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Bibliography BIBLIOGRAPHY Abadinsky, Howard. 1990. Organized Crime , 3rd ed. Chicago: Nelson-Hall. Adorno, Theodor. 1941. On Popular Music. Studies in Philosophy and Social Sciences 9: 17–8. Amis, Kingsley. 1965. The James Bond Dossier . London: Cape. Anderson, Richard L. 1990a. Popular Art and Aesthetic Theory: Why the Muse Is Unembarrassed. Journal of Aesthetic Education 24: 33–46. Anderson, Richard L. 1990b. Calliope’s Sisters: A Comparative Study of Philosophies of Art . Englewood Cliffs, NJ: Prentice Hall. Arendt, Hannah. 1971. Society and Culture. In Rosenberg, Bernard, and David Manning White, eds. Mass Culture Revisited . New York: Van Nostrand Reinhold. 93–101. Armstrong, Nancy. 1987. Desire and Domestic Fiction: A Political History of the Novel . Oxford: Oxford UP. Ashley, Mike. 2002. The Mammoth Encyclopedia of Modern Crime Fiction . New York: Carroll & Graf. Associated Press. 2001. Book Sales Edge up in US Market. Edmonton Journal 3 June: C6. Associated Press. 2001. Stephen King’s E-Novella Not Enough to Keep Mighty Words Solvent. Edmonton Journal 14 December: E1. Athanasourelis, John Paul. 2012. Raymond Chandler’s Philip Marlowe: The Hard- Boiled Detective Transformed . Jefferson, NC: MacFarland and Co. Aubry, Timothy. 2011. Reading as Therapy: What Contemporary Fiction Does for Middle-Class Americans . Iowa City: University of Iowa Press. Auden, W.H. 1948. The Guilty Vicarage. Harper’s Magazine May: 406–12. © The Editor(s) (if applicable) and The Author(s) 2016 185 P. Swirski, American Crime Fiction, DOI 10.1007/978-3-319-30108-2 186 BIBLIOGRAPHY Australasian Council of Women and Policing Inc. 2002. 2002 Women and Policing Globally. http://www.aic.gov.au/events/aic%20upcoming%20events/2002/ policewomen3.htm . Avital, Tsion. 2003. Art Versus Nonart: Art Out of Mind . Cambridge: Cambridge University Press. Babener, Liahna K. 1995. Raymond Chandler’s City of Lies. In Los Angeles in Fiction , ed. David Fine, 127–49. Albuquerque: University of New Mexico Press. Bacall, Lauren. 2006. By Myself and Then Some . New York: Harper. Baker, Donald G. 1982. From Apartheid to Invisibility: Black Americans in Popular Fiction, 1900–60. Midwest Quarterly 13: 365–85. Balzer, David. 2014. Curationism: How Curating Took Over the Art World and Everything Else . Toronto: Coach House Books. Banzhaf, John. 2003. Excerpts from Successful Student Project: Make Agnew Pay, UPI [1/6/83]. 2 Feb. http://banzhaf.net/docs/agnew . Barnes, Brooks. 2010. Hollywood Moves away from Middlebrow. The New York Times . 27 December. http://www.nytimes.com/2010/12/27/business/media/ 27movies.html?_r=0 . Barsch, Achim. 1997. Young People Reading Popular/Commercial Fiction. In Steven Tötösy de Zepetnek and Irene Sywenky, ed. Systemic and Empirical Approach to Literature and Culture as Theory and Application . Edmonton and Siegen: University of Alberta ricl-ccs and Siegen University. 371–83. Bauer, Raymond A. 1964. The Communicator and His Audience. In People, Society and Mass Communications , ed. Lewis A. Dexter and David M. White, 125–40. New York: Free Press. BBC News. 2007. Grisham Collects Lifetime Honour. 28 March. http://news. bbc.co.uk/2/hi/entertainment/6503689.stm . BBC News. 2013. Huge Survey Reveals Seven Social Classes UK. 3 April. http:// www.bbc.co.uk/news/uk-22007058 . BBC News. 2014. US Author John Grisham ‘Sorry’ for Child Porn Comments. 16 October. http://www.bbc.com/news/world-us-canada-29654291 . Beacon, Richard L. 2003. Let’s Supersize It. Time , 9 June: 49–50. Beekman, E.M. 1973. Raymond Chandler and an American Genre. Massachusetts Review 14: 149–73. Bell, Clive. 2011. Art . CreateSpace. (Orig. 1913). Bennett, Tony, ed. 1983. The Bond Phenomenon: Theorising a Popular Hero. Southern Review 16 July: 195–225. Bennett, Tony. 1990. Popular Fiction: Technology, Ideology, Production, Reading . London: Routledge. Bercovitch, Sacvan, ed. 2002. The Cambridge History of American Literature. Volume Six: Prose Writing, 1910–1950 . Cambridge: Cambridge UP. BIBLIOGRAPHY 187 Berelson, Bernard. 1951. Who Reads What Books and Why? Saturday Review of Literature , 12 May: 7–8, 30–1. Berger, Arthur Asa. 1992. Popular Culture Genres . Newbury Park, CA: Sage. Biden, Joseph R. 1993. Combating Violence in America. Speech to the Rotary Club, Wilmington, Delaware 16 December. Printed in Vital Speeches of the Day , 1994. Birch, M.J. 1987. The Popular Fiction Industry: Market, Formula, Ideology. Journal of Popular Culture 21: 79–102. Blaha, F. G. 1996. Dashiell Hammett. Beacham’s Encyclopedia of Popular Fiction, Vol. V . Ed. Kirk H. Beetz. Osprey, FL: Beacham’s Publishing. 800–04. Bleikasten, Andre. 1985. Terror and Nausea: Bodies in Sanctuary. The Faulkner Journal 1: 17–29. Bloom, Allan. 1987. The Closing of the American Mind . New York: Simon and Schuster. Bloom, Clive. 1996. Cult Fiction: Popular Reading and Pulp Theory . New York: St Martin’s. Bloom, Clive. 2002. Bestsellers: Popular Fiction Since 1900 . Basingstoke: Palgrave. Bloom, Harold. 2000. Can 35 Million Book Buyers be Wrong? Yes. The Wall Street Journal 11 July: A26. Bloom, Harold. 2000. How to Read and Why? New York: Scribner. Blotner, Joseph. 1964. William Faulkner’s Library: A Catalog . Charlottesville: University Press of Virginia. Blotner, Joseph. 1991. Faulkner: A Biography . New York: Vintage. Blotner, Joseph. 1993. Editor’s Note. In Faulkner, William. Sanctuary (The Corrected Text) . New York: Vintage. Blotner, William. 1977. Selected Letters of William Faulkner . New York: Random. Boas, George. 1940. The Mona Lisa in the History of Taste. Journal of the History of Ideas Vol. I . 2: 207–24. Bonn, Thomas L. 1989. Heavy Traffi c and High Culture: New American Library as Literary Gatekeeper in the Paperback Revolution . Carbondale: Southern Illinois University Press. BookBrowse. 2000. An interview with Nelson DeMille. https://www.book- browse.com/author_interviews/full/index.cfm/author_number/228/ nelson-demille . Booker, Christopher. 2004. The Seven Basic Plots: Why We Tell Stories . New York: Continuum. Bourdieu, Pierre. 1984. Distinction: A Social Critique of the Judgment of Taste . Cambridge: Harvard University Press. Bourdieu, Pierre. 1986. The Aristocracy of Culture. In Media, Culture and Society: A Critical Reader , ed. Richard E. Collins, James Curran, Nicholas Garnham, Paddy Scannell, Philip Schlesinger, and Colin Sparks, 225–54. Beverly Hills: Sage. 188 BIBLIOGRAPHY Boyle, Thomas. 1988. Black Swine in the Sewers of Hampstead: Beneath the Surface of Victorian Sensationalism . New York: Viking. Brandt, Deborah. 2001. Literacy in American Lives . Cambridge: Cambridge University Press. Brantley, Ben. 2010. Hath Not a Year Highlights? Even This One?. The New York Times 16 December. http://www.nytimes.com/2010/12/19/theater/ 19brantley.html . Brantlinger, Patrick. 1983. Bread and Circuses: Theories of Mass Culture as Social Decay . Ithaca: Cornell University Press. Breu, Christopher. 2005. Hard-Boiled Masculinities . Minneapolis: University of Minnesota Press. Brewer, Gay. 1995. Raymond Chandler without His Knight: Contracting Worlds in The Blue Dahlia and Playback. Literature and Film Quarterly 23(4): 273–8. Briggs, Julia. 1977. Night Visitors: The Rise and Fall of the English Ghost Story . London: Faber. Brogan, D.W. 1954. The Problem of High Culture and Mass Culture. Diogenes 5: 1–13. Brooks, Cleanth. 1963a. Faulkner’s Sanctuary : The Discovery of Evil. Sewanee Review 71: 1–24. Brooks, Cleanth. 1963b. William Faulkner: The Yoknapatawpha Country . Yale University Press: Princeton. Brooks, Cleanth. 1978. William Faulkner: Toward Yoknapatawpha and Beyond . Baton Rouge: Louisiana State University Press. Brooks, Van Wyck. 1915. Highbrow and Lowbrow. The Forum April: 481–492. Brown, Erica, and Mary Grover. 2011. Middlebrow Literary Cultures: The Battle of the Brows, 1920–1960. Basingstoke; New York: Palgrave Macmillan. Browne, Ray B. 1981. Up from Elitism: The Aesthetics of Popular Fiction. Studies in American Fiction 9: 217–31. Browne, Ray B. 1989. Against Academia: The History of the Popular Culture Association/American Culture Association and the Popular Culture Movement, 1967–88 . Bowling Green: Popular Press. Browne, Ray B. 1994. Eye on the Future: Popular Culture Scholarship into the Twenty-First Century . Bowling Green: Popular Press. Bruccoli, Matthew J. 1976. Raymond Chandler and Hollywood. In Raymond Chandler, The Blue Dahlia . Carbondale, IL: Southern Illinois University Press. Bruccoli, Matthew J., and Richard Layman (eds.). 2002. Hardboiled Mystery Writers: Raymond Chandler, Dashiell Hammett, Ross Macdonald . New York: Carroll and Graf. Bruccoli, Matthew J. 2002. Some Sort of Epic Grandeur. Columbia, SC: South Carolina University Press. BIBLIOGRAPHY 189 Bunzel, Ruth. 1929. The Pueblo Potter: A Study of Creative Imagination in Primitive Art . New York: Columbia University Press. Calinescu, Matei. 1976. The Benevolent Monster: Refl ections on ‘Kitsch’ as an Aesthetic Concept. Clio 6(Fall): 3–21. Camus, Albert. 1968. Lyrical and Critical Essays . New York: Knopf. Canfi eld, John Douglas (ed.). 1982. Twentieth Century Interpretations of Sanctuary: A Collection of Critical Essays . Englewood Cliffs: Prentice-Hall. Cantwell, Robert. 1958. Faulkner’s Popeye. Nation 186: 140–1. Čapek, Karel. 1951a. Holmesiana, or About Detective Stories. In Praise of Newspapers, and Other Essays on the Margin of Literature , 101–122. London, G. Allen. Čapek, Karel. 1951b. Proletarian Art. In Praise of Newspapers, and Other Essays on the Margin of Literature , 123–32. London: G. Allen. Čapek, Karel. 1951c. In Praise
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