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Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
MODEST MUSSORGSKY Born March 21, 1839 in Karevo, Pskov District, Russia; Died March 28, 1881 in St
MODEST MUSSORGSKY Born March 21, 1839 in Karevo, Pskov District, Russia; died March 28, 1881 in St. Petersburg A Night on Bald Mountain (1867; arranged in 1886) Arranged by Nikolai Rimsky-Korsakov (1844-1908) PREMIERE OF WORK: St. Petersburg, October 15, 1886 Russian Symphony Orchestra Nikolai Rimsky-Korsakov, conductor APPROXIMATE DURATION: 12 minutes INSTRUMENTATION: woodwinds in pairs plus piccolo, four horns, two trumpets, three trombones, tuba, timpani, percussion, harp and strings In the 1860s, Russian music was just beginning to find its distinctive voice. A number of composers — Balakirev, Cui, Borodin, Rimsky-Korsakov and Mussorgsky — explored native musical and folkloric sources as the basis of a national art, and became loosely confederated into a group known as “The Mighty Handful” in Russia and “The Five” in the West. Since their works took their inspiration largely from indigenous legends and folk music, Mussorgsky considered himself lucky to receive a commission in 1861 (when he was just 21) for a dramatic musical composition based on a specifically Russian subject. On January 7th, he wrote to his mentor, Balakirev, “I have received an extremely interesting commission [for music for a drama titled The Witch by his friend Baron Georgy Fyodorovitch Mengden], which I must prepare for next summer. It is this: a whole act to take place on Bald Mountain … a Witches’ Sabbath, separate episodes of sorcerers, a solemn march for all this nastiness, a finale — the glorification of the Sabbath into which is introduced the commander of the whole festival on the Bald Mountain. The libretto is very good. I already have some material for it; it may turn out to be a very good thing.” The mountain to which Mussorgsky referred, well known in Russian legend, is Mount Triglav, near Kiev, reputed to be the site of the annual witches’ sabbath that occurs on St. -
In the Lands of the Romanovs: an Annotated Bibliography of First-Hand English-Language Accounts of the Russian Empire
ANTHONY CROSS In the Lands of the Romanovs An Annotated Bibliography of First-hand English-language Accounts of The Russian Empire (1613-1917) OpenBook Publishers To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/268 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. In the Lands of the Romanovs An Annotated Bibliography of First-hand English-language Accounts of the Russian Empire (1613-1917) Anthony Cross http://www.openbookpublishers.com © 2014 Anthony Cross The text of this book is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt it and to make commercial use of it providing that attribution is made to the author (but not in any way that suggests that he endorses you or your use of the work). Attribution should include the following information: Cross, Anthony, In the Land of the Romanovs: An Annotated Bibliography of First-hand English-language Accounts of the Russian Empire (1613-1917), Cambridge, UK: Open Book Publishers, 2014. http://dx.doi.org/10.11647/ OBP.0042 Please see the list of illustrations for attribution relating to individual images. Every effort has been made to identify and contact copyright holders and any omissions or errors will be corrected if notification is made to the publisher. As for the rights of the images from Wikimedia Commons, please refer to the Wikimedia website (for each image, the link to the relevant page can be found in the list of illustrations). -
Theologisches
Tk4 E0 LOG i SC1.4 ES Begründet von Wilhelm Schamoni Herausgegeben von Johannes Bökmann Beilage der »Offerten-Zeitung für die katholische Geistlichkeit Deutschlands« Nr. 168 April 1984 INHALT Spalte REINMAR FÜRST REINMAR FÜRST Das Jahr 1917 in Kirche und Welt Das Jahr 1917 in Kirche und Welt Das Gedächtnis der Kirche hat nicht vergessen 5738 Das Gedächtnis der Kirche hat nicht vergessen WEIHBISCHOF MATTHIAS DEF'REGGER Erhabene Mutter der Kirche — Dir weihe ich 5739 (Bökmann) Seit das II. Vatikan. Konzil von den „Zeichen der PROF. DR. MAX THÜRKAUF Zeit" sprach, haben viele versucht, in derartiger Sicht Vorgänge, Ten- Die Auferstehung Christi und die Naturwissenschaft. 5744 denzen, Tatbestände und Wandlungen zu deuten. Oft verband sich P. DR. RHABAN HAACKE OSB das mit den seit den sechzigerJahren verbreiteten Umfragen und ande- Von den Herrlichkeiten der Kirchengeschichte 5746 ren - meist soziologischen - Zeitanalysen. Der theologische Tiefgang WILHELM SCHAMONI - jenes Wortes verblaßte oder wurde gar für die Entwicklung von Fakti- Von der Kirche in neuester Zeit anerkannte Wunder schem - dieses theologisierend - mißbraucht. (Schluß) 5750 Um dem zu wehren ist von hoher Bedeutung, daß der Papst kürz- JOSEPH AUDA lich in seiner Predigt anläßlich der Seligsprechung von 100 Märtyrern Ludwig Kaas — verdient um Staat und Kirche 5753 aus der Aufklärungszeit eine Formulierung gebraucht hat, die sehr BERND WITTSCHIER geeignet ist, den „Zeichen der Zeit" als umfassender Untergrund und Alfons Patermann - Kapuzinerbruder Servulus als Voraussetzung vorangestellt zu werden: „Das Gedächtnis der Ein Märtyrer der Freundestreue 5757 Kirche". Er sagte: „17.93 und 1794 bei den seligen Gefährten von PROF. DR. WALTER HOERES Guillaume Repin . dachten diejenigen, die sie dem Tod ausliefer- Josef Pieper zu ehren — Zum 80. -
Rimsky-Korsakov Romances
booklet-paginated:cover 11/09/2017 12:02 Page 1 5060192780772 RIMSKY-KORSAKOV ROMANCES Anush Hovhannisyan Yuriy Yurchuk Sergey Rybin 28 1 booklet-paginated:cover 11/09/2017 12:02 Page 3 Produced, engineered and edited by Spencer Cozens. Recorded 19-21 December 2016 at Steinway Recording, Fulbeck, Lincolnshire, U.K. Steinway technician: Peter Roscoe. Publisher: Moscow, Musyka. Booklet notes © 2017 Sergey Rybin. English translations of sung text © 2017 Sergey Rybin. Cover: Photograph © 2013 Anatoly Sokolov. Inside from cover: Photograph of Sergey Rybin, Anush Hovhannisyan and Yuriy Yurchuk © 2017 Inna Kostukovsky. Graphic design: Colour Blind Design. Printed in the E.U. 2 27 booklet-paginated:cover 11/09/2017 12:02 Page 5 24 Prorok Op.49, No.2 The Prophet Alexander Pushkin Dukhovnoï zhazhdoïu tomim Tormented by spiritual anguish V pustyne mrachnoï ïa vlachils’a, I dragged myself through a grim desert, I shestikrylyï serafim And a six-winged seraphim Na pereputïe mne ïavils’a; Appeared to me at a crossroads; RIMSKY-KORSAKOV Perstami l’ogkimi, kak son, With his fingers, light as a dream, Moikh zenits kosnuls’a on: He touched my eyes: ROMANCES Otverzlis’ vesh’iïe zenitsy, They burst open wide, all-seeing, Kak u ispugannoï orlitsy. Like those of a startled eagle. Moikh usheï kosnuls’a on, He touched my ears I ikh napolnil shum i zvon: And they were filled with clamour and ringing: I vn’al ïa neba sodroganïe, I heard the rumbling of the heavens, I gorniï angelov pol’ot, The high flight of the angels, I gad morskikh podvodnyï khod, The crawling of the underwater reptilians I dol’ney lozy proz’abanïe. -
Empire Brass
Houston Friends of Music PRESENT EMPIRE BRASS Rolf Smedvig, Trumpet Jeffrey Curnow, Trumpet Eric Ruske, French Horn Scott A. Hartman, Trombone J. Samuel Pilafian, Tuba Wednesday, December 5, 1990 8:00P.M. Hamman Hall Rice University FOURTH CONCERT H()LISt()Jl Fti(~tlds (>f~1usic PRESENT EMPIRE BRASS Procession of the Nobles, from Mlada . .... .. .......... ...... NIKOLAI RIMSKY-KORSAKOV Polovtsian Dance, from Prince Igor. .................................. ALEXANDER BORODIN Dance of the Comedians, from the Bartered Bride ........................... BED RICH SMETANA Nacht Poema (Night Poems) ............... .. ............................ PR. VAN EECHAUTE Prelude, Theme & Variations . ... .................................. ... GIOACCHINO ROSSINI Carmen Fantasy .......... ... .. ........ .... ........................... .. GEORGES BIZET Wedding Dance and Troika, from Lieutenant Kije ......................... SERGEI PROKOFIEV INTERMISSION Trio Sonata No.2 ..... ......................... ..... ..... ....... JOHANN SEBASTIAN BACH Allegro, Andante, Allegro Sabre Dance, from Gayane ...... ......... ................. ....... ARAM KHACHATURIAN Arabian Dance, from The Nutcracker. .......................... PIOTR IL YICH TCHAIKOVSKY Pavane, Op. 50 ........................................................... GABRIEL FAURE Boy Meets Horn ..... .. ....................... ... EDWARD KENNEDY "DUKE" ELLINGTON Jungle Nights ..... .... ....... ................... EDWARD KENNEDY "DUKE" ELLINGTON M-TV for Jerry (Jerome Robbins), from Dance Suite for Brass -
2021 Cirriculum Guide
2021 CIRRICULUM GUIDE Thank you for your interest in the 2021 Symphony of Color Art Contest sponsored by the Evansville Philharmonic Orchestra. We are delighted that you will be participating this year and anxiously await the always inspiring art to come. This year we commemorate Disney’s beloved classic, Fantasia with a selection of favorite music selections from the move. Specifically, artwork will focus on selections from Stravinsky’s The Firebird – there will be 3 programmatic movements performed from which your students may choose to base their artwork. PURPOSE We believe that the arts in all their forms are essential to a complete education. We further believe that the arts are a necessary and equal part of the total school curriculum and have produced this guide with those beliefs as our guiding principle. Students will receive the maximum benefit from their contest experience if the abundant connections between music and the other parts of the curriculum are emphasized. We hope you will take full advantage of this guide and recordings so your students can, in turn, become knowledgeable and eager participants in the Symphony of Color contest. Sponsored by the Evansville Philharmonic Crescendo Club and in cooperation with: HOW TO USE THIS GUIDE 1) Teacher preparation: Read all materials thoroughly. 2) Have your students listen to the musical selections. Selections may be found at https://www.youtube.com/watch?v=jmRU6cJeVDs https://www.youtube.com/watch?v=YWvOgda1g2E 3) Review the listening and discussion topics for each piece of music found within this guide and introduce the class to the background resource information. -
Iveigh Ivelan Iveland Ivelane Ivelant Ivelen Ivelend Ivelent Ivelind Ivelint
Iveigh Ivones Izearde Izzach Izzox Ivelan Ivoomb Izeart Izzack Izzoyd Iveland Ivoombe Izech Izzacke Izzsard Ivelane Ivor Izeck Izzaech Izzude Ivelant Ivors Izerd Izzaeck Izzume Ivelen Ivory Izert Izzaick Izzyck Ivelend Ivvaren Izett Izzaitch Izzyke Ivelent Ivy Iziac Izzake Ivelind Ivye Izick Izzaock Ivelint Ivymey Izitch Izzaox Ivelyn Ivys Izock Izzard Ivelynd Iwadby Izod Izzarde Ivemey Iwardbey Izode Izzarn Ivemmy Iwardby Izoed Izzarne Ivemy Iwardy Izoit Izzart Iveney Iwerdby Izold Izzarte Ivens Iwoodby Izombe Izzat Iver Ix Izon Izzatt Iverach Ixton Izood Izzayck Iverack Iyon Izoode Izzayke Iveragh Iyone Izoold Izzeard Iverake Iyonne Izoomb Izzearde Iverech Izaac Izoombe Izzeart Ivereck Izaach Izord Izzech Iverick Izaack Izould Izzeck Iveritch Izaacs Izoyd Izzerd Iverock Izaacson Izrael Izzert Iverox Izaake Izraeler Izzett Ivers Izach Izraely Izzick Iverson Izack Izreeli Izzitch Ivery Izacke Izsard Izzock Iveryck Izaech Izsarde Izzod Iveryke Izaeck Izsardt Izzode Ives Izaick Izsart Izzoed Iveson Izaitch Izsarte Izzoit Ivet Izake Izseard Izzold Ivett Izaock Izsearde Izzolm Ivetts Izaox Izseart Izzomb Ivey Izard Izserd Izzombe Ivie Izarde Izsert Izzome Ivimey Izarn Izsord Izzone Ivinges Izarne Izude Izzood Ivington Izart Izyck Izzoode Ivinney Izarte Izyke Izzoold Ivins Izat Izzaac Izzoom Ivinson Izatson Izzaach Izzoomb Iviormy Izatt Izzaack Izzoombe Ivison Izayck Izzaacs Izzord Ivombe Izayke Izzaacson Izzould Ivone Izeard Izzaake Izzown Hall of Names by Swyrich © 1999 Swyrich Corporation www.swyrich.com 1-888-468-7686 557 Jackline Jacok -
Maurice Ravel, After Nikolay Andreyevich Rimsky-Korsakov: Maurice Ravel (1875-1937) Antar – Incidental Music (1910/2014) 53:33 Orchestral Works • 5 1 No
RAVEL Orchestral Works • 5 Antar – Incidental music after works by Rimsky-Korsakov Shéhérazade André Dussollier, Narrator Isabelle Druet, Mezzo-soprano Orchestre National de Lyon Leonard Slatkin Maurice Ravel, after Nikolay Andreyevich Rimsky-Korsakov: Maurice Ravel (1875-1937) Antar – Incidental music (1910/2014) 53:33 Orchestral Works • 5 1 No. 1. Rimsky-Korsakov: Antar, 1st movement: Largo – Allegro giocoso – Furioso – Allegretto vivace – Adagio – Allegretto vivace – Largo Ravel was still a teenager when he fell under the spell of that the Orient had exerted over me since my childhood.” Russian music: he discovered both The Five That said, the work also boasts a number of trademark “Le désert n’est pas vide…” 11:09 (Mussorgsky, Rimsky-Korsakov, Cui, Borodin and Ravelian qualities – clarity of discourse, sophistication of 2 No. 1 bis. Ravel: Allegro 0:35 Balakirev) and the Javanese gamelan at the age of detail, and an ongoing conflict between instinct and 3 No. 2. Ravel: Cadenza ad libitum fourteen when he visited the 1889 Universal Exhibition in control. “En ce temps-là…” 1:39 Paris (an event whose centrepiece was the newly Ravel’s choice of orchestral forces also reflects the 4 No. 3. Ravel: Allegretto constructed Eiffel Tower). Ten years later, the dual impact influence of Debussy: divided strings, a large wind “Sa mère, Zébiba…” 0:53 of Russia and the Orient bore fruit in the “fairy overture” section, celesta, two harps and a rich array of percussion. 5 No. 5. Ravel: Allargando Shéhérazade, originally intended to be the curtain-raiser But where Debussy favours doubling and timbral “Sa renommée grandissait avec lui…” 0:32 for an opera based on the Arabian Nights – a work that in blending, uses the warmth of the brass section and the end never saw the light of day. -
Balliol College Annual Record 2019 December in Oxford Means One Thing: Undergraduate Admissions
ANNUAL RECORD 2019 ANNUAL RECORD 2019 Balliol College Oxford OX1 3BJ Telephone: 01865 277777 Website: www.balliol.ox.ac.uk Editor: Anne Askwith (Publications and Web Officer) Printer: Ciconi Ltd FRONT COVER The JCR after refurbishment, 2019. Photograph by Stuart Bebb. Editorial note This year’s edition of the Annual Record sees some changes, as we continue to heed and act on the views expressed in the alumni survey 2017, review how best this publication can record what goes on at Balliol during the academic year, and endeavour to use resources wisely. For the first time theAnnual Record has been printed on 100% recycled paper. We are distributing it to more people via email (notifiying them that it is available online) and we have printed fewer copies than we did previously. To change your preference about whether you would like to receive a print copy of the Record or to be notified when it is available to read online (or if you would like to change how Balliol communicates with you or how you receive any of our publications), please contact the Development Office at the address opposite or manage your preferences online at www.alumniweb.ox.ac.uk/balliol. ‘News and Notes’ from Old Members (formerly in the Annual Record) is now published in Floreat Domus. We welcome submissions for the next edition, including news of births and marriages, and photographs: please send these by email to [email protected]. Deaths will continue to be listed in the Annual Record; please send details to the Development Office at the address opposite or by email to [email protected]. -
Archives De L'eglise De France
ARCHIVES DE L'EGLISE DE FRANCE Bulletin de l'Association des Archivistos de l'Eglise de France 106, rue du Bac, 75007 PARiS - C.C.P. 3.2.228.84 A La Source aulmnnc 1996 MEMENTO -Soeur Saint-Michel Renard, archivisl.e des Religieuses de l'Hôtel-Dieu de P~nis (+avril 1996): • c'est avec une grande ferveur qu'elle cherclmit inlassablement à toujours curkhir son fonds d'ar chives, à le gérer ct à en faire connaître les richesses, importantes pour l'histoire de l'hospitali- té ... -Père Jean Pihan, archiviste des Fils de la Charité (20 mai 1912-2 aoOt 1996: prêtre 1936, fils de la Charité 1938): nommé en t938 à l'Union des Oellvres, fui co-fondateur avcl·lc P. Gaston Courtois des Coeurs vaillants el Ames vaillantes; pendant l'Occupation. rl'sponsablc du mouve mcnll'll zone occupée, il est incarcéré à Fresnes pour "reconstitution de mouvement de jeunesse interdit par les autorités d'occupation" et en 1944 devient aumônier-général adjoint, puis mnnô• nicr général du mouvement C.V.-A. V. qu'en 1956 il transforme en action catholique de l'enfance; co-fondateur en 1947 du Bureau inlemational catholique de l'enfance (B.I.C.E.), il partkipe au tt.' vcloppcmcnl de celte O.I.C. Il quille l'Union des Oeuvres catholiques de France en 1972, lors de la dissolution de la cornnnmauté sacerdotale. Dans le même temps, depuis 1%1 il av ail créé des liens avec les Oeuvres pontificales missionnaires; il devient ainsi responsable nati.onal (pour le sct·tcur de Paris) de l'Oeuvre de Saint-Pierre apôtre ( 1970-1977). -
Canadian Historiography of Modern Ukraine, EWJUS, Vol. 5, No. 1, 2018
Studying the Blueprint for a Nation: Canadian Historiography of Modern Ukraine Serhy Yekelchyk University of Victoria Abstract: This article discusses the development of a Canadian historiography of modern Ukraine. It argues that the early focus on Ukrainian nation building determined the range of topics that interested Canadian historians, but over the following years their methodology changed significantly. The development of social history provided indispensable tools for in-depth analysis of the Ukrainian national movement. The subsequent development of a new cultural history, post-colonial studies, and the “linguistic turn” allowed for a more subtle analysis of the Ukrainian patriotic discourse and practice. New scholarship focusing on the ambiguities of imperial projects and the everyday life allowed for a re-evaluation of the traditional emphasis on the national intelligentsia’s organic work. Because of its focus on the making of a modern Ukrainian nation, beginning in the 1990s Canadian historiography was well positioned to assist in the transformation of Ukrainian historical scholarship from Soviet models to new theoretical and methodological foundations. This often meant helping Ukrainian colleagues to revise the very “national paradigm” of history writing that early Canadian historians had helped develop. In the decades after an independent Ukraine emerged in 1991, the study of Ukrainian nation building became an increasingly global and collaborative enterprise, with historians from Ukraine studying and working in Canada, and with conferences on topics related to modern Ukrainian history involving scholars from around the world. Keywords: modern Ukraine, Canada, historiography, nation building, national movement. hen the Ukrainian-Canadian historian Orest Subtelny passed away in 2016, the prominent Ukrainian journalist Vitalii Portnikov wrote W that Subtelny’s Ukraine: A History “gave us Ukraine.