V&A Innovative Leadership 2015/16 Programme
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Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
The Seven Ages of Musical Theatre: the Life Cycle of the Child Performer
UNIVERSITY OF SOUTHAMPTON The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook A thesis submitted in partial fulfillment for the degree of Doctor of Philosophy in the Humanities Faculty School of Music April 2016 \A person's a person, no matter how small." Dr. Seuss UNIVERSITY OF SOUTHAMPTON Abstract Humanities Faculty School of Music Doctor of Philosophy The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook The purpose of the research reported here is to explore the part played by children in musical theatre. It aims to do this on two levels. It presents, for the first time, an historical analysis of involvement of children in theatre from its earliest beginnings to the current date. It is clear from this analysis that the role children played in the evolution of theatre has been both substantial and influential, with evidence of a number of recurring themes. Children have invariably made strong contributions in terms of music, dance and spectacle, and have been especially prominent in musical comedy. Playwrights have exploited precocity for comedic purposes, innocence to deliver difficult political messages in a way that is deemed acceptable by theatre audiences, and youth, recognising the emotional leverage to be obtained by appealing to more primitive instincts, notably sentimentality and, more contentiously, prurience. Every age has had its child prodigies and it is they who tend to make the headlines. However the influence of educators and entrepreneurs, artistically and commercially, is often underestimated. Although figures such as Wescott, Henslowe and Harris have been recognised by historians, some of the more recent architects of musical theatre, like Noreen Bush, are largely unheard of outside the theatre community. -
London Explorer Pass List of Attractions
London Explorer Pass List of Attractions Tower of London Uber Boat by Thames Clippers 1-day River Roamer Tower Bridge St Paul’s Cathedral 1-Day hop-on, hop-off bus tour The View from the Shard London Zoo Kew Gardens Shakespeare’s Globe Theatre Tour Westminster Abbey Kensington Palace Windsor Palace Royal Observatory Greenwich Cutty Sark Old Royal Naval College The Queen’s Gallery Chelsea FC Stadium Tour Hampton Court Palace Household Cavalry Museum London Transport Museum Jewel Tower Wellington Arch Jason’s Original Canal Boat Trip ArcelorMittal Orbit Beefeater Gin Distillery Tour Namco Funscape London Bicycle Hire Charles Dickens Museum Brit Movie Tours Royal Museums Greenwich Apsley House Benjamin Franklin House Queen’s Skate Dine Bowl Curzon Bloomsbury Curzon Mayfair Cinema Curzon Cinema Soho Museum of London Southwark Cathedral Handel and Hendrix London Freud Museum London The Postal Museum Chelsea Physic Garden Museum of Brands, Packaging and Advertising Pollock’s Toy Museum Twickenham Stadium Tour and World Rugby Museum Twickenham Stadium World Rugby Museum Cartoon Museum The Foundling Museum Royal Air Force Museum London London Canal Museum London Stadium Tour Guildhall Art Gallery Keats House Estorick Collection of Modern Italian Art Museum of London Docklands National Army Museum London Top Sights Tour (30+) Palaces and Parliament – Top Sights Tour The Garden Museum London Museum of Water and Steam Emirates Stadium Tour- Arsenal FC Florence Nightingale Museum Fan Museum The Kia Oval Tour Science Museum IMAX London Bicycle Tour London Bridge Experience Royal Albert Hall Tour The Monument to the Great Fire of London Golden Hinde Wembley Stadium Tour The Guards Museum BAPS Shri Swaminarayan Mandir Wernher Collection at Ranger’s House Eltham Palace British Museum VOX Audio Guide . -
Protecting the Royal Albert Hall
A better environment inside and out.® Safety and Security Window Films: Success Stories Protecting the Royal Albert Hall Installation Summary Problem: Potential Terriorist Attacks Solution: Installed Armorcoat Window Film for Protection Amount of film: 188 windows Benefits: 188 windows are now Blast Proof The Royal Albert Hall is an instantly recognisable world famous venue. Unfortunately, in the current climate, that also means it has to be protected from any potential terrorist attacks. Key to this is making the venue’s 188 windows blast proof, which is why the Hall has installed Armorcoat, an innovative product by Solar Gard that affords protection to all of the venue’s internal and external glass. Having a world wide totally committed to ensuring – it’s a clear product that just windows and replace it with reputation as an iconic the safety of all of our visitors, goes straight onto the glass new 175 micron Armorcoat concert venue can have patrons and employees. itself,’ said Solar Gard’s Sales film to meet Home Office its downside. That kind of The installation of Armorcoat Manager Ian Penfold. ‘The specifications for bomb profile can also translate into clearly plays a key part in problem with blasts is that blast protection, as well as becoming a potential target that because, in the case 90 per cent of injuries and replacing all the old film on for terrorists. ‘Obviously, as of anything happening, damage aren’t caused by the internal glass to meet with any public building these it prevents any injuries the blast itself, but by flying Health and Safety Executive days, security is extremely byfragments of glass.’ glass.’ duty of care requirements. -
By Mike Klozar Have You Dreamed of Visiting London, but Felt It Would
By Mike Klozar Have you dreamed of visiting London, but felt it would take a week or longer to sample its historic sites? Think again. You can experience some of London's best in just a couple of days. Day One. • Thames River Walk. Take a famous London Black Cab to the Tower of London. The ride is an experience, not just a taxi. (15-30 min.) • Explore the Tower of London. Keep your tour short, but be sure to check out the Crown Jewels. (1-2 hrs.) • Walk across the Tower Bridge. It's the fancy blue one. (15 min.) From here you get the best view of the Tower of London for photos. • Cross over to Butler's Wharf and enjoy lunch at one of the riverfront restaurants near where Bridget lived in Bridget Jones's Diary. (1.5 hrs.) • Keeping the Thames on your right, you'll come to the warship HMS Belfast. Tours daily 10 a.m.-4 p.m. (30 min.-1 hr.) • Walk up London Bridge Street to find The Borough Market. Used in countless films, it is said to be the city's oldest fruit and vegetable market, dating from the mid-1200s. (1 hr.) • Back on the river, you'll discover a tiny ship tucked into the docks: a replica of Sir Francis Drake's Golden Hind, which braved pirates in the days of yore. (15 min.) • Notable London pubs are situated along the route and are good for a pint, a cup of tea and a deserved break. Kids are welcome. -
Archiving the Arts Survey Results Theatre and Performance 2013
Archiving the Arts Survey Results Theatre and performance 2013 Sustainability, collection development and access © Crown copyright 2013 You may re-use this document (not including logos) free of charge in any format or medium, under the terms of the Open Government Licence. To view this licence, visit: www.nationalarchives.gov.uk/doc/open-government-licence/; or email: [email protected]. Any enquiries regarding the content of this document should be sent to Archives Sector Development: [email protected]. This document is also available at: www.nationalarchives.gov.uk/documents/archives/arts-survey-results-theatre.pdf. Archiving the Arts Survey results, Theatre and Performance, 2013 Page 1 of 83 Archiving the Arts Surveys The surveys were designed to gather mainly qualitative information relating to current thinking and practice across archives and collecting institutions; strategic and funding bodies; and artistic practitioners. Results of the surveys are detailed in full below. Survey 1: Collecting organisations The survey aimed to broadly establish areas of collecting and development activity, participation in projects and initiatives, their impacts, the specific uses of policies tools and guidance, wider awareness of such materials and levels of interest for knowledge sharing and future participation. Question and results Notes There was a spread of arts disciplines collected. These ranged from visual arts at 21.47%, to theatre at 17.51%, literature 15.82%, dance 12.43%, combined arts and music both at 10.73%, other 9.60% and none 1.69%. Archiving the Arts Survey results, Theatre and Performance Page 2 of 83 Of the other disciplines, Live Art and radio covering the arts were equal at 20%. -
2007 Europe Spring Tour
STILL ON THE ROAD 2007 EUROPE SPRING TOUR MARCH 27 Stockholm, Sweden Debaser Medis 28 Washington, D.C. Theme Time Radio Hour, Episode 47: Fools 28 Stockholm, Sweden Globe Arena 30 Oslo, Norway Spektrum APRIL Gothenburg, Sweden Scandinavium 1 2 Copenhagen, Denmark Forum Washington, D.C. Theme Time Radio Hour, Episode 48: New York 4 Hamburg, Germany Colorline Arena 5 Münster, Germany Halle Münsterland 6 Brussels, Belgium Vorst Nationaal 8 Amsterdam, The Netherlands Heineken Music Hall 9 Amsterdam, The Netherlands Heineken Music Hall 11 Washington, D.C. Theme Time Radio Hour, Episode 49: Death & Taxes 11 Glasgow, Scotland Scottish Exhibition And Conference Center 12 Newcastle, England Metro Radio Arena 14 Sheffield, England Hallam FM Arena 15 London, England Wembley Arena 16 London, England Wembley Arena 17 Birmingham, England National Indoor Arena (NIA) 18 Washington, D.C. Theme Time Radio Hour, Episode 50: Spring Cleaning 19 Düsseldorf, Germany Philipshalle 20 Stuttgart, Germany Porsche Arena 21 Frankfurt, Germany Jahrhunderthalle 23 Paris, France Palais Omnisports de Paris 25 Geneva, Switzerland Geneva Arena 26 Turin, Italy Palaolimpico Isozaki 27 Milan, Italy Forum di Assago 29 Zürich, Switzerland Hallenstadion 30 Mannheim, Germany SAP Arena MAY 2 Leipzig, Germany Leipzig Arena 3 Berlin, Germany Max Schmeling Halle 5 Herning, Denmark Herninghalle Bob Dylan: Still On The Road – 2007 Europe Spring Tour Bob Dylan: Still On The Road – 2007 Europe Spring Tour 28958 Debaser Medis Stockholm, Sweden 27 March 2007 1. Most Likely You Go Your Way (And I'll Go Mine) 2. Not Dark Yet 3. I'll Be Your Baby Tonight 4. It's Alright, Ma (I'm Only Bleeding) 5. -
Read the 2015/2016 Financial Statement
ANNUAL REPORT 2015-16 National Theatre Page 1 of 87 PUBLIC BENEFIT STATEMENT In developing the objectives for the year, and in planning activities, the Trustees have considered the Charity Commission’s guidance on public benefit and fee charging. The repertoire is planned so that across a full year it will cover the widest range of world class theatre that entertains, inspires and challenges the broadest possible audience. Particular regard is given to ticket-pricing, affordability, access and audience development, both through the Travelex season and more generally in the provision of lower price tickets for all performances. Geographical reach is achieved through touring and NT Live broadcasts to cinemas in the UK and overseas. The NT’s Learning programme seeks to introduce children and young people to theatre and offers participation opportunities both on-site and across the country. Through a programme of talks, exhibitions, publishing and digital content the NT inspires and challenges audiences of all ages. The Annual Report is available to download at www.nationaltheatre.org.uk/annualreport If you would like to receive it in large print, or you are visually impaired and would like a member of staff to talk through the publication with you, please contact the Board Secretary at the National Theatre. Registered Office & Principal Place of Business: The Royal National Theatre, Upper Ground, London. SE1 9PX +44 (0)20 7452 3333 Company registration number 749504. Registered charity number 224223. Registered in England. Page 2 of 87 CONTENTS Public Benefit Statement 2 Current Board Members 4 Structure, Governance and Management 5 Strategic Report 8 Trustees and Directors Report 36 Independent Auditors’ Report 45 Financial Statements 48 Notes to the Financial Statements 52 Reference and Administrative Details of the Charity, Trustees and Advisors 86 In this document The Royal National Theatre is referred to as “the NT”, “the National”, and “the National Theatre”. -
The Kensington Announces Official Partnership with Royal Albert Hall
THE KENSINGTON ANNOUNCES OFFICIAL PARTNERSHIP WITH ROYAL ALBERT HALL Exclusive package available for guests of The Kensington, including Cirque du Soleil tickets The latest addition to The Doyle Collection’s ‘Slice of the City’ initiative, expanding existing cultural offerings The Kensington is delighted to announce that they have become an official hotel partner of the Royal Albert Hall. As part of The Doyle Collection’s ‘Slice of the City’ offering, The Kensington can now provide guests with an exclusive overnight package in conjunction with the nearby Royal Albert Hall including tickets to a show. Additionally, Royal Albert Hall visitors receive preferential rates when booking an overnight stay at The Kensington. The ‘Night at the Circus with The Kensington and Royal Albert Hall’ package is exclusive to hotel guests and includes an overnight stay, two tickets to Cirque du Soleil’s Amaluna production, a complimentary programme and gift per person and a pre- show, two-course dinner for two at the Royal Albert Hall’s decedent Coda Restaurant, with wine and dessert served at the interval. The Kensington, London’s finest townhouse hotel, is located just five minutes away from the Royal Albert Hall. Sitting within the Royal borough amongst leafy squares, museums and parks, the hotel offers a private residence feel, while it’s luxurious heritage décor makes it the ideal luxury hotel partner for the one of Britain’s most iconic venues. The partnership reinforces The Kensington’s positioning as one of London’s most cultural hotels. Alongside a continuing association with the Victoria & Albert Museum and proximity to the Natural History Museum, Science Museum and Royal College of Art amongst other institutions, The Kensington continues to evolve as a cultural hub in the city. -
A4 Web Map 26-1-12:Layout 1
King’s Cross Start St Pancras MAP KEY Eurostar Main Starting Point Euston Original Tour 1 St Pancras T1 English commentary/live guides Interchange Point City Sightseeing Tour (colour denotes route) Start T2 W o Language commentaries plus Kids Club REGENT’S PARK Euston Rd b 3 u Underground Station r n P Madame Tussauds l Museum Tour Russell Sq TM T4 Main Line Station Gower St Language commentaries plus Kids Club q l S “A TOUR DE FORCE!” The Times, London To t el ★ River Cruise Piers ss Gt Portland St tenham Ct Rd Ru Baker St T3 Loop Line Gt Portland St B S s e o Liverpool St Location of Attraction Marylebone Rd P re M d u ark C o fo t Telecom n r h Stansted Station Connector t d a T5 Portla a m Museum Tower g P Express u l p of London e to S Aldgate East Original London t n e nd Pl t Capital Connector R London Wall ga T6 t o Holborn s Visitor Centre S w p i o Aldgate Marylebone High St British h Ho t l is und S Museum el Bank of sdi igh s B tch H Gloucester Pl s England te Baker St u ga Marylebone Broadcasting House R St Holborn ld d t ford A R a Ox e re New K n i Royal Courts St Paul’s Cathedral n o G g of Justice b Mansion House Swiss RE Tower s e w l Tottenham (The Gherkin) y a Court Rd M r y a Lud gat i St St e H n M d t ill r e o xfo Fle Fenchurch St Monument r ld O i C e O C an n s Jam h on St Tower Hill t h Blackfriars S a r d es St i e Oxford Circus n Aldwyc Temple l a s Edgware Rd Tower Hil g r n Reg Paddington P d ve s St The Monument me G A ha per T y Covent Garden Start x St ent Up r e d t r Hamleys u C en s fo N km Norfolk -
With the London Pass Entry Fee Entry Fee TOP ATTRACTIONS Tower of London + Fast Track Entrance £22.00 £10.00 Westminster Abbey £20.00 £9.00
London Pass Prices correct at 01.04.15 Attraction Entrance Prices FREE ENTRY to the following attractions Normal Adult Normal Child with the London Pass Entry fee Entry fee TOP ATTRACTIONS Tower of London + Fast track entrance £22.00 £10.00 Westminster Abbey £20.00 £9.00 NEW 1 Day Hop on Hop off Bus tour (From 1st October 2015) £22.00 £10.00 Windsor Castle + Fast track entrance £19.20 £11.30 Kensington Palace and The Orangery + Fast track entrance £15.90 FREE Hampton Court Palace + Fast track entrance £17.50 £8.75 17.10 ZSL London Zoo + Fast track entrance £24.30 Under 3 FREE Shakespeare's Globe Theatre Tour & Exhibition £13.50 £8.00 Churchill War Rooms £16.35 £8.15 London Bridge Experience and London Tombs + Fast track entrance £24.00 £18.00 Thames River Cruise £18.00 £9.00 HISTORIC BUILDINGS Tower Bridge Exhibition £9.00 £3.90 Royal Mews £9.00 £5.40 Royal Albert Hall - guided tour £12.25 £5.25 Royal Observatory £7.70 £3.60 Monument £4.00 £2.00 Banqueting House £6.00 FREE Jewel Tower £4.20 £2.50 Wellington Arch £4.30 £2.60 Apsley House £8.30 £5.00 Benjamin Franklin House £7.00 FREE Eltham Palace £13.00 £7.80 The Wernher Collection at Ranger's house £7.20 £4.30 MUSEUMS Imperial War Museum £5.00 £5.00 The London Transport Museum £16.00 FREE Household Cavalry Museum £7.00 £5.00 Charles Dickens Museum £8.00 £4.00 London Motor Museum £30.00 £20.00 Guards Museum £6.00 FREE Cartoon Museum £7.00 FREE Foundling Museum £7.50 FREE Science Museum - IMAX Theatre £11.00 £9.00 Handel House Museum £6.50 £2.00 London Canal Museum £4.00 £2.00 Royal Air -
Types & Forms of Theatres
THEATRE PROJECTS 1 Credit: Scott Frances Scott Credit: Types & Forms of Theatres THEATRE PROJECTS 2 Contents Types and forms of theatres 3 Spaces for drama 4 Small drama theatres 4 Arena 4 Thrust 5 Endstage 5 Flexible theatres 6 Environmental theatre 6 Promenade theatre 6 Black box theatre 7 Studio theatre 7 Courtyard theatre 8 Large drama theatres 9 Proscenium theatre 9 Thrust and open stage 10 Spaces for acoustic music (unamplified) 11 Recital hall 11 Concert halls 12 Shoebox concert hall 12 Vineyard concert hall, surround hall 13 Spaces for opera and dance 14 Opera house 14 Dance theatre 15 Spaces for multiple uses 16 Multipurpose theatre 16 Multiform theatre 17 Spaces for entertainment 18 Multi-use commercial theatre 18 Showroom 19 Spaces for media interaction 20 Spaces for meeting and worship 21 Conference center 21 House of worship 21 Spaces for teaching 22 Single-purpose spaces 22 Instructional spaces 22 Stage technology 22 THEATRE PROJECTS 3 Credit: Anton Grassl on behalf of Wilson Architects At the very core of human nature is an instinct to musicals, ballet, modern dance, spoken word, circus, gather together with one another and share our or any activity where an artist communicates with an experiences and perspectives—to tell and hear stories. audience. How could any one kind of building work for And ever since the first humans huddled around a all these different types of performance? fire to share these stories, there has been theatre. As people evolved, so did the stories they told and There is no ideal theatre size. The scale of a theatre the settings where they told them.