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The Hills of Dreamland
SIR EDWARD ELGAR (1857-1934) The Hills of Dreamland SOMMCD 271-2 The Hills of Dreamland Orchestral Songs The Society Complete incidental music to Grania and Diarmid Kathryn Rudge mezzo-soprano† • Henk Neven baritone* ELGAR BBC Concert Orchestra, Barry Wordsworth conductor ORCHESTRAL SONGS CD 1 Orchestral Songs 8 Pleading, Op.48 (1908)† 4:02 Song Cycle, Op.59 (1909) Complete incidental music to 9 Follow the Colours: Marching Song for Soldiers 6:38 1 Oh, soft was the song (No.3) 2:00 *♮ * (1908; rev. for orch. 1914) GRANIA AND DIARMID 2 Was it some golden star? (No.5) 2:44 * bl 3 Twilight (No.6)* 2:50 The King’s Way (1909)† 4:28 4 The Wind at Dawn (1888; orch.1912)† 3:43 Incidental Music to Grania and Diarmid (1901) 5 The Pipes of Pan (1900; orch.1901)* 3:46 bm Incidental Music 3:38 Two Songs, Op. 60 (1909/10; orch. 1912) bn Funeral March 7:13 6 The Torch (No.1)† 3:16 bo Song: There are seven that pull the thread† 3:33 7 The River (No.2)† 5:24 Total duration: 53:30 CD 2 Elgar Society Bonus CD Nathalie de Montmollin soprano, Barry Collett piano Kathryn Rudge • Henk Neven 1 Like to the Damask Rose 3:47 5 Muleteer’s Serenade♮ 2:18 9 The River 4:22 2 The Shepherd’s Song 3:08 6 As I laye a-thynkynge 6:57 bl In the Dawn 3:11 3 Dry those fair, those crystal eyes 2:04 7 Queen Mary’s Song 3:31 bm Speak, music 2:52 BBC Concert Orchestra 4 8 The Mill Wheel: Winter♮ 2:27 The Torch 2:18 Total duration: 37:00 Barry Wordsworth ♮First recordings CD 1: Recorded at Watford Colosseum on March 21-23, 2017 Producer: Neil Varley Engineer: Marvin Ware TURNER CD 2: Recorded at Turner Sims, Southampton on November 27, 2016 plus Elgar Society Bonus CD 11 SONGS WITH PIANO SIMS Southampton Producer: Siva Oke Engineer: Paul Arden-Taylor Booklet Editor: Michael Quinn Front cover: A View of Langdale Pikes, F. -
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Flint Orchestra
Flint SymphonyOrchestra A Program of the Flint Institute of Music ENRIQUE DIEMECKE, MUSIC DIRECTOR & CONDUCTOR MAY 8, 2021 FIM SEASON SPONSOR Whiting Foundation CONCERT SPONSORS Mr. Edward Davison, Attorney at Law & Dr. Cathy O. Blight, Dr. Brenda Fortunate & C. Edward White, Mrs. Linda LeMieux, Drs. Bobby & Nita Mukkamala, Dr. Mark & Genie Plucer Flint Symphony Orchestra THEFSO.ORG 2020 – 21 Season SEASON AT A GLANCE Flint Symphony Orchestra Flint School of Performing Arts Flint Repertory Theatre STRAVINSKY & PROKOFIEV FAMILY DAY SAT, FEB 6, 2021 @ 7:30PM Cathy Prevett, narrator SAINT-SAËNS & BRAHMS SAT, MAR 6, 2021 @ 7:30PM Noelle Naito, violin 2020 William C. Byrd Winner WELCOME TO THE 2020 – 21 SEASON WITH YOUR FLINT SYMPHONY ORCHESTRA! BEETHOVEN & DVOŘÁK SAT, APR 10, 2021 @ 7:30PM he Flint Symphony Orchestra (FSO) is one of Joonghun Cho, piano the finest orchestras of its size in the nation. BRUCH & TCHAIKOVSKY TIts rich 103-year history as a cultural icon SAT, MAY 8, 2021 @ 7:30PM in the community is testament to the dedication Julian Rhee, violin of world-class performance from the musicians AN EVENING WITH and Flint and Genesee County audiences alike. DAMIEN ESCOBAR The FSO has been performing under the baton SAT, JUNE 19, 2021 @ 7:30PM of Maestro Enrique Diemecke for over 30 years Damien Escobar, violin now – one of the longest tenures for a Music Director in the country. Under the Maestro’s unwavering musical integrity and commitment to the community, the FSO has connected with audiences throughout southeast Michigan, delivering outstanding artistry and excellence. All dates are subject to change. -
Compact Discs by 20Th Century Composers Recent Releases - Spring 2020
Compact Discs by 20th Century Composers Recent Releases - Spring 2020 Compact Discs Adams, John Luther, 1953- Become Desert. 1 CDs 1 DVDs $19.98 Brooklyn, NY: Cantaloupe ©2019 CA 21148 2 713746314828 Ludovic Morlot conducts the Seattle Symphony. Includes one CD, and one video disc with a 5.1 surround sound mix. http://www.tfront.com/p-476866-become-desert.aspx Canticles of The Holy Wind. $16.98 Brooklyn, NY: Cantaloupe ©2017 CA 21131 2 713746313128 http://www.tfront.com/p-472325-canticles-of-the-holy-wind.aspx Adams, John, 1947- John Adams Album / Kent Nagano. $13.98 New York: Decca Records ©2019 DCA B003108502 2 028948349388 Contents: Common Tones in Simple Time -- 1. First Movement -- 2. the Anfortas Wound -- 3. Meister Eckhardt and Quackie -- Short Ride in a Fast Machine. Nagano conducts the Orchestre Symphonique de Montreal. http://www.tfront.com/p-482024-john-adams-album-kent-nagano.aspx Ades, Thomas, 1971- Colette [Original Motion Picture Soundtrack]. $14.98 Lake Shore Records ©2019 LKSO 35352 2 780163535228 Music from the film starring Keira Knightley. http://www.tfront.com/p-476302-colette-[original-motion-picture-soundtrack].aspx Agnew, Roy, 1891-1944. Piano Music / Stephanie McCallum, Piano. $18.98 London: Toccata Classics ©2019 TOCC 0496 5060113444967 Piano music by the early 20th century Australian composer. http://www.tfront.com/p-481657-piano-music-stephanie-mccallum-piano.aspx Aharonian, Coriun, 1940-2017. Carta. $18.98 Wien: Wergo Records ©2019 WER 7374 2 4010228737424 The music of the late Uruguayan composer is performed by Ensemble Aventure and SWF-Sinfonieorchester Baden-Baden. http://www.tfront.com/p-483640-carta.aspx Ahmas, Harri, 1957- Organ Music / Jan Lehtola, Organ. -
Cimarosa Domenico
CIMAROSA DOMENICO Compositore italiano (Aversa, 17 XII 1749 - Venezia, 11 I 1801) Gioventù e formazione musicale 1 Nacque ad Aversa il 17 dicembre del 1749, città che aveva dato i natali anche a Nicolò Jommelli, un altro grande editore della scuola napoletana. Alla tenera età di quattro anni dovette lasciare la sua città natale per recarsi con la famiglia a Napoli. Andarono a vivere presso la chiesa di San Severo de' Padri Conventuali. Era figlio di Gennaro Cimarosa, un muratore occupato nella costruzione del Palazzo di Capodimonte, il quale durante la costruzione s'infortunò a morte a causa di una caduta. Sua madre invece era occupata come lavandaia nel monastero vicino alla chiesa. Fu proprio in questo ambiente che il giovane Domenico ricevette i primi rudimenti musicali dall'organista del monastero padre Polcano. Dimostrò subito di avere molte doti per la musica tant'è che nel 1761 fu ammesso al Conservatorio di Santa Maria di Loreto, dove rimase undici anni. I suoi insegnanti furono Gennaro Manna (all'epoca ritenuto il miglior insegnante dopo Alessandro Scarlatti), Antonio Sacchini (fino al 1766) e Fedele Fenaroli (il quale diede a Cimarosa lezioni di contrappunto). In pochi anni divenne un abile violinista, clavicembalistica ed organista, nonché un talentuoso cantante: i suoi compagni lo stimavano e lo ascoltavano con delizia mentre interpretava pezzi d'opera con bella voce, con grazia e con soavità; tra questi si ricordano Nicola Antonio Zingarelli e Giuseppe Giordani. Egli era caratterialmente mite ed abile, oltre che studioso e diligente. Dopo aver lasciato il conservatorio si perfezionò nel canto con il castrato Giuseppe Aprile e nella composizione con Nicolò Piccinni. -
An Analysis of Honegger's Cello Concerto
AN ANALYSIS OF HONEGGER’S CELLO CONCERTO (1929): A RETURN TO SIMPLICITY? Denika Lam Kleinmann, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2014 APPROVED: Eugene Osadchy, Major Professor Clay Couturiaux, Minor Professor David Schwarz, Committee Member Daniel Arthurs, Committee Member John Holt, Chair of the Division of Instrumental Studies James Scott, Dean of the School of Music Mark Wardell, Dean of the Toulouse Graduate School Kleinmann, Denika Lam. An Analysis of Honegger’s Cello Concerto (1929): A Return to Simplicity? Doctor of Musical Arts (Performance), May 2014, 58 pp., 3 tables, 28 examples, 33 references, 15 titles. Literature available on Honegger’s Cello Concerto suggests this concerto is often considered as a composition that resonates with Les Six traditions. While reflecting currents of Les Six, the Cello Concerto also features departures from Erik Satie’s and Jean Cocteau’s ideal for French composers to return to simplicity. Both characteristics of and departures from Les Six examined in this concerto include metric organization, thematic and rhythmic development, melodic wedge shapes, contrapuntal techniques, simplicity in orchestration, diatonicism, the use of humor, jazz influences, and other unique performance techniques. Copyright 2014 by Denika Lam Kleinmann ii TABLE OF CONTENTS Page LIST OF TABLES………………………………………………………………………………..iv LIST OF MUSICAL EXAMPLES………………………………………………………………..v CHAPTER I: INTRODUCTION………..………………………………………………………...1 CHAPTER II: HONEGGER’S -
'The Crown of India' Masque: Reassessing Elgar and The
Mughals, Music, and “The Crown of India” Masque: Reassessing Elgar and the Raj published in South Asian Review 31.1 (November 2010): 13-36. Abstract Edward Elgar’s 1912 masque, “The Crown of India,” was written specifically for the music hall in celebration of the crowning of King George V and Queen Mary at the Delhi Durbar in 1911. This work has been addressed by musical and postcolonial scholars, and has been appropriated by two factions: those who wish to claim Elgar as an unrepentant imperialist, and see that manifested in this work, and those who wish to see him as a beacon for anti-imperialism, who see evidence of this in the cuts that he made to the libretto, written by Henry Hamilton. What has been lacking in this discourse is a vehicle to address those cuts from a literary perspective, citing actual support from the two versions of the libretto (with and without cuts). This paper will reassess the masque in light of these libretti, and offer a new assessment of Elgar’s imperial tendencies at that point in time, and the imperialism of the Raj. Article The Great Delhi Durbar of December 12, 1911, the third, final, and most spectacular of all the Imperial Durbars, was, according to all accounts, a spectacle of unheard-of opulence and extravagance. In it, King George V and Queen Mary were presented as Emperor and Empress of India, and, in their coronation robes, accepted presents from and the fealty of over 200 Indian princes. Amidst all the pomp, some matters of great import were decided at the Durbar. -
Repertoire List
APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op. -
Max Bruch Symphonies 1–3 Overtures Bamberger Symphoniker Robert Trevino
Max Bruch Symphonies 1–3 Overtures Bamberger Symphoniker Robert Trevino cpo 555 252–2 Booklet.indd 1 13.03.2020 10:56:27 Max Bruch, 1870 cpo 555 252–2 Booklet.indd 2 13.03.2020 10:56:27 Max Bruch (1838–1920) Complete Symphonies CD 1 Symphony No. 1 op. 28 in E flat major 38'04 1 Allegro maestoso 10'32 2 Intermezzo. Andante con moto 7'13 3 Scherzo. Presto 5'00 4 Quasi Fantasia. Grave 7'30 5 Finale. Allegro guerriero 7'49 Symphony No. 2 op. 36 in F minor 39'22 6 Allegro passionato, ma un poco maestoso 15'02 7 Adagio ma non troppo 13'32 8 Allegro molto tranquillo 10'57 T.T.: 77'30 cpo 555 252–2 Booklet.indd 3 13.03.2020 10:56:27 CD 2 1 Prelude from Hermione op. 40 8'54 (Concert ending by Wolfgang Jacob) 2 Funeral march from Hermione op. 40 6'15 3 Entr’acte from Hermione op. 40 2'35 4 Overture from Loreley op. 16 4'53 5 Prelude from Odysseus op. 41 9'54 Symphony No. 3 op. 51 in E major 38'30 6 Andante sostenuto 13'04 7 Adagio ma non troppo 12'08 8 Scherzo 6'43 9 Finale 6'35 T.T.: 71'34 Bamberger Symphoniker Robert Trevino, Conductor cpo 555 252–2 Booklet.indd 4 13.03.2020 10:56:27 Bamberger Symphoniker (© Andreas Herzau) cpo 555 252–2 Booklet.indd 5 13.03.2020 10:56:28 Auf Eselsbrücken nach Damaskus – oder: darüber, daß wir es bei dieser Krone der Schöpfung Der steinige Weg zu Bruch dem Symphoniker mit einem Kompositum zu tun haben, das sich als Geist mit mehr oder minder vorhandenem Verstand in einem In der dichtung – wie in aller kunst-betätigung – ist jeder Körper darstellt (die Bezeichnungen der Ingredienzien der noch von der sucht ergriffen ist etwas ›sagen‹ etwas ›wir- mögen wechseln, die Tatsache bleibt). -
BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973) -
Download Programme
Ilkley Concert Club www.concertclub.ilkley.org SCHUBERT ENSEMBLE King’s Hall Wednesday 14th March 2018 Grove Music 10 The Grove, Ilkley, West Yorkshire LS29 9EG Tel: 01943 817301 [email protected] Open Monday – Saturday, 9 – 5.30 Grove Music, in the basement of The Grove Bookshop, has a great selection of classical CDs including the very latest new releases, as well as jazz, folk, rock, DVDs and sheet music. We will happily order CDs and sheet music available in the UK. Grove Music is also the best place to find out what is going on musically in the Ilkley area. Whether you’re looking for a piano teacher, a concert to go to, or a choir to join, you should find the answer here. Ilkley Computers Middleton Garage Your Local Computer Service Centre Skipton Road, Ilkley LS29 9EX Telephone: 01943 608733 A small, friendly, local business dedicated to providing a range of quality computer services for home PC users and small businesses. HONDA SALES We can help with the following: & SERVICE PC Repair PC Upgrade A SPECIALITY Personal Training Broadband FREE Pickup and Delivery Networks Virus and Spyware Removal Website: Tel: 01943 604470 www.andrewgreenexclusivecars.co.uk E-mail: [email protected] Web Site: www.ilkleycomputers.co.uk Verity PAUL VERITY OPTICIANS Providing all your family with first-quality Eyecare on The Grove, Ilkley. Opened in 1991, we have established a unique blend of personal service, clinical excellence and top quality optical products including contact lenses. We are VARILUX lens specialists and stock frames by Ray-Ban, Calvin Klein, Persol and Lindberg. -
Cimarosa Domenico
CIMAROSA DOMENICO Compositore italiano (Aversa 17 XII 1749 - Venezia 11 I 1801) RRIITTRRAATTTTOO DDEELL CCOOMMPPOOSSIITTOORREE 327 Il padre era muratore e la madre lavandaia. Ancora bambino, la famiglia si trasferì a Napoli in cerca di lavoro, e il padre dopo poco tempo morì in seguito ad un infortunio occorsogli durante la costruzione del Palazzo Reale di Campodimonte. Ridotta in povertà, la madre mandò il figlio Domenico a vivere coi padri conventuali al Pendino dove ricevette le sue prime lezioni di musica. Dimostrando una particolare inclinazione per la musica, venne inviato nel 1761 al conservatorio di Santa Maria Loreto, con l'obbligo di rimanervi dieci anni. Ciò escluderebbe che Cimarosa abbia studiato con G. Manno e A. Sacchini in quanto questi maestri lasciarono il conservatorio rispettivamente nel 1761 e nel 1762 proprio, cioè, quando egli vi entrò. Si sa che i suoi principali insegnanti furono P. Gallo, F. Fenaroli e S. Carcajus, e che si perfezionò in violino, in clavicembalo, in organo e soprattutto in canto. Cimarosa iniziò a comporre mentre era ancora studente e i suoi primi saggi furono alcuni pezzi religiosi, fra i quali vanno ricordati due mottetti a quattro voci con strumenti, che portano la data 1765, attualmente conservati nella Biblioteca del conservatorio di Napoli. Uscito dal conservatorio all'età di 22 anni, ebbe subito la fortuna di incontrare una protettrice nella persona della signora C. Pallante, una nota cantante trasferitasi a Roma. Probabilmente, grazie all’influenza di C. Pallante, Cimarosa ricevette la commissione per due lavori per il carnevale del 1772 al teatro dei Fiorentini. Tali opere, Le stravaganze del conte e la farsa Le magie di Merlina e Zoroastro, non furono bene accolte dal pubblico, e secondo F.