Non-Fiction •Jawaharlal Nehru, the Discovery of India (1946) •Diana L

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Non-Fiction •Jawaharlal Nehru, the Discovery of India (1946) •Diana L

Bibliography for GHS:3600 Development in a Global Context I South Asian Studies Key books: non-fiction •Jawaharlal Nehru, The Discovery of India (1946) •Diana L. Eck, Darsan: Seeing the Divine Image in India 3rd edtn (1998) •William Dalrymple, City of Djinns: A Year In Delhi (2003) •Suketu Mehta, Maximum City (2004) •Maloy Krishna Dhar, Open Secrets: India’s Intelligence Unveiled (2005) •Amartya Sen, The Argumentative Indian (2005) •Ramachandra Guha, India After Gandhi (2008) •John Keay, India: A History. Revised and Updated (2011) •Katherine Boo, Behind the Beautiful Forevers (2014) Key books: fiction •Mulk Raj Anand, Untouchable (1934) •J.G. Farrell, The Siege of Krishnapur (1973) •Ruth Prawer Jhabvala, Heat and Dust (1975) •Arundhati Roy, The God of Small Things (1987) •Amitav Ghosh, The Shadow Lines (1993) •Salman Rushdie, Midnight’s Children (1995) •Jhumpa Lahiri, The Interpreter of Maladies (1999) •Amitav Ghosh, The Hungry Tide (2006) •Aravind Adiga, The White Tiger (2008) •Bhisam Sahni, Tamas (2008) •Kiran Desai, The Inheritance of Loss (2006) Key on-line sources of up to date information: •India Today (major newsmagazine): http://indiatoday.intoday.in/ •Frontline (major critical weekly): http://www.frontline.in/ •Times of India (major daily): http://timesofindia.indiatimes.com/international-home •The Hindu (Major English daily): http://www.thehindu.com/ •Economic & Political Weekly (social science and history articles): http://www.epw.in/ •Government of India portal to offices and ministries: http://india.gov.in/ •Government of Karnataka portal to offices and ministries: http://www.kar.nic.in/ •UI Library portal for South Asia: http://guides.lib.uiowa.edu/southasianstudies •Driving maps of India: http://www.mapsofindia.com/driving-directions-maps/ •MapQuest India: http://www.mapquest.com/maps?country=IN 08/15 .

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ENGL 6115 Syllabus SSII 2020
English 6115 21st Century Global Anglophone Literature Virtual sessions on Google Meet, Wednesdays from 5:30-8:00 Instructor: Matt Franks Virtual Office Hours on Google Meet, Thursdays from 4-5 & by appt. Email: [email protected] Course Description: This class will focus on British, South Asian, African, and Caribbean literature from the past 20 years. We will engage in these texts through a transnational feminist framework focused on the afterlives of slavery and colonialism in the 21st century and ongoing resistance to gender, racial, and class domination. We will attempt to describe the current state of global literatures written in English, asking some of the following questions: how do contemporary writers and theorists respond to late 20th century global frameworks like postcolonialism, subaltern studies, and the black Atlantic? How has advanced globalization impacted formerly colonized sites as well as literary production itself? What problems does the term “Global Anglophone” itself elucidate and conceal? Required Texts: Zadie Smith, NW; Mohsin Hamid, Exit West; Aravind Adiga, The White Tiger; Chimamanda Ngozi Adichie, Half of a Yellow Sun; Bernardine Evaristo, Girl, Woman, Other; M. NourbeSe Philip, Zong!; Dionne Brand, A Map to the Door of No Return; Marlon James, Black Leopard, Red Wolf Learning Outcomes: Students will learn to… ® Demonstrate advanced mastery of content within the field of contemporary Global Anglophone literary studies by answering comprehensive discussion questions about specific writers, genres, texts, and theories within this period in class discussions. ® Demonstrate refined skills in scholarly writing by completing an extended research-based project. ® Demonstrate a facility in relating the facts and ideas of the discipline of English studies to the field of Global Anglophone literature and theory within the context of Western intellectual history.
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The Inauthentic Portrayal of India in Aravind Adiga's the White Tiger
THE INAUTHENTIC PORTRAYAL OF INDIA IN ARAVIND ADIGA’S THE WHITE TIGER DR. S. MURUGARAJAN Lt. S. NITHYA SGT, PUPS, Assistant Professor, Perumalkovil Pudur, Erode 638151 Karpagam Academy of Higher Education, (TN) INDIA Coimbatore. (TN) INDIA The White Tiger is the reflection of the mind of an Indian born outsider Aravind Adiga. It had won the Booker Prize for Literature in 2008 for its presentation of his ‘Real India’. But truly it is not. It is a cynical anthropology from an outsider. Adiga may be born in India but his novel exposes himself as an outsider. The Indian critics have commended him as an outsider because of his ideas and thoughts, which represented in his novel through the mouth of the protagonist Balram Halwai. Adiga’s The White Tiger is published in 2008 and the same year it had won the man of booker prize. That makes everyone to look at him. It is an attempt to reveal the inauthentic presentation of India by Aravind Adiga. INTRODUCTION The White Tiger is a debut novel, which describes India in a different point of view. Adiga gives a picture or tale of two India’s, the India of Darkness and Light, the India of Poverty. And this novel comes across an inauthentic portrait by real India, it is the comment given by the critics of India. Most of the foreign critics and others are praised Adiga for his presentation of India in a different angle. But the Indian Critics did not accept the views and presentation of such ideas. DR. S. MURUGARAJAN Lt.
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Roy's Criticisms Towards the Caste System As Reflected
ROY’S CRITICISMS TOWARDS THE CASTE SYSTEM AS REFLECTED THROUGH THE MAIN CHARACTERS AND THEIR CONFLICTS IN ARUNDHATI ROY’S THE GOD OF SMALL THINGS AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of Requirements For the Degree of Sarjana Sastra In English Letters By IRINE CAHYANING TYAS Student Number: 044214019 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2009 ii iii God is in every tommorow, Therefore I life for today. Certain of finding at sunrise, Guidance and strength for the way. Power for each moment of weakness, Hope for each moment of pain, Comfort for every sorrow, Sunshine and joy after the rain... Anonymous iv I dedicate this thesis for My Beloved Parents, My Little Brothers, and Edo Baskoro who always support me in accomplishing this thesis. v vi vii Acknowledgements I would like to express my biggest gratitude to Jesus Christ and Virgin Mary for the blessings, strength and miracles They have been giving in my life, so that I am finally able to accomplish this undergraduate thesis. Thank God for answering my prayers. My gratitude is also directed to my advisor, Ni Luh Putu Rosiandani, S.S, M.Hum. I am also grateful for her guidance, patience, and especially for the time she has spent for reading and correcting my thesis. I also thank to my co- advisor Elisa Dwi Wardani S.S., M.Hum. for your guidance in finishing this thesis. I really appreciate all things she has done in process of writing my thesis Furthermore, I deeply express my gratitude to my beloved parents for their love, prayers, support, both financial and spiritual and good advices.
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Cultural Impact on the Inheritance of Loss by Kiran Desai
Conference Proceeding Issue Published in International Journal of Trend in Research and Development (IJTRD), ISSN: 2394-9333, www.ijtrd.com Cultural Impact on the Inheritance of Loss by Kiran Desai A. S. Artheeswari, M.Phil English, Arignar Anna Government Arts College, Villupuram, Tamilnadu, India Abstract: Kiran Desai is one of the talented and ambitious II. THE INHERITANCE OF LOSS younger Indian diasporic writers who have a significant role in The novel “The Inheritance of Loss” is an authentic study of Portraying and reflecting the difficulties and complexities of human relationship bedevilled by exile and cultural the experiences of the immigrants in literature. She belongs to encounters. Those human beings who are not enjoying their the second generation of indian diaspora. Her own experiences life seem to adhere to their cultural instinct and they detached of living in India, England and USA as well as her complicated from their real nature. This made a negative impact in their educational background in these three countries brand her not whole life and leads to cultural deformity when these people only as a distinctive and typical Diasporic writer, but also as a happened to live in a new world; they have to construct their product of multiculturalism. Kiran Desai , the winner of the own world based on their acquired culture and civilization. prestigious Man Booker Prize 2006 for her second novel “ THE INHERITANCE OF LOSS (2005 ) Created literary The novel brought her come to literary attention , winning the history by becoming the youngest ever woman to win the Betty Task Award .Desai‟s second novel The inheritance of prestigious prize at the age of 35.
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ADKINS-DOCUMENT-2016.Pdf
Copyright Alexander Adkins 2016 ABSTRACT Postcolonial Satire in Cynical Times by Alexander Adkins Following post-1945 decolonization, many anticolonial figures became disenchanted, for they witnessed not the birth of social revolution, but the mere transfer of power from corrupt white elites to corrupt native elites. Soon after, many postcolonial writers jettisoned the political sincerity of social realism for satire—a less naïve, more pessimistic literary genre and approach to social critique. Satires about the postcolonial condition employ a cynical idiom even as they often take political cynicism as their chief object of derision. This dissertation is among the first literary studies to discuss the use of satire in postcolonial writing, exploring how and why some major Anglophone global writers from decolonization onward use the genre to critique political cynicisms affecting the developing world. It does so by weaving together seemingly disparate novels from the 1960s until today, including Chinua Achebe’s sendup of failed idealism in Africa, Salman Rushdie’s and Hanif Kureishi’s caricatures of Margaret Thatcher’s enterprise culture, and Aravind Adiga’s and Mohsin Hamid’s parodies of self-help narratives in South Asia. Satire is an effective form of social critique for these authors because it is equal opportunity, avoiding simplistic approaches to power and oppression in the postcolonial era. Satire often blames everyone—including itself—by insisting on irony, hypocrisy, and interdependence as existential conditions. Postcolonial satires ridicule victims and victimizers alike, exchanging the politics of blame for messiness, association, and implication. The satires examined here emphasize that we are all, to different degrees, mutually implicated subjects, especially in the era of global capitalism.
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A Stylistic Approach to the God of Small Things Written by Arundhati Roy
Lingnan University Digital Commons @ Lingnan University Theses & Dissertations Department of English 2007 A stylistic approach to the God of Small Things written by Arundhati Roy Wing Yi, Monica CHAN Follow this and additional works at: https://commons.ln.edu.hk/eng_etd Part of the English Language and Literature Commons Recommended Citation Chan, W. Y. M. (2007). A stylistic approach to the God of Small Things written by Arundhati Roy (Master's thesis, Lingnan University, Hong Kong). Retrieved from http://dx.doi.org/10.14793/eng_etd.2 This Thesis is brought to you for free and open access by the Department of English at Digital Commons @ Lingnan University. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. A STYLISTIC APPROACH TO THE GOD OF SMALL THINGS WRITTEN BY ARUNDHATI ROY CHAN WING YI MONICA MPHIL LINGNAN UNIVERSITY 2007 A STYLISTIC APPROACH TO THE GOD OF SMALL THINGS WRITTEN BY ARUNDHATI ROY by CHAN Wing Yi Monica A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy in English Lingnan University 2007 ABSTRACT A Stylistic Approach to The God of Small Things written by Arundhati Roy by CHAN Wing Yi Monica Master of Philosophy This thesis presents a creative-analytical hybrid production in relation to the stylistic distinctiveness in The God of Small Things, the debut novel of Arundhati Roy.
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id14791789 pdfMachine by Broadgun Software - a great PDF writer! - a great PDF creator! - http://www.pdfmachine.com http://www.broadgun.com Södertörns University College C-essay English Department Spring 2005 Supervisor: Dr. Claire Hogarth Crossing Lines: The Theme of Transgressing Social Boundaries in Arundhati Roy’s The God of Small Things Naz Shakely Table of Contents Introduction 1 Ammu Transgressing Boundaries 3 Velutha Transgressing Boundaries 6 Ammu and Velutha Breaking the Love Laws 8 The Love Laws 9 The Gender Issue 10 Punishments 12 Conclusion 14 Works Cited 17 id14803105 pdfMachine by Broadgun Software - a great PDF writer! - a great PDF creator! - http://www.pdfmachine.com http://www.broadgun.com 1 Introduction Everywhere we turn, we come across moral boundaries that we at least think we are not supposed to cross, but that we do cross nonetheless. “As ye sow, ye shall reap” is a proverb we all have heard sometime (Roy 31). But is it really true? Do we get what we deserve? And if so, who decides what is right and what is wrong? Who decides what we should and should not be punished for? In Arundhati Roy’s The God of Small Things, most of the characters cross moral boundaries. Eventually, they all get punished for doing so. In this novel, Roy presents two kinds of morality. One of them is social morality, which can be defined as what a group thinks is good and right or the way one should behave. The other one is individual morality – what oneself thinks is the right way to act.
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A Study of the Inheritance of Loss and Half a Life
Orientalising the Postcolonial Nation-State: A Study of The Inheritance of Loss and Half a Life A Dissertation Submitted to the Central University of Punjab For the Award of Master of Philosophy in Comparative Literature by Manpreet Kaur Administrative Guide: Prof. Paramjit Singh Ramana Dissertation Coordinator: Dr. Zameerpal Kaur Centre for Comparative Literature School of Languages, Literature and Culture Central University of Punjab, Bathinda August, 2012 CERTIFICATE I declare that the dissertation entitled “Orientalising the Postcolonial Nation-State: A Study of The Inheritance of Loss and Half a Life,” has been prepared by me under the guidance of Prof. Paramjit Singh Ramana, and Dr. Zameerpal Kaur, Assistant Professor, Centre for Comparative Literature, School of Languages, Literature and Culture, Central University of Punjab. No part of this dissertation has formed the basis for the award of any degree or fellowship previously. (Manpreet Kaur) Centre for Comparative Literature, School of Languages, Literature and Culture, Central University of Punjab, Bathinda-151001. Date: ii Acknowledgement It is a pleasure to thank God, for making me able to achieve what I am today. I want to express my thanks to God, my parents and my family members. I would like to express my deepest gratitude to the stalwart of my department my supervisor and Professor. P. S. Ramana, Dean, School of Languages, Literature and Culture and my dissertation Coordinator Dr. Zameerpal Kaur, Assistant Professor, Centre for Comparative Literature for their ingenuous guidance. I want to express my thanks to Dr. Amandeep Singh, Assistant Professor, Centre for Comparative Literature for his continuous and extremely useful assistance.
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The Price of Our Silence Exegesis: Modern Indian English Novel ! ! ! ! ! ! ! Hanadi Falki MCW 2014 ! ! ! ! ! ! ! ! !
! Thesis: The Price of Our Silence Exegesis: Modern Indian English Novel ! ! ! ! ! ! ! Hanadi Falki MCW 2014 ! ! ! ! ! ! ! ! ! !1 Contents ! ! Pages 1. Attestation of Authorship ii 2. Abstract iii 3. Thesis- The Price of Our Silence 1 4. Exegesis- Modern Indian English Novel 311 5. References 333 ! ! ! ! ! ! ! ! !2 Attestation of Authorship ! I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material preciously published or written by another person (except where explicitly defined in the acknowledgements), nor material which to a substantial extent has been submitted for the award of any degree or diploma of a university or other institution of higher learning. ! ! ! Signed : __________________________Hanadi Falki Date : 26th November, 2014 ! ! ! ! ! ! ! ! ! !3 Abstract ! The creative thesis titled ‘The Price of Our Silence’ is a realistic fictional novel that taps into the world of the growing 3D Stereoscopic Production Companies in India. The novel traces the lives of the young stereo-compositing artists who meet in an increasingly deterioting work environment, coming from diverse backgrounds, having different dreams and their own distinct characteristics brought together in the sacred bond of friendship. As the novel explores what it is to be young and restless in the contemporary Indian society, it required representation of multiple viewpoints. So the thesis has been written in third person subjective through the eyes of three main protagonists, and at times, in
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IJRAR Research Journal
© 2019 IJRAR May 2019, Volume 6, Issue 2 www.ijrar.org (E-ISSN 2348-1269, P- ISSN 2349-5138) RACE, GENDER AND CASTE IN ARUNDHATI ROY’S THE GOD OF SMALL THINGS 1 S.Durgadevi 1 M.A English 1Department of English, 1Sri Balamurugan Arts and Science College, Tamil Nadu, India. Abstract: The article compares race and caste as two forms of inequality and argues that inequality of caste are illuminated in the same way as those of race by a consideration of gender. The nature of gender, race and caste and other influences on the economist situation of individuals and groups. Arundhati Roy’s The God of Small Tings(1997) challenges the categories of race, gender and caste. I will also elaborate and expand on how the different forms of sexual transgression –inappropriate teacher – student relationships, rape, inter-caste relationship and incestuous relationships attempt to undermine and overcome the categories that bind them. At first glance, Disgrace and The God Small of Things appear to have little in common. The authors when they were writing their novels, poignantly presenting transgression of the bodies as a social trope that redefines relationship of power and class. However, I would like to argue that even while Coetzee and Roy present this transgression as the ideological centers of both Disgrace and The God of Small Things they are not permanent solution to resolving the race, gender and caste issues, and while they appear to overcome these differences briefly, the aforementioned categories are only reinforced in the long run. Index Terms - Race, gender and caste.
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Addition to Summer Letter
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Ramachandra Guha's India After Gandhi
Ramachandra Guha’s India After Gandhi – A Critical Review Mrs. V. Rajitha, M.A., PGDTE, Lecturer in English, Sarojini Naidu Vanitha Maha Vidyalaya, E-Mail: [email protected], Ph: 7799111666, Hyderabad. Abstract Ramachandra Guha reconstructs the past 60 years of Indian history that witnessed the possibility of disastrous disintegration of the nation or its transformation to a totalitarian society or a military dictatorship. In his paean to the violence marred independent India, he presents the political complexities revolving around caste, language, class, and religion, the conflicts arising out which, the founders of modern India had to cope with. The pains, struggles, humiliations and glories of the world's largest and least likely democracy and the extraordinary factors holding it together are given a detailed treatment in the book peopled with larger-than-life characters. Notwithstanding the prominence attributed to Nehru-Gandhi dynasty in the narrative, Guha did not neglect the other historical actors, albeit briefly, who also set India on course for a democracy that functions, despite imperfections and corruption. Guha offers a panoramic view of the fight of a young nation against the veritable elements threatening secularism, its dangerous but nevertheless great gamble with democracy and the rise of populism. Selflessness and foresight of some, pettiness and fanaticism of some others, revolts for secession, linguist processions, theocratic and socialist movements, poverty and hunger, rights of minorities, even the cinema and cricket, all find their description in the volume. Ramachandra Guha’s India After Gandhi – A Critical Review Historical narrative depends on familiarity, yet is enlivened by interpretative freshness and the surprise of new archival research.
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