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BIBLIOGRAPHY Abadinsky, Howard. 1990. Organized Crime , 3rd ed. Chicago: Nelson-Hall. Adorno, Theodor. 1941. On Popular Music. Studies in Philosophy and Social Sciences 9: 17–8. Amis, Kingsley. 1965. The James Bond Dossier . London: Cape. Anderson, Richard L. 1990a. Popular Art and Aesthetic Theory: Why the Muse Is Unembarrassed. Journal of Aesthetic Education 24: 33–46. Anderson, Richard L. 1990b. Calliope’s Sisters: A Comparative Study of Philosophies of Art . Englewood Cliffs, NJ: Prentice Hall. Arendt, Hannah. 1971. Society and Culture. In Rosenberg, Bernard, and David Manning White, eds. Mass Culture Revisited . New York: Van Nostrand Reinhold. 93–101. Armstrong, Nancy. 1987. Desire and Domestic Fiction: A Political History of the Novel . Oxford: Oxford UP. Ashley, Mike. 2002. The Mammoth Encyclopedia of Modern Crime Fiction . New York: Carroll & Graf. Associated Press. 2001. Book Sales Edge up in US Market. Edmonton Journal 3 June: C6. Associated Press. 2001. Stephen King’s E-Novella Not Enough to Keep Mighty Words Solvent. Edmonton Journal 14 December: E1. Athanasourelis, John Paul. 2012. Raymond Chandler’s Philip Marlowe: The Hard- Boiled Detective Transformed . Jefferson, NC: MacFarland and Co. Aubry, Timothy. 2011. Reading as Therapy: What Contemporary Fiction Does for Middle-Class Americans . Iowa City: University of Iowa Press. Auden, W.H. 1948. The Guilty Vicarage. Harper’s Magazine May: 406–12. © The Editor(s) (if applicable) and The Author(s) 2016 185 P. Swirski, American Crime Fiction, DOI 10.1007/978-3-319-30108-2 186 BIBLIOGRAPHY Australasian Council of Women and Policing Inc. 2002. 2002 Women and Policing Globally. http://www.aic.gov.au/events/aic%20upcoming%20events/2002/ policewomen3.htm . Avital, Tsion. 2003. Art Versus Nonart: Art Out of Mind . Cambridge: Cambridge University Press. Babener, Liahna K. 1995. Raymond Chandler’s City of Lies. In Los Angeles in Fiction , ed. David Fine, 127–49. Albuquerque: University of New Mexico Press. Bacall, Lauren. 2006. By Myself and Then Some . New York: Harper. Baker, Donald G. 1982. From Apartheid to Invisibility: Black Americans in Popular Fiction, 1900–60. Midwest Quarterly 13: 365–85. Balzer, David. 2014. Curationism: How Curating Took Over the Art World and Everything Else . Toronto: Coach House Books. Banzhaf, John. 2003. Excerpts from Successful Student Project: Make Agnew Pay, UPI [1/6/83]. 2 Feb. http://banzhaf.net/docs/agnew . Barnes, Brooks. 2010. Hollywood Moves away from Middlebrow. The New York Times . 27 December. http://www.nytimes.com/2010/12/27/business/media/ 27movies.html?_r=0 . Barsch, Achim. 1997. Young People Reading Popular/Commercial Fiction. In Steven Tötösy de Zepetnek and Irene Sywenky, ed. Systemic and Empirical Approach to Literature and Culture as Theory and Application . Edmonton and Siegen: University of Alberta ricl-ccs and Siegen University. 371–83. Bauer, Raymond A. 1964. The Communicator and His Audience. In People, Society and Mass Communications , ed. Lewis A. Dexter and David M. White, 125–40. New York: Free Press. BBC News. 2007. Grisham Collects Lifetime Honour. 28 March. http://news. bbc.co.uk/2/hi/entertainment/6503689.stm . BBC News. 2013. Huge Survey Reveals Seven Social Classes UK. 3 April. http:// www.bbc.co.uk/news/uk-22007058 . BBC News. 2014. US Author John Grisham ‘Sorry’ for Child Porn Comments. 16 October. http://www.bbc.com/news/world-us-canada-29654291 . Beacon, Richard L. 2003. Let’s Supersize It. Time , 9 June: 49–50. Beekman, E.M. 1973. Raymond Chandler and an American Genre. Massachusetts Review 14: 149–73. Bell, Clive. 2011. Art . CreateSpace. (Orig. 1913). Bennett, Tony, ed. 1983. The Bond Phenomenon: Theorising a Popular Hero. Southern Review 16 July: 195–225. Bennett, Tony. 1990. Popular Fiction: Technology, Ideology, Production, Reading . London: Routledge. Bercovitch, Sacvan, ed. 2002. The Cambridge History of American Literature. Volume Six: Prose Writing, 1910–1950 . Cambridge: Cambridge UP. BIBLIOGRAPHY 187 Berelson, Bernard. 1951. Who Reads What Books and Why? Saturday Review of Literature , 12 May: 7–8, 30–1. Berger, Arthur Asa. 1992. Popular Culture Genres . Newbury Park, CA: Sage. Biden, Joseph R. 1993. Combating Violence in America. Speech to the Rotary Club, Wilmington, Delaware 16 December. Printed in Vital Speeches of the Day , 1994. Birch, M.J. 1987. The Popular Fiction Industry: Market, Formula, Ideology. Journal of Popular Culture 21: 79–102. Blaha, F. G. 1996. Dashiell Hammett. Beacham’s Encyclopedia of Popular Fiction, Vol. V . Ed. Kirk H. Beetz. Osprey, FL: Beacham’s Publishing. 800–04. Bleikasten, Andre. 1985. Terror and Nausea: Bodies in Sanctuary. The Faulkner Journal 1: 17–29. Bloom, Allan. 1987. The Closing of the American Mind . New York: Simon and Schuster. Bloom, Clive. 1996. Cult Fiction: Popular Reading and Pulp Theory . New York: St Martin’s. Bloom, Clive. 2002. Bestsellers: Popular Fiction Since 1900 . Basingstoke: Palgrave. Bloom, Harold. 2000. Can 35 Million Book Buyers be Wrong? Yes. The Wall Street Journal 11 July: A26. Bloom, Harold. 2000. How to Read and Why? New York: Scribner. Blotner, Joseph. 1964. William Faulkner’s Library: A Catalog . Charlottesville: University Press of Virginia. Blotner, Joseph. 1991. Faulkner: A Biography . New York: Vintage. Blotner, Joseph. 1993. Editor’s Note. In Faulkner, William. Sanctuary (The Corrected Text) . New York: Vintage. Blotner, William. 1977. Selected Letters of William Faulkner . New York: Random. Boas, George. 1940. The Mona Lisa in the History of Taste. Journal of the History of Ideas Vol. I . 2: 207–24. Bonn, Thomas L. 1989. Heavy Traffi c and High Culture: New American Library as Literary Gatekeeper in the Paperback Revolution . Carbondale: Southern Illinois University Press. BookBrowse. 2000. An interview with Nelson DeMille. https://www.book- browse.com/author_interviews/full/index.cfm/author_number/228/ nelson-demille . Booker, Christopher. 2004. The Seven Basic Plots: Why We Tell Stories . New York: Continuum. Bourdieu, Pierre. 1984. Distinction: A Social Critique of the Judgment of Taste . Cambridge: Harvard University Press. Bourdieu, Pierre. 1986. The Aristocracy of Culture. In Media, Culture and Society: A Critical Reader , ed. Richard E. Collins, James Curran, Nicholas Garnham, Paddy Scannell, Philip Schlesinger, and Colin Sparks, 225–54. Beverly Hills: Sage. 188 BIBLIOGRAPHY Boyle, Thomas. 1988. Black Swine in the Sewers of Hampstead: Beneath the Surface of Victorian Sensationalism . New York: Viking. Brandt, Deborah. 2001. Literacy in American Lives . Cambridge: Cambridge University Press. Brantley, Ben. 2010. Hath Not a Year Highlights? Even This One?. The New York Times 16 December. http://www.nytimes.com/2010/12/19/theater/ 19brantley.html . Brantlinger, Patrick. 1983. Bread and Circuses: Theories of Mass Culture as Social Decay . Ithaca: Cornell University Press. Breu, Christopher. 2005. Hard-Boiled Masculinities . Minneapolis: University of Minnesota Press. Brewer, Gay. 1995. Raymond Chandler without His Knight: Contracting Worlds in The Blue Dahlia and Playback. Literature and Film Quarterly 23(4): 273–8. Briggs, Julia. 1977. Night Visitors: The Rise and Fall of the English Ghost Story . London: Faber. Brogan, D.W. 1954. The Problem of High Culture and Mass Culture. Diogenes 5: 1–13. Brooks, Cleanth. 1963a. Faulkner’s Sanctuary : The Discovery of Evil. Sewanee Review 71: 1–24. Brooks, Cleanth. 1963b. William Faulkner: The Yoknapatawpha Country . Yale University Press: Princeton. Brooks, Cleanth. 1978. William Faulkner: Toward Yoknapatawpha and Beyond . Baton Rouge: Louisiana State University Press. Brooks, Van Wyck. 1915. Highbrow and Lowbrow. The Forum April: 481–492. Brown, Erica, and Mary Grover. 2011. Middlebrow Literary Cultures: The Battle of the Brows, 1920–1960. Basingstoke; New York: Palgrave Macmillan. Browne, Ray B. 1981. Up from Elitism: The Aesthetics of Popular Fiction. Studies in American Fiction 9: 217–31. Browne, Ray B. 1989. Against Academia: The History of the Popular Culture Association/American Culture Association and the Popular Culture Movement, 1967–88 . Bowling Green: Popular Press. Browne, Ray B. 1994. Eye on the Future: Popular Culture Scholarship into the Twenty-First Century . Bowling Green: Popular Press. Bruccoli, Matthew J. 1976. Raymond Chandler and Hollywood. In Raymond Chandler, The Blue Dahlia . Carbondale, IL: Southern Illinois University Press. Bruccoli, Matthew J., and Richard Layman (eds.). 2002. Hardboiled Mystery Writers: Raymond Chandler, Dashiell Hammett, Ross Macdonald . New York: Carroll and Graf. Bruccoli, Matthew J. 2002. Some Sort of Epic Grandeur. Columbia, SC: South Carolina University Press. BIBLIOGRAPHY 189 Bunzel, Ruth. 1929. The Pueblo Potter: A Study of Creative Imagination in Primitive Art . New York: Columbia University Press. Calinescu, Matei. 1976. The Benevolent Monster: Refl ections on ‘Kitsch’ as an Aesthetic Concept. Clio 6(Fall): 3–21. Camus, Albert. 1968. Lyrical and Critical Essays . New York: Knopf. Canfi eld, John Douglas (ed.). 1982. Twentieth Century Interpretations of Sanctuary: A Collection of Critical Essays . Englewood Cliffs: Prentice-Hall. Cantwell, Robert. 1958. Faulkner’s Popeye. Nation 186: 140–1. Čapek, Karel. 1951a. Holmesiana, or About Detective Stories. In Praise of Newspapers, and Other Essays on the Margin of Literature , 101–122. London, G. Allen. Čapek, Karel. 1951b. Proletarian Art. In Praise of Newspapers, and Other Essays on the Margin of Literature , 123–32. London: G. Allen. Čapek, Karel. 1951c. In Praise
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  • This Month on Tcm Showcases

    This Month on Tcm Showcases

    WEEKLY THIS MONTH ON TCM SHOWCASES 1 BILLY WILDER COMEDIES 8 AN EVENING IN THE 12TH 15 MAY FLOWERS 22 STARRING CEDRIC HARDWICKE Sergeant York (’41) THE ESSENTIALS CENTURY Stalag 17 (’53) A Foreign Affair (’48) The Blue Dahlia (’46) The Hunchback of Notre Dame (’39) Must-See Classics The Great Escape (’63) Some Like It Hot (’59) The Lion in Winter (’68) Days of Wine and Roses (’62) Nicholas Nickelby (’47) Saturdays at 8:00pm (ET) The Bridge on the River Kwai (’57) The Fortune Cookie (’66) The Adventures of Robin Hood (’38) Please Don’t Eat the Daisies (’60) On Borrowed Time (’39) 5:00pm (PT) King Rat (’65) The Major and the Minor (’42) Robin and Marian (’76) What’s Up, Tiger Lily? (’66) King Solomon’s Mines (’37) A Foreign Affair (’48) Billy Wilder Speaks (’06) Becket (’64) Brother Orchid (’40) The Desert Fox (’51) 29 MEMORIAL DAY WEEKEND WAR The Lion in Winter (’68) The Blue Gardenia (’53) Valley of the Sun (’42) MOVIE MARATHON The Blue Dahlia (’46) 2 GOVERNESSES NOT NAMED MARIA 9 MOTHER’S DAY FEATURES The Hunchback of Notre Dame (’39) You’re in the Army Now (’41) Dragonwyck (’46) So Big (’53) 16 STARRING EDDIE BRACKEN 23 WE GOT YOUR GOAT The Best Years of Our Lives (’46) Buck Privates (’41) All This, and Heaven Too (’40) Gypsy (’62) Hail the Conquering Hero (’44) A Kid for Two Farthings (’56) In Harm’s Way (’65) About Face (’52) The Rising of the Moon (’57) 3 ROBERT OSBORNE’S PICKS 10 GUEST PROGRAMMER: Battle of the Bulge (’65) TCM UNDERGROUND Cult Classics Can’t Help Singing (’44) SHIRLEY JONES 17 STARRING ROSSANO BRAZZI 24 BASED ON