SURROUND SOUND -Ay SEPARATE AMPS ADD MUSCLE Nit to an A/V SYSTEM
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David Bowie's Urban Landscapes and Nightscapes
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, “David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13401 ; DOI: https://doi.org/10.4000/miranda.13401 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes. The metropolis provides not only the object of a diegetic and spectatorial gaze but it also enables the author to further a discourse on his own inner fragmented self as the nexus, lyrics— music—city, offers an extremely rich avenue for investigating and addressing key issues such as alienation, loneliness, nostalgia and death in a postmodern cultural context. -
The Duchess of Malfi
The Duchess of Malfi Return to Renascence Editions The Duchess of Malfi John Webster. Act I | Act II | Act III | Act IV | Act V Note on the e-text: this Renascence Editions text was transcribed by Malcolm Moncrief-Spittle from the 1857 Hazlitt edition and graciously made available to Renascence Editions in June 2001. Content unique to this presentation is copyright © 2001 The University of Oregon. For nonprofit and educational uses only. http://darkwing.uoregon.edu/%7Erbear/webster1.html (1 of 121)4/11/2005 6:23:14 AM The Duchess of Malfi TO THE RIGHT HONOURABLE GEORGE HARDING, BARON BERKELEY, OF BERKELEY CASTLE, AND KNIGHT OF THE ORDER OF THE BATH TO THE ILLUSTRIOUS PRINCE CHARLES. MY NOBLE LORD, THAT I may present my excuse why, being a stranger to your lordship, I offer this poem to your patronage, I plead this warrant: men who never saw the sea, yet desire to behold that regiment of waters, choose some eminent river to guide them thither, and make that, as it were, their conduct or postilion: by the like ingenious means has your fame arrived at my knowledge, receiving it from some of worth, who both in contemplation and practice http://darkwing.uoregon.edu/%7Erbear/webster1.html (2 of 121)4/11/2005 6:23:14 AM The Duchess of Malfi owe to your honour their clearest service. I do not altogether look up at your title; the ancien’st nobility being but a relic of time past, and the truest honour indeed being for a man to confer honour on himself, which your learning strives to propagate, and shall make you arrive at the dignity of a great example. -
SPILL Study Room Guide
Study Room Guide SPILL STUDY BOXES November 2012 In 2012 SPILL Festival of Performance, Ipswich invited the Agency to create a special pop-up version of the Study Room for the SPILL Study Café. For the Study Café the Agency curated a selection of 20 Study Boxes each containing a range of hand picked DVDs, books and other materials around specific themes that we believed would inspire, excite and intrigue artists and audiences attending the Festival in Ipswich. The Study Boxes reflected the work of a huge range of UK and international artists and represent a diversity of themes including issues of identity politics in performance, the explicit body in performance, large scale performance, sound and music in performance, activism and performance, ritual and magic, large scale performance, strange theatre, life long performances, participatory performance, critical writing, non Western performance, do it yourself, trash performance, and many more. Each Study Box contained between four and eight items and could be used for a quick browse or for a day-long study. “Completely brilliant.” (Andy Field, Forest Fringe) “The openness and democracy of the Study Café is essential in a festival where questions of access are so present. It illustrates the need to offer the work of artists up for wider consumption rather than limited to the tight circle of those in the know. Proximity cuts both ways, and as a group of performance makers, it falls to artists, writers and enthusiasts to collapse these referential gaps between audiences. As funding shrinks and organisations falter, the ability to bring those without any history of performance in, to speak to issues outside of the intellectual concerns of Live Art becomes essential for the survival of the form and any community around it. -
Wallenstein a Dramatic Poem
Open Book Classics Wallenstein A Dramatic Poem FRIEDRICH SCHILLER TRANSLATED BY FLORA KIMMICH, WITH AN INTRODUCTION BY ROGER PAULIN To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/513 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. ONLINE SURVEY In collaboration with Unglue.it we have set up a survey (only ten questions!) to learn more about how open access ebooks are discovered and used. We really value your participation, please take part! CLICK HERE Wallenstein A Dramatic Poem By Friedrich Schiller Translation and Notes to the Text by Flora Kimmich Introduction by Roger Paulin https://www.openbookpublishers.com Translation and Notes to the Text © 2017 Flora Kimmich. Introduction © 2017 Roger Paulin. This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Friedrich Schiller. Wallenstein: A Dramatic Poem. Translation and Notes to the Text by Flora Kimmich. Introduction by Roger Paulin. Cambridge, UK: Open Book Publishers, 2017. http://dx.doi.org/10.11647/OBP.0101 -
26. April 2015 Ausstellung 22. April - 26
22. April - 26. April 2015 Ausstellung 22. April - 26. Mai 2015 "Now" CONTENT Imprint 24 Words of Welcome 26 FilmFestSpezial-TV 34 Film- & Videokommission 35 INTERNATIONALE AUSWAHL 36 Being There 36 Curious Correlations 40 Ecstatic Realism 44 Freestyle 48 Gold Diggers 52 Home Made Video 55 Life - Art - Balance 56 New Order 59 Oblique Strategies 63 Of Hope And Glory 67 Orgy of the Devil 68 Parandroids 69 Past's Present 72 (Re)Visionaries 74 State of Passage 76 Through Time And Space 78 Tick Tack Ton 80 IRONY Ash & Money 86 Displaced Persons 87 A Pigeon Sits on a Branch Reflecting on Existence 88 Jedes Bild ist ein leeres Bild 89 The Yes Men Are Revolting 90 Werk 91 RETROSPECTIVE 92 Irony as Subversive Intervention 92 La vie en rose 93 Film als Message 98 The Crisis of Today is the Joke of Tomorrow 101 Wir haben's doch! 104 Zaun schärfen in Dunkeldeutschland oder Das tätowierte Schwein ohne Sonnenschein 108 MEDIA CAMPUS 110 A Hard Day's Life 110 Alienation 114 Connexions 118 Family Affairs 122 No Place Like Home 125 MEDIA CAMPUS SPECIAL 128 Multimedia University in Malaysia 128 EXHIBITION IRONY 130 Ironie in der Medienkunst - Subversive Interventionen 130 Oferta Especial - Ruben Aubrecht 133 Loophole for all - Paolo Cirio 134 This Unfortunate Thing Between Us (TUTBU) - Phil Collins 136 Autoscopy for Dummies - Antonin De Bemels 138 22 Dear Lorde - Emily Vey Duke, Cooper Battersby 139 Justified Beliefs - Christian Falsnaes 140 Rise - Christian Falsnaes 141 Bigasso Baby - annette hollywood 142 Casting Jesus - Christian Jankowski 143 Forbidden Blood - Istvan Kantor 144 Turmlaute 2: Watchtower - georg klein 146 Van Gogh Variationen - Marcello Mercado 147 TSE (Out) - Roee Rosen 148 The Wall - Egill Sæbjörnsson 150 Leaving A User's Manual - *Iron A Hare * Leave A Desire * Climb Up Hight - Meggie Schneider 152 EXHIBITION MEDIA CAMPUS 154 KHM_section - Kooperation mit Prof. -
Oblique Strategies
Remove specifics and convert to ambiguities Think of the radio Don't be frightened of clichés Allow an easement (an easement is the abandonment of a stricture) What is the reality of the situation? Simple subtraction Are there sections? Consider transitions Remove specifics and convert to ambiguities Turn it upside down Go slowly all the way round the outside Oblique Strategies © 1975, 1978, 1979 Brian Eno/Peter Schmidt PDF file created by Matthew Davidson http://www.stretta.com A line has two sides Infinitesimal gradations Make an exhaustive list of everything you might do Change instrument roles and do the last thing on the list Into the impossible Accretion Ask people to work against their better judgment Disconnect from desire Take away the elements in order Emphasize repetitions of apparent non-importance Don't be afraid of things because they're easy to do Is there something missing? Don't be frightened to display your talents Use unqualified people Breathe more deeply How would you have done it? Honor thy error as a hidden intention Emphasize differences Only one element of each kind Do nothing for as long as possible Bridges -build Water -burn You don't have to be ashamed of using your own ideas Make a sudden, destructive unpredictable action; incorporate Consult other sources Tidy up Do the words need changing? Use an unacceptable color Ask your body Humanize something free of error Use filters Balance the consistency principle with the inconsistency principle Fill every beat with something Do nothing for as long as possible -
Peter Mettler
The End of Time A film by Peter Mettler 114 min, English, Digital (DCP, Blu-ray), Canada, 2012, DoCumentary FIRST RUN FEATURES The Film Center Building 630 Ninth Ave. #1213 New York, NY 10036 (212) 243-0600 / Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: [email protected] www.firstrunfeatures.Com/endoftime Synopsis "Recalling the work of Terrence Malick, Werner Herzog and the late Chris Marker" (Hollywood Reporter), Peter Mettler’s enthralling new film combines elements of documentary, essay, and experimental cinema to create a tour de force that challenges our conception of time — and perhaps the very fabric of our existence. With stunning cinematography and a knack for capturing astonishing moments, The End of Time travels the planet — from the CERN particle accelerator outside Geneva to the lava flows of Hawaii; from a disintegrating Detroit where Henry Ford Built his first factory to the tree where Buddha was enlightened. Both mind-expanding and eerily familiar, Mettler's provocative film explores the links between renewal and destruction, between primordial mysticism and the furthest reaches of modern science, giving the viewer a transcendent cinematic experience. Praise for The End of Time "Recalling the work of Terrence Malick, Werner Herzog and the late Chris Marker...THE END OF TIME Becomes immersive and hypnotic...a ravishingly Beautiful experience." – Stephen Dalton, The Hollywood Reporter "A work of vision...A gloBe-trotting cine-essay about time...poetic and lovely." – Adam Nayman, POV "Mettler's trippy -
Journal of Language, Literature and Culture Studies Dil, Edebiyat Ve
Lit ra Journal of Language, Literature and Culture Studies Dil, Edebiyat ve Kültür Araştırmaları Dergisi Volume: 31 | Number: 1 E-ISSN: 2602-2117 Litera: Journal of Language, Literature and Culture Studies Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi Volume: 31 | Number: 1, 2021 E-ISSN: 2602-2117 Indexing and Abstracting Web of Science Emerging Sources Citation Index (ESCI) MLA International Bibliography, TÜBİTAK-ULAKBİM TR Index, SOBİAD Litera: Journal of Language, Literature and Culture Studies Litera: Dil, Edebiyat ve Kültür Araştırmaları Dergisi Volume: 31 | Number: 1, 2021 E-ISSN: 2602-2117 Owner / Sahibi Prof. Dr. Hayati DEVELİ Istanbul University, Faculty of Letters, Istanbul - Turkey İstanbul Üniversitesi, Edebiyat Fakültesi, İstanbul - Türkiye Responsible Manager / Sorumlu Yazı İşleri Müdürü Prof. Dr. Mahmut KARAKUŞ Istanbul University, Faculty of Letters, Istanbul - Turkey İstanbul Üniversitesi, Edebiyat Fakültesi, İstanbul - Türkiye Correspondence Address / Yazışma Adresi Istanbul University, Faculty of Letters, Department of Western Languages and Literatures 34134, Laleli, Istanbul - Turkey Phone / Telefon: +90 (212) 455 57 00 / 15900 e-mail: [email protected] http://litera.istanbul.edu.tr Publisher / Yayıncı Istanbul University Press / İstanbul Üniversitesi Yayınevi Istanbul University Central Campus, 34452 Beyazit, Fatih / Istanbul - Turkey Phone / Telefon: +90 (212) 440 00 00 Printed by / Baskı İlbey Matbaa Kağıt Reklam Org. Müc. San. Tic. Ltd. Şti. 2. Matbaacılar Sitesi 3NB 3 Topkapı / Zeytinburnu, Istanbul - Turkey www.ilbeymatbaa.com.tr Sertifika No: 17845 Authors bear responsibility for the content of their published articles. Dergide yer alan yazılardan ve aktarılan görüşlerden yazarlar sorumludur. The publication languages of the journal are German, French, English, Spanish, Italian and Turkish. Yayın dili Almanca, Fransızca, İngilizce, İspanyolca, İtalyanca ve Türkçe’dir. -
{ Brad Brace } Pleated Plaid Pamphlet 4 [Accompanies Insatiable
{ brad brace } Pleated Plaid Pamphlet Volume 54 [accompaniment to insatiable abstraction engine] http://www.bbrace.net/abstraction-engine.html bbrace@eskimo. -
May-June, 2017
ASSOCIATION OF RETIRED SEATTLE CITY EMPLOYEES Non-Profit Organization For: Active & Retired Seattle City Employees U.S. Postage P.O. Box 75385, WA 98175-0385 PAID Seattle, WA ARSCE Website: www.arsce.org Permit No. 1100 ACTIVE & RETIRED SEATTLE CITY EMPLOYEES NEWS May/June, 2017 Volume 44, No. 6 OUR PRESIDENT’S MESSAGE JOIN US FOR... ARSCE’s By John Masterjohn Summer Luncheon Well we made it back from Puerto Vallarta after 17 warm, sunny days with soft breezes. I’m sorry; I heard you all suffered through Wednesday, June 7th endless rain and cold temperatures. Karen always argues that there Reservation form on page 12. can be dry, sunny days in January and February, nice sunrises and sunsets, and then winter comes back in March—making it the best time to get away. She thinks she won the argument. However, it’s always nice to actually see spring with green shoots in Seattle, even with gray skies. Okay, enough about us; now on to ARSCE issues. The seat on the SCERS (Seattle City Employees’ Retirement System) Board for the retired member opened for filing on April 13th and closed on April 27th. More information regarding eligibility and the process for applying W th was on the SCERS website on April 13 , 2017. While we at ARSCE can’t endorse any one candidate, Lou Walter has represented us as the retiree member of the Board for a number of years and I think he has done a great job. Speaking of elections, I want to congratulate the winning candidates who ran for the ARSCE Board along with the alternates. -
A Companion to Digital Art WILEY BLACKWELL COMPANIONS to ART HISTORY
A Companion to Digital Art WILEY BLACKWELL COMPANIONS TO ART HISTORY These invigorating reference volumes chart the influence of key ideas, discourses, and theories on art, and the way that it is taught, thought of, and talked about throughout the English‐speaking world. Each volume brings together a team of respected international scholars to debate the state of research within traditional subfields of art history as well as in more innovative, thematic configurations. Representing the best of the scholarship governing the field and pointing toward future trends and across disciplines, the Blackwell Companions to Art History series provides a magisterial, state‐ of‐the‐art synthesis of art history. 1 A Companion to Contemporary Art since 1945 edited by Amelia Jones 2 A Companion to Medieval Art edited by Conrad Rudolph 3 A Companion to Asian Art and Architecture edited by Rebecca M. Brown and Deborah S. Hutton 4 A Companion to Renaissance and Baroque Art edited by Babette Bohn and James M. Saslow 5 A Companion to British Art: 1600 to the Present edited by Dana Arnold and David Peters Corbett 6 A Companion to Modern African Art edited by Gitti Salami and Monica Blackmun Visonà 7 A Companion to Chinese Art edited by Martin J. Powers and Katherine R. Tsiang 8 A Companion to American Art edited by John Davis, Jennifer A. Greenhill and Jason D. LaFountain 9 A Companion to Digital Art edited by Christiane Paul 10 A Companion to Public Art edited by Cher Krause Knight and Harriet F. Senie A Companion to Digital Art Edited by Christiane Paul -
Behind the Songs with Lynn Ahrens and Stephen Flaherty
Behind the Songs with Lynn Ahrens and Stephen Flaherty [00:00:05] Welcome to The Seattle Public Library’s podcasts of author readings and library events. Library podcasts are brought to you by The Seattle Public Library and Foundation. To learn more about our programs and podcasts, visit our web site at w w w dot SPL dot org. To learn how you can help the library foundation support The Seattle Public Library go to foundation dot SPL dot org [00:00:38] Thank you so much. We are so excited over at the Fifth Avenue to be partnering with The Seattle Public Library and these community conversations and we're so thankful that you all decided to come here on this beautiful Monday sunny night in Seattle. I don't know what you're doing inside it's gorgeous out there. Well we're going to wow you with some songs tonight and a wonderful conversation at the Fifth. We're currently presenting "Marie - Dancing Still", a new musical based on the life of and the world of the young ballet student who inspired the masterpiece by Dagmar. The little dancer. And tonight we have two very special guests with us the writers of Lynn Ahrens who wrote the book and lyrics and Stephen Flaherty who composed the music. Ahrens similarity we're gonna embarrass you a little bit. You are considered the foremost theatrical songwriting team of their generation and that's true. They are. They of course wrote the Tony Award winning score for the musical masterpiece ragtime and began their Broadway career with the irresistible.