News Update for London's Museums
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Virtual Museum Scavenger Hunt
Virtual Museum Scavenger Hunt Musee d’Orsay, Paris, France The French Art of the Musee d’Orsay Welcome to the Musee d’Orsay Scavenger Hunt! This museum is located in Paris, France. In its past life, it was a railway station until 1939. During World War II, the French used it as a mailing station. Today, it holds French art from 1848 to 1914. The French wanted to create a museum that had pieces that other museums did not have room for. Quick Fun Facts about the museum! This museum has the largest 35,000 Square Meters of the It is one of the largest art collection of impressionist building is made of glass museums in Europe. masterpieces It took 6 months to place all of It has more metal than the Eiffel It was the first museum in the paintings and art into the Tower France to have a photography museum exhibition Start by going to this link: https://artsandculture.google.com/partner/musee-dorsay-paris?hl=en Part One: 1. You will need to select Canvas. Find the painting titled “Self Portrait”. a. Can you tell me when the piece was painted? b. Can you tell me who painted it? 2. Return to the home page through the link above. Then select Modern Art. Find the painting called “Magpie”. a. What season is portrayed in the painting? b. Who painted it? 3. Return to the homepage through the link above. Then select France. Search for the painting called “The circle of the Rue Royale”. a. Can you count how many people are in the painting? 4. -
Community Development Project Manager 1
Role Description – Community Development Project Manager Job Title Community Development Project Manager (Fixed Term Contract) Responsible to Museum Manager Works with Museum Manager, COO, Project Volunteers, Digital Learning Officer, Curator Contract May/June 2021 – August 2021 Location Museum of Brands, London, W11 1QT with remote working Hours 8.5 hours per day Working pattern 5 days per week Holiday 20 days, 8 days public holidays (pro-rata) Salary £28,000 per annum (pro-rata) 1) Job Purpose This strategic role has been identified for continuing the delivery of our wellbeing project, Brand Memories, which helps people living with dementia (including early onset) and their carers and families, as well a wider 65+ audience across London to access and engage with the Museum of Brands. The project highlights the value of Brands as a tool in dementia therapy and provides a permanent new department in an expanding independent Museum. This position is best suited for a candidate with demonstrable knowledge in marketing and communications and with a past record of delivering and evaluating successful community projects. 2) Main responsibilities Project Management • Deliver the final phase of the ‘Brand Memories’ project, using an existing project plan and grant applications to guide aims, activities and targets, including 26,000 beneficiaries across the project duration • Responsible for all aspects of project delivery including planning, budget, reporting, marketing and evaluation • Work with project funders to ensure all grant requirements -
Urban Megaprojects-Based Approach in Urban Planning: from Isolated Objects to Shaping the City the Case of Dubai
Université de Liège Faculty of Applied Sciences Urban Megaprojects-based Approach in Urban Planning: From Isolated Objects to Shaping the City The Case of Dubai PHD Thesis Dissertation Presented by Oula AOUN Submission Date: March 2016 Thesis Director: Jacques TELLER, Professor, Université de Liège Jury: Mario COOLS, Professor, Université de Liège Bernard DECLEVE, Professor, Université Catholique de Louvain Robert SALIBA, Professor, American University of Beirut Eric VERDEIL, Researcher, Université Paris-Est CNRS Kevin WARD, Professor, University of Manchester ii To Henry iii iv ACKNOWLEDGMENTS My acknowledgments go first to Professor Jacques Teller, for his support and guidance. I was very lucky during these years to have you as a thesis director. Your assistance was very enlightening and is greatly appreciated. Thank you for your daily comments and help, and most of all thank you for your friendship, and your support to my little family. I would like also to thank the members of my thesis committee, Dr Eric Verdeil and Professor Bernard Declève, for guiding me during these last four years. Thank you for taking so much interest in my research work, for your encouragement and valuable comments, and thank you as well for all the travel you undertook for those committee meetings. This research owes a lot to Université de Liège, and the Non-Fria grant that I was very lucky to have. Without this funding, this research work, and my trips to UAE, would not have been possible. My acknowledgments go also to Université de Liège for funding several travels giving me the chance to participate in many international seminars and conferences. -
The Seven Ages of Musical Theatre: the Life Cycle of the Child Performer
UNIVERSITY OF SOUTHAMPTON The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook A thesis submitted in partial fulfillment for the degree of Doctor of Philosophy in the Humanities Faculty School of Music April 2016 \A person's a person, no matter how small." Dr. Seuss UNIVERSITY OF SOUTHAMPTON Abstract Humanities Faculty School of Music Doctor of Philosophy The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook The purpose of the research reported here is to explore the part played by children in musical theatre. It aims to do this on two levels. It presents, for the first time, an historical analysis of involvement of children in theatre from its earliest beginnings to the current date. It is clear from this analysis that the role children played in the evolution of theatre has been both substantial and influential, with evidence of a number of recurring themes. Children have invariably made strong contributions in terms of music, dance and spectacle, and have been especially prominent in musical comedy. Playwrights have exploited precocity for comedic purposes, innocence to deliver difficult political messages in a way that is deemed acceptable by theatre audiences, and youth, recognising the emotional leverage to be obtained by appealing to more primitive instincts, notably sentimentality and, more contentiously, prurience. Every age has had its child prodigies and it is they who tend to make the headlines. However the influence of educators and entrepreneurs, artistically and commercially, is often underestimated. Although figures such as Wescott, Henslowe and Harris have been recognised by historians, some of the more recent architects of musical theatre, like Noreen Bush, are largely unheard of outside the theatre community. -
London Explorer Pass List of Attractions
London Explorer Pass List of Attractions Tower of London Uber Boat by Thames Clippers 1-day River Roamer Tower Bridge St Paul’s Cathedral 1-Day hop-on, hop-off bus tour The View from the Shard London Zoo Kew Gardens Shakespeare’s Globe Theatre Tour Westminster Abbey Kensington Palace Windsor Palace Royal Observatory Greenwich Cutty Sark Old Royal Naval College The Queen’s Gallery Chelsea FC Stadium Tour Hampton Court Palace Household Cavalry Museum London Transport Museum Jewel Tower Wellington Arch Jason’s Original Canal Boat Trip ArcelorMittal Orbit Beefeater Gin Distillery Tour Namco Funscape London Bicycle Hire Charles Dickens Museum Brit Movie Tours Royal Museums Greenwich Apsley House Benjamin Franklin House Queen’s Skate Dine Bowl Curzon Bloomsbury Curzon Mayfair Cinema Curzon Cinema Soho Museum of London Southwark Cathedral Handel and Hendrix London Freud Museum London The Postal Museum Chelsea Physic Garden Museum of Brands, Packaging and Advertising Pollock’s Toy Museum Twickenham Stadium Tour and World Rugby Museum Twickenham Stadium World Rugby Museum Cartoon Museum The Foundling Museum Royal Air Force Museum London London Canal Museum London Stadium Tour Guildhall Art Gallery Keats House Estorick Collection of Modern Italian Art Museum of London Docklands National Army Museum London Top Sights Tour (30+) Palaces and Parliament – Top Sights Tour The Garden Museum London Museum of Water and Steam Emirates Stadium Tour- Arsenal FC Florence Nightingale Museum Fan Museum The Kia Oval Tour Science Museum IMAX London Bicycle Tour London Bridge Experience Royal Albert Hall Tour The Monument to the Great Fire of London Golden Hinde Wembley Stadium Tour The Guards Museum BAPS Shri Swaminarayan Mandir Wernher Collection at Ranger’s House Eltham Palace British Museum VOX Audio Guide . -
By Mike Klozar Have You Dreamed of Visiting London, but Felt It Would
By Mike Klozar Have you dreamed of visiting London, but felt it would take a week or longer to sample its historic sites? Think again. You can experience some of London's best in just a couple of days. Day One. • Thames River Walk. Take a famous London Black Cab to the Tower of London. The ride is an experience, not just a taxi. (15-30 min.) • Explore the Tower of London. Keep your tour short, but be sure to check out the Crown Jewels. (1-2 hrs.) • Walk across the Tower Bridge. It's the fancy blue one. (15 min.) From here you get the best view of the Tower of London for photos. • Cross over to Butler's Wharf and enjoy lunch at one of the riverfront restaurants near where Bridget lived in Bridget Jones's Diary. (1.5 hrs.) • Keeping the Thames on your right, you'll come to the warship HMS Belfast. Tours daily 10 a.m.-4 p.m. (30 min.-1 hr.) • Walk up London Bridge Street to find The Borough Market. Used in countless films, it is said to be the city's oldest fruit and vegetable market, dating from the mid-1200s. (1 hr.) • Back on the river, you'll discover a tiny ship tucked into the docks: a replica of Sir Francis Drake's Golden Hind, which braved pirates in the days of yore. (15 min.) • Notable London pubs are situated along the route and are good for a pint, a cup of tea and a deserved break. Kids are welcome. -
Archiving the Arts Survey Results Theatre and Performance 2013
Archiving the Arts Survey Results Theatre and performance 2013 Sustainability, collection development and access © Crown copyright 2013 You may re-use this document (not including logos) free of charge in any format or medium, under the terms of the Open Government Licence. To view this licence, visit: www.nationalarchives.gov.uk/doc/open-government-licence/; or email: [email protected]. Any enquiries regarding the content of this document should be sent to Archives Sector Development: [email protected]. This document is also available at: www.nationalarchives.gov.uk/documents/archives/arts-survey-results-theatre.pdf. Archiving the Arts Survey results, Theatre and Performance, 2013 Page 1 of 83 Archiving the Arts Surveys The surveys were designed to gather mainly qualitative information relating to current thinking and practice across archives and collecting institutions; strategic and funding bodies; and artistic practitioners. Results of the surveys are detailed in full below. Survey 1: Collecting organisations The survey aimed to broadly establish areas of collecting and development activity, participation in projects and initiatives, their impacts, the specific uses of policies tools and guidance, wider awareness of such materials and levels of interest for knowledge sharing and future participation. Question and results Notes There was a spread of arts disciplines collected. These ranged from visual arts at 21.47%, to theatre at 17.51%, literature 15.82%, dance 12.43%, combined arts and music both at 10.73%, other 9.60% and none 1.69%. Archiving the Arts Survey results, Theatre and Performance Page 2 of 83 Of the other disciplines, Live Art and radio covering the arts were equal at 20%. -
Daily Report Thursday, 14 January 2021 CONTENTS
Daily Report Thursday, 14 January 2021 This report shows written answers and statements provided on 14 January 2021 and the information is correct at the time of publication (06:29 P.M., 14 January 2021). For the latest information on written questions and answers, ministerial corrections, and written statements, please visit: http://www.parliament.uk/writtenanswers/ CONTENTS ANSWERS 7 Police and Crime BUSINESS, ENERGY AND Commissioners: Elections 15 INDUSTRIAL STRATEGY 7 Schools: Procurement 16 Additional Restrictions Grant 7 Veterans: Suicide 16 Business: Coronavirus 7 DEFENCE 17 Business: Grants 8 Armed Forces: Health Conditions of Employment: Services 17 Re-employment 9 Defence: Expenditure 17 Industrial Health and Safety: HMS Montrose: Repairs and Coronavirus 9 Maintenance 18 Motor Neurone Disease: HMS Queen Elizabeth: Research 10 Repairs and Maintenance 18 Podiatry: Coronavirus 11 DIGITAL, CULTURE, MEDIA AND Public Houses: Coronavirus 11 SPORT 19 Wind Power 12 British Telecom: Disclosure of Information 19 CABINET OFFICE 13 Broadband: Elmet and Civil Servants: Business Rothwell 20 Interests 13 Broadband: Greater London 20 Coronavirus: Disease Control 13 Chatterley Whitfield Colliery 21 Coronavirus: Lung Diseases 13 Data Protection 22 Debts 14 Educational Broadcasting: Fisheries: UK Relations with Coronavirus 23 EU 14 Events Industry and Iron and Steel: Procurement 14 Performing Arts: Greater National Security Council: London 23 Coronavirus 15 Football: Dementia 24 Football: Gambling 24 Organic Food: UK Trade with Freedom of Expression -
The Bourse De Commerce — Pinault Collection, a Museum Accessible to Everyone
The Bourse de Commerce — Pinault Collection, a museum accessible to everyone In the heart of Paris, the Bourse de Commerce — Pinault Collection presents part of the contemporary art collection amassed by François Pinault over the past forty years. In the historic building of the former Bourse de Commerce (com- modities exchange), restored and transformed by Japanese architect Tadao Ando, a dialogue emerges between heritage and contemporary creation. Through the prism of a collector’s gaze on the art of today and in an effort to increase public awareness and understanding, the Bourse de Commerce — Pinault Collection offers regular exhibitions and hangings of contemporary art, with artist com- missions, cartes blanches and a rich programme of cultural events: lectures, screenings, concerts and performances. Open to everyone, the Bourse de Commerce — Pinault Collection strives to offer an accessible and inclusive pro- gramme of events in line with its exhibitions. Finally, the Bourse de Commerce – Pinault Collection is equip- ped with all the necessary facilities to ensure that everyone’s visit is a pleasant and stress-free experience. Certain areas of this listed building with historic monument status are subject to preservation constraints and therefore, do not feature standard accessibility norms. This booklet explains the visiting conditions and resources put at your disposal in order to facilitate your access and visit to the museum. A museum accessible to everyone / Bourse de Commerce — Pinault Collection 1 Summary Practical information -
Libeskind's Jewish Museum Berlin
Encountering empty architecture: Libeskind’s Jewish Museum Berlin Henrik Reeh Preamble In Art Is Not What You Think It Is, Claire Farago and Donald Preziosi observe how the architecture of contemporary museums inspires active relationships between exhibitions and visitors.1 Referring to the 2006 Denver Art Museum by Daniel Libeskind, they show the potentials germinating in a particular building. When artists and curators are invited to dialog with the spaces of this museum, situations of art-in-architecture may occur which go beyond the ordinary confrontation of exhibitions and spectatorship, works and visitors. Libeskind’s museum is no neutral frame in the modernist tradition of the white cube, but a heterogeneous spatiality. These considerations by Farago and Preziosi recall the encounter with earlier museums by Libeskind. Decisive experiences particularly date back to the year 1999 when his Jewish Museum Berlin was complete as a building, long before being inaugurated as an exhibition hall in 2001. Open to the public for guided tours in the meantime, the empty museum was visited by several hundred thousand people who turned a peripheral frame of future exhibitions into the center of their sensory and mental attention. Yet, the Libeskind building was less an object of contemplation than the occasion for an intense exploration of and in space. Confirming modernity’s close connection between exhibition and architecture, Libeskind’s Jewish Museum Berlin unfolds as a strangely dynamic and fragmented process, the moments of which call for elaboration and reflection. I. Architecture/exhibition Throughout modernity, exhibitions and architecture develop in a remarkably close relationship to one another. -
With the London Pass Entry Fee Entry Fee TOP ATTRACTIONS Tower of London + Fast Track Entrance £22.00 £10.00 Westminster Abbey £20.00 £9.00
London Pass Prices correct at 01.04.15 Attraction Entrance Prices FREE ENTRY to the following attractions Normal Adult Normal Child with the London Pass Entry fee Entry fee TOP ATTRACTIONS Tower of London + Fast track entrance £22.00 £10.00 Westminster Abbey £20.00 £9.00 NEW 1 Day Hop on Hop off Bus tour (From 1st October 2015) £22.00 £10.00 Windsor Castle + Fast track entrance £19.20 £11.30 Kensington Palace and The Orangery + Fast track entrance £15.90 FREE Hampton Court Palace + Fast track entrance £17.50 £8.75 17.10 ZSL London Zoo + Fast track entrance £24.30 Under 3 FREE Shakespeare's Globe Theatre Tour & Exhibition £13.50 £8.00 Churchill War Rooms £16.35 £8.15 London Bridge Experience and London Tombs + Fast track entrance £24.00 £18.00 Thames River Cruise £18.00 £9.00 HISTORIC BUILDINGS Tower Bridge Exhibition £9.00 £3.90 Royal Mews £9.00 £5.40 Royal Albert Hall - guided tour £12.25 £5.25 Royal Observatory £7.70 £3.60 Monument £4.00 £2.00 Banqueting House £6.00 FREE Jewel Tower £4.20 £2.50 Wellington Arch £4.30 £2.60 Apsley House £8.30 £5.00 Benjamin Franklin House £7.00 FREE Eltham Palace £13.00 £7.80 The Wernher Collection at Ranger's house £7.20 £4.30 MUSEUMS Imperial War Museum £5.00 £5.00 The London Transport Museum £16.00 FREE Household Cavalry Museum £7.00 £5.00 Charles Dickens Museum £8.00 £4.00 London Motor Museum £30.00 £20.00 Guards Museum £6.00 FREE Cartoon Museum £7.00 FREE Foundling Museum £7.50 FREE Science Museum - IMAX Theatre £11.00 £9.00 Handel House Museum £6.50 £2.00 London Canal Museum £4.00 £2.00 Royal Air -
Art and Design Museum of Brands Worksheet
Art and Design Museum of Brands Worksheet This worksheet on Art and Design is for your use as you make your way around the Museum of Brands. As the questions use various parts of the Museum, you may need to go round more than once. 1. Choose one example of packaging that you feel has been designed with function in mind and sketch it below. Describe the features that suit its purpose: 2. Choose two products that have iconic shapes and sketch the silhouettes for each below. Ask a friend to identify the two products you have sketched. Compare your results – which brand seems to have the easiest shape to recognise? 3. In the ‘Branding’ section of the Museum, you will see a number of famous brands that have evolved over time. Choose one brand that appeals to you and analyse how its branding elements have been developed and changed over time. Note all the changes you can find for each element. Brand: Element Changes over time Brand name Logos/Symbols Characters/Celebrities Slogans Packaging Colour Illustration 4. Some brand owners have repositioned their products over time (see Hartley’s Jam). Find an example of a dramatic visual change and sketch the before and after packs below. Has the repositioning been visually successful? 5. Pick an era that inspires you. Sketch three packs (or parts of packs) that you particularly like. Write key words, ideas, slogans or your impressions of this era around your sketches..