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Recommended Pre-K Books Mythical Creatures.Pdf
Fantasy creatures - Unicorns, Dragons, and Mermaids, Oh My! Unicorns Goldilicious by Victoria Kann 40 p. eaudiobook Suggested for preschool to grade 2 Use eMediaLibrary to read in your browser. Download the Libby app to read on your device. Pinkalicious finds a new friend, Goldie, the unicorn. Together, Goldie, Pinkalicious, and her brother, Peter, play hide and seek, ride on roller skates, and spin perfect pinkerrific pirouettes. Not Quite Narwhal by Jessie Sima 40 p. ebook Suggested for preschool to grade 2 Use eMediaLibrary to read in your browser. Download the Libby app to read on your device. Kelp, the unicorn has always lived in the sea with his narwhal family. After seeing a herd of land narwhals, or unicorns for the first time, Kelp learns how unicorns enjoy jumping in the water and making rainbows. How To Catch A Unicorn by Adam Wallace 40 p. ebook Suggested for K to grade 2 Use eMediaLibrary to read in your browser. Download the Libby app to listen on your device. Can a unicorn still have fun while avoiding all the traps the kids set for him? Dragons Thomas and Percy and the Dragon by Reverend W. Awdry 32 p. ebook Grades preschool to grade 1 Use eMediaLibrary to read in your browser. Download the Libby app to read on your device. Percy is frightened by a rumble in the middle of the night. He wonders if it could have been a dragon. The Year of the Dragon by Oliver Chin 36 p. Axis 360 ebook Grades 1 to 3 Use eRead Illinois to read in your browser. -
Central Florida Future, Vol. 19 No. 14, October 9, 1986
University of Central Florida STARS Central Florida Future University Archives 10-9-1986 Central Florida Future, Vol. 19 No. 14, October 9, 1986 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 19 No. 14, October 9, 1986" (1986). Central Florida Future. 659. https://stars.library.ucf.edu/centralfloridafuture/659 Weather: There's alot of sun behind those rain clouds Thursday, October 9, 1986 The Central Florida Future Volume 19 Number 14 - University of Central Florida/Orlando Twelve pages BOR forces credit Committee may hike union to re·locate health fee by Desiree McCartney Department of University NEWS EDITOR Relations, located next to the Fee could rise credit union's old location, is cramped due to lack of space. from 524 to 530 The UCF Federal Credit The move will allow the Union re-located to th~ department to be more spread Washington T. Student out. by Tim Ball Services Building last Hyde explained the move CENTRAL FLORIDA FUTURE Monday because UCF's does have some benefits. He Board of Regents policy said the credit union will now The Health Fee Committee involving space allocation. -
Seawood Village Movies
Seawood Village Movies No. Film Name 1155 DVD 9 1184 DVD 21 1015 DVD 300 348 DVD 1408 172 DVD 2012 704 DVD 10 Years 1175 DVD 10,000 BC 1119 DVD 101 Dalmations 1117 DVD 12 Dogs of Christmas: Great Puppy Rescue 352 DVD 12 Rounds 843 DVD 127 Hours 446 DVD 13 Going on 30 474 DVD 17 Again 523 DVD 2 Days In New York 208 DVD 2 Fast 2 Furious 433 DVD 21 Jump Street 1145 DVD 27 Dresses 1079 DVD 3:10 to Yuma 1124 DVD 30 Days of Night 204 DVD 40 Year Old Virgin 1101 DVD 42: The Jackie Robinson Story 449 DVD 50 First Dates 117 DVD 6 Souls 1205 DVD 88 Minutes 177 DVD A Beautiful Mind 643 DVD A Bug's Life 255 DVD A Charlie Brown Christmas 227 DVD A Christmas Carol 581 DVD A Christmas Story 506 DVD A Good Day to Die Hard 212 DVD A Knights Tale 848 DVD A League of Their Own 856 DVD A Little Bit of Heaven 1053 DVD A Mighty Heart 961 DVD A Thousand Words 1139 DVD A Turtle's Tale: Sammy's Adventure 376 DVD Abduction 540 DVD About Schmidt 1108 DVD Abraham Lincoln: Vampire Hunter 1160 DVD Across the Universe 812 DVD Act of Valor 819 DVD Adams Family & Adams Family Values 724 DVD Admission 519 DVD Adventureland 83 DVD Adventures in Zambezia 745 DVD Aeon Flux 585 DVD Aladdin & the King of Thieves 582 DVD Aladdin (Disney Special edition) 496 DVD Alex & Emma 79 DVD Alex Cross 947 DVD Ali 1004 DVD Alice in Wonderland 525 DVD Alice in Wonderland - Animated 838 DVD Aliens in the Attic 1034 DVD All About Steve 1103 DVD Alpha & Omega 2: A Howl-iday 785 DVD Alpha and Omega 970 DVD Alpha Dog 522 DVD Alvin & the Chipmunks the Sqeakuel 322 DVD Alvin & the Chipmunks: Chipwrecked -
What Killed Australian Cinema & Why Is the Bloody Corpse Still Moving?
What Killed Australian Cinema & Why is the Bloody Corpse Still Moving? A Thesis Submitted By Jacob Zvi for the Degree of Doctor of Philosophy at the Faculty of Health, Arts & Design, Swinburne University of Technology, Melbourne © Jacob Zvi 2019 Swinburne University of Technology All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. II Abstract In 2004, annual Australian viewership of Australian cinema, regularly averaging below 5%, reached an all-time low of 1.3%. Considering Australia ranks among the top nations in both screens and cinema attendance per capita, and that Australians’ biggest cultural consumption is screen products and multi-media equipment, suggests that Australians love cinema, but refrain from watching their own. Why? During its golden period, 1970-1988, Australian cinema was operating under combined private and government investment, and responsible for critical and commercial successes. However, over the past thirty years, 1988-2018, due to the detrimental role of government film agencies played in binding Australian cinema to government funding, Australian films are perceived as under-developed, low budget, and depressing. Out of hundreds of films produced, and investment of billions of dollars, only a dozen managed to recoup their budget. The thesis demonstrates how ‘Australian national cinema’ discourse helped funding bodies consolidate their power. Australian filmmaking is defined by three ongoing and unresolved frictions: one external and two internal. Friction I debates Australian cinema vs. Australian audience, rejecting Australian cinema’s output, resulting in Frictions II and III, which respectively debate two industry questions: what content is produced? arthouse vs. -
A National Character: Crocodile Dundee
TIMEOUT AUSTRALIAN LEFT REVIEW 35 n » 'j i ...........iiiiiiiiiii'iiiiiioijniM i........I - MiiiM iiJiLiii It[i 11 i m 11 ij 111111111 j Ij> ;w ii fe» A National Character: Crocodile Dundee was in a provincial working-class “That’s not a Knife, this is a knife. "The in the mouth carrying with it the pub in England over Christmas, blacKs run away. It’s a magical mystical power and strength of the I one which used to be my “local”. resolution to a moral panic and has man from the wilderness. The same Spurred by my presence into talk audiences laughing and cheering. power that had earlier calmed a water about Australia, the conversation Hogan, as MicK Dundee, solves buffalo with two fingers and a steady moved, not to the America’s Cup, nor lots of problems liKe this in the film. gaze. It is a quicK, quiet and unnoticed to the Test series, nor even to the First of all, he solves the problem of punch which lays the yuppie flat. weather, but to Crocodile Dundee, the giant crocodile who lunges out of Having dealt with the irritations just released on the provincial circuits. the water, about to make a meal out of of social class, Hogan moves on to the woman reporter who has tracked race: “What tribe are you from mate?“,- Actually, I should say that the MicK Dundee down and whom he has he innocently asKs of his black New conversation moved on to Paul Hogan been ogling by the edge of the water. YorK chauffeur. -
Buffalo - 1902 Cleveland KINGS MOUNTAIN 1902 - Const
Buffalo - 1902 Cleveland KINGS MOUNTAIN 1902 - Const. Admit. to KINGS MOUNTAIN. • CLIPPING SERVICE 1115 HILLSBORO IJ./ RALEIGH, NC 27603 tI TEL (919) 833-2079 THE SHELBY STAR * MONDAY *JUNE 19, 2000 Buffalo Baptist Church remains a fixture CHURCH FROM 1A . Traditions dear to Buffalo Manufacturing Co. owner Tom include Easter Sunrise service, Lattimore in 1913, Still, the with the Lord's Supper served schoolhouse did for several out in the cemetery; followed by more years, and a room to it breakfast, now served in the fel- was added in 1922, lowship hall. In the 1920s,services were Memorial Day - always the held on the fourth Saturday and fourth Sunday in May - the Sunday of each month. By 1934, day for remembering the faith- it was two Sundays a month. ful who came before, was an It was 1950before the church outdoor event too. had its first full-time pastor, the "It was hot and those flies ... Rev. O. B. Williams, and 1952 but we had some good times when the wooden building was there," Mrs. Stamey said. moved over a little to make way Dinner on the grounds was for a new brick church, which sheltered by the tall trees, and opened in 1953.. flowers were brought to deco- That is the sanctuary the rate the graves in the cemetery. congregation worships in today; Church historian Bertha and the congregation enjoys an Lackey wrote in the preface to educational building/fellow- the 75th anniversary book in 1977,"We remember those who ship hall opened in 1965. The ~ Special to The Star old wooden church was sold have given us our heritage .. -
The Paul Hogan Story
Coming to HOGES THE PAUL HOGAN STORY From Seven and FremantleMedia Australia (FMA) comes HOGES: The Paul Hogan story. An almost accidental supernova of raw comedic talent exploding onto the entertainment scene; first Australia, then the world. The story of how a married-at-18 Sydney Harbour Bridge rigger with five kids entered a TV talent contest on a dare from his work-mates to become a household name and an Oscar-nominated superstar. Embraced by all Australians and soon known simply as “Hoges,” he is joined on his meteoric journey by lifelong friend, producer and sidekick John “Strop” Cornell. Together, they first make Australians laugh, then proud with one of the most successful tourism campaigns in history selling Aussie hospitality to the world. This, with the runaway success of Crocodile Dundee, the highest US-grossing foreign film ever in its day, cements Hogan’s legacy. HOGES explores the factors which shaped this success – and at what cost success might have come. It entwines the story of his amazing journey with that of his close family life, of his two great loves, the pain of divorce, his struggle with the intense scrutiny of life in the public eye, but also of his enduring friendship with Cornell and the rollercoaster ride of their careers. FMA’s Jo Porter and Seven’s Julie McGauran are Executive Producers, Kevin Carlin (Molly, Wentworth) is Co-Producer and Director, Brett Popplewell is Producer and the script is by Keith Thompson (The Sapphires) and Marieke Hardy (Packed To The Rafters, The Family Law). The Hoges Story PART ONE PART TWO Poolside at Granville baths, a young Paul Hogan cracks jokes and pashes While the success of Crocodile Dundee catapults Hoges onto the world Noelene, his childhood sweetheart. -
ARTS and ENTERTAINMENT S Um M Er
ARTS AND ENTERTAINMENT S um m er k. O penings ucsb art exhibitions Perhaps it’s the gloom of this June begin. weather, but I feel uninspired by the three To the viewers already familiar with the art exhibits that opened on campus artist, “ Works On Paper” is an interesting yesterday. How can you explain the still document on the development of Matisse’s emptiness of not something you don’t like, style. The Renoir bronze works achieve but of something that is just rather — dull? similarity in showing the familiarity of Realizing the tremendous significance of Renoir’s work with his model Renee Jolivet. the names Pierre-Auguste Renoir and Henri The eyes, lips, bottom-heavy stance and Matisse only reminds me of a print that broad hips of the larger-than-lifesize statue hangs above a friend’s couch. One-third of it “ Venus Victrix” are classically, if almost m m is comprised of five black lines making the boringly emphatic of Renoir’s more im portant works. The sculpture is significant S > s figure of a woman’s backside and the only thing on the right side of the drawing is the of Renoir’s three-dimensional move in his 1 ®Sgg artist’s signature — Picasso. Would the later life. It is difficult, however, to separate drawing have any real merit without that the hands of the artist with the idea in this I signature? exhibit, for Renoir’s hand is not alive in the I Renoir: Five Major Works and Henri flat pitted surface of “ Venus,” nor the rest Matisse: Works On Paper and Bronzes is a m m W B a m of this exhibit which was executed under his k m M â two-fold achievement and disappointment direction of Richard Guino because of the for the University Art Museum. -
4.1 Gambaran Umum Sasaran Penelitian
4. ANALISA DATA 4.1 Gambaran Umum Sasaran Penelitian 4.1.1 Mattel Incorporation Mattel didirikan pertama kali pada tahun 1945 oleh Ruth Handler, Elliot Handler (suami Ruth Hadler), dan Harold Matson di California Selatan.Mattel menetap di kantor Hawthorne, California, sejak tahun 1948. Di tahun 1974, Mattel melakukan restrukturisasi dan berganti nama menjadi Mattel Incorporation. Visi dari perusahaan Mattel adalah “Creating the Future of Play”, dimana artinya Mattel berusaha untuk menciptakan mainan-mainan terbaru untuk membentuk masa depan dari dunia mainan. Misi mereka mengarah pada “Kepemimpinan”. Arti kepemimpinan menurut versi Mattel adalah kemampuan untuk mengembangkan dan mengkomunikasikan gambaran menarik dari masa depan yang mengilhami dan memotivasi orang lain untuk mengambil tindakan. Mattel juga menunjukkan kompetensi kepemimpinan dan dorongan untuk sukses dalam strategi bisnis mereka.Tahun 1975, Ruth dan Elliot Handler keluar dari Mattel karena usia mereka yang tua dan saat ituRuth Handler sedang menjalankan pengobatan atas penyakit kanker payudara dan kemudian meninggal di Los Angeles, California, pada tahun 2002. Sejak itu, Harold Matson berjuang demi mengembangkan Mattel sesuai dengan visi dan misinya. Salah satu organisasi Mattel yang diberi nama Mattel Children’s Foundation,didirikan pada tahun 1978, dengan tujuan untuk membantu anak-anak Amerika yang memiliki kesulitan dalam hal akuntabilitas keuangan. Para pendiri MattelChildren’s Foundation percaya bahwa anak berhak mendapatkan kesempatan untuk bermain, karena melalui bermain, anak dapat mengembangkan sosialisasi, emosional, kemampuan fisik, berimajinasi, dan memiliki mimpi. Sasaran program yang diadakan Mattel Children’s Foundation adalah anak-anak, dengan empat fokus utama yaitu Time to Play, Place to Play, Tools to Play, dan Advocate toPlay. Dalam organisasi tersebut, Mattel juga membuat program yang hanya diikuti oleh anak perempuan Amerika, yaitu “Shine On Now”. -
Marriageability and Indigenous Representation in the White Mainstream Media in Australia
Marriageability and Indigenous Representation in the White Mainstream Media in Australia PhD Thesis 2007 Andrew King BA (Hons) Supervisor: Associate Professor Alan McKee Creative Industries, Queensland University of Technology Abstract By means of a historical analysis of representations, this thesis argues that an increasing sexualisation of Indigenous personalities in popular culture contributes to the reconciliation of non-Indigenous and Indigenous Australia. It considers how sexualised images and narratives of Indigenous people, as they are produced across a range of film, television, advertising, sport and pornographic texts, are connected to a broader politics of liberty and justice in the present postmodern and postcolonial context. By addressing this objective the thesis will identify and evaluate the significance of ‘banal’ or everyday representations of Aboriginal sexuality, which may range from advertising images of kissing, television soap episodes of weddings, sultry film romances through to more evocatively oiled-up representations of the pin- up-calendar variety. This project seeks to explore how such images offer possibilities for creating informal narratives of reconciliation, and engendering understandings of Aboriginality in the media beyond predominant academic concerns for exceptional or fatalistic versions. i Keywords Aboriginality Indigenous Marriageability Reconciliation Popular Culture Sexuality Relationships Interracial Public Sphere Mediasphere Celebrity ii Table of Contents Introduction …………………………………………………………………………. -
Movie Heroes and the Heroic Journey
LESSON PLAN Level: Grades 11-12 About the Author: Adapted from the The AML Anthology. Supplement (1992), produced by the Association for Media Literacy. By Don Walker, Metropolitan Toronto Separate School Board and Leslie Johnstone, York Region Board of Education Movie Heroes and the Heroic Journey Overview The place of the hero in our modern lives is a site of struggle. On the one hand, the hero's quest can have meanings for individuals who seek to understand their own journey through life. On the other hand, the hero can be seen as a repository of those values esteemed by the society. The study of the hero as social icon offers the student an opportunity to reflect on and critique the dominant reading of the hero, as well as to consider oppositional readings. In this lesson, students will be introduced to the work of Carl Jung and Joseph Campbell and will have the opportunity to apply these theories to the examination of heroes. (Note: Teachers should replace any movies and heroic figures who no longer seem relevant with more recent examples.) Objectives To enable students to: differentiate between a classical hero, modern hero and a celebrity. identify the stages of the heroic quest. identify the dominant ideology of the culture as exemplified by a hero, and to negotiate an oppositional reading. see the application of the quest motif to their own lives. understand the role of the villain as the dark side of the hero, and the repository or reflection of the fears and concerns of society. appreciate variations of the heroic journey in different film genres. -
Critical and Creative Approaches Ed. Jan Shaw, Philippa Kelly, LE Semler
Published in Storytelling: Critical and Creative Approaches ed. Jan Shaw, Philippa Kelly, L. E. Semler (Basingstoke: Palgrave, 2013), pp. 83-113. Transnational Glamour, National Allure: Community, Change and Cliché in Baz Luhrmann’s Australia. Meaghan Morris What are the links between stories and the wider social world—the contextual conditions for stories to be told and for stories to be received? What brings people to give voice to a story at a particular historical moment? … and as the historical moment shifts, what stories may lose their significance and what stories may gain in tellability? (Plummer 25). The vantage points from which we customarily view the world are, as William James puts it, ‘fringed forever by a more’ that outstrips and outruns them (Jackson 23-24). Poetry from the future interrupts the habitual formation of bodies, and it is an index of a time to come in which what today exists potently—even if not (yet) effectively— but escapes us will find its time. (Keeling, ‘Looking for M—’ 567) 1 The first time I saw Baz Luhrmann’s Australia I laughed till I cried. To be exact, I cried laughing at dinner after watching the film with a group of old friends at an inner suburban cinema in Sydney. During the screening itself I laughed and I cried. As so often in the movies, our laughter was public and my tears were private, left to dry on my face lest the dabbing of a tissue or an audible gulp should give my emotion away. The theatre was packed that night with a raucously critical audience groaning at the dialogue, hooting at moments of high melodrama (especially Jack Thompson’s convulsive death by stampeding cattle) and cracking jokes at travesties of history perceived on screen.