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"Paradise on Speed: Charters, Ann, ed. Beat Down to Your Soul. New York: Penguin, Discourses of Acceleration 2001. in Jack Kerouac's On the Road" ---, ed. The Portable Beat Reader. NY: Viking, 1992. Prof. Dr. Gerd Hurm ---, ed. The Beats: Literary Bohemians in Postwar America. A John F. Kennedy-Institut Berlin Dictionary of Literary Biography,. Vol. 16. Detroit, 27. November 2008 Michigan: Gale, 1983. Cook, Bruce. The Beat Generation. Westport: Greenwood Press, Select Bibliography 1983. Davidson, Michael. The San Francisco Renaissance, Poetics and General Studies Community at Mid-Century. Cambridge University, 1989. Belgrad, Daniel. The Culture of Spontaneity: Improvisation and the Dickstein, Morris. Leopards in the Temple: the Transformation of Arts in Postwar America. Chicago: U of Chicago P., 1998. American Fiction, 1945-1970. Cambridge: Harvard University Press, 2002. Bessel, Richard, ed. Life after Death. Washington, DC: Cambridge UP, 2003. Duberman, Martin. Visions of Kerouac. Boston: Little, Brown, 1977. Biskind, Peter. Seeing Is Believing: How Hollywood Taught Us To Stop Worrying and Love the Fifties. New York, Pantheon Elliott, Emory et al., ed. Columbia Literary History of the United Books, 1983. States. New York: Columbia UP, 1988. Brandt, Stefan L. The Culture of Corporeality: Aesthetic Ellwood, Robert S. The Fifties Spiritual Marketplace: American Experience and the Embodiment of America (1945 - Religion in a Decade of Conflict. New Brunswick: Rutgers 1960). Heidelberg: Carl Winter Verlag, 2007. UP, 1997 Breines, Winie. Young, White, and Miserable: Growing up Female Foreman, Joel. The Other Fifties: Interrogating Midcentury in the Fifties. Boston: Beacon Books, 1992. American Icons. Urbana: University of Illinois Press, 1997. Chafe, William. The Unfinished Journey: America since World Foster, Edward Halsey. Understanding the Beats. Columbia, SC: U War II. New York: Oxford University Press, 1986. of South Carolina Press, 1992. 2 French, Warren G. The San Francisco Poetry Renaissance. New Medovoi, Leerom. Rebels: Youth and the Cold War Origins of York: Twayne, 1991. Identity. Duke U.P., 2005. Halberstam, David. The Fifties. New York, Villard Book, 1993 Myrsiades, Kostas. The Beat Generation. NY: Lang, 2002. Harvey, James. Movie Love in the Fifties. New York: Alfred A. Raskin, Jonah. American Scream. Berkeley: U of California Press, Knopf, 2001. 2004. Hurm, Gerd with Ann Marie Fallon, ed. Rebels without a Cause? Rosa, Hartmut. Beschleunigung. Frankfurt: Suhrkamp, 2005 Renegotiating the American 1950s. Oxford: Lang, 2007. Skau, Michael. A Clown in a Grave. Carbondale: Southern Illinois Lawlor, William. The Beat Generation. Lanham, Md.: Scarecrow Press, 1999. Press, 1998. Skerl, Jennie, ed. Reconstructing the Beats. New York: Macmillan, Lee, Arthur Robert, ed. The Beat Generation Writers. London: 2004 Pluto Press, 1996. Stephenson, Gregory. Daybreak Boys: Essays on the Literature of Leibman, Nina C. Living Room Lectures . Austin: U of Texas Press, the Beat Generation. Southern Illinois University Press, 1995. 1990. Lhamon, W. T. Deliberate Speed: The Origins of a Cultural Style Van der Bent, Jaap ed. Beat Culture: The 1950s and Beyond. in the American 1950s. Washington: Smithsonian Institution Amsterdam: VU University Press 1999. P, 1990. Watson, Steven. Birth of the Beat Generation. New York: Pantheon MacDarrah, Fred W. Beat Generation. NY: Schirmer Books, 1996. Books, 1995. Marcus, Daniel. Happy Days and Wonder Years . New Brunswick: Zinn, Howard. Postwar America: 1945-1971. New York: Bobbs- Rutgers University Press, 2004. Merrill, 1973. Martinez, Manuel Luis. Countering the Counterculture. Madison: Zott, Lynn Marie, ed. The Beat Generation. Detroit: Gale, 2003. Univ. of Wisconsin Press, 2003. Marqusee, Mike. Chimes of Freedom: The Politics of Bob Dylan's Art. New York: New Press, 2003. 3 Recent Kerouac scholarship State University-Pueblo, 2005. 107-12. Abel, Marco. “Speeding across the Rhizome: Deleuze Meets Burch, Francis F. “Creeley’s ‘I Know a Man’.” Explicator 48.3 Kerouac On the Road.” MFS: Modern Fiction Studies 48.2 (1990): 228-230. (2002): 227-56. Campbell, James. “Kerouac’s Blues.” Antioch Reivew 57.3 (1999): Adams, Rachel. “Hipsters and jipitecas: Literary Countercultures 363-70. on Both Sides of the Border.” American Literary History 16.1 (2004): 58-84. Celano, Christine. “A Typographic Visualization of the Narrative Structure of On the Road.” Design Issues: History, Theory, Adkins, Carl. “Jack Kerouac: Off the Road for Good.” Empty Criticism 9.1 (1992): 45-55. Phantoms: Interviews and Encounters with Jack Kerouac. Ed. Paul Maher, Jr. New York: Thunder’s Mouth, 2005. Cunnell, Howard. “Jack Kerouac and the Writing of On the Road.” 385-98. On the Road: The Original Scroll. New York: Viking, 2007. 1-52. Albright, Alex. “Ammons, Kerouac, and Their New Romantic Scrolls.” Complexities of Motion: New Essays on A. R. Darlington, Andy. “Carolyn Cassady: On and Off the Road.” Ammon’s Long Poems. Ed. Steven P. Schneider. Madison, Moody Street Irregulars: A Jack Kerouac Magazine 24-26 NJ: Fairleigh Dickinson UP, 1999. 83-110. (1991): 13-18. Barolini, Helen. “Remembering Two Journeys.” New Letters 68.1 Davenport, Stephen. “Road Work: Rereading Kerouac’s (2001): 47-57. Midcentury Melodrama of Beset Sonhood.” Rethinking Narratives of Masculinity and Emotion in the U.S. Ed. Brinkley, Douglas. “In the Kerouac Archive.” Archive Monthly Milette Shamir and Jennifer Travis. New York: Columbia, 282.5 (1998): 49-54, 56-58, 60, 63-64, 66, 68-69, 72, 74, 2002. 167-84. 76. Dittman, Michael J. Jack Kerouac: A Biography. Westport, CT: Brinkley, Douglas. “On the Road Again.” New Yorker 74.17 (1998 Greenwood, 2004. June 22-29): 46, 48, 50-52, 54, 56, 58-59. Douglas, Ann. “‘Telepathic Shock and Meaning Excitement’: Brown, William Lansing. “Roads Retraced: the Contrasting Kerouac’s Poetics of Intimacy.” College Literature 27.1 Odysseys of Ernesto ‘Che’ Guevara and Jack Kerouac.” The (2000): 22-38. Image of the Road in Literature, Media, and Society. Ed. Will Wright and Steven Kaplan. Pueblo, CO: Colorado Dunphy, Mark. “‘Call Me Sal, Jack’: Visions of Ishmael in 4 Kerouac’s On the Road.” Melville Society Extracts 123 Culture 27.3 (2005): 87-98. (2002): 1-4. Goldstein, Norma Walrath. “Kerouac’s On the Road.” Explicator Dunphy, Mark. “On the Road with John Steinbeck: The Beat of the 50.1 (1991): 60-62. Beats Goes on in Travels with Charley: In Search of America.” Steinbeck Review 2.2 (2005): 110-19. Grassian, Daniel. “Bright Lights Fade Fast: The Beat Influences of Thomas Pynchon’s V.” Journal x: A Journal in Culture and Ellis, R. J. “Scandalous for Being Scandalous: ‘Monstrous Huge Criticism 5.1-2 (2000): 125-37. Fuck[s]’ and ‘Slambanging Big Sodomies’ in Jack Kerouac’s On the Road.” Scandalous Fictions: The Harris, Oliver. “Cold War Correspondents: Ginsberg, Kerouac, Twentienth-Century Novel in the Public Sphere. Ed. Jago Cassady, and the Political Economy of Beat Letters.” Morrison and Susan Watkins. Basingstoke, England: Twentieth Century Literature: A Scholarly and Critical Palgrave Macmillan, 2006. 99-116. Journal 46.2 (2000): 171-92. Feld, Bruce. “Boyz on the Road: Reggie Rock Bythewood Revs Up Hill, Geoffrey B. “A Well Traveled Road: The Figure of the DreamWorks Tale of African-American Bikers.” Film Minstrel in Jack Kerouac’s On the Road.” The Image of the Journal International 105.12 (2002): 14-16. Road in Literature, Media, and Society. Ed. Will Wright and Steven Kaplan. Pueblo, CO: Colorado State University- “First Reader of On the Road Manuscript: An Excerpt from the Pueblo, 2005. 144-47. Journals of John Clellon Holmes.” Ed. Paul Maher, Jr. Empty Phantoms: Interviews and Encounters with Jack Holton, Robert. “Kerouac among the Fallahin: On the Road to the Kerouac. New York: Thunder’s Mouth, 2005. 15-17. Postmodern.” MFS: Modern Fiction Studies 41.2 (1995): 265-83. Fyfe, Dan. “The American Frontier in Jack Kerouac’s On the Road.” La frontera: Mito y realidad del Nuevo Mundo. Ed. Holton, Robert. On the Road: Kerouac’s Ragged American María José Alvarez, Manuel Broncano and José Luis Journey. New York: Twayne, 1999. Charmosa. León, Spain: Universidad de León, 1994. 197- 204. Hunt, Tim. Kerouac’s Crooked Road: The Development of a Fiction. Berkeley: U of California, 1996. Gennaka, Yuki. “Writing, Typic, Telepathic Shock: The Value of Literature and Culture in Jack Kerouac’s ‘Spontaneous Huntley, Helen. “On the Road-An American Experience.” The Prose’.” Studies in English Literature 47 (2006): 203-22. Bulletin of the West Virginia Association of College English Teachers 13.2 (1991): 165-73. Gill, R. B. “Kerouac and the Comic Dilemma.” Studies in Popular 5 Johnston, Allan. “Consumption, Addiction, Vision, Energy: Fiction, and Film. Ed. David Robb. Amsterdam: Rodopi, Political Economies and Utopian Visions in the Writings of 2007. 195-209. the Beat Generation.” College Literature 32.2 (2005): 103- 26. Lord, Sterling. “The Jack Kerouac I Knew.” Publishers Weekly 254.34 (2007): 40-42. Khalifa, Akram. “Sexual Identity Confusion in Jack Kerouac’s On the Road.” The Image of Power in Literature, Media, and MacDonald, Gregory. “Off the Road: The Celtic Twilight of Jack Society: Selected Papters, 2006 Conference, Society for the Kerouac.” Empty Phantoms: Interviews and Encounters Interdisciplinary Study of Social Imagery. Ed. Will Wright with Jack Kerouac. Ed. Paul Maher, Jr. New York: and Steven Kaplan. Pueblo, CO: Colorado State University- Thunder’s Mouth, 2005. 256-67. Pueblo, 2006. 33-39. Maher, Paul, Jr. Jack Kerouac’s American Journey: The Real-Life Kimball, Roger. “Reflections on a Cultural Revolution: A Gospel Odyssey of On the Road. New York: Thunder’s Mouth, of Emancipation, II.” New Criterion 16.2 (1997): 4-11. 2007. King, Douglas H. “Kerouac’s On the Road.” Explicator 59.4 Malcolm, Douglas. “‘Jazz America’: Jazz and African American (2001): 209-10. Culture in Jack Kerouac’s On the Road.” Contemporary Literature 40.1 (1999): 85-110. Kupetz, Joshua. “‘The Straight Line Will Take You Only to Death’: The Scroll Manuscript and Contemporary Literary Theory.” Marler, Regina. “The Gay, the Bi, and the Other.” Gay & Lesbian On the Road: The Original Scroll.
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