in an interna- tional (although primarily English-speaking) modernist milieu interested in breaking with the traditions of the past and creating new art forms. Throughout his lifetime he traveled extensively, especially in France, Spain, Italy, Cuba, and what was then British East Africa (now Kenya and Tanzania), and wrote about all of these places: “For we have been there in the books and out of the books – and where we go, if we are any good, there you can go as we have been” (Hemingway 1935, 109). At the time of his death, he was a global celebrity recognized around the world. His writings were widely translated during his lifetime and are still taught in secondary schools and universities all over the globe. Ernest Hemingway was born 21 July 1899, in Oak Park, Illinois, also the home of Frank Lloyd Wright, one of the most famous modernist architects in the world. Hemingway could look across the street from his childhood home and see one of Wright’s innovative designs (Hays 2014, 54). As he was growing up, Hemingway and his family often traveled to nearby Chicago to visit the Field Museum of Natural History and the Chicago Opera House. Because of the 1871 fire that destroyed structures over more than three square miles of the city, a substantial part of Chicago had become a clean slate on which late nineteenth-century and early twentieth-century architects could design what a modern city should look like.
    [Show full text]