Buffalo - 1902 Cleveland KINGS MOUNTAIN 1902 - Const

Total Page:16

File Type:pdf, Size:1020Kb

Buffalo - 1902 Cleveland KINGS MOUNTAIN 1902 - Const Buffalo - 1902 Cleveland KINGS MOUNTAIN 1902 - Const. Admit. to KINGS MOUNTAIN. • CLIPPING SERVICE 1115 HILLSBORO IJ./ RALEIGH, NC 27603 tI TEL (919) 833-2079 THE SHELBY STAR * MONDAY *JUNE 19, 2000 Buffalo Baptist Church remains a fixture CHURCH FROM 1A . Traditions dear to Buffalo Manufacturing Co. owner Tom include Easter Sunrise service, Lattimore in 1913, Still, the with the Lord's Supper served schoolhouse did for several out in the cemetery; followed by more years, and a room to it breakfast, now served in the fel- was added in 1922, lowship hall. In the 1920s,services were Memorial Day - always the held on the fourth Saturday and fourth Sunday in May - the Sunday of each month. By 1934, day for remembering the faith- it was two Sundays a month. ful who came before, was an It was 1950before the church outdoor event too. had its first full-time pastor, the "It was hot and those flies ... Rev. O. B. Williams, and 1952 but we had some good times when the wooden building was there," Mrs. Stamey said. moved over a little to make way Dinner on the grounds was for a new brick church, which sheltered by the tall trees, and opened in 1953.. flowers were brought to deco- That is the sanctuary the rate the graves in the cemetery. congregation worships in today; Church historian Bertha and the congregation enjoys an Lackey wrote in the preface to educational building/fellow- the 75th anniversary book in 1977,"We remember those who ship hall opened in 1965. The ~ Special to The Star old wooden church was sold have given us our heritage ... In then, dismantled and moved. His mercy, we face the future." The first church building was a school house, and church members added the wing in 1922. This photo was taken in 1951. four to four and a half minutes ed by agreeing to have EMS sta- without a project of my"_?wn.I from the time we receive the tioned at the site. have never been out of .'~rk alarm," Hamrick said. "Due to And while fireflghters haven't and the only thing I ha\~n't ' " annexation, we've had some six- been assigned to the station yet, made are these big, popular minute runs in that area." Hamrick said they will enjoy a films. I have never wanted to Four firefighters and two top-notch facility and state-of-the- and I never will." EMS workers will be on duty at art equipment. On Thursday, "Nashville" the station 24 hours a day, seven The fire department has kicks off an 18-fIlmretrospec-r" days a week. already bought a new fire truck tive of Altman's films spon- '''~ n The station is the third sta- for the station. Hamrick said the sored by the Los Angeles :~,~; Associated Press tion in the Shelby Fire coverage area is a mixture of res- County Museum of Art. Windward Downs in north Raleigh as the sun rises. Department; the other two are idential and commercial build- Most majormat stu dilOS would TlII1... such a heavy toll on the Research Triangle landscape the Grover Street Station and the ings, meaning the fire depart- balk at making 1970's "MASH~i'111 stland that covered Wake and Durham counties in the Charles Road Station. ment needs a versatile vehicle. or 1975's "Nashville" today, he , ppear over the next 20 years, officials said. Freeman said building the He said the truck they bought said, because of the fllms' .~ Kings Road Extension station has fits the bill, with a 75-foot, 600- sprawling narratives, huge h. ailing to development been a cooperative effort between pound capacity ladder, rescue casts and satiric treatment of .. the city,the county and Cleveland equipment and remote control human tragedy. Community College. water nozzles. Altman says Hollywood is reh Triangle area "The property we're building "You can run it like a now more interested in "toy that although half of the Triangle on was owned by the community Nintendo system," Hamrick said films" than adult-oriented fare .. is still covered with trees, tracts of college," Freeman said. "The col- of the remote control features. "They are appealing to the "interior" forest, 17acres or more, lege is building a classroom and Hamrick said residents will 13-year-olds straight across. are limited. fire training center at the rear of be as pleased with the new fire And they don't even do them At Duke, Halpin compared the property." station as he is. well. There is no reason why NASA satellite images of the This training center will "I think the community over this recent Tom Cruise film, region from 1986and 1997 in an serve all of the fire departments there will be proud of it," he said. 'Mission: Impossible 2,' can't be effort to establish areas of perma- good as well as have all the nent vegetation loss. action they need," Altman said. "The amount of change speck- "They are making stuff that 11 1 led all over the landscape is very Cleveland County gets won't endure." striking," he "It's a much <UU:=-<;lUI,.I.......,JlUore Crocodile Dundee, most people at first." s te t· g in 2 4 Local ordinances in most where have you been? tailpipe test," Gordey said. Triangle governments now EMISSIONS FROM 1A BRISBANE, Australia (AP) However, since the OBD sys- require a percentage of each Go~dey s.aid the testing pro- - U.S.-based actor Paul Hogan tem didn't become standard development to be left as "open gram Itself IS changing and the will return home to Australia to until 1996, older cars can't be space," a policy that saves trees "tailpipe test" now used in make a third movie about tested. Gordey said by 2004, but encourages forest fragmenta- Gaston and other tested coun- Outback swashbuckler tion. Other ordinances aim to pro- ties won't be used when testing most cars on the road will be Crocodile Dundee. 1996 models or newer and as tect street trees and buffers along starts up in Cleveland County. The Queensland state gov- and fragmen- adjoining properties. Instead, cars will have to time passes, a larger percentage ernment said the filming of of cars will need testing. increase ero- But Kate Dixon, executive pass an on-board diagnostic "Crocodile Dundee III" would water runoff, director of the Triangle Land (OBD) test. The tougher air pollution start.in August at the Movie standards are designed to quality, and Conservancy, said regional plan- "In 1996, the auto industry World Studios on the Gold Coast, habitat and ning for open space and forest standardi~ed ,~hisOBD system," reduce ozone levels, which is 55miles south of Brisbane. preservation is minimal. Gordey said. They have a little the main factor in urban smog. A former construction work- In April, the conservancy, an plug around the dash area Cars and trucks account for er and stand-up comic, Hogan environmental group in Raleigh, where you plug in an OBD about half of the state's ozone- became a celebrity after starring called for a "Greenl'rint;" a devel- tool." forming emissions, according as the laconic, wisecracking title to the North Carolina opment plan that would identify ~his c~mp~terized system character in the 1986hit the remaining tracts of forest that tells the dnver if the car is hav- Department of Environment "Crocodile Dundee," which could be targeted for protection. ing any problems with its emis- and Natural Resources. earned an Academy Award nom- "It's a tremendously complex sion system and where those Most of the counties added ination for its three writers. problem we've got before us," said problems are located. to the list of tested counties are While still a hit, a 1988sequel Neal Hunt, chairman of the If a car is having problems in the Piedmont, the state's was not as successful as the orig- Raleigh Planning Commission. with its emission system those most heavily populated area. inal and Hogan's career has ' The new standards take "Tree preservation is critical .... must be repaired before' a car flagged since. His most recent On the other hand, we've got pri- can jiass inspection. effect in Lincoln County on Jan. success has been as a celebrity 1, 2004, and in Rutherford vate-property rights." "It's more stringent than the pitchman for the Subaru County on July 1, 2005. Outback. -- WEATHER I LOCAL AND NATIONAL II II II ~i2~~ (,~\ -W_I'.<A ~UbJ p~ The Son Company rom Gardner-Webb College will present a special musical program Sunday at 7 p. m. at Buffalo Ba2tist Church. The group specializes in ministering to people of varying age groups in a number of ways including gospel music, pup- petry and preaching. Buffalo Baptist Church is located across from Dover Yarn Mills. The Rev. Marvin Whisnant is pastor, and David R. Hutchins is youth director. The Junior Choir of Wardell Chapel Church will present a concert Sunday at 3 p. m. at the church on the occasion of the closing of the baby contest. E. W. Jones is pianist for the group, and Miss M. E. Jones is director. The program is' sponsored by the Parent Body of the Woman's Home and Foreign Missionary Society. Film Slated The film, "Corrie: Behind the Scenes with 'The Hiding Place'" will be presented Sunday at 7 p. m. at David Baptist Church. located on Highway 74 across from Beth- ware School. The full-length color release from World Wide Pictures tells of the life, family and lifetime of service to others of Corrie 'ten Boom.
Recommended publications
  • Central Florida Future, Vol. 19 No. 14, October 9, 1986
    University of Central Florida STARS Central Florida Future University Archives 10-9-1986 Central Florida Future, Vol. 19 No. 14, October 9, 1986 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 19 No. 14, October 9, 1986" (1986). Central Florida Future. 659. https://stars.library.ucf.edu/centralfloridafuture/659 Weather: There's alot of sun behind those rain clouds Thursday, October 9, 1986 The Central Florida Future Volume 19 Number 14 - University of Central Florida/Orlando Twelve pages BOR forces credit Committee may hike union to re·locate health fee by Desiree McCartney Department of University NEWS EDITOR Relations, located next to the Fee could rise credit union's old location, is cramped due to lack of space. from 524 to 530 The UCF Federal Credit The move will allow the Union re-located to th~ department to be more spread Washington T. Student out. by Tim Ball Services Building last Hyde explained the move CENTRAL FLORIDA FUTURE Monday because UCF's does have some benefits. He Board of Regents policy said the credit union will now The Health Fee Committee involving space allocation.
    [Show full text]
  • A National Character: Crocodile Dundee
    TIMEOUT AUSTRALIAN LEFT REVIEW 35 n » 'j i ...........iiiiiiiiiii'iiiiiioijniM i........I - MiiiM iiJiLiii It[i 11 i m 11 ij 111111111 j Ij> ;w ii fe» A National Character: Crocodile Dundee was in a provincial working-class “That’s not a Knife, this is a knife. "The in the mouth carrying with it the pub in England over Christmas, blacKs run away. It’s a magical mystical power and strength of the I one which used to be my “local”. resolution to a moral panic and has man from the wilderness. The same Spurred by my presence into talk audiences laughing and cheering. power that had earlier calmed a water about Australia, the conversation Hogan, as MicK Dundee, solves buffalo with two fingers and a steady moved, not to the America’s Cup, nor lots of problems liKe this in the film. gaze. It is a quicK, quiet and unnoticed to the Test series, nor even to the First of all, he solves the problem of punch which lays the yuppie flat. weather, but to Crocodile Dundee, the giant crocodile who lunges out of Having dealt with the irritations just released on the provincial circuits. the water, about to make a meal out of of social class, Hogan moves on to the woman reporter who has tracked race: “What tribe are you from mate?“,- Actually, I should say that the MicK Dundee down and whom he has he innocently asKs of his black New conversation moved on to Paul Hogan been ogling by the edge of the water. YorK chauffeur.
    [Show full text]
  • The Paul Hogan Story
    Coming to HOGES THE PAUL HOGAN STORY From Seven and FremantleMedia Australia (FMA) comes HOGES: The Paul Hogan story. An almost accidental supernova of raw comedic talent exploding onto the entertainment scene; first Australia, then the world. The story of how a married-at-18 Sydney Harbour Bridge rigger with five kids entered a TV talent contest on a dare from his work-mates to become a household name and an Oscar-nominated superstar. Embraced by all Australians and soon known simply as “Hoges,” he is joined on his meteoric journey by lifelong friend, producer and sidekick John “Strop” Cornell. Together, they first make Australians laugh, then proud with one of the most successful tourism campaigns in history selling Aussie hospitality to the world. This, with the runaway success of Crocodile Dundee, the highest US-grossing foreign film ever in its day, cements Hogan’s legacy. HOGES explores the factors which shaped this success – and at what cost success might have come. It entwines the story of his amazing journey with that of his close family life, of his two great loves, the pain of divorce, his struggle with the intense scrutiny of life in the public eye, but also of his enduring friendship with Cornell and the rollercoaster ride of their careers. FMA’s Jo Porter and Seven’s Julie McGauran are Executive Producers, Kevin Carlin (Molly, Wentworth) is Co-Producer and Director, Brett Popplewell is Producer and the script is by Keith Thompson (The Sapphires) and Marieke Hardy (Packed To The Rafters, The Family Law). The Hoges Story PART ONE PART TWO Poolside at Granville baths, a young Paul Hogan cracks jokes and pashes While the success of Crocodile Dundee catapults Hoges onto the world Noelene, his childhood sweetheart.
    [Show full text]
  • Movie Heroes and the Heroic Journey
    LESSON PLAN Level: Grades 11-12 About the Author: Adapted from the The AML Anthology. Supplement (1992), produced by the Association for Media Literacy. By Don Walker, Metropolitan Toronto Separate School Board and Leslie Johnstone, York Region Board of Education Movie Heroes and the Heroic Journey Overview The place of the hero in our modern lives is a site of struggle. On the one hand, the hero's quest can have meanings for individuals who seek to understand their own journey through life. On the other hand, the hero can be seen as a repository of those values esteemed by the society. The study of the hero as social icon offers the student an opportunity to reflect on and critique the dominant reading of the hero, as well as to consider oppositional readings. In this lesson, students will be introduced to the work of Carl Jung and Joseph Campbell and will have the opportunity to apply these theories to the examination of heroes. (Note: Teachers should replace any movies and heroic figures who no longer seem relevant with more recent examples.) Objectives To enable students to: differentiate between a classical hero, modern hero and a celebrity. identify the stages of the heroic quest. identify the dominant ideology of the culture as exemplified by a hero, and to negotiate an oppositional reading. see the application of the quest motif to their own lives. understand the role of the villain as the dark side of the hero, and the repository or reflection of the fears and concerns of society. appreciate variations of the heroic journey in different film genres.
    [Show full text]
  • Critical and Creative Approaches Ed. Jan Shaw, Philippa Kelly, LE Semler
    Published in Storytelling: Critical and Creative Approaches ed. Jan Shaw, Philippa Kelly, L. E. Semler (Basingstoke: Palgrave, 2013), pp. 83-113. Transnational Glamour, National Allure: Community, Change and Cliché in Baz Luhrmann’s Australia. Meaghan Morris What are the links between stories and the wider social world—the contextual conditions for stories to be told and for stories to be received? What brings people to give voice to a story at a particular historical moment? … and as the historical moment shifts, what stories may lose their significance and what stories may gain in tellability? (Plummer 25). The vantage points from which we customarily view the world are, as William James puts it, ‘fringed forever by a more’ that outstrips and outruns them (Jackson 23-24). Poetry from the future interrupts the habitual formation of bodies, and it is an index of a time to come in which what today exists potently—even if not (yet) effectively— but escapes us will find its time. (Keeling, ‘Looking for M—’ 567) 1 The first time I saw Baz Luhrmann’s Australia I laughed till I cried. To be exact, I cried laughing at dinner after watching the film with a group of old friends at an inner suburban cinema in Sydney. During the screening itself I laughed and I cried. As so often in the movies, our laughter was public and my tears were private, left to dry on my face lest the dabbing of a tissue or an audible gulp should give my emotion away. The theatre was packed that night with a raucously critical audience groaning at the dialogue, hooting at moments of high melodrama (especially Jack Thompson’s convulsive death by stampeding cattle) and cracking jokes at travesties of history perceived on screen.
    [Show full text]
  • TA Campaign History
    Dundee: The Son of a Legend Returns Home – Campaign Creative 1. Synopsis Crocodile Dundee is back. Well, actually, he’s missing in the Outback. And the only person who might be able to find him is the loudmouthed American son no one knew he had. Introducing Danny McBride as Brian Dundee. This son of a legend is forced to channel his Aussie roots as he teams up with a local expert, Wally Jr., played by Chris Hemsworth. Together, they’ll embark on the ultimate adventure in the land Down Under. It’s time to live up to the family name. Official Teaser Trailer #1 https://youtu.be/PCS657nOY8I This teaser is set in an epic canyon in the middle of the Australian outback. High on a cliff we see a silhouette of a man looking out over the canyon. As we get closer and closer, the music builds. A series of titles build anticipation for who the man is. They read, “This summer... The son of an Australian legend... Returns home...”. We see the man wearing a crocodile skin vest and black hat. He turns to camera and we realize it's Danny McBride. He confidently says, "G'day losers". We cut back to Danny playing with his huge knife and putting his own spin on the original film’s most famous line, “That’s not a knife. That’s a knife.”. Official Teaser Trailer #2 https://youtu.be/pk0BKD68rjs In this teaser, we see a bus travelling down a long, straight road in the middle of the outback. Wally Jr.
    [Show full text]
  • Master 261 May
    FICTION ordinary everyday Territory life. Bronco Ride This book’s strengths and weaknesses are on a big scale, and that alone makes Finlayson a writer worth watching. The portrait of the Territory — an utterly different universe Susan Varga from the Australia most of us know — is in-your-face vital and rich, if sometimes undisciplined. This is the best con- Kate Finlayson temporary account of life in north-west Australia that I have A LOT OF CROC: AN URBAN BUSH LEGEND read. It can be funny, too, with a frank humour that encom- Vintage, $22.95pb, 358pp, 1 74051 150 6 passes being ‘sung’ for love by an ugly old Aboriginal bloke, a natty account of an Alice Springs tattoo parlour, and some ATE FINLAYSON’s first novel is a bumpy bronco unlikely sex. ride, as exhilarating, confronting and messy as the Finlayson is superb when writing about Aboriginal life. K Northern Territory that she writes about so passion- She tells it as she sees it, from a white perspective, un- ately. Finlayson’s protagonist, Connie, is stuck barmaiding in sentimental and wrenchingly honest, with an unpretentious a rough city pub. Despite her street smarts and university empathy for what it means to live on the other side of white degree, Connie is starting to go to the dogs along with the culture. Her depictions of the sights and smells of Aboriginal pub’s patrons. She decides to leave Sydney to pursue a post- life leap off the page. adolescent obsession with Rod Ansell, the inspiration for the Less successful, I think, is the Crocodile Dundee tale.
    [Show full text]
  • Danger! Danger! Danger!, Or When Animals Might Attack: the Adventure Activist Genre
    Portland State University PDXScholar School of Film Faculty Publications and Presentations School of Film 2005 Danger! Danger! Danger!, or When Animals Might Attack: The Adventure Activist Genre Mark L. Berrettini Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/ta_fac Part of the Film and Media Studies Commons Let us know how access to this document benefits ou.y Citation Details Berrettini, M. L. (2005). 'Danger! Danger! Danger!, or When Animals Might Attack: The Adventure Activist Genre,' Scope: On-line Journal of Film Studies. www.scope.nottingham.ac.uk/ This Article is brought to you for free and open access. It has been accepted for inclusion in School of Film Faculty Publications and Presentations by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Scope | Issue 1| Articles ABOUT | SUBMISSION GUIDELINES | EDITORIAL BOARD | ADVISORY BOARD | PREVIOUS ISSUES Issue 1: Articles 'Danger! Danger! Danger!' or When Animals Might Attack: Adventure Activism and Wildlife Film and Television Mark L. Berrettini, University of Northern Colorado, USA In the Animal Planet series The Crocodile Hunter and Peter Lynch's 1996 documentary Project Grizzly, Steve Irwin, the Crocodile Hunter and Troy Hurtubise, the subject of Lynch's film, reason that action-packed, close encounters with animals are the mainstay of their respective work. Irwin states at the end of an episode titled "Steve's Story": I have to get right, fair smack into the action because this day has come where the audience, you, need to come with me and be there with that animal because if we can touch people with wildlife then they want to save it.
    [Show full text]
  • Mitigating Risk: the Case for More Adaptations in the Australian Films
    This research was undertaken as part of the Master of Arts program at the Australian Film, Television and Radio School in collaboration with Screen Australia. ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! AUSTRALIAN FILM TELEVISION AND RADIO SCHOOL Occasional Paper Mitigating Risk The case for more adaptations in the Australian film industry Matthew Hancock July 2010 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! This research was undertaken as part of the Master of Arts program at the Australian Film, Television and Radio School in collaboration with Screen Australia. The views expressed in this paper are the author's and do not necessarily reflect those of either organisation. Cover Image: Production still from AFTRS short film Fallen ! AUSTRALIAN FILM TELEVISION AND RADIO SCHOOL Occasional Paper A healthy slate needs adaptation Adaptations come in all shapes and sizes from films based on books and plays to sequels and remakes. They are often referred to as crude imitations and occasionally cited as enlightened reinventions. Whether they are praised or criticised, the act of creating a second version of an original thing brings with it many artistic challenges and economic rewards. This paper aims to improve the industry’s understanding of the latter. To date, there has been very little in the way of financial analysis of Australian adaptations. To address this knowledge gap I undertook a study of all 200 Australian dramas theatrically released in the 10-year period 1999–2008. The study is based on never–before published box office and production budget data, as well as industry consultation and international comparisons. For the purpose of this study adaptations were defined as those films based on existing creative works.
    [Show full text]
  • The Cinematic Northern Territory of Australia
    This is a repository copy of The Cinematic Northern Territory of Australia. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/107635/ Version: Accepted Version Book Section: Rayner, J.R. (2016) The Cinematic Northern Territory of Australia. In: Dobson, J. and Rayner, J.R., (eds.) Mapping Cinematic Norths. New Studies in European Cinema, 20 . Peter Lang , Bern, Switzerland , pp. 241-261. ISBN 978-3-0343-1895-2 https://doi.org/10.3726/978-1-78707-082-0 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ The Cinematic Northern Territory of Australia Jonathan Rayner, University of Sheffield Introduction Here is a passionate and prolific earth never tamed and trimmed to small designs of man; …. A sixth of Australia….
    [Show full text]
  • Australiabites
    AustraliaBites Volume 1, Issue 9 - October 2012 他山之石可以攻玉 Welcome to the ninth issue of ACYA’s monthly AustraliaBites, designed to give Chinese and Australian students a unique insight into Australian society and culture. If you missed them, please click here for previous issues. If you have any questions, suggestions, or contributions to Aus- traliaBites, please send an email to [email protected]. Media Watch POLITICS: Gillard’s Misogyny Speech Goes Global—ABC (10 October) In response to comments made by Opposition Leader Tony Abbott in reference to the Peter Slipper scandal—that people who hold sexist views are not fit for political office—Prime Minister Julia Gillard retort- ed with a powerful 15-minute speech attacking Abbott for being a mi- sogynist himself, and cutting down his arguments with a bountiful list of offensive comments Abbott himself has made in the past. The speech was global news and trended highly on social media sites. ECONOMICS: NSW Budget Surplus After Accounting Error Discovered—ABC (31 October) The Auditor-General has revealed that the New South Wales Government made a series of accounting errors totaling up to $1 billion in the State Budget forecast that was delivered by NSW Treasurer Mike Baird in June, meaning that instead of a predicted deficit of $337 million there will in fact be a surplus of $680 million. Controversially, the Government justified mas- sive public sector cuts with the need to save money, money which was actually already there. SOCIETY: Australia In The Asian Century—Economist (31 October) On 28 October, Julia Gillard launched the “Australia in the Asian “Do Australians Century” White Paper, hailing it as a turning point in Australia’s want more Asia engagement with Asia and committing to expanding Asian lan- engagement?” guage education and relaxing visa requirements.
    [Show full text]
  • At One Point in Hogan's Crocodile Dundee in Los Angeles, Mick Get A
    Crocodile Dundee in Los Angeles (2001) Directed by Simon Wincer. Written by Matthew Berry and Eric Abrams At one point in Paul Hogan’s Crocodile Dundee in Los Angeles, Mick (Hogan) gets a job as a Hollywood extra for the filming of, “Lethal Agent III”. If the first “Lethal Agent” bombed in the theatres and the sequel went straight to video, “Lethal Agent III” was described as the worst of the lot. Is this a prediction for Crocodile Dundee III? It certainly lacked the romantic charm of the 1986 original and now, the franchise can only parody itself. The motif of this series is the juxtaposition of the rural and urban jungles; at its heart is the character of Dundee himself. He may have fallen off the turnip truck, Mick explains, but he didn’t land on his head. Or if he did, he didn’t land very hard. The opening visual brings us back to the original movie, the sparsely-treed bush of Australia’s Northern Territory, home to a variety of strange and wondrous creatures, none stranger, of course, than Crocodile Dundee himself. Like the first movie, we meet Dundee by reputation before we meet him in person. Mick is the “second best crocodile hunter” in the territory, according to a Dundee wanna-be and full-time tour guide in charge of a bus load of city folk who have arrived in Walkabout Creek, population 20, for a tour of the fringes of the outback. Mick knows that he has been reduced from hunting crocodiles to providing a side-show for the tourist market.
    [Show full text]